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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89DD9 it is the complementary color #376226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89DD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89DD9 shade: #CD9DD4, #DEAFE7, #EFC1FA, #FFD3FF and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89DD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89DD9 shade: #C89DD9, #B78BC6, #A679B3, #9567A0 and #84558D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89DD9 shade: #C79CD8, #D89CD8, #D89CC9, #D89CB9 and #D89CA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89DD9 shade: #C79CD8, #B79CD8, #A79CD8 and #9C9CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89DD9 shade matches the following richer shades: #C79CD8, #CC91E4, #D186EF and #D67AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89DD9 shade: #C79CD8, #C2A7CD, #BEB2C2, #B9BDB7 and #B4C8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89DD9 shade: #A79CD8, #B79CD8, #C79CD8, #D79CD8 and #D89CC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89DD9 shade: #A660C1, #B77ECD, #C79CD8, #D8BAE4 and #E9D7F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89DD9 shade: #C89DD9, #D89CA1 and #9CD8AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89DD9 shade: #C89DD9, #D8C79C and #9CD8C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89DD9 shade: #C89DD9, #D89CA1, #ADD89C and #9CD8D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89DD9 shade: #C89DD9, #D8A99C, #ADD89C and #9CCBD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 28 / 0 / 15

HEX #C89DD9

RGB 200 157 217

HSL 283, 0.44%, 0.73%

LAB 70.46, 26.62, -24.44

 

Complementary color

CMYK 44 / 0 / 61 / 62

HEX #376226

RGB 55 98 38

HSL 103, 0.44%, 0.27%

LAB 37.28, -27.36, 29.05

 

CMYK 3 / 26 / 0 / 17

HEX #CD9DD4

RGB 205 157 212

HSL 292.36, 0.39%, 0.72%

LAB 70.76, 27.25, -21.17

 

CMYK 4 / 24 / 0 / 9

HEX #DEAFE7

RGB 222 175 231

HSL 290.36, 0.54%, 0.8%

LAB 77.26, 26.66, -21.53

 

CMYK 4 / 23 / 0 / 2

HEX #EFC1FA

RGB 239 193 250

HSL 288.42, 0.85%, 0.87%

LAB 83.65, 26.11, -21.87

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 8 / 28 / 0 / 15

HEX #C89DD9

RGB 200 157 217

HSL 283, 0.44%, 0.73%

LAB 70.46, 26.62, -24.44

 

CMYK 8 / 30 / 0 / 22

HEX #B78BC6

RGB 183 139 198

HSL 284.75, 0.34%, 0.66%

LAB 63.84, 27.25, -24.15

 

CMYK 7 / 32 / 0 / 30

HEX #A679B3

RGB 166 121 179

HSL 286.55, 0.28%, 0.59%

LAB 57.11, 27.93, -23.87

 

CMYK 7 / 36 / 0 / 37

HEX #9567A0

RGB 149 103 160

HSL 288.42, 0.23%, 0.52%

LAB 50.25, 28.66, -23.57

 

CMYK 6 / 40 / 0 / 45

HEX #84558D

RGB 132 85 141

HSL 290.36, 0.25%, 0.44%

LAB 43.25, 29.45, -23.26

 

CMYK 8 / 28 / 0 / 15

HEX #C79CD8

RGB 199 156 216

HSL 283, 0.43%, 0.73%

LAB 70.09, 26.64, -24.46

 

CMYK 0 / 28 / 0 / 15

HEX #D89CD8

RGB 216 156 216

HSL 300, 0.43%, 0.73%

LAB 71.78, 32.14, -21.72

 

CMYK 0 / 28 / 7 / 15

HEX #D89CC9

RGB 216 156 201

HSL 315, 0.43%, 0.73%

LAB 71.28, 29.44, -14.22

 

CMYK 0 / 28 / 14 / 15

HEX #D89CB9

RGB 216 156 185

HSL 331, 0.43%, 0.73%

LAB 70.79, 26.74, -6.1

 

CMYK 0 / 28 / 22 / 15

HEX #D89CA8

RGB 216 156 168

HSL 348, 0.43%, 0.73%

LAB 70.32, 24.1, 2.65

 

CMYK 8 / 28 / 0 / 15

HEX #C79CD8

RGB 199 156 216

HSL 283, 0.43%, 0.73%

LAB 70.09, 26.64, -24.46

 

CMYK 15 / 28 / 0 / 15

HEX #B79CD8

RGB 183 156 216

HSL 267, 0.43%, 0.73%

LAB 68.61, 21.55, -26.86

 

CMYK 23 / 28 / 0 / 15

HEX #A79CD8

RGB 167 156 216

HSL 251, 0.43%, 0.73%

LAB 67.24, 16.59, -29.08

 

CMYK 28 / 28 / 0 / 15

HEX #9C9CD8

RGB 156 156 216

HSL 240, 0.43%, 0.73%

LAB 66.37, 13.28, -30.49

 

CMYK 8 / 28 / 0 / 15

HEX #C79CD8

RGB 199 156 216

HSL 283, 0.43%, 0.73%

LAB 70.09, 26.64, -24.46

 

CMYK 11 / 36 / 0 / 11

HEX #CC91E4

RGB 204 145 228

HSL 282.65, 0.61%, 0.73%

LAB 68.53, 36.67, -33.44

 

CMYK 13 / 44 / 0 / 6

HEX #D186EF

RGB 209 134 239

HSL 282.86, 0.77%, 0.73%

LAB 67.15, 46.27, -41.59

 

CMYK 14 / 51 / 0 / 2

HEX #D67AFA

RGB 214 122 250

HSL 283.13, 0.93%, 0.73%

LAB 65.84, 56.04, -49.66

 

CMYK 8 / 28 / 0 / 15

HEX #C79CD8

RGB 199 156 216

HSL 283, 0.43%, 0.73%

LAB 70.09, 26.64, -24.46

 

CMYK 5 / 19 / 0 / 20

HEX #C2A7CD

RGB 194 167 205

HSL 282.63, 0.28%, 0.73%

LAB 71.9, 16.74, -15.69

 

CMYK 2 / 8 / 0 / 24

HEX #BEB2C2

RGB 190 178 194

HSL 285, 0.12%, 0.73%

LAB 73.99, 7.22, -6.58

 

CMYK 2 / 0 / 3 / 26

HEX #B9BDB7

RGB 185 189 183

HSL 100, 0.04%, 0.73%

LAB 76.15, -2.5, 2.53

 

CMYK 10 / 0 / 14 / 22

HEX #B4C8AC

RGB 180 200 172

HSL 102.86, 0.2%, 0.73%

LAB 78.46, -11.97, 11.73

 

CMYK 23 / 28 / 0 / 15

HEX #A79CD8

RGB 167 156 216

HSL 251, 0.43%, 0.73%

LAB 67.24, 16.59, -29.08

 

CMYK 15 / 28 / 0 / 15

HEX #B79CD8

RGB 183 156 216

HSL 267, 0.43%, 0.73%

LAB 68.61, 21.55, -26.86

 

CMYK 8 / 28 / 0 / 15

HEX #C79CD8

RGB 199 156 216

HSL 283, 0.43%, 0.73%

LAB 70.09, 26.64, -24.46

 

CMYK 0 / 28 / 0 / 15

HEX #D79CD8

RGB 215 156 216

HSL 299, 0.43%, 0.73%

LAB 71.68, 31.82, -21.89

 

CMYK 0 / 28 / 7 / 15

HEX #D89CC9

RGB 216 156 201

HSL 315, 0.43%, 0.73%

LAB 71.28, 29.44, -14.22

 

CMYK 14 / 50 / 0 / 24

HEX #A660C1

RGB 166 96 193

HSL 283.3, 0.44%, 0.57%

LAB 52.2, 44.69, -39.56

 

CMYK 11 / 39 / 0 / 20

HEX #B77ECD

RGB 183 126 205

HSL 283.29, 0.44%, 0.65%

LAB 61.13, 35.91, -32.28

 

CMYK 8 / 28 / 0 / 15

HEX #C79CD8

RGB 199 156 216

HSL 283, 0.43%, 0.73%

LAB 70.09, 26.64, -24.46

 

CMYK 5 / 18 / 0 / 11

HEX #D8BAE4

RGB 216 186 228

HSL 282.86, 0.44%, 0.81%

LAB 79.22, 18.19, -16.98

 

CMYK 3 / 10 / 0 / 6

HEX #E9D7F0

RGB 233 215 240

HSL 283.2, 0.45%, 0.89%

LAB 88.07, 10.63, -9.98

 

CMYK 8 / 28 / 0 / 15

HEX #C89DD9

RGB 200 157 217

HSL 283, 0.44%, 0.73%

LAB 70.46, 26.62, -24.44

 

CMYK 0 / 28 / 25 / 15

HEX #D89CA1

RGB 216 156 161

HSL 355, 0.43%, 0.73%

LAB 70.14, 23.08, 6.28

 

CMYK 28 / 0 / 19 / 15

HEX #9CD8AF

RGB 156 216 175

HSL 139, 0.43%, 0.73%

LAB 81.44, -27.44, 14.14

 

CMYK 8 / 28 / 0 / 15

HEX #C89DD9

RGB 200 157 217

HSL 283, 0.44%, 0.73%

LAB 70.46, 26.62, -24.44

 

CMYK 0 / 8 / 28 / 15

HEX #D8C79C

RGB 216 199 156

HSL 43, 0.43%, 0.73%

LAB 80.65, -0.6, 23.72

 

CMYK 28 / 0 / 8 / 15

HEX #9CD8C7

RGB 156 216 199

HSL 163, 0.43%, 0.73%

LAB 82, -22.67, 2.21

 

CMYK 8 / 28 / 0 / 15

HEX #C89DD9

RGB 200 157 217

HSL 283, 0.44%, 0.73%

LAB 70.46, 26.62, -24.44

 

CMYK 0 / 28 / 25 / 15

HEX #D89CA1

RGB 216 156 161

HSL 355, 0.43%, 0.73%

LAB 70.14, 23.08, 6.28

 

CMYK 20 / 0 / 28 / 15

HEX #ADD89C

RGB 173 216 156

HSL 103, 0.43%, 0.73%

LAB 82.05, -25.05, 25.12

 

CMYK 28 / 0 / 2 / 15

HEX #9CD8D3

RGB 156 216 211

HSL 175, 0.43%, 0.73%

LAB 82.32, -20.08, -3.71

 

CMYK 8 / 28 / 0 / 15

HEX #C89DD9

RGB 200 157 217

HSL 283, 0.44%, 0.73%

LAB 70.46, 26.62, -24.44

 

CMYK 0 / 22 / 28 / 15

HEX #D8A99C

RGB 216 169 156

HSL 13, 0.43%, 0.73%

LAB 73.14, 15.35, 13.3

 

CMYK 20 / 0 / 28 / 15

HEX #ADD89C

RGB 173 216 156

HSL 103, 0.43%, 0.73%

LAB 82.05, -25.05, 25.12

 

CMYK 28 / 6 / 0 / 15

HEX #9CCBD8

RGB 156 203 216

HSL 193, 0.43%, 0.73%

LAB 78.89, -12.33, -11.47

 

Description

Color code: HEX #C89DD9 | qconv.com Color code: HEX #C89DD9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 157 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 157 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 28 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 28% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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