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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8AE2F it is the complementary color #3751D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8AE2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8AE2F shade: #CDAE2A, #DEC03D, #EFD250, #FFE463 and #FFF676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8AE2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8AE2F shade: #C8AE2F, #B79C1C, #A68A09, #957800 and #846600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8AE2F shade: #C6AC2F, #C6842F, #C65B2F, #C6322F and #C62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8AE2F shade: #C6AC2F, #B7C62F, #8EC62F, #65C62F and #3CC62F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8AE2F shade matches the following richer shades: #C6AC2F, #DABA1B and #EEC707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8AE2F shade: #C6AC2F, #B29F42, #9F9256, #8B856A and #77787E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8AE2F shade: #C65A2F, #C6822F, #C6AA2F, #BAC62F and #91C62F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8AE2F shade: #83721F, #A58F27, #C6AC2F, #D4BD4A and #DCC96B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8AE2F shade: #C8AE2F, #2FC631 and #6E2FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8AE2F shade: #C8AE2F, #2FC6AA and #AA2FC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8AE2F shade: #C8AE2F, #2FC631, #2F4AC6 and #C62FC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8AE2F shade: #C8AE2F, #2FC65F, #2F4AC6 and #C62F96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 77 / 22

HEX #C8AE2F

RGB 200 174 47

HSL 49.8, 0.62%, 0.48%

LAB 71.39, -3.65, 64

 

Complementary color

CMYK 74 / 61 / 0 / 18

HEX #3751D0

RGB 55 81 208

HSL 229.8, 0.62%, 0.52%

LAB 40, 34.14, -68.33

 

CMYK 0 / 15 / 80 / 20

HEX #CDAE2A

RGB 205 174 42

HSL 48.59, 0.66%, 0.48%

LAB 71.84, -1.65, 66.22

 

CMYK 0 / 14 / 73 / 13

HEX #DEC03D

RGB 222 192 61

HSL 48.82, 0.71%, 0.55%

LAB 78.21, -2.94, 66.2

 

CMYK 0 / 12 / 67 / 6

HEX #EFD250

RGB 239 210 80

HSL 49.06, 0.83%, 0.63%

LAB 84.5, -4.04, 65.63

 

CMYK 0 / 11 / 61 / 0

HEX #FFE463

RGB 255 228 99

HSL 49.62, 1%, 0.69%

LAB 90.62, -5.39, 64.65

 

CMYK 0 / 4 / 54 / 0

HEX #FFF676

RGB 255 246 118

HSL 56.06, 1%, 0.73%

LAB 95.36, -12.96, 61.67

 

CMYK 0 / 13 / 77 / 22

HEX #C8AE2F

RGB 200 174 47

HSL 49.8, 0.62%, 0.48%

LAB 71.39, -3.65, 64

 

CMYK 0 / 15 / 85 / 28

HEX #B79C1C

RGB 183 156 28

HSL 49.55, 0.73%, 0.41%

LAB 64.91, -2.25, 63.47

 

CMYK 0 / 17 / 95 / 35

HEX #A68A09

RGB 166 138 9

HSL 49.3, 0.9%, 0.34%

LAB 58.32, -0.59, 61.52

 

CMYK 0 / 19 / 100 / 42

HEX #957800

RGB 149 120 0

HSL 48.32, 1%, 0.29%

LAB 51.64, 1.39, 57.45

 

CMYK 0 / 23 / 100 / 48

HEX #846600

RGB 132 102 0

HSL 46.36, 1%, 0.26%

LAB 44.81, 3.6, 51.82

 

CMYK 0 / 13 / 76 / 22

HEX #C6AC2F

RGB 198 172 47

HSL 49.67, 0.62%, 0.48%

LAB 70.67, -3.47, 63.27

 

CMYK 0 / 33 / 76 / 22

HEX #C6842F

RGB 198 132 47

HSL 33.77, 0.62%, 0.48%

LAB 60.53, 18.17, 53.61

 

CMYK 0 / 54 / 76 / 22

HEX #C65B2F

RGB 198 91 47

HSL 17.48, 0.62%, 0.48%

LAB 51.49, 39.97, 44.55

 

CMYK 0 / 75 / 76 / 22

HEX #C6322F

RGB 198 50 47

HSL 1.19, 0.62%, 0.48%

LAB 44.93, 57.48, 37.63

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 0 / 13 / 76 / 22

HEX #C6AC2F

RGB 198 172 47

HSL 49.67, 0.62%, 0.48%

LAB 70.67, -3.47, 63.27

 

CMYK 8 / 0 / 76 / 22

HEX #B7C62F

RGB 183 198 47

HSL 65.96, 0.62%, 0.48%

LAB 76.47, -23.16, 68.17

 

CMYK 28 / 0 / 76 / 22

HEX #8EC62F

RGB 142 198 47

HSL 82.25, 0.62%, 0.48%

LAB 73.77, -39.6, 64.67

 

CMYK 49 / 0 / 76 / 22

HEX #65C62F

RGB 101 198 47

HSL 98.54, 0.62%, 0.48%

LAB 71.8, -53.56, 62.1

 

CMYK 70 / 0 / 76 / 22

HEX #3CC62F

RGB 60 198 47

HSL 114.83, 0.62%, 0.48%

LAB 70.56, -63.49, 60.48

 

CMYK 0 / 13 / 76 / 22

HEX #C6AC2F

RGB 198 172 47

HSL 49.67, 0.62%, 0.48%

LAB 70.67, -3.47, 63.27

 

CMYK 0 / 15 / 88 / 15

HEX #DABA1B

RGB 218 186 27

HSL 49.95, 0.78%, 0.48%

LAB 76.13, -2.66, 74.23

 

CMYK 0 / 16 / 97 / 7

HEX #EEC707

RGB 238 199 7

HSL 49.87, 0.94%, 0.48%

LAB 81.31, -0.98, 81.77

 

CMYK 0 / 13 / 76 / 22

HEX #C6AC2F

RGB 198 172 47

HSL 49.67, 0.62%, 0.48%

LAB 70.67, -3.47, 63.27

 

CMYK 0 / 11 / 63 / 30

HEX #B29F42

RGB 178 159 66

HSL 49.82, 0.46%, 0.48%

LAB 65.48, -4.31, 49.74

 

CMYK 0 / 8 / 46 / 38

HEX #9F9256

RGB 159 146 86

HSL 49.32, 0.3%, 0.48%

LAB 60.43, -3.79, 33.44

 

CMYK 0 / 4 / 24 / 45

HEX #8B856A

RGB 139 133 106

HSL 49.09, 0.13%, 0.48%

LAB 55.38, -2.4, 15.4

 

CMYK 6 / 5 / 0 / 51

HEX #77787E

RGB 119 120 126

HSL 231.43, 0.03%, 0.48%

LAB 50.52, 0.87, -3.41

 

CMYK 0 / 55 / 76 / 22

HEX #C65A2F

RGB 198 90 47

HSL 17.09, 0.62%, 0.48%

LAB 51.29, 40.47, 44.35

 

CMYK 0 / 34 / 76 / 22

HEX #C6822F

RGB 198 130 47

HSL 32.98, 0.62%, 0.48%

LAB 60.05, 19.26, 53.14

 

CMYK 0 / 14 / 76 / 22

HEX #C6AA2F

RGB 198 170 47

HSL 48.87, 0.62%, 0.48%

LAB 70.15, -2.42, 62.78

 

CMYK 6 / 0 / 76 / 22

HEX #BAC62F

RGB 186 198 47

HSL 64.77, 0.62%, 0.48%

LAB 76.7, -21.9, 68.46

 

CMYK 27 / 0 / 76 / 22

HEX #91C62F

RGB 145 198 47

HSL 81.06, 0.62%, 0.48%

LAB 73.94, -38.46, 64.9

 

CMYK 0 / 13 / 76 / 49

HEX #83721F

RGB 131 114 31

HSL 49.8, 0.62%, 0.32%

LAB 48.21, -2.86, 45.65

 

CMYK 0 / 13 / 76 / 35

HEX #A58F27

RGB 165 143 39

HSL 49.52, 0.62%, 0.4%

LAB 59.7, -2.94, 54.71

 

CMYK 0 / 13 / 76 / 22

HEX #C6AC2F

RGB 198 172 47

HSL 49.67, 0.62%, 0.48%

LAB 70.67, -3.47, 63.27

 

CMYK 0 / 11 / 65 / 17

HEX #D4BD4A

RGB 212 189 74

HSL 50, 0.62%, 0.56%

LAB 76.61, -4.96, 59.1

 

CMYK 0 / 9 / 51 / 14

HEX #DCC96B

RGB 220 201 107

HSL 49.91, 0.62%, 0.64%

LAB 80.77, -5.41, 48.92

 

CMYK 0 / 13 / 77 / 22

HEX #C8AE2F

RGB 200 174 47

HSL 49.8, 0.62%, 0.48%

LAB 71.39, -3.65, 64

 

CMYK 76 / 0 / 75 / 22

HEX #2FC631

RGB 47 198 49

HSL 120.79, 0.62%, 0.48%

LAB 70.33, -65.47, 59.5

 

CMYK 44 / 76 / 0 / 22

HEX #6E2FC6

RGB 110 47 198

HSL 265.03, 0.62%, 0.48%

LAB 36.79, 57.66, -67.6

 

CMYK 0 / 13 / 77 / 22

HEX #C8AE2F

RGB 200 174 47

HSL 49.8, 0.62%, 0.48%

LAB 71.39, -3.65, 64

 

CMYK 76 / 0 / 14 / 22

HEX #2FC6AA

RGB 47 198 170

HSL 168.87, 0.62%, 0.48%

LAB 72.16, -44.85, 3.03

 

CMYK 14 / 76 / 0 / 22

HEX #AA2FC6

RGB 170 47 198

HSL 288.87, 0.62%, 0.48%

LAB 45.16, 68.23, -53.63

 

CMYK 0 / 13 / 77 / 22

HEX #C8AE2F

RGB 200 174 47

HSL 49.8, 0.62%, 0.48%

LAB 71.39, -3.65, 64

 

CMYK 76 / 0 / 75 / 22

HEX #2FC631

RGB 47 198 49

HSL 120.79, 0.62%, 0.48%

LAB 70.33, -65.47, 59.5

 

CMYK 76 / 63 / 0 / 22

HEX #2F4AC6

RGB 47 74 198

HSL 229.27, 0.62%, 0.48%

LAB 37.08, 34.11, -67.33

 

CMYK 0 / 76 / 1 / 22

HEX #C62FC4

RGB 198 47 196

HSL 300.79, 0.62%, 0.48%

LAB 49.53, 73.43, -45.23

 

CMYK 0 / 13 / 77 / 22

HEX #C8AE2F

RGB 200 174 47

HSL 49.8, 0.62%, 0.48%

LAB 71.39, -3.65, 64

 

CMYK 76 / 0 / 52 / 22

HEX #2FC65F

RGB 47 198 95

HSL 139.07, 0.62%, 0.48%

LAB 70.75, -60.39, 40.48

 

CMYK 76 / 63 / 0 / 22

HEX #2F4AC6

RGB 47 74 198

HSL 229.27, 0.62%, 0.48%

LAB 37.08, 34.11, -67.33

 

CMYK 0 / 76 / 24 / 22

HEX #C62F96

RGB 198 47 150

HSL 319.07, 0.62%, 0.48%

LAB 47.29, 66.92, -21.62

 

Description

Color code: HEX #C8AE2F | qconv.com Color code: HEX #C8AE2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 174 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 174 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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