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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8975E it is the complementary color #3768A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8975E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8975E shade: #CD9759, #DEA96C, #EFBB7F, #FFCD92 and #FFDFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8975E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8975E shade: #C8975E, #B7854B, #A67338, #956125 and #844F12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8975E shade: #C8975F, #C87B5F and #C85F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8975E shade: #C8975F, #C8B45F, #C0C85F, #A3C85F and #87C85F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8975E shade matches the following richer shades: #C8975F, #D9994E, #EB9A3C and #FC9B2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8975E shade: #C8975F, #B79670, #A59582, #949393 and #8392A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8975E shade: #C85F5F, #C87B5F, #C8975F, #C8B35F and #C1C85F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8975E shade: #9E6E36, #BD8340, #C8975F, #D2AB7E and #DDBF9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8975E shade: #C8975E, #7BC85F and #6D5FC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8975E shade: #C8975E, #5FC897 and #975FC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8975E shade: #C8975E, #7BC85F, #5F90C8 and #AC5FC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8975E shade: #C8975E, #5FC862, #5F90C8 and #C85FC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 53 / 22

HEX #C8975E

RGB 200 151 94

HSL 32.26, 0.49%, 0.58%

LAB 65.92, 11.67, 36.94

 

Complementary color

CMYK 66 / 35 / 0 / 37

HEX #3768A1

RGB 55 104 161

HSL 212.26, 0.49%, 0.42%

LAB 43.19, 2.21, -35.73

 

CMYK 0 / 26 / 57 / 20

HEX #CD9759

RGB 205 151 89

HSL 32.07, 0.54%, 0.58%

LAB 66.39, 13.35, 40.25

 

CMYK 0 / 24 / 51 / 13

HEX #DEA96C

RGB 222 169 108

HSL 32.11, 0.63%, 0.65%

LAB 72.88, 12.32, 38.82

 

CMYK 0 / 22 / 47 / 6

HEX #EFBB7F

RGB 239 187 127

HSL 32.14, 0.78%, 0.72%

LAB 79.28, 11.42, 37.46

 

CMYK 0 / 20 / 43 / 0

HEX #FFCD92

RGB 255 205 146

HSL 32.48, 1%, 0.79%

LAB 85.5, 10.25, 36.04

 

CMYK 0 / 13 / 35 / 0

HEX #FFDFA5

RGB 255 223 165

HSL 38.67, 1%, 0.82%

LAB 90.21, 3.05, 32.51

 

CMYK 0 / 25 / 53 / 22

HEX #C8975E

RGB 200 151 94

HSL 32.26, 0.49%, 0.58%

LAB 65.92, 11.67, 36.94

 

CMYK 0 / 27 / 59 / 28

HEX #B7854B

RGB 183 133 75

HSL 32.22, 0.43%, 0.51%

LAB 59.3, 12.77, 38.41

 

CMYK 0 / 31 / 66 / 35

HEX #A67338

RGB 166 115 56

HSL 32.18, 0.5%, 0.44%

LAB 52.57, 14.07, 39.9

 

CMYK 0 / 35 / 75 / 42

HEX #956125

RGB 149 97 37

HSL 32.14, 0.6%, 0.36%

LAB 45.73, 15.64, 41.29

 

CMYK 0 / 40 / 86 / 48

HEX #844F12

RGB 132 79 18

HSL 32.11, 0.76%, 0.29%

LAB 38.8, 17.54, 42.13

 

CMYK 0 / 25 / 53 / 22

HEX #C8975F

RGB 200 151 95

HSL 32, 0.49%, 0.58%

LAB 65.93, 11.76, 36.43

 

CMYK 0 / 39 / 53 / 22

HEX #C87B5F

RGB 200 123 95

HSL 16, 0.49%, 0.58%

LAB 59.22, 27.06, 27.91

 

CMYK 0 / 53 / 53 / 22

HEX #C85F5F

RGB 200 95 95

HSL 0, 0.49%, 0.58%

LAB 53.27, 41.79, 20.05

 

CMYK 0 / 25 / 53 / 22

HEX #C8975F

RGB 200 151 95

HSL 32, 0.49%, 0.58%

LAB 65.93, 11.76, 36.43

 

CMYK 0 / 10 / 53 / 22

HEX #C8B45F

RGB 200 180 95

HSL 48.57, 0.49%, 0.58%

LAB 73.38, -3.81, 45.51

 

CMYK 4 / 0 / 53 / 22

HEX #C0C85F

RGB 192 200 95

HSL 64.57, 0.49%, 0.58%

LAB 78.08, -17.37, 50.87

 

CMYK 19 / 0 / 53 / 22

HEX #A3C85F

RGB 163 200 95

HSL 81.14, 0.49%, 0.58%

LAB 76.02, -28.87, 47.95

 

CMYK 33 / 0 / 53 / 22

HEX #87C85F

RGB 135 200 95

HSL 97.14, 0.49%, 0.58%

LAB 74.37, -39.14, 45.58

 

CMYK 0 / 25 / 53 / 22

HEX #C8975F

RGB 200 151 95

HSL 32, 0.49%, 0.58%

LAB 65.93, 11.76, 36.43

 

CMYK 0 / 29 / 64 / 15

HEX #D9994E

RGB 217 153 78

HSL 32.37, 0.65%, 0.58%

LAB 68.08, 16.53, 48.09

 

CMYK 0 / 34 / 74 / 8

HEX #EB9A3C

RGB 235 154 60

HSL 32.23, 0.81%, 0.58%

LAB 70.25, 22.6, 59.22

 

CMYK 0 / 38 / 83 / 1

HEX #FC9B2B

RGB 252 155 43

HSL 32.15, 0.97%, 0.58%

LAB 72.44, 28.54, 68.42

 

CMYK 0 / 25 / 53 / 22

HEX #C8975F

RGB 200 151 95

HSL 32, 0.49%, 0.58%

LAB 65.93, 11.76, 36.43

 

CMYK 0 / 18 / 39 / 28

HEX #B79670

RGB 183 150 112

HSL 32.11, 0.33%, 0.58%

LAB 64.2, 7, 24.68

 

CMYK 0 / 10 / 21 / 35

HEX #A59582

RGB 165 149 130

HSL 32.57, 0.16%, 0.58%

LAB 62.6, 2.76, 12.19

 

CMYK 0 / 1 / 1 / 42

HEX #949393

RGB 148 147 147

HSL 0, 0%, 0.58%

LAB 61.02, 0.37, 0.12

 

CMYK 20 / 11 / 0 / 36

HEX #8392A4

RGB 131 146 164

HSL 212.73, 0.15%, 0.58%

LAB 59.95, -1.37, -11.28

 

CMYK 0 / 53 / 53 / 22

HEX #C85F5F

RGB 200 95 95

HSL 0, 0.49%, 0.58%

LAB 53.27, 41.79, 20.05

 

CMYK 0 / 39 / 53 / 22

HEX #C87B5F

RGB 200 123 95

HSL 16, 0.49%, 0.58%

LAB 59.22, 27.06, 27.91

 

CMYK 0 / 25 / 53 / 22

HEX #C8975F

RGB 200 151 95

HSL 32, 0.49%, 0.58%

LAB 65.93, 11.76, 36.43

 

CMYK 0 / 11 / 53 / 22

HEX #C8B35F

RGB 200 179 95

HSL 48, 0.49%, 0.58%

LAB 73.12, -3.28, 45.19

 

CMYK 4 / 0 / 53 / 22

HEX #C1C85F

RGB 193 200 95

HSL 64, 0.49%, 0.58%

LAB 78.15, -16.97, 50.98

 

CMYK 0 / 30 / 66 / 38

HEX #9E6E36

RGB 158 110 54

HSL 32.31, 0.49%, 0.42%

LAB 50.32, 13.22, 38.13

 

CMYK 0 / 31 / 66 / 26

HEX #BD8340

RGB 189 131 64

HSL 32.16, 0.49%, 0.5%

LAB 59.36, 15.7, 44.26

 

CMYK 0 / 25 / 53 / 22

HEX #C8975F

RGB 200 151 95

HSL 32, 0.49%, 0.58%

LAB 65.93, 11.76, 36.43

 

CMYK 0 / 19 / 40 / 18

HEX #D2AB7E

RGB 210 171 126

HSL 32.14, 0.48%, 0.66%

LAB 72.45, 8.18, 28.53

 

CMYK 0 / 14 / 29 / 13

HEX #DDBF9C

RGB 221 191 156

HSL 32.31, 0.49%, 0.74%

LAB 79.06, 5.52, 21.61

 

CMYK 0 / 25 / 53 / 22

HEX #C8975E

RGB 200 151 94

HSL 32.26, 0.49%, 0.58%

LAB 65.92, 11.67, 36.94

 

CMYK 39 / 0 / 53 / 22

HEX #7BC85F

RGB 123 200 95

HSL 104, 0.49%, 0.58%

LAB 73.77, -43.18, 44.72

 

CMYK 46 / 53 / 0 / 22

HEX #6D5FC8

RGB 109 95 200

HSL 248, 0.49%, 0.58%

LAB 46.45, 32.23, -53.09

 

CMYK 0 / 25 / 53 / 22

HEX #C8975E

RGB 200 151 94

HSL 32.26, 0.49%, 0.58%

LAB 65.92, 11.67, 36.94

 

CMYK 53 / 0 / 25 / 22

HEX #5FC897

RGB 95 200 151

HSL 152, 0.49%, 0.58%

LAB 73.53, -41.88, 15.4

 

CMYK 25 / 53 / 0 / 22

HEX #975FC8

RGB 151 95 200

HSL 272, 0.49%, 0.58%

LAB 50.61, 42.71, -46.21

 

CMYK 0 / 25 / 53 / 22

HEX #C8975E

RGB 200 151 94

HSL 32.26, 0.49%, 0.58%

LAB 65.92, 11.67, 36.94

 

CMYK 39 / 0 / 53 / 22

HEX #7BC85F

RGB 123 200 95

HSL 104, 0.49%, 0.58%

LAB 73.77, -43.18, 44.72

 

CMYK 53 / 28 / 0 / 22

HEX #5F90C8

RGB 95 144 200

HSL 212, 0.49%, 0.58%

LAB 58.56, -0.5, -34

 

CMYK 14 / 53 / 0 / 22

HEX #AC5FC8

RGB 172 95 200

HSL 284, 0.49%, 0.58%

LAB 53.09, 48.34, -42.13

 

CMYK 0 / 25 / 53 / 22

HEX #C8975E

RGB 200 151 94

HSL 32.26, 0.49%, 0.58%

LAB 65.92, 11.67, 36.94

 

CMYK 53 / 0 / 51 / 22

HEX #5FC862

RGB 95 200 98

HSL 121.71, 0.49%, 0.58%

LAB 72.64, -51.07, 41.63

 

CMYK 53 / 28 / 0 / 22

HEX #5F90C8

RGB 95 144 200

HSL 212, 0.49%, 0.58%

LAB 58.56, -0.5, -34

 

CMYK 0 / 53 / 2 / 22

HEX #C85FC4

RGB 200 95 196

HSL 302.29, 0.49%, 0.58%

LAB 56.53, 55.29, -34.17

 

Description

Color code: HEX #C8975E | qconv.com Color code: HEX #C8975E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 151 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 151 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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