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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8CBEC4C it is the complementary color #3734134C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8CBEC4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8CBEC4C shade: #CDCBE74C, #DEDDFA4C, #EFEFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8CBEC4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8CBEC4C shade: #C8CBEC4C, #B7B9D94C, #A6A7C64C, #9595B34C and #8483A04C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8CBEC4C shade: #C6C9EB, #CDC6EB, #D7C6EB, #E1C6EB and #EBC6EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8CBEC4C shade: #C6C9EB and #C6C6EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8CBEC4C shade matches the following richer shades: #C6C9EB, #C0C4F2, #BABFF8 and #B3BAFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8CBEC4C shade: #C6C9EB, #CCCEE5, #D2D3DF, #D9D9D9 and #DFDED3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8CBEC4C shade: #C6DDEB, #C6D3EB, #C6C9EB, #CDC6EB and #D7C6EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8CBEC4C shade: #898FD6, #A7ACE1, #C6C9EB, #E5E6F6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8CBEC4C shade: #C8CBEC, #EBC6E7 and #D8EBC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8CBEC4C shade: #C8CBEC, #EBC6C9 and #C9EBC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8CBEC4C shade: #C8CBEC, #EBC6E7, #EBE8C6 and #C6EBCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8CBEC4C shade: #C8CBEC, #EBC6DC, #EBE8C6 and #C6EBD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 4 / 0 / 2

HEX #C8CBEC4C

RGBA 200 203 236 0.3

HSLA 235, 0.49%, 0.85%, 0.3

LABA 82.4, 5.51, -16.61, 0.3

 

Complementary color

CMYK 0 / 2 / 20 / 24

HEX #3734134C

RGBA 55 52 19 0.3

HSLA 55, 0.49%, 0.15%, 0.3

LABA 21.26, -4.01, 20.99, 0.3

 

CMYK 3 / 4 / 0 / 3

HEX #CDCBE74C

RGBA 205 203 231 0.3

HSLA 244.29, 0.37%, 0.85%, 0.3

LABA 82.63, 6.07, -13.57, 0.3

 

CMYK 3 / 3 / 0 / 1

HEX #DEDDFA4C

RGBA 222 221 250 0.3

HSLA 242.07, 0.74%, 0.92%, 0.3

LABA 88.99, 5.84, -13.97, 0.3

 

CMYK 2 / 2 / 0 / 0

HEX #EFEFFF4C

RGBA 239 239 255 0.3

HSLA 240, 1%, 0.97%, 0.3

LABA 94.87, 2.93, -7.69, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 5 / 4 / 0 / 2

HEX #C8CBEC4C

RGBA 200 203 236 0.3

HSLA 235, 0.49%, 0.85%, 0.3

LABA 82.4, 5.51, -16.61, 0.3

 

CMYK 5 / 4 / 0 / 4

HEX #B7B9D94C

RGBA 183 185 217 0.3

HSLA 236.47, 0.31%, 0.78%, 0.3

LABA 75.93, 5.76, -16.26, 0.3

 

CMYK 5 / 5 / 0 / 7

HEX #A6A7C64C

RGBA 166 167 198 0.3

HSLA 238.13, 0.22%, 0.71%, 0.3

LABA 69.34, 6.02, -15.93, 0.3

 

CMYK 5 / 5 / 0 / 9

HEX #9595B34C

RGBA 149 149 179 0.3

HSLA 240, 0.16%, 0.64%, 0.3

LABA 62.62, 6.3, -15.6, 0.3

 

CMYK 5 / 5 / 0 / 11

HEX #8483A04C

RGBA 132 131 160 0.3

HSLA 242.07, 0.13%, 0.57%, 0.3

LABA 55.76, 6.61, -15.29, 0.3

 

CMYK 16 / 14 / 0 / 8

HEX #C6C9EB

RGB 198 201 235

HSL 235.14, 0.48%, 0.85%

LAB 81.72, 5.74, -17.12

 

CMYK 13 / 16 / 0 / 8

HEX #CDC6EB

RGB 205 198 235

HSL 251.35, 0.48%, 0.85%

LAB 81.49, 9.56, -17.41

 

CMYK 9 / 16 / 0 / 8

HEX #D7C6EB

RGB 215 198 235

HSL 267.57, 0.48%, 0.85%

LAB 82.29, 12.78, -16.13

 

CMYK 4 / 16 / 0 / 8

HEX #E1C6EB

RGB 225 198 235

HSL 283.78, 0.48%, 0.85%

LAB 83.12, 16.05, -14.79

 

CMYK 0 / 16 / 0 / 8

HEX #EBC6EB

RGB 235 198 235

HSL 300, 0.48%, 0.85%

LAB 83.99, 19.35, -13.4

 

CMYK 16 / 14 / 0 / 8

HEX #C6C9EB

RGB 198 201 235

HSL 235.14, 0.48%, 0.85%

LAB 81.72, 5.74, -17.12

 

CMYK 16 / 16 / 0 / 8

HEX #C6C6EB

RGB 198 198 235

HSL 240, 0.48%, 0.85%

LAB 80.96, 7.35, -18.27

 

CMYK 16 / 14 / 0 / 8

HEX #C6C9EB

RGB 198 201 235

HSL 235.14, 0.48%, 0.85%

LAB 81.72, 5.74, -17.12

 

CMYK 21 / 19 / 0 / 5

HEX #C0C4F2

RGB 192 196 242

HSL 235.2, 0.66%, 0.85%

LAB 80.23, 8.09, -23.15

 

CMYK 25 / 23 / 0 / 3

HEX #BABFF8

RGB 186 191 248

HSL 235.16, 0.82%, 0.85%

LAB 78.74, 10.37, -28.69

 

CMYK 30 / 27 / 0 / 0

HEX #B3BAFE

RGB 179 186 254

HSL 234.4, 0.97%, 0.85%

LAB 77.2, 12.51, -34.32

 

CMYK 16 / 14 / 0 / 8

HEX #C6C9EB

RGB 198 201 235

HSL 235.14, 0.48%, 0.85%

LAB 81.72, 5.74, -17.12

 

CMYK 11 / 10 / 0 / 10

HEX #CCCEE5

RGB 204 206 229

HSL 235.2, 0.32%, 0.85%

LAB 83.25, 3.75, -11.57

 

CMYK 6 / 5 / 0 / 13

HEX #D2D3DF

RGB 210 211 223

HSL 235.38, 0.17%, 0.85%

LAB 84.8, 1.91, -6.03

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 0 / 0 / 5 / 13

HEX #DFDED3

RGB 223 222 211

HSL 55, 0.16%, 0.85%

LAB 88.27, -1.58, 5.5

 

CMYK 16 / 6 / 0 / 8

HEX #C6DDEB

RGB 198 221 235

HSL 202.7, 0.48%, 0.85%

LAB 86.86, -4.79, -9.43

 

CMYK 16 / 10 / 0 / 8

HEX #C6D3EB

RGB 198 211 235

HSL 218.92, 0.48%, 0.85%

LAB 84.27, 0.43, -13.28

 

CMYK 16 / 14 / 0 / 8

HEX #C6C9EB

RGB 198 201 235

HSL 235.14, 0.48%, 0.85%

LAB 81.72, 5.74, -17.12

 

CMYK 13 / 16 / 0 / 8

HEX #CDC6EB

RGB 205 198 235

HSL 251.35, 0.48%, 0.85%

LAB 81.49, 9.56, -17.41

 

CMYK 9 / 16 / 0 / 8

HEX #D7C6EB

RGB 215 198 235

HSL 267.57, 0.48%, 0.85%

LAB 82.29, 12.78, -16.13

 

CMYK 36 / 33 / 0 / 16

HEX #898FD6

RGB 137 143 214

HSL 235.32, 0.48%, 0.69%

LAB 61.5, 14.8, -37.06

 

CMYK 26 / 24 / 0 / 12

HEX #A7ACE1

RGB 167 172 225

HSL 234.83, 0.49%, 0.77%

LAB 71.66, 9.76, -27.22

 

CMYK 16 / 14 / 0 / 8

HEX #C6C9EB

RGB 198 201 235

HSL 235.14, 0.48%, 0.85%

LAB 81.72, 5.74, -17.12

 

CMYK 7 / 7 / 0 / 4

HEX #E5E6F6

RGB 229 230 246

HSL 236.47, 0.49%, 0.93%

LAB 91.64, 2.63, -7.87

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 14 / 0 / 7

HEX #C8CBEC

RGB 200 203 236

HSL 235, 0.49%, 0.85%

LAB 82.4, 5.51, -16.61

 

CMYK 0 / 16 / 2 / 8

HEX #EBC6E7

RGB 235 198 231

HSL 306.49, 0.48%, 0.85%

LAB 83.87, 18.63, -11.45

 

CMYK 8 / 0 / 16 / 8

HEX #D8EBC6

RGB 216 235 198

HSL 90.81, 0.48%, 0.85%

LAB 90.82, -12.77, 15.86

 

CMYK 15 / 14 / 0 / 7

HEX #C8CBEC

RGB 200 203 236

HSL 235, 0.49%, 0.85%

LAB 82.4, 5.51, -16.61

 

CMYK 0 / 16 / 14 / 8

HEX #EBC6C9

RGB 235 198 201

HSL 355.14, 0.48%, 0.85%

LAB 83.06, 13.55, 3.38

 

CMYK 14 / 0 / 16 / 8

HEX #C9EBC6

RGB 201 235 198

HSL 115.14, 0.48%, 0.85%

LAB 89.82, -17.89, 14.3

 

CMYK 15 / 14 / 0 / 7

HEX #C8CBEC

RGB 200 203 236

HSL 235, 0.49%, 0.85%

LAB 82.4, 5.51, -16.61

 

CMYK 0 / 16 / 2 / 8

HEX #EBC6E7

RGB 235 198 231

HSL 306.49, 0.48%, 0.85%

LAB 83.87, 18.63, -11.45

 

CMYK 0 / 1 / 16 / 8

HEX #EBE8C6

RGB 235 232 198

HSL 55.14, 0.48%, 0.85%

LAB 91.44, -4.56, 16.92

 

CMYK 16 / 0 / 14 / 8

HEX #C6EBCA

RGB 198 235 202

HSL 126.49, 0.48%, 0.85%

LAB 89.71, -18.2, 12.04

 

CMYK 15 / 14 / 0 / 7

HEX #C8CBEC

RGB 200 203 236

HSL 235, 0.49%, 0.85%

LAB 82.4, 5.51, -16.61

 

CMYK 0 / 16 / 6 / 8

HEX #EBC6DC

RGB 235 198 220

HSL 324.32, 0.48%, 0.85%

LAB 83.56, 16.69, -6.04

 

CMYK 0 / 1 / 16 / 8

HEX #EBE8C6

RGB 235 232 198

HSL 55.14, 0.48%, 0.85%

LAB 91.44, -4.56, 16.92

 

CMYK 16 / 0 / 9 / 8

HEX #C6EBD6

RGB 198 235 214

HSL 145.95, 0.48%, 0.85%

LAB 89.99, -16.02, 6.18

 

Description

Color code: HEX #C8CBEC4C | qconv.com Color code: HEX #C8CBEC4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 203 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 203 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 4 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 4% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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