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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8C2DB it is the complementary color #373D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8C2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8C2DB shade: #CDC2D6, #DED4E9, #EFE6FC, #FFF8FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8C2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8C2DB shade: #C8C2DB, #B7B0C8, #A69EB5, #958CA2 and #847A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8C2DB shade: #C8C2DB, #CFC2DB, #D6C2DB, #DBC2DA and #DBC2D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8C2DB shade: #C8C2DB and #C2C2DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8C2DB shade matches the following richer shades: #C8C2DB, #C4BAE3, #C0B2EB, #BCAAF3 and #B8A3FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8C2DB shade: #C8C2DB, #CCCAD3, #D0D2CB, #D4D9C4 and #D8E1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8C2DB shade: #C2CADB, #C2C3DB, #C8C2DB, #CFC2DB and #D5C2DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8C2DB shade: #998EBD, #B1A8CC, #C8C2DB, #DFDCEA and #F7F6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8C2DB shade: #C8C2DB, #DBC2D0 and #C6DBC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8C2DB shade: #C8C2DB, #DBC8C2 and #C2DBC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8C2DB shade: #C8C2DB, #DBC2D0, #D5DBC2 and #C2DBCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8C2DB shade: #C8C2DB, #DBC2C9, #D5DBC2 and #C2DBD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

Complementary color

CMYK 10 / 0 / 41 / 76

HEX #373D24

RGB 55 61 36

HSL 74.4, 0.26%, 0.19%

LAB 24.57, -7.52, 14.6

 

CMYK 4 / 9 / 0 / 16

HEX #CDC2D6

RGB 205 194 214

HSL 273, 0.2%, 0.8%

LAB 79.85, 7.52, -8.6

 

CMYK 5 / 9 / 0 / 9

HEX #DED4E9

RGB 222 212 233

HSL 268.57, 0.32%, 0.87%

LAB 86.26, 7.26, -9.08

 

CMYK 5 / 9 / 0 / 1

HEX #EFE6FC

RGB 239 230 252

HSL 264.55, 0.79%, 0.95%

LAB 92.56, 7, -9.55

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 9 / 12 / 0 / 22

HEX #B7B0C8

RGB 183 176 200

HSL 257.5, 0.18%, 0.74%

LAB 73.08, 7.11, -11.28

 

CMYK 8 / 13 / 0 / 29

HEX #A69EB5

RGB 166 158 181

HSL 260.87, 0.13%, 0.66%

LAB 66.44, 7.39, -10.84

 

CMYK 8 / 14 / 0 / 36

HEX #958CA2

RGB 149 140 162

HSL 264.55, 0.11%, 0.59%

LAB 59.67, 7.71, -10.41

 

CMYK 8 / 15 / 0 / 44

HEX #847A8F

RGB 132 122 143

HSL 268.57, 0.09%, 0.52%

LAB 52.74, 8.05, -9.98

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 5 / 11 / 0 / 14

HEX #CFC2DB

RGB 207 194 219

HSL 271.2, 0.26%, 0.81%

LAB 80.16, 9.16, -10.81

 

CMYK 2 / 11 / 0 / 14

HEX #D6C2DB

RGB 214 194 219

HSL 288, 0.26%, 0.81%

LAB 80.74, 11.5, -9.89

 

CMYK 0 / 11 / 0 / 14

HEX #DBC2DA

RGB 219 194 218

HSL 302.4, 0.26%, 0.81%

LAB 81.13, 13, -8.72

 

CMYK 0 / 11 / 4 / 14

HEX #DBC2D3

RGB 219 194 211

HSL 319.2, 0.26%, 0.81%

LAB 80.93, 11.74, -5.26

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 11 / 11 / 0 / 14

HEX #C2C2DB

RGB 194 194 219

HSL 240, 0.26%, 0.81%

LAB 79.14, 4.87, -12.44

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 14 / 18 / 0 / 11

HEX #C4BAE3

RGB 196 186 227

HSL 254.63, 0.42%, 0.81%

LAB 77.52, 11.5, -19.18

 

CMYK 18 / 24 / 0 / 8

HEX #C0B2EB

RGB 192 178 235

HSL 254.74, 0.59%, 0.81%

LAB 75.48, 16.34, -26.64

 

CMYK 23 / 30 / 0 / 5

HEX #BCAAF3

RGB 188 170 243

HSL 254.79, 0.75%, 0.81%

LAB 73.49, 21.35, -34.07

 

CMYK 27 / 35 / 0 / 2

HEX #B8A3FB

RGB 184 163 251

HSL 254.32, 0.92%, 0.81%

LAB 71.79, 25.96, -41.07

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 3 / 4 / 0 / 17

HEX #CCCAD3

RGB 204 202 211

HSL 253.33, 0.09%, 0.81%

LAB 81.72, 2.36, -4.23

 

CMYK 1 / 0 / 3 / 18

HEX #D0D2CB

RGB 208 210 203

HSL 77.14, 0.07%, 0.81%

LAB 83.87, -1.94, 3.22

 

CMYK 2 / 0 / 10 / 15

HEX #D4D9C4

RGB 212 217 196

HSL 74.29, 0.22%, 0.81%

LAB 85.81, -5.37, 9.76

 

CMYK 4 / 0 / 16 / 12

HEX #D8E1BC

RGB 216 225 188

HSL 74.59, 0.38%, 0.81%

LAB 88.01, -9.33, 17.1

 

CMYK 11 / 8 / 0 / 14

HEX #C2CADB

RGB 194 202 219

HSL 220.8, 0.26%, 0.81%

LAB 81.2, 0.61, -9.37

 

CMYK 11 / 11 / 0 / 14

HEX #C2C3DB

RGB 194 195 219

HSL 237.6, 0.26%, 0.81%

LAB 79.39, 4.34, -12.06

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 5 / 11 / 0 / 14

HEX #CFC2DB

RGB 207 194 219

HSL 271.2, 0.26%, 0.81%

LAB 80.16, 9.16, -10.81

 

CMYK 3 / 11 / 0 / 14

HEX #D5C2DB

RGB 213 194 219

HSL 285.6, 0.26%, 0.81%

LAB 80.65, 11.16, -10.02

 

CMYK 19 / 25 / 0 / 26

HEX #998EBD

RGB 153 142 189

HSL 254.04, 0.26%, 0.65%

LAB 61.47, 13.88, -22.96

 

CMYK 13 / 18 / 0 / 20

HEX #B1A8CC

RGB 177 168 204

HSL 255, 0.26%, 0.73%

LAB 70.67, 10.35, -17.14

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 5 / 6 / 0 / 8

HEX #DFDCEA

RGB 223 220 234

HSL 252.86, 0.25%, 0.89%

LAB 88.36, 3.58, -6.48

 

CMYK 1 / 2 / 0 / 2

HEX #F7F6FA

RGB 247 246 250

HSL 255, 0.29%, 0.97%

LAB 97.06, 1.04, -1.81

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 0 / 11 / 5 / 14

HEX #DBC2D0

RGB 219 194 208

HSL 326.4, 0.26%, 0.81%

LAB 80.85, 11.21, -3.77

 

CMYK 10 / 0 / 11 / 14

HEX #C6DBC2

RGB 198 219 194

HSL 110.4, 0.26%, 0.81%

LAB 85.28, -11.6, 9.92

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 0 / 9 / 11 / 14

HEX #DBC8C2

RGB 219 200 194

HSL 14.4, 0.26%, 0.81%

LAB 81.98, 5.64, 5.39

 

CMYK 11 / 0 / 9 / 14

HEX #C2DBC8

RGB 194 219 200

HSL 134.4, 0.26%, 0.81%

LAB 85.15, -11.88, 6.53

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 0 / 11 / 5 / 14

HEX #DBC2D0

RGB 219 194 208

HSL 326.4, 0.26%, 0.81%

LAB 80.85, 11.21, -3.77

 

CMYK 3 / 0 / 11 / 14

HEX #D5DBC2

RGB 213 219 194

HSL 74.4, 0.26%, 0.81%

LAB 86.36, -6.38, 11.6

 

CMYK 11 / 0 / 6 / 14

HEX #C2DBCD

RGB 194 219 205

HSL 146.4, 0.26%, 0.81%

LAB 85.27, -10.96, 4.06

 

CMYK 9 / 11 / 0 / 14

HEX #C8C2DB

RGB 200 194 219

HSL 254.4, 0.26%, 0.81%

LAB 79.6, 6.84, -11.7

 

CMYK 0 / 11 / 8 / 14

HEX #DBC2C9

RGB 219 194 201

HSL 343.2, 0.26%, 0.81%

LAB 80.66, 9.99, -0.28

 

CMYK 3 / 0 / 11 / 14

HEX #D5DBC2

RGB 213 219 194

HSL 74.4, 0.26%, 0.81%

LAB 86.36, -6.38, 11.6

 

CMYK 11 / 0 / 3 / 14

HEX #C2DBD4

RGB 194 219 212

HSL 163.2, 0.26%, 0.81%

LAB 85.45, -9.63, 0.61

 

Description

Color code: HEX #C8C2DB | qconv.com Color code: HEX #C8C2DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 194 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 194 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 11 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 11% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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