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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8C5E0 it is the complementary color #373A1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8C5E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8C5E0 shade: #CDC5DB, #DED7EE, #EFE9FF, #FFFBFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8C5E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8C5E0 shade: #C8C5E0, #B7B3CD, #A6A1BA, #958FA7 and #847D94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8C5E0 shade: #CAC7E1, #D1C7E1, #D8C7E1, #DFC7E1 and #E1C7DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8C5E0 shade: #CAC7E1 and #C7C7E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8C5E0 shade matches the following richer shades: #CAC7E1, #C4C0E8, #BFB9EF, #B9B2F6 and #B4ABFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8C5E0 shade: #CAC7E1, #CFCEDA, #D4D5D3, #DADCCC and #DFE3C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8C5E0 shade: #C7D2E1, #C7CBE1, #C9C7E1, #D0C7E1 and #D7C7E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8C5E0 shade: #9791C4, #B0ACD2, #CAC7E1, #E3E1EF and #FCFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8C5E0 shade: #C8C5E0, #E1C7D9 and #CEE1C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8C5E0 shade: #C8C5E0, #E1C9C7 and #C7E1C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8C5E0 shade: #C8C5E0, #E1C7D9, #DEE1C7 and #C7E1CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8C5E0 shade: #C8C5E0, #E1C7D1, #DEE1C7 and #C7E1D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 12 / 0 / 12

HEX #C8C5E0

RGB 200 197 224

HSL 246.67, 0.3%, 0.83%

LAB 80.51, 6.24, -13.03

 

Complementary color

CMYK 5 / 0 / 47 / 77

HEX #373A1F

RGB 55 58 31

HSL 66.67, 0.3%, 0.17%

LAB 23.46, -6.39, 16.34

 

CMYK 6 / 10 / 0 / 14

HEX #CDC5DB

RGB 205 197 219

HSL 261.82, 0.23%, 0.82%

LAB 80.75, 6.89, -9.94

 

CMYK 7 / 10 / 0 / 7

HEX #DED7EE

RGB 222 215 238

HSL 258.26, 0.4%, 0.89%

LAB 87.15, 6.63, -10.4

 

CMYK 6 / 9 / 0 / 0

HEX #EFE9FF

RGB 239 233 255

HSL 256.36, 1%, 0.96%

LAB 93.38, 6.02, -9.89

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 12 / 0 / 12

HEX #C8C5E0

RGB 200 197 224

HSL 246.67, 0.3%, 0.83%

LAB 80.51, 6.24, -13.03

 

CMYK 11 / 13 / 0 / 20

HEX #B7B3CD

RGB 183 179 205

HSL 249.23, 0.21%, 0.75%

LAB 74.01, 6.49, -12.62

 

CMYK 11 / 13 / 0 / 27

HEX #A6A1BA

RGB 166 161 186

HSL 252, 0.15%, 0.68%

LAB 67.38, 6.77, -12.22

 

CMYK 11 / 14 / 0 / 35

HEX #958FA7

RGB 149 143 167

HSL 255, 0.12%, 0.61%

LAB 60.63, 7.06, -11.82

 

CMYK 11 / 16 / 0 / 42

HEX #847D94

RGB 132 125 148

HSL 258.26, 0.1%, 0.54%

LAB 53.72, 7.39, -11.42

 

CMYK 10 / 12 / 0 / 12

HEX #CAC7E1

RGB 202 199 225

HSL 246.92, 0.3%, 0.83%

LAB 81.2, 6.02, -12.51

 

CMYK 7 / 12 / 0 / 12

HEX #D1C7E1

RGB 209 199 225

HSL 263.08, 0.3%, 0.83%

LAB 81.75, 8.31, -11.64

 

CMYK 4 / 12 / 0 / 12

HEX #D8C7E1

RGB 216 199 225

HSL 279.23, 0.3%, 0.83%

LAB 82.32, 10.63, -10.74

 

CMYK 1 / 12 / 0 / 12

HEX #DFC7E1

RGB 223 199 225

HSL 295.38, 0.3%, 0.83%

LAB 82.9, 12.98, -9.81

 

CMYK 0 / 12 / 2 / 12

HEX #E1C7DC

RGB 225 199 220

HSL 311.54, 0.3%, 0.83%

LAB 82.92, 12.74, -7.07

 

CMYK 10 / 12 / 0 / 12

HEX #CAC7E1

RGB 202 199 225

HSL 246.92, 0.3%, 0.83%

LAB 81.2, 6.02, -12.51

 

CMYK 12 / 12 / 0 / 12

HEX #C7C7E1

RGB 199 199 225

HSL 240, 0.3%, 0.83%

LAB 80.97, 5.05, -12.88

 

CMYK 10 / 12 / 0 / 12

HEX #CAC7E1

RGB 202 199 225

HSL 246.92, 0.3%, 0.83%

LAB 81.2, 6.02, -12.51

 

CMYK 16 / 17 / 0 / 9

HEX #C4C0E8

RGB 196 192 232

HSL 246, 0.47%, 0.83%

LAB 79.19, 9.31, -19.34

 

CMYK 20 / 23 / 0 / 6

HEX #BFB9EF

RGB 191 185 239

HSL 246.67, 0.63%, 0.83%

LAB 77.28, 13.08, -26.05

 

CMYK 25 / 28 / 0 / 4

HEX #B9B2F6

RGB 185 178 246

HSL 246.18, 0.79%, 0.83%

LAB 75.33, 16.73, -32.86

 

CMYK 29 / 32 / 0 / 1

HEX #B4ABFD

RGB 180 171 253

HSL 246.59, 0.95%, 0.83%

LAB 73.49, 20.85, -39.52

 

CMYK 10 / 12 / 0 / 12

HEX #CAC7E1

RGB 202 199 225

HSL 246.92, 0.3%, 0.83%

LAB 81.2, 6.02, -12.51

 

CMYK 5 / 6 / 0 / 15

HEX #CFCEDA

RGB 207 206 218

HSL 245, 0.14%, 0.83%

LAB 83.16, 2.58, -5.82

 

CMYK 0 / 0 / 1 / 16

HEX #D4D5D3

RGB 212 213 211

HSL 90, 0.02%, 0.83%

LAB 85.14, -0.7, 0.86

 

CMYK 1 / 0 / 7 / 14

HEX #DADCCC

RGB 218 220 204

HSL 67.5, 0.19%, 0.83%

LAB 87.22, -3.47, 7.61

 

CMYK 2 / 0 / 13 / 11

HEX #DFE3C5

RGB 223 227 197

HSL 68, 0.35%, 0.83%

LAB 89.23, -6.44, 14.21

 

CMYK 12 / 7 / 0 / 12

HEX #C7D2E1

RGB 199 210 225

HSL 214.62, 0.3%, 0.83%

LAB 83.79, -0.78, -8.68

 

CMYK 12 / 10 / 0 / 12

HEX #C7CBE1

RGB 199 203 225

HSL 230.77, 0.3%, 0.83%

LAB 82, 2.92, -11.35

 

CMYK 11 / 12 / 0 / 12

HEX #C9C7E1

RGB 201 199 225

HSL 244.62, 0.3%, 0.83%

LAB 81.13, 5.7, -12.64

 

CMYK 8 / 12 / 0 / 12

HEX #D0C7E1

RGB 208 199 225

HSL 260.77, 0.3%, 0.83%

LAB 81.67, 7.99, -11.77

 

CMYK 4 / 12 / 0 / 12

HEX #D7C7E1

RGB 215 199 225

HSL 276.92, 0.3%, 0.83%

LAB 82.23, 10.3, -10.87

 

CMYK 23 / 26 / 0 / 23

HEX #9791C4

RGB 151 145 196

HSL 247.06, 0.3%, 0.67%

LAB 62.35, 13.17, -25.57

 

CMYK 16 / 18 / 0 / 18

HEX #B0ACD2

RGB 176 172 210

HSL 246.32, 0.3%, 0.75%

LAB 71.82, 9.11, -18.71

 

CMYK 10 / 12 / 0 / 12

HEX #CAC7E1

RGB 202 199 225

HSL 246.92, 0.3%, 0.83%

LAB 81.2, 6.02, -12.51

 

CMYK 5 / 6 / 0 / 6

HEX #E3E1EF

RGB 227 225 239

HSL 248.57, 0.3%, 0.91%

LAB 90.05, 3.24, -6.57

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 11 / 12 / 0 / 12

HEX #C8C5E0

RGB 200 197 224

HSL 246.67, 0.3%, 0.83%

LAB 80.51, 6.24, -13.03

 

CMYK 0 / 12 / 4 / 12

HEX #E1C7D9

RGB 225 199 217

HSL 318.46, 0.3%, 0.83%

LAB 82.84, 12.2, -5.59

 

CMYK 8 / 0 / 12 / 12

HEX #CEE1C7

RGB 206 225 199

HSL 103.85, 0.3%, 0.83%

LAB 87.53, -11.03, 10.58

 

CMYK 11 / 12 / 0 / 12

HEX #C8C5E0

RGB 200 197 224

HSL 246.67, 0.3%, 0.83%

LAB 80.51, 6.24, -13.03

 

CMYK 0 / 11 / 12 / 12

HEX #E1C9C7

RGB 225 201 199

HSL 4.62, 0.3%, 0.83%

LAB 82.86, 8.07, 4.06

 

CMYK 12 / 0 / 11 / 12

HEX #C7E1C9

RGB 199 225 201

HSL 124.62, 0.3%, 0.83%

LAB 87.1, -13.06, 8.84

 

CMYK 11 / 12 / 0 / 12

HEX #C8C5E0

RGB 200 197 224

HSL 246.67, 0.3%, 0.83%

LAB 80.51, 6.24, -13.03

 

CMYK 0 / 12 / 4 / 12

HEX #E1C7D9

RGB 225 199 217

HSL 318.46, 0.3%, 0.83%

LAB 82.84, 12.2, -5.59

 

CMYK 1 / 0 / 12 / 12

HEX #DEE1C7

RGB 222 225 199

HSL 66.92, 0.3%, 0.83%

LAB 88.69, -5.46, 12.38

 

CMYK 12 / 0 / 8 / 12

HEX #C7E1CE

RGB 199 225 206

HSL 136.15, 0.3%, 0.83%

LAB 87.22, -12.16, 6.39

 

CMYK 11 / 12 / 0 / 12

HEX #C8C5E0

RGB 200 197 224

HSL 246.67, 0.3%, 0.83%

LAB 80.51, 6.24, -13.03

 

CMYK 0 / 12 / 7 / 12

HEX #E1C7D1

RGB 225 199 209

HSL 336.92, 0.3%, 0.83%

LAB 82.62, 10.81, -1.63

 

CMYK 1 / 0 / 12 / 12

HEX #DEE1C7

RGB 222 225 199

HSL 66.92, 0.3%, 0.83%

LAB 88.69, -5.46, 12.38

 

CMYK 12 / 0 / 5 / 12

HEX #C7E1D6

RGB 199 225 214

HSL 154.62, 0.3%, 0.83%

LAB 87.41, -10.67, 2.46

 

Description

Color code: HEX #C8C5E0 | qconv.com Color code: HEX #C8C5E0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 197 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 197 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 12 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 12% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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