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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D2D9 it is the complementary color #372D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D2D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C8D2D9: #CDD2D4, #DEE4E7, #EFF6FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D2D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C8D2D9: #C8D2D9, #B7C0C6, #A6AEB3, #959CA0 and #848A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 3 / 0 / 15

HEX #C8D2D9

RGB 200 210 217

HSL 204.71, 0.18%, 0.82%

LAB 83.64, -2.04, -4.63

 

Complementary color

CMYK 0 / 18 / 31 / 78

HEX #372D26

RGB 55 45 38

HSL 24.71, 0.18%, 0.18%

LAB 19.35, 3.24, 6.23

 

CMYK 3 / 1 / 0 / 17

HEX #CDD2D4

RGB 205 210 212

HSL 197.14, 0.08%, 0.82%

LAB 83.87, -1.32, -1.59

 

CMYK 4 / 1 / 0 / 9

HEX #DEE4E7

RGB 222 228 231

HSL 200, 0.16%, 0.89%

LAB 90.22, -1.45, -2.17

 

CMYK 4 / 2 / 0 / 2

HEX #EFF6FA

RGB 239 246 250

HSL 201.82, 0.52%, 0.96%

LAB 96.48, -1.57, -2.73

 

CMYK 8 / 3 / 0 / 15

HEX #C8D2D9

RGB 200 210 217

HSL 204.71, 0.18%, 0.82%

LAB 83.64, -2.04, -4.63

 

CMYK 8 / 3 / 0 / 22

HEX #B7C0C6

RGB 183 192 198

HSL 204, 0.12%, 0.75%

LAB 77.19, -1.92, -4.09

 

CMYK 7 / 3 / 0 / 30

HEX #A6AEB3

RGB 166 174 179

HSL 203.08, 0.08%, 0.68%

LAB 70.62, -1.81, -3.54

 

CMYK 7 / 2 / 0 / 37

HEX #959CA0

RGB 149 156 160

HSL 201.82, 0.05%, 0.61%

LAB 63.92, -1.7, -2.96

 

CMYK 6 / 2 / 0 / 45

HEX #848A8D

RGB 132 138 141

HSL 200, 0.04%, 0.54%

LAB 57.08, -1.58, -2.37

 

CMYK 8 / 3 / 0 / 15

HEX #C8D2D9

RGB 200 210 217

HSL 204.71, 0.18%, 0.82%

LAB 83.64, -2.04, -4.63

 

CMYK 8 / 5 / 0 / 15

HEX #C8CFD9

RGB 200 207 217

HSL 215.29, 0.18%, 0.82%

LAB 82.87, -0.46, -5.78

 

CMYK 8 / 6 / 0 / 15

HEX #C8CDD9

RGB 200 205 217

HSL 222.35, 0.18%, 0.82%

LAB 82.35, 0.59, -6.54

 

CMYK 8 / 7 / 0 / 15

HEX #C8CAD9

RGB 200 202 217

HSL 232.94, 0.18%, 0.82%

LAB 81.58, 2.18, -7.68

 

CMYK 7 / 8 / 0 / 15

HEX #C9C8D9

RGB 201 200 217

HSL 243.53, 0.18%, 0.82%

LAB 81.15, 3.57, -8.32

 

CMYK 8 / 3 / 0 / 15

HEX #C8D2D9

RGB 200 210 217

HSL 204.71, 0.18%, 0.82%

LAB 83.64, -2.04, -4.63

 

CMYK 8 / 0 / 0 / 95

HEX #0C0D0D

RGB 12 13 13

HSL 180, 0.04%, 0.05%

LAB 3.57, -0.3, -0.11

 

CMYK 8 / 3 / 0 / 75

HEX #3B3E40

RGB 59 62 64

HSL 204, 0.04%, 0.24%

LAB 26, -0.79, -1.67

 

CMYK 8 / 3 / 0 / 55

HEX #6A6F73

RGB 106 111 115

HSL 206.67, 0.04%, 0.43%

LAB 46.54, -1.04, -2.88

 

CMYK 8 / 3 / 0 / 35

HEX #99A1A6

RGB 153 161 166

HSL 203.08, 0.07%, 0.63%

LAB 65.76, -1.83, -3.58

 

CMYK 8 / 3 / 0 / 15

HEX #C8D2D9

RGB 200 210 217

HSL 204.71, 0.18%, 0.82%

LAB 83.64, -2.04, -4.63

 

CMYK 3 / 8 / 0 / 15

HEX #D2C8D9

RGB 210 200 217

HSL 275.29, 0.18%, 0.82%

LAB 81.85, 6.58, -7.2

 

CMYK 0 / 0 / 8 / 15

HEX #D9D9C8

RGB 217 217 200

HSL 60, 0.18%, 0.82%

LAB 86.28, -2.95, 8.37

 

CMYK 8 / 3 / 0 / 15

HEX #C8D2D9

RGB 200 210 217

HSL 204.71, 0.18%, 0.82%

LAB 83.64, -2.04, -4.63

 

CMYK 0 / 8 / 3 / 15

HEX #D9C8D2

RGB 217 200 210

HSL 324.71, 0.18%, 0.82%

LAB 82.22, 7.68, -2.83

 

CMYK 3 / 0 / 8 / 15

HEX #D2D9C8

RGB 210 217 200

HSL 84.71, 0.18%, 0.82%

LAB 85.75, -5.39, 7.54

 

CMYK 8 / 3 / 0 / 15

HEX #C8D2D9

RGB 200 210 217

HSL 204.71, 0.18%, 0.82%

LAB 83.64, -2.04, -4.63

 

CMYK 3 / 8 / 0 / 15

HEX #D2C8D9

RGB 210 200 217

HSL 275.29, 0.18%, 0.82%

LAB 81.85, 6.58, -7.2

 

CMYK 0 / 5 / 8 / 15

HEX #D9CFC8

RGB 217 207 200

HSL 24.71, 0.18%, 0.82%

LAB 83.73, 2.25, 4.7

 

CMYK 5 / 0 / 8 / 15

HEX #CFD9C8

RGB 207 217 200

HSL 95.29, 0.18%, 0.82%

LAB 85.53, -6.43, 7.2

 

CMYK 8 / 3 / 0 / 15

HEX #C8D2D9

RGB 200 210 217

HSL 204.71, 0.18%, 0.82%

LAB 83.64, -2.04, -4.63

 

CMYK 1 / 8 / 0 / 15

HEX #D7C8D9

RGB 215 200 217

HSL 292.94, 0.18%, 0.82%

LAB 82.25, 8.26, -6.56

 

CMYK 0 / 5 / 8 / 15

HEX #D9CFC8

RGB 217 207 200

HSL 24.71, 0.18%, 0.82%

LAB 83.73, 2.25, 4.7

 

CMYK 7 / 0 / 8 / 15

HEX #CAD9C8

RGB 202 217 200

HSL 112.94, 0.18%, 0.82%

LAB 85.18, -8.15, 6.64

 

Description

Color code: HEX #C8D2D9 | qconv.com Color code: HEX #C8D2D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 210 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 210 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 3 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 3% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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