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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8AE7B it is the complementary color #375184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8AE7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8AE7B shade: #CDAE76, #DEC089, #EFD29C, #FFE4AF and #FFF6C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8AE7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8AE7B shade: #C8AE7B, #B79C68, #A68A55, #957842 and #84662F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8AE7B shade: #C7AD7A, #C7987A, #C7837A and #C77A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8AE7B shade: #C7AD7A, #C7C27A, #B8C77A, #A3C77A and #8EC77A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8AE7B shade matches the following richer shades: #C7AD7A, #D7B26B, #E6B75B and #F5BC4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8AE7B shade: #C7AD7A, #B8A889, #A9A398, #9A9EA8 and #8A99B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8AE7B shade: #C7837A, #C7987A, #C7AC7A, #C7C17A and #B9C77A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8AE7B shade: #A88746, #BB9B5D, #C7AD7A, #D4BF97 and #E0D1B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8AE7B shade: #C8AE7B, #86C77A and #8D7AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8AE7B shade: #C8AE7B, #7AC7AC and #AC7AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8AE7B shade: #C8AE7B, #86C77A, #7A95C7 and #BC7AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8AE7B shade: #C8AE7B, #7AC786, #7A95C7 and #C77ABC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 39 / 22

HEX #C8AE7B

RGB 200 174 123

HSL 39.74, 0.41%, 0.63%

LAB 72.22, 2.19, 29.65

 

Complementary color

CMYK 58 / 39 / 0 / 48

HEX #375184

RGB 55 81 132

HSL 219.74, 0.41%, 0.37%

LAB 34.73, 6.53, -31.63

 

CMYK 0 / 15 / 42 / 20

HEX #CDAE76

RGB 205 174 118

HSL 38.62, 0.47%, 0.63%

LAB 72.6, 3.66, 32.89

 

CMYK 0 / 14 / 38 / 13

HEX #DEC089

RGB 222 192 137

HSL 38.82, 0.56%, 0.7%

LAB 79.06, 3.06, 31.66

 

CMYK 0 / 12 / 35 / 6

HEX #EFD29C

RGB 239 210 156

HSL 39.04, 0.72%, 0.77%

LAB 85.43, 2.53, 30.51

 

CMYK 0 / 11 / 31 / 0

HEX #FFE4AF

RGB 255 228 175

HSL 39.75, 1%, 0.84%

LAB 91.61, 1.69, 29.29

 

CMYK 0 / 4 / 24 / 0

HEX #FFF6C2

RGB 255 246 194

HSL 51.15, 1%, 0.88%

LAB 96.44, -4.95, 26.16

 

CMYK 0 / 13 / 39 / 22

HEX #C8AE7B

RGB 200 174 123

HSL 39.74, 0.41%, 0.63%

LAB 72.22, 2.19, 29.65

 

CMYK 0 / 15 / 43 / 28

HEX #B79C68

RGB 183 156 104

HSL 39.49, 0.35%, 0.56%

LAB 65.63, 2.8, 30.9

 

CMYK 0 / 17 / 49 / 35

HEX #A68A55

RGB 166 138 85

HSL 39.26, 0.32%, 0.49%

LAB 58.92, 3.53, 32.23

 

CMYK 0 / 19 / 56 / 42

HEX #957842

RGB 149 120 66

HSL 39.04, 0.39%, 0.42%

LAB 52.08, 4.41, 33.62

 

CMYK 0 / 23 / 64 / 48

HEX #84662F

RGB 132 102 47

HSL 38.82, 0.47%, 0.35%

LAB 45.1, 5.51, 35.03

 

CMYK 0 / 13 / 39 / 22

HEX #C7AD7A

RGB 199 173 122

HSL 39.74, 0.41%, 0.63%

LAB 71.85, 2.21, 29.68

 

CMYK 0 / 24 / 39 / 22

HEX #C7987A

RGB 199 152 122

HSL 23.38, 0.41%, 0.63%

LAB 66.52, 13.59, 22.58

 

CMYK 0 / 34 / 39 / 22

HEX #C7837A

RGB 199 131 122

HSL 7.01, 0.41%, 0.63%

LAB 61.46, 25.11, 15.66

 

CMYK 0 / 39 / 39 / 22

HEX #C77A7A

RGB 199 122 122

HSL 0, 0.41%, 0.63%

LAB 59.4, 30.01, 12.79

 

CMYK 0 / 13 / 39 / 22

HEX #C7AD7A

RGB 199 173 122

HSL 39.74, 0.41%, 0.63%

LAB 71.85, 2.21, 29.68

 

CMYK 0 / 3 / 39 / 22

HEX #C7C27A

RGB 199 194 122

HSL 56.1, 0.41%, 0.63%

LAB 77.36, -8.83, 36.83

 

CMYK 8 / 0 / 39 / 22

HEX #B8C77A

RGB 184 199 122

HSL 71.69, 0.41%, 0.63%

LAB 77.54, -17.29, 36.84

 

CMYK 18 / 0 / 39 / 22

HEX #A3C77A

RGB 163 199 122

HSL 88.05, 0.41%, 0.63%

LAB 76.09, -25.28, 34.68

 

CMYK 29 / 0 / 39 / 22

HEX #8EC77A

RGB 142 199 122

HSL 104.42, 0.41%, 0.63%

LAB 74.83, -32.8, 32.79

 

CMYK 0 / 13 / 39 / 22

HEX #C7AD7A

RGB 199 173 122

HSL 39.74, 0.41%, 0.63%

LAB 71.85, 2.21, 29.68

 

CMYK 0 / 17 / 50 / 16

HEX #D7B26B

RGB 215 178 107

HSL 39.44, 0.57%, 0.63%

LAB 74.41, 4.55, 41.08

 

CMYK 0 / 20 / 60 / 10

HEX #E6B75B

RGB 230 183 91

HSL 39.71, 0.74%, 0.63%

LAB 76.95, 6.87, 52.32

 

CMYK 0 / 23 / 69 / 4

HEX #F5BC4C

RGB 245 188 76

HSL 39.76, 0.89%, 0.63%

LAB 79.56, 9.62, 62.33

 

CMYK 0 / 13 / 39 / 22

HEX #C7AD7A

RGB 199 173 122

HSL 39.74, 0.41%, 0.63%

LAB 71.85, 2.21, 29.68

 

CMYK 0 / 9 / 26 / 28

HEX #B8A889

RGB 184 168 137

HSL 39.57, 0.25%, 0.63%

LAB 69.47, 0.85, 18.14

 

CMYK 0 / 4 / 10 / 34

HEX #A9A398

RGB 169 163 152

HSL 38.82, 0.09%, 0.63%

LAB 67.2, 0.2, 6.47

 

CMYK 8 / 6 / 0 / 34

HEX #9A9EA8

RGB 154 158 168

HSL 222.86, 0.07%, 0.63%

LAB 65.08, 0.58, -5.7

 

CMYK 25 / 16 / 0 / 28

HEX #8A99B7

RGB 138 153 183

HSL 220, 0.24%, 0.63%

LAB 63.01, 1.43, -17.34

 

CMYK 0 / 34 / 39 / 22

HEX #C7837A

RGB 199 131 122

HSL 7.01, 0.41%, 0.63%

LAB 61.46, 25.11, 15.66

 

CMYK 0 / 24 / 39 / 22

HEX #C7987A

RGB 199 152 122

HSL 23.38, 0.41%, 0.63%

LAB 66.52, 13.59, 22.58

 

CMYK 0 / 14 / 39 / 22

HEX #C7AC7A

RGB 199 172 122

HSL 38.96, 0.41%, 0.63%

LAB 71.59, 2.74, 29.34

 

CMYK 0 / 3 / 39 / 22

HEX #C7C17A

RGB 199 193 122

HSL 55.32, 0.41%, 0.63%

LAB 77.09, -8.31, 36.49

 

CMYK 7 / 0 / 39 / 22

HEX #B9C77A

RGB 185 199 122

HSL 70.91, 0.41%, 0.63%

LAB 77.62, -16.9, 36.95

 

CMYK 0 / 20 / 58 / 34

HEX #A88746

RGB 168 135 70

HSL 39.8, 0.41%, 0.47%

LAB 58.13, 4.72, 39.21

 

CMYK 0 / 17 / 50 / 27

HEX #BB9B5D

RGB 187 155 93

HSL 39.57, 0.41%, 0.55%

LAB 65.59, 3.91, 36.76

 

CMYK 0 / 13 / 39 / 22

HEX #C7AD7A

RGB 199 173 122

HSL 39.74, 0.41%, 0.63%

LAB 71.85, 2.21, 29.68

 

CMYK 0 / 10 / 29 / 17

HEX #D4BF97

RGB 212 191 151

HSL 39.34, 0.41%, 0.71%

LAB 78.17, 1.39, 22.92

 

CMYK 0 / 7 / 20 / 12

HEX #E0D1B4

RGB 224 209 180

HSL 39.55, 0.42%, 0.79%

LAB 84.35, 0.57, 16.27

 

CMYK 0 / 13 / 39 / 22

HEX #C8AE7B

RGB 200 174 123

HSL 39.74, 0.41%, 0.63%

LAB 72.22, 2.19, 29.65

 

CMYK 33 / 0 / 39 / 22

HEX #86C77A

RGB 134 199 122

HSL 110.65, 0.41%, 0.63%

LAB 74.39, -35.5, 32.15

 

CMYK 29 / 39 / 0 / 22

HEX #8D7AC7

RGB 141 122 199

HSL 254.81, 0.41%, 0.63%

LAB 55.79, 24.24, -37.52

 

CMYK 0 / 13 / 39 / 22

HEX #C8AE7B

RGB 200 174 123

HSL 39.74, 0.41%, 0.63%

LAB 72.22, 2.19, 29.65

 

CMYK 39 / 0 / 14 / 22

HEX #7AC7AC

RGB 122 199 172

HSL 158.96, 0.41%, 0.63%

LAB 74.8, -29.97, 6.05

 

CMYK 14 / 39 / 0 / 22

HEX #AC7AC7

RGB 172 122 199

HSL 278.96, 0.41%, 0.63%

LAB 58.8, 33.49, -32.6

 

CMYK 0 / 13 / 39 / 22

HEX #C8AE7B

RGB 200 174 123

HSL 39.74, 0.41%, 0.63%

LAB 72.22, 2.19, 29.65

 

CMYK 33 / 0 / 39 / 22

HEX #86C77A

RGB 134 199 122

HSL 110.65, 0.41%, 0.63%

LAB 74.39, -35.5, 32.15

 

CMYK 39 / 25 / 0 / 22

HEX #7A95C7

RGB 122 149 199

HSL 218.96, 0.41%, 0.63%

LAB 61.44, 3.12, -28.83

 

CMYK 6 / 39 / 0 / 22

HEX #BC7AC7

RGB 188 122 199

HSL 291.43, 0.41%, 0.63%

LAB 60.55, 38.43, -29.75

 

CMYK 0 / 13 / 39 / 22

HEX #C8AE7B

RGB 200 174 123

HSL 39.74, 0.41%, 0.63%

LAB 72.22, 2.19, 29.65

 

CMYK 39 / 0 / 33 / 22

HEX #7AC786

RGB 122 199 134

HSL 129.35, 0.41%, 0.63%

LAB 74, -37.39, 25.26

 

CMYK 39 / 25 / 0 / 22

HEX #7A95C7

RGB 122 149 199

HSL 218.96, 0.41%, 0.63%

LAB 61.44, 3.12, -28.83

 

CMYK 0 / 39 / 6 / 22

HEX #C77ABC

RGB 199 122 188

HSL 308.57, 0.41%, 0.63%

LAB 61.39, 39.84, -22.12

 

Description

Color code: HEX #C8AE7B | qconv.com Color code: HEX #C8AE7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 174 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 174 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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