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Color name
HEX #C8AB46

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8AB46 it is the complementary color #3754B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8AB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8AB46 shade: #CDAB41, #DEBD54, #EFCF67, #FFE17A and #FFF38D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8AB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8AB46 shade: #C8AB46, #B79933, #A68720, #95750D and #846300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8AB46 shade: #C8AB46, #C88846, #C86546 and #C84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8AB46 shade: #C8AB46, #C2C846, #9FC846, #7CC846 and #59C846

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8AB46 shade matches the following richer shades: #C8AB46, #DBB633 and #EFC020

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8AB46 shade: #C8AB46, #B4A05A, #A1966D, #8E8B81 and #7A8094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8AB46 shade: #C86546, #C88746, #C8AA46, #C4C846 and #A1C846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8AB46 shade: #917A2B, #B09535, #C8AB46, #D1B966 and #DBC886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8AB46 shade: #C8AB46, #4BC846 and #7646C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8AB46 shade: #C8AB46, #46C8AA and #AA46C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8AB46 shade: #C8AB46, #4BC846, #4665C8 and #C446C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8AB46 shade: #C8AB46, #46C869, #4665C8 and #C846A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

Complementary color

CMYK 70 / 55 / 0 / 27

HEX #3754B9

RGB 55 84 185

HSL 226.62, 0.54%, 0.47%

LAB 38.99, 23.85, -56.59

 

CMYK 0 / 17 / 68 / 20

HEX #CDAB41

RGB 205 171 65

HSL 45.43, 0.58%, 0.53%

LAB 71.21, 0.96, 57.05

 

CMYK 0 / 15 / 62 / 13

HEX #DEBD54

RGB 222 189 84

HSL 45.65, 0.68%, 0.6%

LAB 77.62, -0.11, 56.08

 

CMYK 0 / 13 / 57 / 6

HEX #EFCF67

RGB 239 207 103

HSL 45.88, 0.81%, 0.67%

LAB 83.94, -1.02, 54.96

 

CMYK 0 / 12 / 52 / 0

HEX #FFE17A

RGB 255 225 122

HSL 46.47, 1%, 0.74%

LAB 90.1, -2.21, 53.65

 

CMYK 0 / 5 / 45 / 0

HEX #FFF38D

RGB 255 243 141

HSL 53.68, 1%, 0.78%

LAB 94.86, -9.52, 50.41

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 0 / 16 / 72 / 28

HEX #B79933

RGB 183 153 51

HSL 46.36, 0.56%, 0.46%

LAB 64.23, 0.25, 55.07

 

CMYK 0 / 19 / 81 / 35

HEX #A68720

RGB 166 135 32

HSL 46.12, 0.68%, 0.39%

LAB 57.6, 1.63, 55.29

 

CMYK 0 / 21 / 91 / 42

HEX #95750D

RGB 149 117 13

HSL 45.88, 0.84%, 0.32%

LAB 50.85, 3.32, 54.3

 

CMYK 0 / 25 / 100 / 48

HEX #846300

RGB 132 99 0

HSL 45, 1%, 0.26%

LAB 43.99, 5.35, 51.26

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 0 / 32 / 65 / 22

HEX #C88846

RGB 200 136 70

HSL 30.46, 0.54%, 0.53%

LAB 61.94, 18.05, 44.53

 

CMYK 0 / 50 / 65 / 22

HEX #C86546

RGB 200 101 70

HSL 14.31, 0.54%, 0.53%

LAB 54.06, 36.86, 35.35

 

CMYK 0 / 65 / 65 / 22

HEX #C84646

RGB 200 70 70

HSL 0, 0.54%, 0.53%

LAB 48.39, 51.62, 28.43

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 3 / 0 / 65 / 22

HEX #C2C846

RGB 194 200 70

HSL 62.77, 0.54%, 0.53%

LAB 78, -18.38, 61.74

 

CMYK 21 / 0 / 65 / 22

HEX #9FC846

RGB 159 200 70

HSL 78.92, 0.54%, 0.53%

LAB 75.53, -32.56, 58.38

 

CMYK 38 / 0 / 65 / 22

HEX #7CC846

RGB 124 200 70

HSL 95.08, 0.54%, 0.53%

LAB 73.57, -45.37, 55.71

 

CMYK 56 / 0 / 65 / 22

HEX #59C846

RGB 89 200 70

HSL 111.23, 0.54%, 0.53%

LAB 72.14, -55.86, 53.75

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 0 / 17 / 77 / 14

HEX #DBB633

RGB 219 182 51

HSL 46.79, 0.7%, 0.53%

LAB 75.3, 0.56, 66.91

 

CMYK 0 / 20 / 87 / 6

HEX #EFC020

RGB 239 192 32

HSL 46.38, 0.87%, 0.53%

LAB 79.7, 3.41, 76.85

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 0 / 11 / 50 / 29

HEX #B4A05A

RGB 180 160 90

HSL 46.67, 0.38%, 0.53%

LAB 66.2, -2.04, 38.92

 

CMYK 0 / 7 / 32 / 37

HEX #A1966D

RGB 161 150 109

HSL 47.31, 0.22%, 0.53%

LAB 62.08, -2.41, 23.13

 

CMYK 0 / 2 / 9 / 44

HEX #8E8B81

RGB 142 139 129

HSL 46.15, 0.05%, 0.53%

LAB 57.85, -0.75, 5.73

 

CMYK 18 / 14 / 0 / 42

HEX #7A8094

RGB 122 128 148

HSL 226.15, 0.11%, 0.53%

LAB 53.72, 2.18, -11.5

 

CMYK 0 / 50 / 65 / 22

HEX #C86546

RGB 200 101 70

HSL 14.31, 0.54%, 0.53%

LAB 54.06, 36.86, 35.35

 

CMYK 0 / 33 / 65 / 22

HEX #C88746

RGB 200 135 70

HSL 30, 0.54%, 0.53%

LAB 61.7, 18.6, 44.26

 

CMYK 0 / 15 / 65 / 22

HEX #C8AA46

RGB 200 170 70

HSL 46.15, 0.54%, 0.53%

LAB 70.5, -0.37, 53.99

 

CMYK 2 / 0 / 65 / 22

HEX #C4C846

RGB 196 200 70

HSL 61.85, 0.54%, 0.53%

LAB 78.16, -17.55, 61.95

 

CMYK 20 / 0 / 65 / 22

HEX #A1C846

RGB 161 200 70

HSL 78, 0.54%, 0.53%

LAB 75.65, -31.77, 58.56

 

CMYK 0 / 16 / 70 / 43

HEX #917A2B

RGB 145 122 43

HSL 46.47, 0.54%, 0.37%

LAB 51.96, -0.23, 44.79

 

CMYK 0 / 15 / 70 / 31

HEX #B09535

RGB 176 149 53

HSL 46.83, 0.54%, 0.45%

LAB 62.49, -0.59, 52.25

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 0 / 11 / 51 / 18

HEX #D1B966

RGB 209 185 102

HSL 46.54, 0.54%, 0.61%

LAB 75.58, -2.07, 44.89

 

CMYK 0 / 9 / 39 / 14

HEX #DBC886

RGB 219 200 134

HSL 46.59, 0.54%, 0.69%

LAB 80.79, -2.64, 35.43

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 63 / 0 / 65 / 22

HEX #4BC846

RGB 75 200 70

HSL 117.69, 0.54%, 0.53%

LAB 71.72, -59.21, 53.16

 

CMYK 41 / 65 / 0 / 22

HEX #7646C8

RGB 118 70 200

HSL 262.15, 0.54%, 0.53%

LAB 41.85, 48.48, -60.48

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 65 / 0 / 15 / 22

HEX #46C8AA

RGB 70 200 170

HSL 166.15, 0.54%, 0.53%

LAB 73.23, -42.53, 4.63

 

CMYK 15 / 65 / 0 / 22

HEX #AA46C8

RGB 170 70 200

HSL 286.15, 0.54%, 0.53%

LAB 48.38, 59.85, -49.62

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 63 / 0 / 65 / 22

HEX #4BC846

RGB 75 200 70

HSL 117.69, 0.54%, 0.53%

LAB 71.72, -59.21, 53.16

 

CMYK 65 / 50 / 0 / 22

HEX #4665C8

RGB 70 101 200

HSL 225.69, 0.54%, 0.53%

LAB 45.33, 20.66, -55.04

 

CMYK 2 / 65 / 0 / 22

HEX #C446C8

RGB 196 70 200

HSL 298.15, 0.54%, 0.53%

LAB 52.16, 65.89, -43.38

 

CMYK 0 / 15 / 65 / 22

HEX #C8AB46

RGB 200 171 70

HSL 46.62, 0.54%, 0.53%

LAB 70.77, -0.9, 54.27

 

CMYK 65 / 0 / 48 / 22

HEX #46C869

RGB 70 200 105

HSL 136.15, 0.54%, 0.53%

LAB 71.98, -55.78, 37.19

 

CMYK 65 / 50 / 0 / 22

HEX #4665C8

RGB 70 101 200

HSL 225.69, 0.54%, 0.53%

LAB 45.33, 20.66, -55.04

 

CMYK 0 / 65 / 18 / 22

HEX #C846A5

RGB 200 70 165

HSL 316.15, 0.54%, 0.53%

LAB 51.12, 61.38, -24.59

 

Description

Color code: HEX #C8AB46 | qconv.com Color code: HEX #C8AB46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 171 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 171 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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