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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C898CD it is the complementary color #376732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C898CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C898CD shade: #CD98C8, #DEAADB, #EFBCEE, #FFCEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C898CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C898CD shade: #C898CD, #B786BA, #A674A7, #956294 and #845081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C898CD shade: #C897CD, #CD97C3, #CD97B5, #CD97A7 and #CD9798

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C898CD shade: #C897CD, #B997CD, #AB97CD, #9C97CD and #9797CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C898CD shade matches the following richer shades: #C897CD, #D28BD9, #DC7EE6, #E672F2 and #F066FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C898CD shade: #C897CD, #BEA4C0, #B4B0B4, #AABCA8 and #A0C99B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C898CD shade: #AB97CD, #B997CD, #C797CD, #CD97C4 and #CD97B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C898CD shade: #AA60B2, #B97BBF, #C897CD, #D6B3DA and #E5CFE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C898CD shade: #C898CD, #CD9D97 and #97CDB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C898CD shade: #C898CD, #CDC797 and #97CDC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C898CD shade: #C898CD, #CD9D97, #9DCD97 and #97C7CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C898CD shade: #C898CD, #CDAD97, #9DCD97 and #97B7CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 26 / 0 / 20

HEX #C898CD

RGB 200 152 205

HSL 294.34, 0.35%, 0.7%

LAB 68.86, 27, -20.25

 

Complementary color

CMYK 47 / 0 / 51 / 60

HEX #376732

RGB 55 103 50

HSL 114.34, 0.35%, 0.3%

LAB 39.14, -28.09, 24.81

 

CMYK 0 / 26 / 2 / 20

HEX #CD98C8

RGB 205 152 200

HSL 305.66, 0.35%, 0.7%

LAB 69.19, 27.72, -16.93

 

CMYK 0 / 23 / 1 / 13

HEX #DEAADB

RGB 222 170 219

HSL 303.46, 0.44%, 0.77%

LAB 75.7, 27.11, -17.37

 

CMYK 0 / 21 / 0 / 6

HEX #EFBCEE

RGB 239 188 238

HSL 301.18, 0.61%, 0.84%

LAB 82.1, 26.54, -17.8

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 2 / 26 / 0 / 20

HEX #C898CD

RGB 200 152 205

HSL 294.34, 0.35%, 0.7%

LAB 68.86, 27, -20.25

 

CMYK 2 / 28 / 0 / 27

HEX #B786BA

RGB 183 134 186

HSL 296.54, 0.27%, 0.63%

LAB 62.22, 27.64, -19.87

 

CMYK 1 / 31 / 0 / 35

HEX #A674A7

RGB 166 116 167

HSL 298.82, 0.22%, 0.55%

LAB 55.47, 28.34, -19.47

 

CMYK 0 / 34 / 1 / 42

HEX #956294

RGB 149 98 148

HSL 301.18, 0.21%, 0.48%

LAB 48.59, 29.09, -19.05

 

CMYK 0 / 39 / 2 / 48

HEX #845081

RGB 132 80 129

HSL 303.46, 0.25%, 0.42%

LAB 41.58, 29.89, -18.56

 

CMYK 2 / 26 / 0 / 20

HEX #C897CD

RGB 200 151 205

HSL 294.44, 0.35%, 0.7%

LAB 68.62, 27.55, -20.61

 

CMYK 0 / 26 / 5 / 20

HEX #CD97C3

RGB 205 151 195

HSL 311.11, 0.35%, 0.7%

LAB 68.79, 27.36, -14.75

 

CMYK 0 / 26 / 12 / 20

HEX #CD97B5

RGB 205 151 181

HSL 326.67, 0.35%, 0.7%

LAB 68.35, 24.92, -7.61

 

CMYK 0 / 26 / 19 / 20

HEX #CD97A7

RGB 205 151 167

HSL 342.22, 0.35%, 0.7%

LAB 67.95, 22.64, -0.38

 

CMYK 0 / 26 / 26 / 20

HEX #CD9798

RGB 205 151 152

HSL 358.89, 0.35%, 0.7%

LAB 67.56, 20.39, 7.44

 

CMYK 2 / 26 / 0 / 20

HEX #C897CD

RGB 200 151 205

HSL 294.44, 0.35%, 0.7%

LAB 68.62, 27.55, -20.61

 

CMYK 10 / 26 / 0 / 20

HEX #B997CD

RGB 185 151 205

HSL 277.78, 0.35%, 0.7%

LAB 67.17, 22.64, -22.96

 

CMYK 17 / 26 / 0 / 20

HEX #AB97CD

RGB 171 151 205

HSL 262.22, 0.35%, 0.7%

LAB 65.9, 18.13, -25

 

CMYK 24 / 26 / 0 / 20

HEX #9C97CD

RGB 156 151 205

HSL 245.56, 0.35%, 0.7%

LAB 64.65, 13.45, -27.04

 

CMYK 26 / 26 / 0 / 20

HEX #9797CD

RGB 151 151 205

HSL 240, 0.35%, 0.7%

LAB 64.26, 11.92, -27.67

 

CMYK 2 / 26 / 0 / 20

HEX #C897CD

RGB 200 151 205

HSL 294.44, 0.35%, 0.7%

LAB 68.62, 27.55, -20.61

 

CMYK 3 / 36 / 0 / 15

HEX #D28BD9

RGB 210 139 217

HSL 294.62, 0.51%, 0.7%

LAB 67.41, 39.57, -29.03

 

CMYK 4 / 45 / 0 / 10

HEX #DC7EE6

RGB 220 126 230

HSL 294.23, 0.68%, 0.7%

LAB 66.41, 51.79, -37.7

 

CMYK 5 / 53 / 0 / 5

HEX #E672F2

RGB 230 114 242

HSL 294.38, 0.83%, 0.7%

LAB 65.96, 62.58, -44.94

 

CMYK 6 / 60 / 0 / 0

HEX #F066FE

RGB 240 102 254

HSL 294.47, 0.99%, 0.7%

LAB 65.89, 72.52, -51.56

 

CMYK 2 / 26 / 0 / 20

HEX #C897CD

RGB 200 151 205

HSL 294.44, 0.35%, 0.7%

LAB 68.62, 27.55, -20.61

 

CMYK 1 / 15 / 0 / 25

HEX #BEA4C0

RGB 190 164 192

HSL 295.71, 0.18%, 0.7%

LAB 70.39, 14.5, -10.84

 

CMYK 0 / 2 / 0 / 29

HEX #B4B0B4

RGB 180 176 180

HSL 300, 0.03%, 0.7%

LAB 72.26, 2.16, -1.54

 

CMYK 10 / 0 / 11 / 26

HEX #AABCA8

RGB 170 188 168

HSL 114, 0.13%, 0.7%

LAB 74.41, -9.97, 8.02

 

CMYK 20 / 0 / 23 / 21

HEX #A0C99B

RGB 160 201 155

HSL 113.48, 0.3%, 0.7%

LAB 77.05, -22.36, 18.64

 

CMYK 17 / 26 / 0 / 20

HEX #AB97CD

RGB 171 151 205

HSL 262.22, 0.35%, 0.7%

LAB 65.9, 18.13, -25

 

CMYK 10 / 26 / 0 / 20

HEX #B997CD

RGB 185 151 205

HSL 277.78, 0.35%, 0.7%

LAB 67.17, 22.64, -22.96

 

CMYK 3 / 26 / 0 / 20

HEX #C797CD

RGB 199 151 205

HSL 293.33, 0.35%, 0.7%

LAB 68.52, 27.22, -20.77

 

CMYK 0 / 26 / 4 / 20

HEX #CD97C4

RGB 205 151 196

HSL 310, 0.35%, 0.7%

LAB 68.82, 27.54, -15.26

 

CMYK 0 / 26 / 11 / 20

HEX #CD97B6

RGB 205 151 182

HSL 325.56, 0.35%, 0.7%

LAB 68.38, 25.09, -8.13

 

CMYK 4 / 46 / 0 / 30

HEX #AA60B2

RGB 170 96 178

HSL 294.15, 0.35%, 0.54%

LAB 51.98, 42.8, -31.2

 

CMYK 3 / 36 / 0 / 25

HEX #B97BBF

RGB 185 123 191

HSL 294.71, 0.35%, 0.62%

LAB 60.11, 35.37, -25.93

 

CMYK 2 / 26 / 0 / 20

HEX #C897CD

RGB 200 151 205

HSL 294.44, 0.35%, 0.7%

LAB 68.62, 27.55, -20.61

 

CMYK 2 / 18 / 0 / 15

HEX #D6B3DA

RGB 214 179 218

HSL 293.85, 0.35%, 0.78%

LAB 77.04, 19.39, -14.88

 

CMYK 1 / 11 / 0 / 9

HEX #E5CFE8

RGB 229 207 232

HSL 292.8, 0.35%, 0.86%

LAB 85.56, 12.03, -9.52

 

CMYK 2 / 26 / 0 / 20

HEX #C898CD

RGB 200 152 205

HSL 294.34, 0.35%, 0.7%

LAB 68.86, 27, -20.25

 

CMYK 0 / 23 / 26 / 20

HEX #CD9D97

RGB 205 157 151

HSL 6.67, 0.35%, 0.7%

LAB 68.99, 16.97, 10.03

 

CMYK 26 / 0 / 13 / 20

HEX #97CDB2

RGB 151 205 178

HSL 150, 0.35%, 0.7%

LAB 78.14, -23.06, 7.82

 

CMYK 2 / 26 / 0 / 20

HEX #C898CD

RGB 200 152 205

HSL 294.34, 0.35%, 0.7%

LAB 68.86, 27, -20.25

 

CMYK 0 / 3 / 26 / 20

HEX #CDC797

RGB 205 199 151

HSL 53.33, 0.35%, 0.7%

LAB 79.65, -5.48, 24.84

 

CMYK 26 / 0 / 3 / 20

HEX #97CDC7

RGB 151 205 199

HSL 173.33, 0.35%, 0.7%

LAB 78.67, -18.66, -2.68

 

CMYK 2 / 26 / 0 / 20

HEX #C898CD

RGB 200 152 205

HSL 294.34, 0.35%, 0.7%

LAB 68.86, 27, -20.25

 

CMYK 0 / 23 / 26 / 20

HEX #CD9D97

RGB 205 157 151

HSL 6.67, 0.35%, 0.7%

LAB 68.99, 16.97, 10.03

 

CMYK 23 / 0 / 26 / 20

HEX #9DCD97

RGB 157 205 151

HSL 113.33, 0.35%, 0.7%

LAB 77.91, -26.02, 21.92

 

CMYK 26 / 3 / 0 / 20

HEX #97C7CD

RGB 151 199 205

HSL 186.67, 0.35%, 0.7%

LAB 77.18, -14.25, -8.12

 

CMYK 2 / 26 / 0 / 20

HEX #C898CD

RGB 200 152 205

HSL 294.34, 0.35%, 0.7%

LAB 68.86, 27, -20.25

 

CMYK 0 / 16 / 26 / 20

HEX #CDAD97

RGB 205 173 151

HSL 24.44, 0.35%, 0.7%

LAB 72.96, 8.29, 15.63

 

CMYK 23 / 0 / 26 / 20

HEX #9DCD97

RGB 157 205 151

HSL 113.33, 0.35%, 0.7%

LAB 77.91, -26.02, 21.92

 

CMYK 26 / 11 / 0 / 20

HEX #97B7CD

RGB 151 183 205

HSL 204.44, 0.35%, 0.7%

LAB 72.8, -5.82, -14.67

 

Description

Color code: HEX #C898CD | qconv.com Color code: HEX #C898CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 152 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 152 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 26 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 26% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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