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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8C4DF4C it is the complementary color #373B204C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8C4DF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8C4DF4C shade: #CDC4DA4C, #DED6ED4C, #EFE8FF4C, #FFFAFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8C4DF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8C4DF4C shade: #C8C4DF4C, #B7B2CC4C, #A6A0B94C, #958EA64C and #847C934C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8C4DF4C shade: #C7C3DF, #CFC3DF, #D6C3DF, #DEC3DF and #DFC3D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8C4DF4C shade: #C7C3DF and #C3C3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8C4DF4C shade matches the following richer shades: #C7C3DF, #C2BCE6, #BDB4EE, #B8ADF5 and #B3A6FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8C4DF4C shade: #C7C3DF, #CDCBD7, #D2D2D0, #D7DAC9 and #DCE1C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8C4DF4C shade: #C3CEDF, #C3C7DF, #C7C3DF, #CEC3DF and #D6C3DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8C4DF4C shade: #958EC2, #AEA9D0, #C7C3DF, #E0DEED and #F9F9FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8C4DF4C shade: #C8C4DF, #DFC3D6 and #CBDFC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8C4DF4C shade: #C8C4DF, #DFC7C3 and #C3DFC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8C4DF4C shade: #C8C4DF, #DFC3D6, #DBDFC3 and #C3DFCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8C4DF4C shade: #C8C4DF, #DFC3CD, #DBDFC3 and #C3DFD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 4 / 0 / 4

HEX #C8C4DF4C

RGBA 200 196 223 0.3

HSLA 248.89, 0.3%, 0.82%, 0.3

LABA 80.23, 6.57, -12.92, 0.3

 

Complementary color

CMYK 2 / 0 / 14 / 23

HEX #373B204C

RGBA 55 59 32 0.3

HSLA 68.89, 0.3%, 0.18%, 0.3

LABA 23.82, -6.88, 16.16, 0.3

 

CMYK 2 / 3 / 0 / 4

HEX #CDC4DA4C

RGBA 205 196 218 0.3

HSLA 264.55, 0.23%, 0.81%, 0.3

LABA 80.47, 7.23, -9.83, 0.3

 

CMYK 2 / 3 / 0 / 2

HEX #DED6ED4C

RGBA 222 214 237 0.3

HSLA 260.87, 0.39%, 0.88%, 0.3

LABA 86.87, 6.97, -10.28, 0.3

 

CMYK 2 / 3 / 0 / 0

HEX #EFE8FF4C

RGBA 239 232 255 0.3

HSLA 258.26, 1%, 0.95%, 0.3

LABA 93.14, 6.53, -10.26, 0.3

 

CMYK 0 / 1 / 0 / 0

HEX #FFFAFF4C

RGBA 255 250 255 0.3

HSLA 300, 1%, 0.99%, 0.3

LABA 98.77, 2.53, -1.81, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 3 / 4 / 0 / 4

HEX #C8C4DF4C

RGBA 200 196 223 0.3

HSLA 248.89, 0.3%, 0.82%, 0.3

LABA 80.23, 6.57, -12.92, 0.3

 

CMYK 3 / 4 / 0 / 6

HEX #B7B2CC4C

RGBA 183 178 204 0.3

HSLA 251.54, 0.2%, 0.75%, 0.3

LABA 73.72, 6.83, -12.51, 0.3

 

CMYK 3 / 4 / 0 / 8

HEX #A6A0B94C

RGBA 166 160 185 0.3

HSLA 254.4, 0.15%, 0.68%, 0.3

LABA 67.09, 7.11, -12.1, 0.3

 

CMYK 3 / 4 / 0 / 10

HEX #958EA64C

RGBA 149 142 166 0.3

HSLA 257.5, 0.12%, 0.6%, 0.3

LABA 60.33, 7.42, -11.7, 0.3

 

CMYK 3 / 5 / 0 / 13

HEX #847C934C

RGBA 132 124 147 0.3

HSLA 260.87, 0.1%, 0.53%, 0.3

LABA 53.41, 7.75, -11.3, 0.3

 

CMYK 11 / 13 / 0 / 13

HEX #C7C3DF

RGB 199 195 223

HSL 248.57, 0.3%, 0.82%

LAB 79.9, 6.78, -13.42

 

CMYK 7 / 13 / 0 / 13

HEX #CFC3DF

RGB 207 195 223

HSL 265.71, 0.3%, 0.82%

LAB 80.53, 9.4, -12.41

 

CMYK 4 / 13 / 0 / 13

HEX #D6C3DF

RGB 214 195 223

HSL 280.71, 0.3%, 0.82%

LAB 81.1, 11.72, -11.49

 

CMYK 0 / 13 / 0 / 13

HEX #DEC3DF

RGB 222 195 223

HSL 297.86, 0.3%, 0.82%

LAB 81.78, 14.4, -10.41

 

CMYK 0 / 13 / 3 / 13

HEX #DFC3D9

RGB 223 195 217

HSL 312.86, 0.3%, 0.82%

LAB 81.69, 13.65, -7.32

 

CMYK 11 / 13 / 0 / 13

HEX #C7C3DF

RGB 199 195 223

HSL 248.57, 0.3%, 0.82%

LAB 79.9, 6.78, -13.42

 

CMYK 13 / 13 / 0 / 13

HEX #C3C3DF

RGB 195 195 223

HSL 240, 0.3%, 0.82%

LAB 79.59, 5.48, -13.91

 

CMYK 11 / 13 / 0 / 13

HEX #C7C3DF

RGB 199 195 223

HSL 248.57, 0.3%, 0.82%

LAB 79.9, 6.78, -13.42

 

CMYK 16 / 18 / 0 / 10

HEX #C2BCE6

RGB 194 188 230

HSL 248.57, 0.46%, 0.82%

LAB 77.96, 10.41, -20.14

 

CMYK 21 / 24 / 0 / 7

HEX #BDB4EE

RGB 189 180 238

HSL 249.31, 0.63%, 0.82%

LAB 75.84, 14.99, -27.72

 

CMYK 25 / 29 / 0 / 4

HEX #B8ADF5

RGB 184 173 245

HSL 249.17, 0.78%, 0.82%

LAB 73.98, 18.97, -34.42

 

CMYK 29 / 34 / 0 / 1

HEX #B3A6FD

RGB 179 166 253

HSL 248.97, 0.96%, 0.82%

LAB 72.19, 23.36, -41.55

 

CMYK 11 / 13 / 0 / 13

HEX #C7C3DF

RGB 199 195 223

HSL 248.57, 0.3%, 0.82%

LAB 79.9, 6.78, -13.42

 

CMYK 5 / 6 / 0 / 16

HEX #CDCBD7

RGB 205 203 215

HSL 250, 0.13%, 0.82%

LAB 82.16, 2.92, -5.71

 

CMYK 0 / 0 / 1 / 18

HEX #D2D2D0

RGB 210 210 208

HSL 60, 0.02%, 0.82%

LAB 84.15, -0.36, 0.98

 

CMYK 1 / 0 / 8 / 15

HEX #D7DAC9

RGB 215 218 201

HSL 70.59, 0.19%, 0.82%

LAB 86.41, -4, 8

 

CMYK 2 / 0 / 14 / 12

HEX #DCE1C1

RGB 220 225 193

HSL 69.38, 0.35%, 0.82%

LAB 88.41, -7.12, 15.1

 

CMYK 13 / 8 / 0 / 13

HEX #C3CEDF

RGB 195 206 223

HSL 216.43, 0.3%, 0.82%

LAB 82.42, -0.37, -9.69

 

CMYK 13 / 11 / 0 / 13

HEX #C3C7DF

RGB 195 199 223

HSL 231.43, 0.3%, 0.82%

LAB 80.61, 3.34, -12.38

 

CMYK 11 / 13 / 0 / 13

HEX #C7C3DF

RGB 199 195 223

HSL 248.57, 0.3%, 0.82%

LAB 79.9, 6.78, -13.42

 

CMYK 8 / 13 / 0 / 13

HEX #CEC3DF

RGB 206 195 223

HSL 263.57, 0.3%, 0.82%

LAB 80.45, 9.07, -12.54

 

CMYK 4 / 13 / 0 / 13

HEX #D6C3DF

RGB 214 195 223

HSL 280.71, 0.3%, 0.82%

LAB 81.1, 11.72, -11.49

 

CMYK 23 / 27 / 0 / 24

HEX #958EC2

RGB 149 142 194

HSL 248.08, 0.3%, 0.66%

LAB 61.33, 13.79, -26.03

 

CMYK 16 / 19 / 0 / 18

HEX #AEA9D0

RGB 174 169 208

HSL 247.69, 0.29%, 0.74%

LAB 70.82, 9.69, -19.14

 

CMYK 11 / 13 / 0 / 13

HEX #C7C3DF

RGB 199 195 223

HSL 248.57, 0.3%, 0.82%

LAB 79.9, 6.78, -13.42

 

CMYK 5 / 6 / 0 / 7

HEX #E0DEED

RGB 224 222 237

HSL 248, 0.29%, 0.9%

LAB 89.02, 3.44, -7.07

 

CMYK 1 / 1 / 0 / 1

HEX #F9F9FC

RGB 249 249 252

HSL 240, 0.33%, 0.98%

LAB 98, 0.54, -1.44

 

CMYK 10 / 12 / 0 / 13

HEX #C8C4DF

RGB 200 196 223

HSL 248.89, 0.3%, 0.82%

LAB 80.23, 6.57, -12.92

 

CMYK 0 / 13 / 4 / 13

HEX #DFC3D6

RGB 223 195 214

HSL 319.29, 0.3%, 0.82%

LAB 81.61, 13.11, -5.83

 

CMYK 9 / 0 / 13 / 13

HEX #CBDFC3

RGB 203 223 195

HSL 102.86, 0.3%, 0.82%

LAB 86.71, -11.73, 11.47

 

CMYK 10 / 12 / 0 / 13

HEX #C8C4DF

RGB 200 196 223

HSL 248.89, 0.3%, 0.82%

LAB 80.23, 6.57, -12.92

 

CMYK 0 / 11 / 13 / 13

HEX #DFC7C3

RGB 223 199 195

HSL 8.57, 0.3%, 0.82%

LAB 82.1, 7.77, 5.07

 

CMYK 13 / 0 / 11 / 13

HEX #C3DFC7

RGB 195 223 199

HSL 128.57, 0.3%, 0.82%

LAB 86.26, -13.75, 8.65

 

CMYK 10 / 12 / 0 / 13

HEX #C8C4DF

RGB 200 196 223

HSL 248.89, 0.3%, 0.82%

LAB 80.23, 6.57, -12.92

 

CMYK 0 / 13 / 4 / 13

HEX #DFC3D6

RGB 223 195 214

HSL 319.29, 0.3%, 0.82%

LAB 81.61, 13.11, -5.83

 

CMYK 2 / 0 / 13 / 13

HEX #DBDFC3

RGB 219 223 195

HSL 68.57, 0.3%, 0.82%

LAB 87.86, -6.14, 13.27

 

CMYK 13 / 0 / 8 / 13

HEX #C3DFCD

RGB 195 223 205

HSL 141.43, 0.3%, 0.82%

LAB 86.4, -12.66, 5.7

 

CMYK 10 / 12 / 0 / 13

HEX #C8C4DF

RGB 200 196 223

HSL 248.89, 0.3%, 0.82%

LAB 80.23, 6.57, -12.92

 

CMYK 0 / 13 / 8 / 13

HEX #DFC3CD

RGB 223 195 205

HSL 338.57, 0.3%, 0.82%

LAB 81.36, 11.55, -1.36

 

CMYK 2 / 0 / 13 / 13

HEX #DBDFC3

RGB 219 223 195

HSL 68.57, 0.3%, 0.82%

LAB 87.86, -6.14, 13.27

 

CMYK 13 / 0 / 4 / 13

HEX #C3DFD5

RGB 195 223 213

HSL 158.57, 0.3%, 0.82%

LAB 86.59, -11.15, 1.77

 

Description

Color code: HEX #C8C4DF4C | qconv.com Color code: HEX #C8C4DF4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 196 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 196 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 4 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 4% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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