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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89B7A it is the complementary color #376485. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89B7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89B7A shade: #CD9B75, #DEAD88, #EFBF9B, #FFD1AE and #FFE3C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89B7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89B7A shade: #C89B7A, #B78967, #A67754, #956541 and #84532E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89B7A shade: #C79B7A, #C7867A and #C77A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89B7A shade: #C79B7A, #C7B07A, #C7C47A, #B5C77A and #A1C77A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89B7A shade matches the following richer shades: #C79B7A, #D7986B, #E6965B and #F5944C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89B7A shade: #C79B7A, #B89D89, #A99F98, #9AA2A8 and #8AA4B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89B7A shade: #C77A83, #C7867A, #C79A7A, #C7AF7A and #C7C37A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89B7A shade: #A87046, #BB855D, #C79B7A, #D4B197 and #E0C7B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89B7A shade: #C89B7A, #98C77A and #7B7AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89B7A shade: #C89B7A, #7AC79A and #9A7AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89B7A shade: #C89B7A, #98C77A, #7AA7C7 and #AA7AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89B7A shade: #C89B7A, #80C77A, #7AA7C7 and #C17AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 39 / 22

HEX #C89B7A

RGB 200 155 122

HSL 25.38, 0.41%, 0.63%

LAB 67.37, 12.35, 23.74

 

Complementary color

CMYK 59 / 25 / 0 / 48

HEX #376485

RGB 55 100 133

HSL 205.38, 0.41%, 0.37%

LAB 40.61, -5.1, -23.03

 

CMYK 0 / 24 / 43 / 20

HEX #CD9B75

RGB 205 155 117

HSL 25.91, 0.47%, 0.63%

LAB 67.8, 13.81, 27.14

 

CMYK 0 / 22 / 39 / 13

HEX #DEAD88

RGB 222 173 136

HSL 25.81, 0.57%, 0.7%

LAB 74.31, 13.03, 25.87

 

CMYK 0 / 20 / 35 / 6

HEX #EFBF9B

RGB 239 191 155

HSL 25.71, 0.72%, 0.77%

LAB 80.73, 12.33, 24.7

 

CMYK 0 / 18 / 32 / 0

HEX #FFD1AE

RGB 255 209 174

HSL 25.93, 1%, 0.84%

LAB 86.96, 11.34, 23.46

 

CMYK 0 / 11 / 24 / 0

HEX #FFE3C1

RGB 255 227 193

HSL 32.9, 1%, 0.88%

LAB 91.71, 4.53, 20.13

 

CMYK 0 / 23 / 39 / 22

HEX #C89B7A

RGB 200 155 122

HSL 25.38, 0.41%, 0.63%

LAB 67.37, 12.35, 23.74

 

CMYK 0 / 25 / 44 / 28

HEX #B78967

RGB 183 137 103

HSL 25.5, 0.36%, 0.56%

LAB 60.73, 13.17, 25.04

 

CMYK 0 / 28 / 49 / 35

HEX #A67754

RGB 166 119 84

HSL 25.61, 0.33%, 0.49%

LAB 53.96, 14.12, 26.47

 

CMYK 0 / 32 / 56 / 42

HEX #956541

RGB 149 101 65

HSL 25.71, 0.39%, 0.42%

LAB 47.08, 15.26, 28.04

 

CMYK 0 / 37 / 65 / 48

HEX #84532E

RGB 132 83 46

HSL 25.81, 0.48%, 0.35%

LAB 40.06, 16.63, 29.77

 

CMYK 0 / 22 / 39 / 22

HEX #C79B7A

RGB 199 155 122

HSL 25.71, 0.41%, 0.63%

LAB 67.27, 11.95, 23.59

 

CMYK 0 / 33 / 39 / 22

HEX #C7867A

RGB 199 134 122

HSL 9.35, 0.41%, 0.63%

LAB 62.17, 23.46, 16.63

 

CMYK 0 / 39 / 39 / 22

HEX #C77A7A

RGB 199 122 122

HSL 0, 0.41%, 0.63%

LAB 59.4, 30.01, 12.79

 

CMYK 0 / 22 / 39 / 22

HEX #C79B7A

RGB 199 155 122

HSL 25.71, 0.41%, 0.63%

LAB 67.27, 11.95, 23.59

 

CMYK 0 / 12 / 39 / 22

HEX #C7B07A

RGB 199 176 122

HSL 42.08, 0.41%, 0.63%

LAB 72.63, 0.61, 30.7

 

CMYK 0 / 2 / 39 / 22

HEX #C7C47A

RGB 199 196 122

HSL 57.66, 0.41%, 0.63%

LAB 77.89, -9.86, 37.51

 

CMYK 9 / 0 / 39 / 22

HEX #B5C77A

RGB 181 199 122

HSL 74.03, 0.41%, 0.63%

LAB 77.33, -18.45, 36.51

 

CMYK 19 / 0 / 39 / 22

HEX #A1C77A

RGB 161 199 122

HSL 89.61, 0.41%, 0.63%

LAB 75.96, -26.02, 34.49

 

CMYK 0 / 22 / 39 / 22

HEX #C79B7A

RGB 199 155 122

HSL 25.71, 0.41%, 0.63%

LAB 67.27, 11.95, 23.59

 

CMYK 0 / 29 / 50 / 16

HEX #D7986B

RGB 215 152 107

HSL 25, 0.57%, 0.63%

LAB 67.99, 18.51, 33

 

CMYK 0 / 35 / 60 / 10

HEX #E6965B

RGB 230 150 91

HSL 25.47, 0.74%, 0.63%

LAB 69.03, 24.4, 43.07

 

CMYK 0 / 40 / 69 / 4

HEX #F5944C

RGB 245 148 76

HSL 25.56, 0.89%, 0.63%

LAB 70.26, 30.62, 52.4

 

CMYK 0 / 22 / 39 / 22

HEX #C79B7A

RGB 199 155 122

HSL 25.71, 0.41%, 0.63%

LAB 67.27, 11.95, 23.59

 

CMYK 0 / 15 / 26 / 28

HEX #B89D89

RGB 184 157 137

HSL 25.53, 0.25%, 0.63%

LAB 66.6, 6.84, 14.15

 

CMYK 0 / 6 / 10 / 34

HEX #A99F98

RGB 169 159 152

HSL 24.71, 0.09%, 0.63%

LAB 66.13, 2.39, 4.94

 

CMYK 8 / 4 / 0 / 34

HEX #9AA2A8

RGB 154 162 168

HSL 205.71, 0.07%, 0.63%

LAB 66.17, -1.63, -4.1

 

CMYK 25 / 10 / 0 / 28

HEX #8AA4B7

RGB 138 164 183

HSL 205.33, 0.24%, 0.63%

LAB 66.04, -4.68, -12.78

 

CMYK 0 / 39 / 34 / 22

HEX #C77A83

RGB 199 122 131

HSL 352.99, 0.41%, 0.63%

LAB 59.62, 31.11, 7.91

 

CMYK 0 / 33 / 39 / 22

HEX #C7867A

RGB 199 134 122

HSL 9.35, 0.41%, 0.63%

LAB 62.17, 23.46, 16.63

 

CMYK 0 / 23 / 39 / 22

HEX #C79A7A

RGB 199 154 122

HSL 24.94, 0.41%, 0.63%

LAB 67.02, 12.5, 23.25

 

CMYK 0 / 12 / 39 / 22

HEX #C7AF7A

RGB 199 175 122

HSL 41.3, 0.41%, 0.63%

LAB 72.37, 1.14, 30.36

 

CMYK 0 / 2 / 39 / 22

HEX #C7C37A

RGB 199 195 122

HSL 56.88, 0.41%, 0.63%

LAB 77.62, -9.35, 37.17

 

CMYK 0 / 33 / 58 / 34

HEX #A87046

RGB 168 112 70

HSL 25.71, 0.41%, 0.47%

LAB 52.24, 17.67, 32.14

 

CMYK 0 / 29 / 50 / 27

HEX #BB855D

RGB 187 133 93

HSL 25.53, 0.41%, 0.55%

LAB 60.01, 16.03, 29.72

 

CMYK 0 / 22 / 39 / 22

HEX #C79B7A

RGB 199 155 122

HSL 25.71, 0.41%, 0.63%

LAB 67.27, 11.95, 23.59

 

CMYK 0 / 17 / 29 / 17

HEX #D4B197

RGB 212 177 151

HSL 25.57, 0.41%, 0.71%

LAB 74.62, 8.84, 18.04

 

CMYK 0 / 11 / 20 / 12

HEX #E0C7B4

RGB 224 199 180

HSL 25.91, 0.42%, 0.79%

LAB 81.83, 5.8, 12.72

 

CMYK 0 / 23 / 39 / 22

HEX #C89B7A

RGB 200 155 122

HSL 25.38, 0.41%, 0.63%

LAB 67.37, 12.35, 23.74

 

CMYK 24 / 0 / 39 / 22

HEX #98C77A

RGB 152 199 122

HSL 96.62, 0.41%, 0.63%

LAB 75.41, -29.29, 33.66

 

CMYK 38 / 39 / 0 / 22

HEX #7B7AC7

RGB 123 122 199

HSL 240.78, 0.41%, 0.63%

LAB 54.29, 19.22, -39.98

 

CMYK 0 / 23 / 39 / 22

HEX #C89B7A

RGB 200 155 122

HSL 25.38, 0.41%, 0.63%

LAB 67.37, 12.35, 23.74

 

CMYK 39 / 0 / 23 / 22

HEX #7AC79A

RGB 122 199 154

HSL 144.94, 0.41%, 0.63%

LAB 74.39, -33.71, 15.16

 

CMYK 23 / 39 / 0 / 22

HEX #9A7AC7

RGB 154 122 199

HSL 264.94, 0.41%, 0.63%

LAB 56.99, 28.05, -35.56

 

CMYK 0 / 23 / 39 / 22

HEX #C89B7A

RGB 200 155 122

HSL 25.38, 0.41%, 0.63%

LAB 67.37, 12.35, 23.74

 

CMYK 24 / 0 / 39 / 22

HEX #98C77A

RGB 152 199 122

HSL 96.62, 0.41%, 0.63%

LAB 75.41, -29.29, 33.66

 

CMYK 39 / 16 / 0 / 22

HEX #7AA7C7

RGB 122 167 199

HSL 204.94, 0.41%, 0.63%

LAB 66.44, -6.96, -21.16

 

CMYK 15 / 39 / 0 / 22

HEX #AA7AC7

RGB 170 122 199

HSL 277.4, 0.41%, 0.63%

LAB 58.59, 32.88, -32.94

 

CMYK 0 / 23 / 39 / 22

HEX #C89B7A

RGB 200 155 122

HSL 25.38, 0.41%, 0.63%

LAB 67.37, 12.35, 23.74

 

CMYK 36 / 0 / 39 / 22

HEX #80C77A

RGB 128 199 122

HSL 115.32, 0.41%, 0.63%

LAB 74.09, -37.46, 31.69

 

CMYK 39 / 16 / 0 / 22

HEX #7AA7C7

RGB 122 167 199

HSL 204.94, 0.41%, 0.63%

LAB 66.44, -6.96, -21.16

 

CMYK 3 / 39 / 0 / 22

HEX #C17AC7

RGB 193 122 199

HSL 295.32, 0.41%, 0.63%

LAB 61.12, 39.98, -28.83

 

Description

Color code: HEX #C89B7A | qconv.com Color code: HEX #C89B7A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 155 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 155 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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