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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89BA2 it is the complementary color #37645D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89BA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89BA2 shade: #CD9B9D, #DEADB0, #EFBFC3, #FFD1D6 and #FFE3E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89BA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89BA2 shade: #C89BA2, #B7898F, #A6777C, #956569 and #845356

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89BA2 shade: #C99CA3 and #C99C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89BA2 shade: #C99CA3, #C99CAF, #C99CBB, #C99CC7 and #BE9CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89BA2 shade matches the following richer shades: #C99CA3, #D5909B, #E18492, #EE778A and #FA6B81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89BA2 shade: #C99CA3, #BCA9AC, #B0B5B4, #A4C1BD and #97CEC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89BA2 shade: #C99CBB, #C99CB0, #C99CA4, #C9A19C and #C9AD9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89BA2 shade: #AB6772, #BA828A, #C99CA3, #D7B7BC and #E6D2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89BA2 shade: #C89BA2, #C7C99C and #9CB5C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89BA2 shade: #C89BA2, #A4C99C and #9CA4C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89BA2 shade: #C89BA2, #C7C99C, #9CC9C1 and #9E9CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89BA2 shade: #C89BA2, #BAC99C, #9CC9C1 and #AB9CC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 19 / 22

HEX #C89BA2

RGB 200 155 162

HSL 350.67, 0.29%, 0.7%

LAB 68.26, 17.82, 2.81

 

Complementary color

CMYK 45 / 0 / 7 / 61

HEX #37645D

RGB 55 100 93

HSL 170.67, 0.29%, 0.3%

LAB 39.1, -17.39, -0.88

 

CMYK 0 / 24 / 23 / 20

HEX #CD9B9D

RGB 205 155 157

HSL 357.6, 0.33%, 0.71%

LAB 68.65, 18.93, 6.21

 

CMYK 0 / 22 / 21 / 13

HEX #DEADB0

RGB 222 173 176

HSL 356.33, 0.43%, 0.77%

LAB 75.17, 18.32, 5.34

 

CMYK 0 / 20 / 18 / 6

HEX #EFBFC3

RGB 239 191 195

HSL 355, 0.6%, 0.84%

LAB 81.59, 17.76, 4.53

 

CMYK 0 / 18 / 16 / 0

HEX #FFD1D6

RGB 255 209 214

HSL 353.48, 1%, 0.91%

LAB 87.83, 16.89, 3.62

 

CMYK 0 / 11 / 9 / 0

HEX #FFE3E9

RGB 255 227 233

HSL 347.14, 1%, 0.95%

LAB 92.61, 10.56, 0.59

 

CMYK 0 / 23 / 19 / 22

HEX #C89BA2

RGB 200 155 162

HSL 350.67, 0.29%, 0.7%

LAB 68.26, 17.82, 2.81

 

CMYK 0 / 25 / 22 / 28

HEX #B7898F

RGB 183 137 143

HSL 352.17, 0.24%, 0.63%

LAB 61.6, 18.45, 3.65

 

CMYK 0 / 28 / 25 / 35

HEX #A6777C

RGB 166 119 124

HSL 353.62, 0.21%, 0.56%

LAB 54.82, 19.15, 4.58

 

CMYK 0 / 32 / 30 / 42

HEX #956569

RGB 149 101 105

HSL 355, 0.19%, 0.49%

LAB 47.9, 19.95, 5.61

 

CMYK 0 / 37 / 35 / 48

HEX #845356

RGB 132 83 86

HSL 356.33, 0.23%, 0.42%

LAB 40.84, 20.87, 6.8

 

CMYK 0 / 22 / 19 / 21

HEX #C99CA3

RGB 201 156 163

HSL 350.67, 0.29%, 0.7%

LAB 68.63, 17.8, 2.8

 

CMYK 0 / 22 / 22 / 21

HEX #C99C9C

RGB 201 156 156

HSL 0, 0.29%, 0.7%

LAB 68.46, 16.73, 6.44

 

CMYK 0 / 22 / 19 / 21

HEX #C99CA3

RGB 201 156 163

HSL 350.67, 0.29%, 0.7%

LAB 68.63, 17.8, 2.8

 

CMYK 0 / 22 / 13 / 21

HEX #C99CAF

RGB 201 156 175

HSL 334.67, 0.29%, 0.7%

LAB 68.96, 19.74, -3.41

 

CMYK 0 / 22 / 7 / 21

HEX #C99CBB

RGB 201 156 187

HSL 318.67, 0.29%, 0.7%

LAB 69.31, 21.81, -9.56

 

CMYK 0 / 22 / 1 / 21

HEX #C99CC7

RGB 201 156 199

HSL 302.67, 0.29%, 0.7%

LAB 69.7, 23.99, -15.65

 

CMYK 5 / 22 / 0 / 21

HEX #BE9CC9

RGB 190 156 201

HSL 285.33, 0.29%, 0.7%

LAB 68.71, 20.69, -18.35

 

CMYK 0 / 22 / 19 / 21

HEX #C99CA3

RGB 201 156 163

HSL 350.67, 0.29%, 0.7%

LAB 68.63, 17.8, 2.8

 

CMYK 0 / 32 / 27 / 16

HEX #D5909B

RGB 213 144 155

HSL 350.43, 0.45%, 0.7%

LAB 66.87, 27.62, 4.88

 

CMYK 0 / 41 / 35 / 12

HEX #E18492

RGB 225 132 146

HSL 350.97, 0.61%, 0.7%

LAB 65.42, 37.25, 8.08

 

CMYK 0 / 50 / 42 / 7

HEX #EE778A

RGB 238 119 138

HSL 350.42, 0.78%, 0.7%

LAB 64.33, 47.59, 11.3

 

CMYK 0 / 57 / 48 / 2

HEX #FA6B81

RGB 250 107 129

HSL 350.77, 0.93%, 0.7%

LAB 63.69, 56.45, 15.81

 

CMYK 0 / 22 / 19 / 21

HEX #C99CA3

RGB 201 156 163

HSL 350.67, 0.29%, 0.7%

LAB 68.63, 17.8, 2.8

 

CMYK 0 / 10 / 9 / 26

HEX #BCA9AC

RGB 188 169 172

HSL 350.53, 0.12%, 0.7%

LAB 70.9, 7.38, 0.95

 

CMYK 3 / 0 / 1 / 29

HEX #B0B5B4

RGB 176 181 180

HSL 168, 0.03%, 0.7%

LAB 73.27, -1.93, -0.11

 

CMYK 15 / 0 / 2 / 24

HEX #A4C1BD

RGB 164 193 189

HSL 171.72, 0.19%, 0.7%

LAB 75.89, -10.56, -1.28

 

CMYK 27 / 0 / 4 / 19

HEX #97CEC5

RGB 151 206 197

HSL 170.18, 0.36%, 0.7%

LAB 78.9, -19.6, -1.28

 

CMYK 0 / 22 / 7 / 21

HEX #C99CBB

RGB 201 156 187

HSL 318.67, 0.29%, 0.7%

LAB 69.31, 21.81, -9.56

 

CMYK 0 / 22 / 12 / 21

HEX #C99CB0

RGB 201 156 176

HSL 333.33, 0.29%, 0.7%

LAB 68.99, 19.91, -3.92

 

CMYK 0 / 22 / 18 / 21

HEX #C99CA4

RGB 201 156 164

HSL 349.33, 0.29%, 0.7%

LAB 68.66, 17.96, 2.28

 

CMYK 0 / 20 / 22 / 21

HEX #C9A19C

RGB 201 161 156

HSL 6.67, 0.29%, 0.7%

LAB 69.69, 13.99, 8.2

 

CMYK 0 / 14 / 22 / 21

HEX #C9AD9C

RGB 201 173 156

HSL 22.67, 0.29%, 0.7%

LAB 72.7, 7.47, 12.48

 

CMYK 0 / 40 / 33 / 33

HEX #AB6772

RGB 171 103 114

HSL 350.29, 0.29%, 0.54%

LAB 51.35, 28.69, 5.56

 

CMYK 0 / 30 / 26 / 27

HEX #BA828A

RGB 186 130 138

HSL 351.43, 0.29%, 0.62%

LAB 60.1, 22.74, 4.39

 

CMYK 0 / 22 / 19 / 21

HEX #C99CA3

RGB 201 156 163

HSL 350.67, 0.29%, 0.7%

LAB 68.63, 17.8, 2.8

 

CMYK 0 / 15 / 13 / 16

HEX #D7B7BC

RGB 215 183 188

HSL 350.63, 0.29%, 0.78%

LAB 77.25, 12.27, 1.73

 

CMYK 0 / 9 / 7 / 10

HEX #E6D2D5

RGB 230 210 213

HSL 351, 0.29%, 0.86%

LAB 85.87, 7.43, 1.02

 

CMYK 0 / 23 / 19 / 22

HEX #C89BA2

RGB 200 155 162

HSL 350.67, 0.29%, 0.7%

LAB 68.26, 17.82, 2.81

 

CMYK 1 / 0 / 22 / 21

HEX #C7C99C

RGB 199 201 156

HSL 62.67, 0.29%, 0.7%

LAB 79.79, -8.09, 22.32

 

CMYK 22 / 10 / 0 / 21

HEX #9CB5C9

RGB 156 181 201

HSL 206.67, 0.29%, 0.7%

LAB 72.45, -4.15, -12.97

 

CMYK 0 / 23 / 19 / 22

HEX #C89BA2

RGB 200 155 162

HSL 350.67, 0.29%, 0.7%

LAB 68.26, 17.82, 2.81

 

CMYK 18 / 0 / 22 / 21

HEX #A4C99C

RGB 164 201 156

HSL 109.33, 0.29%, 0.7%

LAB 77.32, -20.81, 18.52

 

CMYK 22 / 18 / 0 / 21

HEX #9CA4C9

RGB 156 164 201

HSL 229.33, 0.29%, 0.7%

LAB 67.9, 5.18, -19.84

 

CMYK 0 / 23 / 19 / 22

HEX #C89BA2

RGB 200 155 162

HSL 350.67, 0.29%, 0.7%

LAB 68.26, 17.82, 2.81

 

CMYK 1 / 0 / 22 / 21

HEX #C7C99C

RGB 199 201 156

HSL 62.67, 0.29%, 0.7%

LAB 79.79, -8.09, 22.32

 

CMYK 22 / 0 / 4 / 21

HEX #9CC9C1

RGB 156 201 193

HSL 169.33, 0.29%, 0.7%

LAB 77.69, -16.41, -0.86

 

CMYK 21 / 22 / 0 / 21

HEX #9E9CC9

RGB 158 156 201

HSL 242.67, 0.29%, 0.7%

LAB 65.95, 10.29, -22.8

 

CMYK 0 / 23 / 19 / 22

HEX #C89BA2

RGB 200 155 162

HSL 350.67, 0.29%, 0.7%

LAB 68.26, 17.82, 2.81

 

CMYK 7 / 0 / 22 / 21

HEX #BAC99C

RGB 186 201 156

HSL 80, 0.29%, 0.7%

LAB 78.82, -12.93, 20.83

 

CMYK 22 / 0 / 4 / 21

HEX #9CC9C1

RGB 156 201 193

HSL 169.33, 0.29%, 0.7%

LAB 77.69, -16.41, -0.86

 

CMYK 15 / 22 / 0 / 21

HEX #AB9CC9

RGB 171 156 201

HSL 260, 0.29%, 0.7%

LAB 67.02, 14.44, -21.08

 

Description

Color code: HEX #C89BA2 | qconv.com Color code: HEX #C89BA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 155 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 155 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 19% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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