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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89F9C it is the complementary color #376063. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89F9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89F9C shade: #CD9F97, #DEB1AA, #EFC3BD, #FFD5D0 and #FFE7E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89F9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89F9C shade: #C89F9C, #B78D89, #A67B76, #956963 and #845750

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89F9C shade: #C99F9C and #C99C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89F9C shade: #C99F9C, #C9AB9C, #C9B79C, #C9C39C and #C2C99C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89F9C shade matches the following richer shades: #C99F9C, #D59590, #E18A84, #EE7F77 and #FA756B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89F9C shade: #C99F9C, #BCAAA9, #B0B5B5, #A4BFC1 and #97CACE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89F9C shade: #C99CB1, #C99CA5, #C99F9C, #C9AB9C and #C9B79C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89F9C shade: #AB6C67, #BA8682, #C99F9C, #D7B9B7 and #E6D3D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89F9C shade: #C89F9C, #BDC99C and #9CABC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89F9C shade: #C89F9C, #9CC99F and #9F9CC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89F9C shade: #C89F9C, #BDC99C, #9CC6C9 and #A89CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89F9C shade: #C89F9C, #B0C99C, #9CC6C9 and #B59CC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 22 / 22

HEX #C89F9C

RGB 200 159 156

HSL 4.09, 0.29%, 0.7%

LAB 69.09, 14.71, 7.34

 

Complementary color

CMYK 44 / 3 / 0 / 61

HEX #376063

RGB 55 96 99

HSL 184.09, 0.29%, 0.3%

LAB 37.98, -13.47, -6.23

 

CMYK 0 / 22 / 26 / 20

HEX #CD9F97

RGB 205 159 151

HSL 8.89, 0.35%, 0.7%

LAB 69.48, 15.88, 10.73

 

CMYK 0 / 20 / 23 / 13

HEX #DEB1AA

RGB 222 177 170

HSL 8.08, 0.44%, 0.77%

LAB 75.99, 15.29, 9.79

 

CMYK 0 / 18 / 21 / 6

HEX #EFC3BD

RGB 239 195 189

HSL 7.2, 0.61%, 0.84%

LAB 82.41, 14.75, 8.92

 

CMYK 0 / 16 / 18 / 0

HEX #FFD5D0

RGB 255 213 208

HSL 6.38, 1%, 0.91%

LAB 88.64, 13.9, 7.95

 

CMYK 0 / 9 / 11 / 0

HEX #FFE7E3

RGB 255 231 227

HSL 8.57, 1%, 0.95%

LAB 93.43, 7.53, 4.91

 

CMYK 0 / 21 / 22 / 22

HEX #C89F9C

RGB 200 159 156

HSL 4.09, 0.29%, 0.7%

LAB 69.09, 14.71, 7.34

 

CMYK 0 / 23 / 25 / 28

HEX #B78D89

RGB 183 141 137

HSL 5.22, 0.24%, 0.63%

LAB 62.44, 15.31, 8.27

 

CMYK 0 / 26 / 29 / 35

HEX #A67B76

RGB 166 123 118

HSL 6.25, 0.21%, 0.56%

LAB 55.67, 16, 9.28

 

CMYK 0 / 30 / 34 / 42

HEX #956963

RGB 149 105 99

HSL 7.2, 0.2%, 0.49%

LAB 48.75, 16.79, 10.4

 

CMYK 0 / 34 / 39 / 48

HEX #845750

RGB 132 87 80

HSL 8.08, 0.25%, 0.42%

LAB 41.69, 17.71, 11.68

 

CMYK 0 / 21 / 22 / 21

HEX #C99F9C

RGB 201 159 156

HSL 4, 0.29%, 0.7%

LAB 69.19, 15.09, 7.5

 

CMYK 0 / 22 / 22 / 21

HEX #C99C9C

RGB 201 156 156

HSL 0, 0.29%, 0.7%

LAB 68.46, 16.73, 6.44

 

CMYK 0 / 21 / 22 / 21

HEX #C99F9C

RGB 201 159 156

HSL 4, 0.29%, 0.7%

LAB 69.19, 15.09, 7.5

 

CMYK 0 / 15 / 22 / 21

HEX #C9AB9C

RGB 201 171 156

HSL 20, 0.29%, 0.7%

LAB 72.19, 8.56, 11.76

 

CMYK 0 / 9 / 22 / 21

HEX #C9B79C

RGB 201 183 156

HSL 36, 0.29%, 0.7%

LAB 75.25, 2.11, 16.07

 

CMYK 0 / 3 / 22 / 21

HEX #C9C39C

RGB 201 195 156

HSL 52, 0.29%, 0.7%

LAB 78.37, -4.22, 20.4

 

CMYK 3 / 0 / 22 / 21

HEX #C2C99C

RGB 194 201 156

HSL 69.33, 0.29%, 0.7%

LAB 79.41, -9.96, 21.74

 

CMYK 0 / 21 / 22 / 21

HEX #C99F9C

RGB 201 159 156

HSL 4, 0.29%, 0.7%

LAB 69.19, 15.09, 7.5

 

CMYK 0 / 30 / 32 / 16

HEX #D59590

RGB 213 149 144

HSL 4.35, 0.45%, 0.7%

LAB 67.77, 23.44, 12.32

 

CMYK 0 / 39 / 41 / 12

HEX #E18A84

RGB 225 138 132

HSL 3.87, 0.61%, 0.7%

LAB 66.41, 32.48, 17.34

 

CMYK 0 / 47 / 50 / 7

HEX #EE7F77

RGB 238 127 119

HSL 4.03, 0.78%, 0.7%

LAB 65.5, 41.76, 23.68

 

CMYK 0 / 53 / 57 / 2

HEX #FA756B

RGB 250 117 107

HSL 4.2, 0.93%, 0.7%

LAB 65.05, 50.04, 30.09

 

CMYK 0 / 21 / 22 / 21

HEX #C99F9C

RGB 201 159 156

HSL 4, 0.29%, 0.7%

LAB 69.19, 15.09, 7.5

 

CMYK 0 / 10 / 10 / 26

HEX #BCAAA9

RGB 188 170 169

HSL 3.16, 0.12%, 0.7%

LAB 71.08, 6.32, 2.87

 

CMYK 3 / 0 / 0 / 29

HEX #B0B5B5

RGB 176 181 181

HSL 180, 0.03%, 0.7%

LAB 73.29, -1.74, -0.62

HEX #B0B5B5

CMYK 15 / 1 / 0 / 24

HEX #A4BFC1

RGB 164 191 193

HSL 184.14, 0.19%, 0.7%

LAB 75.45, -8.68, -4.09

HEX #A4BFC1

CMYK 27 / 2 / 0 / 19

HEX #97CACE

RGB 151 202 206

HSL 184.36, 0.36%, 0.7%

LAB 78.04, -15.57, -7.39

HEX #97CACE

CMYK 0 / 22 / 12 / 21

HEX #C99CB1

RGB 201 156 177

HSL 332, 0.29%, 0.7%

LAB 69.02, 20.08, -4.44

 

CMYK 0 / 22 / 18 / 21

HEX #C99CA5

RGB 201 156 165

HSL 348, 0.29%, 0.7%

LAB 68.69, 18.11, 1.76

 

CMYK 0 / 21 / 22 / 21

HEX #C99F9C

RGB 201 159 156

HSL 4, 0.29%, 0.7%

LAB 69.19, 15.09, 7.5

 

CMYK 0 / 15 / 22 / 21

HEX #C9AB9C

RGB 201 171 156

HSL 20, 0.29%, 0.7%

LAB 72.19, 8.56, 11.76

 

CMYK 0 / 9 / 22 / 21

HEX #C9B79C

RGB 201 183 156

HSL 36, 0.29%, 0.7%

LAB 75.25, 2.11, 16.07

 

CMYK 0 / 37 / 40 / 33

HEX #AB6C67

RGB 171 108 103

HSL 4.41, 0.29%, 0.54%

LAB 52.24, 24.51, 13.31

 

CMYK 0 / 28 / 30 / 27

HEX #BA8682

RGB 186 134 130

HSL 4.29, 0.29%, 0.62%

LAB 60.87, 19.39, 10.06

 

CMYK 0 / 21 / 22 / 21

HEX #C99F9C

RGB 201 159 156

HSL 4, 0.29%, 0.7%

LAB 69.19, 15.09, 7.5

 

CMYK 0 / 14 / 15 / 16

HEX #D7B9B7

RGB 215 185 183

HSL 3.75, 0.29%, 0.78%

LAB 77.62, 10.39, 4.97

 

CMYK 0 / 8 / 9 / 10

HEX #E6D3D2

RGB 230 211 210

HSL 3, 0.29%, 0.86%

LAB 86.04, 6.4, 2.86

 

CMYK 0 / 21 / 22 / 22

HEX #C89F9C

RGB 200 159 156

HSL 4.09, 0.29%, 0.7%

LAB 69.09, 14.71, 7.34

 

CMYK 6 / 0 / 22 / 21

HEX #BDC99C

RGB 189 201 156

HSL 76, 0.29%, 0.7%

LAB 79.04, -11.82, 21.16

 

CMYK 22 / 15 / 0 / 21

HEX #9CABC9

RGB 156 171 201

HSL 220, 0.29%, 0.7%

LAB 69.76, 1.3, -17.02

 

CMYK 0 / 21 / 22 / 22

HEX #C89F9C

RGB 200 159 156

HSL 4.09, 0.29%, 0.7%

LAB 69.09, 14.71, 7.34

 

CMYK 22 / 0 / 21 / 21

HEX #9CC99F

RGB 156 201 159

HSL 124, 0.29%, 0.7%

LAB 76.89, -23.03, 16.25

 

CMYK 21 / 22 / 0 / 21

HEX #9F9CC9

RGB 159 156 201

HSL 244, 0.29%, 0.7%

LAB 66.03, 10.6, -22.67

 

CMYK 0 / 21 / 22 / 22

HEX #C89F9C

RGB 200 159 156

HSL 4.09, 0.29%, 0.7%

LAB 69.09, 14.71, 7.34

 

CMYK 6 / 0 / 22 / 21

HEX #BDC99C

RGB 189 201 156

HSL 76, 0.29%, 0.7%

LAB 79.04, -11.82, 21.16

 

CMYK 22 / 1 / 0 / 21

HEX #9CC6C9

RGB 156 198 201

HSL 184, 0.29%, 0.7%

LAB 77.08, -13.13, -6.07

 

CMYK 16 / 22 / 0 / 21

HEX #A89CC9

RGB 168 156 201

HSL 256, 0.29%, 0.7%

LAB 66.76, 13.47, -21.49

 

CMYK 0 / 21 / 22 / 22

HEX #C89F9C

RGB 200 159 156

HSL 4.09, 0.29%, 0.7%

LAB 69.09, 14.71, 7.34

 

CMYK 12 / 0 / 22 / 21

HEX #B0C99C

RGB 176 201 156

HSL 93.33, 0.29%, 0.7%

LAB 78.11, -16.56, 19.74

 

CMYK 22 / 1 / 0 / 21

HEX #9CC6C9

RGB 156 198 201

HSL 184, 0.29%, 0.7%

LAB 77.08, -13.13, -6.07

 

CMYK 10 / 22 / 0 / 21

HEX #B59CC9

RGB 181 156 201

HSL 273.33, 0.29%, 0.7%

LAB 67.89, 17.7, -19.67

 

Description

Color code: HEX #C89F9C | qconv.com Color code: HEX #C89F9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 159 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 159 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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