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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89E5E it is the complementary color #3761A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89E5E shade: #CD9E59, #DEB06C, #EFC27F, #FFD492 and #FFE6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89E5E shade: #C89E5E, #B78C4B, #A67A38, #956825 and #845612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89E5E shade: #C89F5F, #C8825F, #C8665F and #C85F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89E5E shade: #C89F5F, #C8BB5F, #B9C85F, #9DC85F and #81C85F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89E5E shade matches the following richer shades: #C89F5F, #DAA24E, #EBA63D and #FCAA2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89E5E shade: #C89F5F, #B79B71, #A69882, #949493 and #8390A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89E5E shade: #C8665F, #C8825F, #C89E5F, #C8BA5F and #BAC85F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89E5E shade: #9F7536, #BE8C41, #C89F5F, #D3B17E and #DDC49D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89E5E shade: #C89E5E, #74C85F and #745FC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89E5E shade: #C89E5E, #5FC89E and #9E5FC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89E5E shade: #C89E5E, #74C85F, #5F89C8 and #B35FC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89E5E shade: #C89E5E, #5FC86A, #5F89C8 and #C85FBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 53 / 22

HEX #C89E5E

RGB 200 158 94

HSL 36.23, 0.49%, 0.58%

LAB 67.68, 7.86, 39.11

 

Complementary color

CMYK 66 / 40 / 0 / 37

HEX #3761A1

RGB 55 97 161

HSL 216.23, 0.49%, 0.42%

LAB 41.11, 6.62, -39.02

 

CMYK 0 / 23 / 57 / 20

HEX #CD9E59

RGB 205 158 89

HSL 35.69, 0.54%, 0.58%

LAB 68.13, 9.55, 42.34

 

CMYK 0 / 21 / 51 / 13

HEX #DEB06C

RGB 222 176 108

HSL 35.79, 0.63%, 0.65%

LAB 74.61, 8.59, 40.97

 

CMYK 0 / 19 / 47 / 6

HEX #EFC27F

RGB 239 194 127

HSL 35.89, 0.78%, 0.72%

LAB 81, 7.75, 39.65

 

CMYK 0 / 17 / 43 / 0

HEX #FFD492

RGB 255 212 146

HSL 36.33, 1%, 0.79%

LAB 87.2, 6.63, 38.25

 

CMYK 0 / 10 / 35 / 0

HEX #FFE6A5

RGB 255 230 165

HSL 43.33, 1%, 0.82%

LAB 91.94, -0.51, 34.82

 

CMYK 0 / 21 / 53 / 22

HEX #C89E5E

RGB 200 158 94

HSL 36.23, 0.49%, 0.58%

LAB 67.68, 7.86, 39.11

 

CMYK 0 / 23 / 59 / 28

HEX #B78C4B

RGB 183 140 75

HSL 36.11, 0.43%, 0.51%

LAB 61.07, 8.89, 40.51

 

CMYK 0 / 27 / 66 / 35

HEX #A67A38

RGB 166 122 56

HSL 36, 0.5%, 0.44%

LAB 54.36, 10.11, 41.9

 

CMYK 0 / 30 / 75 / 42

HEX #956825

RGB 149 104 37

HSL 35.89, 0.6%, 0.36%

LAB 47.53, 11.6, 43.1

 

CMYK 0 / 35 / 86 / 48

HEX #845612

RGB 132 86 18

HSL 35.79, 0.76%, 0.29%

LAB 40.58, 13.42, 43.67

 

CMYK 0 / 21 / 53 / 22

HEX #C89F5F

RGB 200 159 95

HSL 36.57, 0.49%, 0.58%

LAB 67.95, 7.41, 38.93

 

CMYK 0 / 35 / 53 / 22

HEX #C8825F

RGB 200 130 95

HSL 20, 0.49%, 0.58%

LAB 60.84, 23.25, 30

 

CMYK 0 / 49 / 53 / 22

HEX #C8665F

RGB 200 102 95

HSL 4, 0.49%, 0.58%

LAB 54.67, 38.23, 21.92

 

CMYK 0 / 53 / 53 / 22

HEX #C85F5F

RGB 200 95 95

HSL 0, 0.49%, 0.58%

LAB 53.27, 41.79, 20.05

 

CMYK 0 / 21 / 53 / 22

HEX #C89F5F

RGB 200 159 95

HSL 36.57, 0.49%, 0.58%

LAB 67.95, 7.41, 38.93

 

CMYK 0 / 7 / 53 / 22

HEX #C8BB5F

RGB 200 187 95

HSL 52.57, 0.49%, 0.58%

LAB 75.23, -7.46, 47.7

 

CMYK 8 / 0 / 53 / 22

HEX #B9C85F

RGB 185 200 95

HSL 68.57, 0.49%, 0.58%

LAB 77.55, -20.2, 50.12

 

CMYK 22 / 0 / 53 / 22

HEX #9DC85F

RGB 157 200 95

HSL 84.57, 0.49%, 0.58%

LAB 75.64, -31.15, 47.4

 

CMYK 36 / 0 / 53 / 22

HEX #81C85F

RGB 129 200 95

HSL 100.57, 0.49%, 0.58%

LAB 74.06, -41.19, 45.14

 

CMYK 0 / 21 / 53 / 22

HEX #C89F5F

RGB 200 159 95

HSL 36.57, 0.49%, 0.58%

LAB 67.95, 7.41, 38.93

 

CMYK 0 / 26 / 64 / 15

HEX #DAA24E

RGB 218 162 78

HSL 36, 0.65%, 0.58%

LAB 70.38, 12.12, 50.7

 

CMYK 0 / 29 / 74 / 8

HEX #EBA63D

RGB 235 166 61

HSL 36.21, 0.81%, 0.58%

LAB 73.07, 16.28, 61.61

 

CMYK 0 / 33 / 83 / 1

HEX #FCAA2B

RGB 252 170 43

HSL 36.46, 0.97%, 0.58%

LAB 75.84, 20.7, 71.32

 

CMYK 0 / 21 / 53 / 22

HEX #C89F5F

RGB 200 159 95

HSL 36.57, 0.49%, 0.58%

LAB 67.95, 7.41, 38.93

 

CMYK 0 / 15 / 38 / 28

HEX #B79B71

RGB 183 155 113

HSL 36, 0.33%, 0.58%

LAB 65.52, 4.37, 25.88

 

CMYK 0 / 8 / 22 / 35

HEX #A69882

RGB 166 152 130

HSL 36.67, 0.17%, 0.58%

LAB 63.49, 1.49, 13.45

 

CMYK 0 / 0 / 1 / 42

HEX #949493

RGB 148 148 147

HSL 60, 0%, 0.58%

LAB 61.29, -0.19, 0.52

 

CMYK 21 / 13 / 0 / 35

HEX #8390A5

RGB 131 144 165

HSL 217.06, 0.16%, 0.58%

LAB 59.42, -0.01, -12.63

 

CMYK 0 / 49 / 53 / 22

HEX #C8665F

RGB 200 102 95

HSL 4, 0.49%, 0.58%

LAB 54.67, 38.23, 21.92

 

CMYK 0 / 35 / 53 / 22

HEX #C8825F

RGB 200 130 95

HSL 20, 0.49%, 0.58%

LAB 60.84, 23.25, 30

 

CMYK 0 / 21 / 53 / 22

HEX #C89E5F

RGB 200 158 95

HSL 36, 0.49%, 0.58%

LAB 67.69, 7.95, 38.61

 

CMYK 0 / 7 / 53 / 22

HEX #C8BA5F

RGB 200 186 95

HSL 52, 0.49%, 0.58%

LAB 74.97, -6.94, 47.39

 

CMYK 7 / 0 / 53 / 22

HEX #BAC85F

RGB 186 200 95

HSL 68, 0.49%, 0.58%

LAB 77.62, -19.8, 50.23

 

CMYK 0 / 26 / 66 / 38

HEX #9F7536

RGB 159 117 54

HSL 36, 0.49%, 0.42%

LAB 52.24, 9.68, 40.32

 

CMYK 0 / 26 / 66 / 25

HEX #BE8C41

RGB 190 140 65

HSL 36, 0.49%, 0.5%

LAB 61.73, 11.23, 46.43

 

CMYK 0 / 21 / 53 / 22

HEX #C89F5F

RGB 200 159 95

HSL 36.57, 0.49%, 0.58%

LAB 67.95, 7.41, 38.93

 

CMYK 0 / 16 / 40 / 17

HEX #D3B17E

RGB 211 177 126

HSL 36, 0.49%, 0.66%

LAB 74.06, 5.37, 30.68

 

CMYK 0 / 11 / 29 / 13

HEX #DDC49D

RGB 221 196 157

HSL 36.56, 0.48%, 0.74%

LAB 80.34, 3.02, 22.84

 

CMYK 0 / 21 / 53 / 22

HEX #C89E5E

RGB 200 158 94

HSL 36.23, 0.49%, 0.58%

LAB 67.68, 7.86, 39.11

 

CMYK 42 / 0 / 53 / 22

HEX #74C85F

RGB 116 200 95

HSL 108, 0.49%, 0.58%

LAB 73.45, -45.41, 44.25

 

CMYK 42 / 53 / 0 / 22

HEX #745FC8

RGB 116 95 200

HSL 252, 0.49%, 0.58%

LAB 47.06, 33.86, -52.08

 

CMYK 0 / 21 / 53 / 22

HEX #C89E5E

RGB 200 158 94

HSL 36.23, 0.49%, 0.58%

LAB 67.68, 7.86, 39.11

 

CMYK 53 / 0 / 21 / 22

HEX #5FC89E

RGB 95 200 158

HSL 156, 0.49%, 0.58%

LAB 73.68, -40.38, 11.86

 

CMYK 21 / 53 / 0 / 22

HEX #9E5FC8

RGB 158 95 200

HSL 276, 0.49%, 0.58%

LAB 51.41, 44.57, -44.89

 

CMYK 0 / 21 / 53 / 22

HEX #C89E5E

RGB 200 158 94

HSL 36.23, 0.49%, 0.58%

LAB 67.68, 7.86, 39.11

 

CMYK 42 / 0 / 53 / 22

HEX #74C85F

RGB 116 200 95

HSL 108, 0.49%, 0.58%

LAB 73.45, -45.41, 44.25

 

CMYK 53 / 32 / 0 / 22

HEX #5F89C8

RGB 95 137 200

HSL 216, 0.49%, 0.58%

LAB 56.58, 3.58, -37.08

 

CMYK 11 / 53 / 0 / 22

HEX #B35FC8

RGB 179 95 200

HSL 288, 0.49%, 0.58%

LAB 53.96, 50.25, -40.69

 

CMYK 0 / 21 / 53 / 22

HEX #C89E5E

RGB 200 158 94

HSL 36.23, 0.49%, 0.58%

LAB 67.68, 7.86, 39.11

 

CMYK 53 / 0 / 47 / 22

HEX #5FC86A

RGB 95 200 106

HSL 126.29, 0.49%, 0.58%

LAB 72.75, -49.94, 37.82

 

CMYK 53 / 32 / 0 / 22

HEX #5F89C8

RGB 95 137 200

HSL 216, 0.49%, 0.58%

LAB 56.58, 3.58, -37.08

 

CMYK 0 / 53 / 5 / 22

HEX #C85FBE

RGB 200 95 190

HSL 305.71, 0.49%, 0.58%

LAB 56.27, 54.25, -31.15

 

Description

Color code: HEX #C89E5E | qconv.com Color code: HEX #C89E5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 158 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 158 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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