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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89F7A it is the complementary color #376085. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89F7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89F7A shade: #CD9F75, #DEB188, #EFC39B, #FFD5AE and #FFE7C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89F7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89F7A shade: #C89F7A, #B78D67, #A67B54, #956941 and #84572E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89F7A shade: #C79F7A, #C78A7A and #C77A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89F7A shade: #C79F7A, #C7B47A, #C6C77A, #B1C77A and #9DC77A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89F7A shade matches the following richer shades: #C79F7A, #D79E6B, #E69D5B and #F59C4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89F7A shade: #C79F7A, #B89F89, #A9A098, #9AA1A8 and #8AA2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89F7A shade: #C77A7F, #C7897A, #C79E7A, #C7B37A and #C7C77A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89F7A shade: #A87546, #BB8A5D, #C79F7A, #D4B497 and #E0C9B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89F7A shade: #C89F7A, #94C77A and #7F7AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89F7A shade: #C89F7A, #7AC79E and #9E7AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89F7A shade: #C89F7A, #94C77A, #7AA3C7 and #AE7AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89F7A shade: #C89F7A, #7DC77A, #7AA3C7 and #C57AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 39 / 22

HEX #C89F7A

RGB 200 159 122

HSL 28.46, 0.41%, 0.63%

LAB 68.37, 10.17, 25.09

 

Complementary color

CMYK 59 / 28 / 0 / 48

HEX #376085

RGB 55 96 133

HSL 208.46, 0.41%, 0.37%

LAB 39.36, -2.65, -24.96

 

CMYK 0 / 22 / 43 / 20

HEX #CD9F75

RGB 205 159 117

HSL 28.64, 0.47%, 0.63%

LAB 68.79, 11.64, 28.45

 

CMYK 0 / 20 / 39 / 13

HEX #DEB188

RGB 222 177 136

HSL 28.6, 0.57%, 0.7%

LAB 75.3, 10.89, 27.19

 

CMYK 0 / 18 / 35 / 6

HEX #EFC39B

RGB 239 195 155

HSL 28.57, 0.72%, 0.77%

LAB 81.7, 10.23, 26.02

 

CMYK 0 / 16 / 32 / 0

HEX #FFD5AE

RGB 255 213 174

HSL 28.89, 1%, 0.84%

LAB 87.92, 9.27, 24.78

 

CMYK 0 / 9 / 24 / 0

HEX #FFE7C1

RGB 255 231 193

HSL 36.77, 1%, 0.88%

LAB 92.69, 2.49, 21.5

 

CMYK 0 / 21 / 39 / 22

HEX #C89F7A

RGB 200 159 122

HSL 28.46, 0.41%, 0.63%

LAB 68.37, 10.17, 25.09

 

CMYK 0 / 23 / 44 / 28

HEX #B78D67

RGB 183 141 103

HSL 28.5, 0.36%, 0.56%

LAB 61.74, 10.95, 26.38

 

CMYK 0 / 26 / 49 / 35

HEX #A67B54

RGB 166 123 84

HSL 28.54, 0.33%, 0.49%

LAB 54.98, 11.86, 27.78

 

CMYK 0 / 30 / 56 / 42

HEX #956941

RGB 149 105 65

HSL 28.57, 0.39%, 0.42%

LAB 48.1, 12.95, 29.31

 

CMYK 0 / 34 / 65 / 48

HEX #84572E

RGB 132 87 46

HSL 28.6, 0.48%, 0.35%

LAB 41.09, 14.27, 30.97

 

CMYK 0 / 20 / 39 / 22

HEX #C79F7A

RGB 199 159 122

HSL 28.83, 0.41%, 0.63%

LAB 68.27, 9.77, 24.93

 

CMYK 0 / 31 / 39 / 22

HEX #C78A7A

RGB 199 138 122

HSL 12.47, 0.41%, 0.63%

LAB 63.11, 21.27, 17.93

 

CMYK 0 / 39 / 39 / 22

HEX #C77A7A

RGB 199 122 122

HSL 0, 0.41%, 0.63%

LAB 59.4, 30.01, 12.79

 

CMYK 0 / 20 / 39 / 22

HEX #C79F7A

RGB 199 159 122

HSL 28.83, 0.41%, 0.63%

LAB 68.27, 9.77, 24.93

 

CMYK 0 / 10 / 39 / 22

HEX #C7B47A

RGB 199 180 122

HSL 45.19, 0.41%, 0.63%

LAB 73.67, -1.52, 32.07

 

CMYK 1 / 0 / 39 / 22

HEX #C6C77A

RGB 198 199 122

HSL 60.78, 0.41%, 0.63%

LAB 78.61, -11.79, 38.42

 

CMYK 11 / 0 / 39 / 22

HEX #B1C77A

RGB 177 199 122

HSL 77.14, 0.41%, 0.63%

LAB 77.04, -19.99, 36.09

 

CMYK 21 / 0 / 39 / 22

HEX #9DC77A

RGB 157 199 122

HSL 92.73, 0.41%, 0.63%

LAB 75.71, -27.48, 34.11

 

CMYK 0 / 20 / 39 / 22

HEX #C79F7A

RGB 199 159 122

HSL 28.83, 0.41%, 0.63%

LAB 68.27, 9.77, 24.93

 

CMYK 0 / 27 / 50 / 16

HEX #D79E6B

RGB 215 158 107

HSL 28.33, 0.57%, 0.63%

LAB 69.44, 15.27, 34.85

 

CMYK 0 / 32 / 60 / 10

HEX #E69D5B

RGB 230 157 91

HSL 28.49, 0.74%, 0.63%

LAB 70.66, 20.68, 45

 

CMYK 0 / 36 / 69 / 4

HEX #F59C4C

RGB 245 156 76

HSL 28.4, 0.89%, 0.63%

LAB 72.04, 26.44, 54.34

 

CMYK 0 / 20 / 39 / 22

HEX #C79F7A

RGB 199 159 122

HSL 28.83, 0.41%, 0.63%

LAB 68.27, 9.77, 24.93

 

CMYK 0 / 14 / 26 / 28

HEX #B89F89

RGB 184 159 137

HSL 28.09, 0.25%, 0.63%

LAB 67.12, 5.75, 14.88

 

CMYK 0 / 5 / 10 / 34

HEX #A9A098

RGB 169 160 152

HSL 28.24, 0.09%, 0.63%

LAB 66.4, 1.84, 5.33

 

CMYK 8 / 4 / 0 / 34

HEX #9AA1A8

RGB 154 161 168

HSL 210, 0.07%, 0.63%

LAB 65.89, -1.08, -4.5

 

CMYK 25 / 11 / 0 / 28

HEX #8AA2B7

RGB 138 162 183

HSL 208, 0.24%, 0.63%

LAB 65.49, -3.58, -13.61

 

CMYK 0 / 39 / 36 / 22

HEX #C77A7F

RGB 199 122 127

HSL 356.1, 0.41%, 0.63%

LAB 59.52, 30.61, 10.08

 

CMYK 0 / 31 / 39 / 22

HEX #C7897A

RGB 199 137 122

HSL 11.69, 0.41%, 0.63%

LAB 62.88, 21.82, 17.61

 

CMYK 0 / 21 / 39 / 22

HEX #C79E7A

RGB 199 158 122

HSL 28.05, 0.41%, 0.63%

LAB 68.02, 10.31, 24.6

 

CMYK 0 / 10 / 39 / 22

HEX #C7B37A

RGB 199 179 122

HSL 44.42, 0.41%, 0.63%

LAB 73.41, -0.99, 31.72

 

CMYK 0 / 0 / 39 / 22

HEX #C7C77A

RGB 199 199 122

HSL 60, 0.41%, 0.63%

LAB 78.69, -11.4, 38.53

 

CMYK 0 / 30 / 58 / 34

HEX #A87546

RGB 168 117 70

HSL 28.78, 0.41%, 0.47%

LAB 53.48, 14.84, 33.66

 

CMYK 0 / 26 / 50 / 27

HEX #BB8A5D

RGB 187 138 93

HSL 28.72, 0.41%, 0.55%

LAB 61.25, 13.26, 31.31

 

CMYK 0 / 20 / 39 / 22

HEX #C79F7A

RGB 199 159 122

HSL 28.83, 0.41%, 0.63%

LAB 68.27, 9.77, 24.93

 

CMYK 0 / 15 / 29 / 17

HEX #D4B497

RGB 212 180 151

HSL 28.52, 0.41%, 0.71%

LAB 75.37, 7.23, 19.08

 

CMYK 0 / 10 / 20 / 12

HEX #E0C9B4

RGB 224 201 180

HSL 28.64, 0.42%, 0.79%

LAB 82.33, 4.75, 13.43

 

CMYK 0 / 21 / 39 / 22

HEX #C89F7A

RGB 200 159 122

HSL 28.46, 0.41%, 0.63%

LAB 68.37, 10.17, 25.09

 

CMYK 26 / 0 / 39 / 22

HEX #94C77A

RGB 148 199 122

HSL 99.74, 0.41%, 0.63%

LAB 75.17, -30.71, 33.3

 

CMYK 36 / 39 / 0 / 22

HEX #7F7AC7

RGB 127 122 199

HSL 243.9, 0.41%, 0.63%

LAB 54.61, 20.31, -39.46

 

CMYK 0 / 21 / 39 / 22

HEX #C89F7A

RGB 200 159 122

HSL 28.46, 0.41%, 0.63%

LAB 68.37, 10.17, 25.09

 

CMYK 39 / 0 / 21 / 22

HEX #7AC79E

RGB 122 199 158

HSL 148.05, 0.41%, 0.63%

LAB 74.48, -32.91, 13.14

 

CMYK 21 / 39 / 0 / 22

HEX #9E7AC7

RGB 158 122 199

HSL 268.05, 0.41%, 0.63%

LAB 57.38, 29.25, -34.92

 

CMYK 0 / 21 / 39 / 22

HEX #C89F7A

RGB 200 159 122

HSL 28.46, 0.41%, 0.63%

LAB 68.37, 10.17, 25.09

 

CMYK 26 / 0 / 39 / 22

HEX #94C77A

RGB 148 199 122

HSL 99.74, 0.41%, 0.63%

LAB 75.17, -30.71, 33.3

 

CMYK 39 / 18 / 0 / 22

HEX #7AA3C7

RGB 122 163 199

HSL 208.05, 0.41%, 0.63%

LAB 65.32, -4.76, -22.87

 

CMYK 13 / 39 / 0 / 22

HEX #AE7AC7

RGB 174 122 199

HSL 280.52, 0.41%, 0.63%

LAB 59.01, 34.11, -32.25

 

CMYK 0 / 21 / 39 / 22

HEX #C89F7A

RGB 200 159 122

HSL 28.46, 0.41%, 0.63%

LAB 68.37, 10.17, 25.09

 

CMYK 37 / 0 / 39 / 22

HEX #7DC77A

RGB 125 199 122

HSL 117.66, 0.41%, 0.63%

LAB 73.94, -38.42, 31.47

 

CMYK 39 / 18 / 0 / 22

HEX #7AA3C7

RGB 122 163 199

HSL 208.05, 0.41%, 0.63%

LAB 65.32, -4.76, -22.87

 

CMYK 1 / 39 / 0 / 22

HEX #C57AC7

RGB 197 122 199

HSL 298.44, 0.41%, 0.63%

LAB 61.58, 41.22, -28.07

 

Description

Color code: HEX #C89F7A | qconv.com Color code: HEX #C89F7A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 159 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 159 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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