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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D294 it is the complementary color #372D6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D294. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8D294 shade: #CDD28F, #DEE4A2, #EFF6B5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D294. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8D294 shade: #C8D294, #B7C081, #A6AE6E, #959C5B and #848A48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8D294 shade: #C8D293, #D2CB93, #D2BA93, #D2A993 and #D29893

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8D294 shade: #C8D293, #B7D293, #A6D293, #95D293 and #93D2A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8D294 shade matches the following richer shades: #C8D293, #D0DE87, #D9EB7A and #E1F76E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8D294 shade: #C8D293, #BFC5A0, #B7B9AC, #AFADB8 and #A6A0C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8D294 shade: #D2BA93, #D2CB93, #C8D293, #B8D293 and #A7D293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8D294 shade: #AABA59, #B9C676, #C8D293, #D7DEB0 and #E6EACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8D294 shade: #C8D294, #93D2A9 and #C293D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8D294 shade: #C8D294, #93C8D2 and #D293C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8D294 shade: #C8D294, #93D2A9, #9D93D2 and #D293BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8D294 shade: #C8D294, #93D2BC, #9D93D2 and #D293A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 30 / 18

HEX #C8D294

RGB 200 210 148

HSL 69.68, 0.41%, 0.7%

LAB 82.11, -13.42, 29.67

 

Complementary color

CMYK 49 / 58 / 0 / 58

HEX #372D6B

RGB 55 45 107

HSL 249.68, 0.41%, 0.3%

LAB 22.83, 22.05, -34.86

 

CMYK 2 / 0 / 32 / 18

HEX #CDD28F

RGB 205 210 143

HSL 64.48, 0.43%, 0.69%

LAB 82.41, -12.16, 32.71

 

CMYK 3 / 0 / 29 / 11

HEX #DEE4A2

RGB 222 228 162

HSL 65.45, 0.55%, 0.76%

LAB 88.74, -12.36, 31.62

 

CMYK 3 / 0 / 26 / 4

HEX #EFF6B5

RGB 239 246 181

HSL 66.46, 0.78%, 0.84%

LAB 94.99, -12.52, 30.58

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 5 / 0 / 30 / 18

HEX #C8D294

RGB 200 210 148

HSL 69.68, 0.41%, 0.7%

LAB 82.11, -13.42, 29.67

 

CMYK 5 / 0 / 33 / 25

HEX #B7C081

RGB 183 192 129

HSL 68.57, 0.33%, 0.63%

LAB 75.67, -13.26, 30.77

 

CMYK 5 / 0 / 37 / 32

HEX #A6AE6E

RGB 166 174 110

HSL 67.5, 0.28%, 0.56%

LAB 69.12, -13.07, 31.93

 

CMYK 4 / 0 / 42 / 39

HEX #959C5B

RGB 149 156 91

HSL 66.46, 0.26%, 0.48%

LAB 62.44, -12.82, 33.14

 

CMYK 4 / 0 / 48 / 46

HEX #848A48

RGB 132 138 72

HSL 65.45, 0.31%, 0.41%

LAB 55.63, -12.5, 34.39

 

CMYK 5 / 0 / 30 / 18

HEX #C8D293

RGB 200 210 147

HSL 69.52, 0.41%, 0.7%

LAB 82.1, -13.55, 30.16

 

CMYK 0 / 3 / 30 / 18

HEX #D2CB93

RGB 210 203 147

HSL 53.33, 0.41%, 0.7%

LAB 81.03, -6.16, 28.87

 

CMYK 0 / 11 / 30 / 18

HEX #D2BA93

RGB 210 186 147

HSL 37.14, 0.41%, 0.7%

LAB 76.63, 2.73, 22.93

 

CMYK 0 / 20 / 30 / 18

HEX #D2A993

RGB 210 169 147

HSL 20.95, 0.41%, 0.7%

LAB 72.35, 11.83, 17.04

 

CMYK 0 / 28 / 30 / 18

HEX #D29893

RGB 210 152 147

HSL 4.76, 0.41%, 0.7%

LAB 68.22, 21.06, 11.24

 

CMYK 5 / 0 / 30 / 18

HEX #C8D293

RGB 200 210 147

HSL 69.52, 0.41%, 0.7%

LAB 82.1, -13.55, 30.16

 

CMYK 13 / 0 / 30 / 18

HEX #B7D293

RGB 183 210 147

HSL 85.71, 0.41%, 0.7%

LAB 80.89, -19.88, 28.33

 

CMYK 21 / 0 / 30 / 18

HEX #A6D293

RGB 166 210 147

HSL 101.9, 0.41%, 0.7%

LAB 79.79, -25.98, 26.66

 

CMYK 29 / 0 / 30 / 18

HEX #95D293

RGB 149 210 147

HSL 118.1, 0.41%, 0.7%

LAB 78.8, -31.75, 25.17

 

CMYK 30 / 0 / 23 / 18

HEX #93D2A2

RGB 147 210 162

HSL 134.29, 0.41%, 0.7%

LAB 78.99, -29.8, 17.51

 

CMYK 5 / 0 / 30 / 18

HEX #C8D293

RGB 200 210 147

HSL 69.52, 0.41%, 0.7%

LAB 82.1, -13.55, 30.16

 

CMYK 6 / 0 / 39 / 13

HEX #D0DE87

RGB 208 222 135

HSL 69.66, 0.57%, 0.7%

LAB 85.71, -17.96, 41.08

 

CMYK 8 / 0 / 48 / 8

HEX #D9EB7A

RGB 217 235 122

HSL 69.56, 0.74%, 0.7%

LAB 89.66, -22.18, 52.41

 

CMYK 9 / 0 / 55 / 3

HEX #E1F76E

RGB 225 247 110

HSL 69.64, 0.9%, 0.7%

LAB 93.3, -25.85, 62.24

 

CMYK 5 / 0 / 30 / 18

HEX #C8D293

RGB 200 210 147

HSL 69.52, 0.41%, 0.7%

LAB 82.1, -13.55, 30.16

 

CMYK 3 / 0 / 19 / 23

HEX #BFC5A0

RGB 191 197 160

HSL 69.73, 0.24%, 0.7%

LAB 78.2, -8.41, 17.9

 

CMYK 1 / 0 / 7 / 27

HEX #B7B9AC

RGB 183 185 172

HSL 69.23, 0.08%, 0.7%

LAB 74.66, -3.05, 6.34

 

CMYK 5 / 6 / 0 / 28

HEX #AFADB8

RGB 175 173 184

HSL 250.91, 0.07%, 0.7%

LAB 71.19, 2.82, -5.37

 

CMYK 16 / 19 / 0 / 23

HEX #A6A0C5

RGB 166 160 197

HSL 249.73, 0.24%, 0.7%

LAB 67.49, 9.69, -18.18

 

CMYK 0 / 11 / 30 / 18

HEX #D2BA93

RGB 210 186 147

HSL 37.14, 0.41%, 0.7%

LAB 76.63, 2.73, 22.93

 

CMYK 0 / 3 / 30 / 18

HEX #D2CB93

RGB 210 203 147

HSL 53.33, 0.41%, 0.7%

LAB 81.03, -6.16, 28.87

 

CMYK 5 / 0 / 30 / 18

HEX #C8D293

RGB 200 210 147

HSL 69.52, 0.41%, 0.7%

LAB 82.1, -13.55, 30.16

 

CMYK 12 / 0 / 30 / 18

HEX #B8D293

RGB 184 210 147

HSL 84.76, 0.41%, 0.7%

LAB 80.96, -19.52, 28.43

 

CMYK 20 / 0 / 30 / 18

HEX #A7D293

RGB 167 210 147

HSL 100.95, 0.41%, 0.7%

LAB 79.85, -25.63, 26.76

 

CMYK 9 / 0 / 52 / 27

HEX #AABA59

RGB 170 186 89

HSL 69.9, 0.41%, 0.54%

LAB 72.49, -19.84, 46.75

 

CMYK 7 / 0 / 40 / 22

HEX #B9C676

RGB 185 198 118

HSL 69.75, 0.41%, 0.62%

LAB 77.29, -16.86, 38.56

 

CMYK 5 / 0 / 30 / 18

HEX #C8D293

RGB 200 210 147

HSL 69.52, 0.41%, 0.7%

LAB 82.1, -13.55, 30.16

 

CMYK 3 / 0 / 21 / 13

HEX #D7DEB0

RGB 215 222 176

HSL 69.13, 0.41%, 0.78%

LAB 86.91, -9.99, 21.82

 

CMYK 2 / 0 / 12 / 8

HEX #E6EACD

RGB 230 234 205

HSL 68.28, 0.41%, 0.86%

LAB 91.72, -6.26, 13.63

 

CMYK 5 / 0 / 30 / 18

HEX #C8D294

RGB 200 210 148

HSL 69.68, 0.41%, 0.7%

LAB 82.11, -13.42, 29.67

 

CMYK 30 / 0 / 20 / 18

HEX #93D2A9

RGB 147 210 169

HSL 140.95, 0.41%, 0.7%

LAB 79.13, -28.5, 14

 

CMYK 8 / 30 / 0 / 18

HEX #C293D2

RGB 194 147 210

HSL 284.76, 0.41%, 0.7%

LAB 67.27, 28.79, -25.5

 

CMYK 5 / 0 / 30 / 18

HEX #C8D294

RGB 200 210 148

HSL 69.68, 0.41%, 0.7%

LAB 82.11, -13.42, 29.67

 

CMYK 30 / 5 / 0 / 18

HEX #93C8D2

RGB 147 200 210

HSL 189.52, 0.41%, 0.7%

LAB 77.38, -14.77, -10.54

 

CMYK 0 / 30 / 5 / 18

HEX #D293C8

RGB 210 147 200

HSL 309.52, 0.41%, 0.7%

LAB 68.56, 32.12, -17.83

 

CMYK 5 / 0 / 30 / 18

HEX #C8D294

RGB 200 210 148

HSL 69.68, 0.41%, 0.7%

LAB 82.11, -13.42, 29.67

 

CMYK 30 / 0 / 20 / 18

HEX #93D2A9

RGB 147 210 169

HSL 140.95, 0.41%, 0.7%

LAB 79.13, -28.5, 14

 

CMYK 25 / 30 / 0 / 18

HEX #9D93D2

RGB 157 147 210

HSL 249.52, 0.41%, 0.7%

LAB 63.91, 17.24, -30.96

 

CMYK 0 / 30 / 10 / 18

HEX #D293BC

RGB 210 147 188

HSL 320.95, 0.41%, 0.7%

LAB 68.17, 30.03, -11.73

 

CMYK 5 / 0 / 30 / 18

HEX #C8D294

RGB 200 210 148

HSL 69.68, 0.41%, 0.7%

LAB 82.11, -13.42, 29.67

 

CMYK 30 / 0 / 10 / 18

HEX #93D2BC

RGB 147 210 188

HSL 159.05, 0.41%, 0.7%

LAB 79.57, -24.7, 4.5

 

CMYK 25 / 30 / 0 / 18

HEX #9D93D2

RGB 157 147 210

HSL 249.52, 0.41%, 0.7%

LAB 63.91, 17.24, -30.96

 

CMYK 0 / 30 / 20 / 18

HEX #D293A9

RGB 210 147 169

HSL 339.05, 0.41%, 0.7%

LAB 67.6, 26.95, -1.95

 

Description

Color code: HEX #C8D294 | qconv.com Color code: HEX #C8D294 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 210 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 210 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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