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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89AD1 it is the complementary color #37652E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89AD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89AD1 shade: #CD9ACC, #DEACDF, #EFBEF2, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89AD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89AD1 shade: #C89AD1, #B788BE, #A676AB, #956498 and #845285

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89AD1 shade: #C79AD0, #D09ACB, #D09ABC, #D09AAD and #D09A9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89AD1 shade: #C79AD0, #B99AD0, #AA9AD0, #9B9AD0 and #9A9AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89AD1 shade matches the following richer shades: #C79AD0, #D08EDC, #D882E8 and #E076F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89AD1 shade: #C79AD0, #BFA6C4, #B7B2B8, #AFBEAD and #A7CAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89AD1 shade: #AA9AD0, #B99AD0, #C79AD0, #D09ACB and #D09ABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89AD1 shade: #A861B6, #B87DC3, #C79AD0, #D7B6DD and #E6D2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89AD1 shade: #C89AD1, #D09C9A and #9AD0B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89AD1 shade: #C89AD1, #D0C79A and #9AD0C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89AD1 shade: #C89AD1, #D09C9A, #A3D09A and #9ACFD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89AD1 shade: #C89AD1, #D0AC9A, #A3D09A and #9ABED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 26 / 0 / 18

HEX #C89AD1

RGB 200 154 209

HSL 290.18, 0.37%, 0.71%

LAB 69.47, 26.68, -21.54

 

Complementary color

CMYK 46 / 0 / 54 / 60

HEX #37652E

RGB 55 101 46

HSL 110.18, 0.37%, 0.29%

LAB 38.41, -27.73, 26.11

 

CMYK 0 / 25 / 0 / 20

HEX #CD9ACC

RGB 205 154 204

HSL 301.18, 0.34%, 0.7%

LAB 69.79, 27.37, -18.24

 

CMYK 0 / 23 / 0 / 13

HEX #DEACDF

RGB 222 172 223

HSL 298.82, 0.44%, 0.77%

LAB 76.29, 26.77, -18.65

 

CMYK 1 / 21 / 0 / 5

HEX #EFBEF2

RGB 239 190 242

HSL 296.54, 0.67%, 0.85%

LAB 82.69, 26.21, -19.05

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 4 / 26 / 0 / 18

HEX #C89AD1

RGB 200 154 209

HSL 290.18, 0.37%, 0.71%

LAB 69.47, 26.68, -21.54

 

CMYK 4 / 28 / 0 / 25

HEX #B788BE

RGB 183 136 190

HSL 292.22, 0.29%, 0.64%

LAB 62.84, 27.31, -21.19

 

CMYK 3 / 31 / 0 / 33

HEX #A676AB

RGB 166 118 171

HSL 294.34, 0.24%, 0.57%

LAB 56.09, 28, -20.83

 

CMYK 2 / 34 / 0 / 40

HEX #956498

RGB 149 100 152

HSL 296.54, 0.21%, 0.49%

LAB 49.22, 28.74, -20.45

 

CMYK 1 / 38 / 0 / 48

HEX #845285

RGB 132 82 133

HSL 298.82, 0.24%, 0.42%

LAB 42.21, 29.53, -20.03

 

CMYK 4 / 26 / 0 / 18

HEX #C79AD0

RGB 199 154 208

HSL 290, 0.36%, 0.71%

LAB 69.33, 26.15, -21.2

 

CMYK 0 / 26 / 2 / 18

HEX #D09ACB

RGB 208 154 203

HSL 305.56, 0.36%, 0.71%

LAB 70.06, 28.19, -17.24

 

CMYK 0 / 26 / 10 / 18

HEX #D09ABC

RGB 208 154 188

HSL 322.22, 0.36%, 0.71%

LAB 69.58, 25.52, -9.65

 

CMYK 0 / 26 / 17 / 18

HEX #D09AAD

RGB 208 154 173

HSL 338.89, 0.36%, 0.71%

LAB 69.14, 23.04, -1.95

 

CMYK 0 / 26 / 24 / 18

HEX #D09A9E

RGB 208 154 158

HSL 355.56, 0.36%, 0.71%

LAB 68.74, 20.75, 5.83

 

CMYK 4 / 26 / 0 / 18

HEX #C79AD0

RGB 199 154 208

HSL 290, 0.36%, 0.71%

LAB 69.33, 26.15, -21.2

 

CMYK 11 / 26 / 0 / 18

HEX #B99AD0

RGB 185 154 208

HSL 274.44, 0.36%, 0.71%

LAB 68.01, 21.59, -23.34

 

CMYK 18 / 26 / 0 / 18

HEX #AA9AD0

RGB 170 154 208

HSL 257.78, 0.36%, 0.71%

LAB 66.68, 16.8, -25.49

 

CMYK 25 / 26 / 0 / 18

HEX #9B9AD0

RGB 155 154 208

HSL 241.11, 0.36%, 0.71%

LAB 65.46, 12.16, -27.46

 

CMYK 26 / 26 / 0 / 18

HEX #9A9AD0

RGB 154 154 208

HSL 240, 0.36%, 0.71%

LAB 65.39, 11.86, -27.59

 

CMYK 4 / 26 / 0 / 18

HEX #C79AD0

RGB 199 154 208

HSL 290, 0.36%, 0.71%

LAB 69.33, 26.15, -21.2

 

CMYK 5 / 35 / 0 / 14

HEX #D08EDC

RGB 208 142 220

HSL 290.77, 0.53%, 0.71%

LAB 67.96, 37.92, -29.85

 

CMYK 7 / 44 / 0 / 9

HEX #D882E8

RGB 216 130 232

HSL 290.59, 0.69%, 0.71%

LAB 66.82, 48.98, -38.2

 

CMYK 8 / 52 / 0 / 4

HEX #E076F4

RGB 224 118 244

HSL 290.48, 0.85%, 0.71%

LAB 66.01, 59.47, -46.01

 

CMYK 4 / 26 / 0 / 18

HEX #C79AD0

RGB 199 154 208

HSL 290, 0.36%, 0.71%

LAB 69.33, 26.15, -21.2

 

CMYK 3 / 15 / 0 / 23

HEX #BFA6C4

RGB 191 166 196

HSL 290, 0.2%, 0.71%

LAB 71.1, 14.51, -11.97

 

CMYK 1 / 3 / 0 / 28

HEX #B7B2B8

RGB 183 178 184

HSL 290, 0.04%, 0.71%

LAB 73.13, 2.89, -2.43

 

CMYK 8 / 0 / 9 / 25

HEX #AFBEAD

RGB 175 190 173

HSL 112.94, 0.12%, 0.71%

LAB 75.43, -8.36, 6.82

 

CMYK 17 / 0 / 20 / 21

HEX #A7CAA1

RGB 167 202 161

HSL 111.22, 0.28%, 0.71%

LAB 77.89, -19.42, 16.69

 

CMYK 18 / 26 / 0 / 18

HEX #AA9AD0

RGB 170 154 208

HSL 257.78, 0.36%, 0.71%

LAB 66.68, 16.8, -25.49

 

CMYK 11 / 26 / 0 / 18

HEX #B99AD0

RGB 185 154 208

HSL 274.44, 0.36%, 0.71%

LAB 68.01, 21.59, -23.34

 

CMYK 4 / 26 / 0 / 18

HEX #C79AD0

RGB 199 154 208

HSL 290, 0.36%, 0.71%

LAB 69.33, 26.15, -21.2

 

CMYK 0 / 26 / 2 / 18

HEX #D09ACB

RGB 208 154 203

HSL 305.56, 0.36%, 0.71%

LAB 70.06, 28.19, -17.24

 

CMYK 0 / 26 / 10 / 18

HEX #D09ABC

RGB 208 154 188

HSL 322.22, 0.36%, 0.71%

LAB 69.58, 25.52, -9.65

 

CMYK 8 / 47 / 0 / 29

HEX #A861B6

RGB 168 97 182

HSL 290.12, 0.37%, 0.55%

LAB 52.12, 42.47, -33.32

 

CMYK 6 / 36 / 0 / 24

HEX #B87DC3

RGB 184 125 195

HSL 290.57, 0.37%, 0.63%

LAB 60.6, 34.74, -27.44

 

CMYK 4 / 26 / 0 / 18

HEX #C79AD0

RGB 199 154 208

HSL 290, 0.36%, 0.71%

LAB 69.33, 26.15, -21.2

 

CMYK 3 / 18 / 0 / 13

HEX #D7B6DD

RGB 215 182 221

HSL 290.77, 0.36%, 0.79%

LAB 77.95, 18.67, -15.13

 

CMYK 2 / 10 / 0 / 8

HEX #E6D2EA

RGB 230 210 234

HSL 290, 0.36%, 0.87%

LAB 86.43, 11.15, -9.27

 

CMYK 4 / 26 / 0 / 18

HEX #C89AD1

RGB 200 154 209

HSL 290.18, 0.37%, 0.71%

LAB 69.47, 26.68, -21.54

 

CMYK 0 / 25 / 26 / 18

HEX #D09C9A

RGB 208 156 154

HSL 2.22, 0.36%, 0.71%

LAB 69.13, 19.08, 8.61

 

CMYK 26 / 0 / 15 / 18

HEX #9AD0B1

RGB 154 208 177

HSL 145.56, 0.36%, 0.71%

LAB 79.13, -23.79, 9.79

 

CMYK 4 / 26 / 0 / 18

HEX #C89AD1

RGB 200 154 209

HSL 290.18, 0.37%, 0.71%

LAB 69.47, 26.68, -21.54

 

CMYK 0 / 4 / 26 / 18

HEX #D0C79A

RGB 208 199 154

HSL 50, 0.36%, 0.71%

LAB 79.95, -3.93, 23.71

 

CMYK 26 / 0 / 4 / 18

HEX #9AD0C7

RGB 154 208 199

HSL 170, 0.36%, 0.71%

LAB 79.67, -19.28, -1.2

 

CMYK 4 / 26 / 0 / 18

HEX #C89AD1

RGB 200 154 209

HSL 290.18, 0.37%, 0.71%

LAB 69.47, 26.68, -21.54

 

CMYK 0 / 25 / 26 / 18

HEX #D09C9A

RGB 208 156 154

HSL 2.22, 0.36%, 0.71%

LAB 69.13, 19.08, 8.61

 

CMYK 22 / 0 / 26 / 18

HEX #A3D09A

RGB 163 208 154

HSL 110, 0.36%, 0.71%

LAB 79.17, -24.94, 22.13

 

CMYK 26 / 0 / 0 / 18

HEX #9ACFD0

RGB 154 207 208

HSL 181.11, 0.36%, 0.71%

LAB 79.64, -16.79, -6.07

 

CMYK 4 / 26 / 0 / 18

HEX #C89AD1

RGB 200 154 209

HSL 290.18, 0.37%, 0.71%

LAB 69.47, 26.68, -21.54

 

CMYK 0 / 17 / 26 / 18

HEX #D0AC9A

RGB 208 172 154

HSL 20, 0.36%, 0.71%

LAB 73.05, 10.4, 14.17

 

CMYK 22 / 0 / 26 / 18

HEX #A3D09A

RGB 163 208 154

HSL 110, 0.36%, 0.71%

LAB 79.17, -24.94, 22.13

 

CMYK 26 / 9 / 0 / 18

HEX #9ABED0

RGB 154 190 208

HSL 200, 0.36%, 0.71%

LAB 74.98, -7.96, -13

 

Description

Color code: HEX #C89AD1 | qconv.com Color code: HEX #C89AD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 154 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 154 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 26 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 26% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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