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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C893FACE it is the complementary color #376C05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C893FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C893FACE shade: #CD93F5CE, #DEA5FFCE, #EFB7FFCE, #FFC9FFCE and #FFDBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C893FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C893FACE shade: #C893FACE, #B781E7CE, #A66FD4CE, #955DC1CE and #844BAECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C893FACE shade: #C894FA, #E494FA, #FA94F4, #FA94D9 and #FA94BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C893FACE shade: #C894FA, #AD94FA and #9494FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C893FACE shade matches the following richer shades: #C894FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C893FACE shade: #C894FA, #C89DF1, #C8A6E8, #C8AFDF and #C7B8D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C893FACE shade: #9497FA, #AC94FA, #C794FA, #E294FA and #FA94F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C893FACE shade: #A045F6, #B46CF8, #C894FA, #DCBBFC and #F1E3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C893FACE shade: #C893FA, #FA94B2 and #94FA9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C893FACE shade: #C893FA, #FAC794 and #94FAC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C893FACE shade: #C893FA, #FA94B2, #C7FA94 and #94FADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C893FACE shade: #C893FA, #FA9494, #C7FA94 and #94FAFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 33 / 0 / 2

HEX #C893FACE

RGBA 200 147 250 0.81

HSLA 270.87, 0.91%, 0.78%, 0.81

LABA 69.5, 39.09, -44, 0.81

 

Complementary color

CMYK 40 / 0 / 77 / 47

HEX #376C05CE

RGBA 55 108 5 0.81

HSLA 90.87, 0.91%, 0.22%, 0.81

LABA 40.49, -34.25, 44.58, 0.81

 

CMYK 13 / 32 / 0 / 3

HEX #CD93F5CE

RGBA 205 147 245 0.81

HSLA 275.51, 0.83%, 0.77%, 0.81

LABA 69.78, 39.43, -40.8, 0.81

 

CMYK 10 / 29 / 0 / 0

HEX #DEA5FFCE

RGBA 222 165 255 0.81

HSLA 278, 1%, 0.82%, 0.81

LABA 75.86, 36.82, -36.64, 0.81

 

CMYK 5 / 23 / 0 / 0

HEX #EFB7FFCE

RGBA 239 183 255 0.81

HSLA 286.67, 1%, 0.86%, 0.81

LABA 81.53, 32.38, -27.77, 0.81

 

CMYK 0 / 17 / 0 / 0

HEX #FFC9FFCE

RGBA 255 201 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 87.12, 27.95, -19.13, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFCE

RGBA 255 219 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.3, 18.51, -12.86, 0.81

 

CMYK 16 / 33 / 0 / 2

HEX #C893FACE

RGBA 200 147 250 0.81

HSLA 270.87, 0.91%, 0.78%, 0.81

LABA 69.5, 39.09, -44, 0.81

 

CMYK 17 / 36 / 0 / 8

HEX #B781E7CE

RGBA 183 129 231 0.81

HSLA 271.76, 0.68%, 0.71%, 0.81

LABA 62.96, 39.9, -43.95, 0.81

 

CMYK 18 / 39 / 0 / 14

HEX #A66FD4CE

RGBA 166 111 212 0.81

HSLA 272.67, 0.54%, 0.63%, 0.81

LABA 56.32, 40.75, -43.9, 0.81

 

CMYK 18 / 42 / 0 / 20

HEX #955DC1CE

RGBA 149 93 193 0.81

HSLA 273.6, 0.45%, 0.56%, 0.81

LABA 49.58, 41.63, -43.84, 0.81

 

CMYK 20 / 46 / 0 / 26

HEX #844BAECE

RGBA 132 75 174 0.81

HSLA 274.55, 0.4%, 0.49%, 0.81

LABA 42.75, 42.51, -43.73, 0.81

 

CMYK 20 / 41 / 0 / 2

HEX #C894FA

RGB 200 148 250

HSL 270.59, 0.91%, 0.78%

LAB 69.73, 38.55, -43.65

 

CMYK 9 / 41 / 0 / 2

HEX #E494FA

RGB 228 148 250

HSL 287.06, 0.91%, 0.78%

LAB 72.61, 46.59, -38.93

 

CMYK 0 / 41 / 2 / 2

HEX #FA94F4

RGB 250 148 244

HSL 303.53, 0.91%, 0.78%

LAB 74.85, 51.95, -32.01

 

CMYK 0 / 41 / 13 / 2

HEX #FA94D9

RGB 250 148 217

HSL 319.41, 0.91%, 0.78%

LAB 73.88, 47.48, -18.74

 

CMYK 0 / 41 / 24 / 2

HEX #FA94BD

RGB 250 148 189

HSL 335.88, 0.91%, 0.78%

LAB 73.01, 43.34, -4.6

 

CMYK 20 / 41 / 0 / 2

HEX #C894FA

RGB 200 148 250

HSL 270.59, 0.91%, 0.78%

LAB 69.73, 38.55, -43.65

 

CMYK 31 / 41 / 0 / 2

HEX #AD94FA

RGB 173 148 250

HSL 254.71, 0.91%, 0.78%

LAB 67.25, 31.08, -47.71

 

CMYK 41 / 41 / 0 / 2

HEX #9494FA

RGB 148 148 250

HSL 240, 0.91%, 0.78%

LAB 65.26, 24.61, -50.98

 

CMYK 20 / 41 / 0 / 2

HEX #C894FA

RGB 200 148 250

HSL 270.59, 0.91%, 0.78%

LAB 69.73, 38.55, -43.65

 

CMYK 20 / 41 / 0 / 2

HEX #C894FA

RGB 200 148 250

HSL 270.59, 0.91%, 0.78%

LAB 69.73, 38.55, -43.65

 

CMYK 17 / 35 / 0 / 5

HEX #C89DF1

RGB 200 157 241

HSL 270.71, 0.75%, 0.78%

LAB 71.38, 31.65, -36.16

 

CMYK 14 / 28 / 0 / 9

HEX #C8A6E8

RGB 200 166 232

HSL 270.91, 0.59%, 0.78%

LAB 73.14, 24.77, -28.54

 

CMYK 10 / 22 / 0 / 13

HEX #C8AFDF

RGB 200 175 223

HSL 271.25, 0.43%, 0.78%

LAB 74.99, 17.95, -20.81

 

CMYK 7 / 14 / 0 / 16

HEX #C7B8D6

RGB 199 184 214

HSL 270, 0.27%, 0.78%

LAB 76.85, 10.9, -13.13

 

CMYK 41 / 40 / 0 / 2

HEX #9497FA

RGB 148 151 250

HSL 238.24, 0.91%, 0.78%

LAB 66.01, 22.88, -49.81

 

CMYK 31 / 41 / 0 / 2

HEX #AC94FA

RGB 172 148 250

HSL 254.12, 0.91%, 0.78%

LAB 67.17, 30.81, -47.85

 

CMYK 20 / 41 / 0 / 2

HEX #C794FA

RGB 199 148 250

HSL 270, 0.91%, 0.78%

LAB 69.63, 38.27, -43.81

 

CMYK 10 / 41 / 0 / 2

HEX #E294FA

RGB 226 148 250

HSL 285.88, 0.91%, 0.78%

LAB 72.4, 46.01, -39.28

 

CMYK 0 / 41 / 1 / 2

HEX #FA94F7

RGB 250 148 247

HSL 301.76, 0.91%, 0.78%

LAB 74.96, 52.47, -33.46

 

CMYK 35 / 72 / 0 / 4

HEX #A045F6

RGB 160 69 246

HSL 270.85, 0.91%, 0.62%

LAB 49.96, 68.04, -73.27

 

CMYK 27 / 56 / 0 / 3

HEX #B46CF8

RGB 180 108 248

HSL 270.86, 0.91%, 0.7%

LAB 59.16, 54.2, -59.41

 

CMYK 20 / 41 / 0 / 2

HEX #C894FA

RGB 200 148 250

HSL 270.59, 0.91%, 0.78%

LAB 69.73, 38.55, -43.65

 

CMYK 13 / 26 / 0 / 1

HEX #DCBBFC

RGB 220 187 252

HSL 270.46, 0.92%, 0.86%

LAB 80.62, 23.73, -27.71

 

CMYK 5 / 11 / 0 / 0

HEX #F1E3FE

RGB 241 227 254

HSL 271.11, 0.93%, 0.94%

LAB 92.04, 9.59, -11.35

 

CMYK 20 / 41 / 0 / 2

HEX #C893FA

RGB 200 147 250

HSL 270.87, 0.91%, 0.78%

LAB 69.5, 39.09, -44

 

CMYK 0 / 41 / 29 / 2

HEX #FA94B2

RGB 250 148 178

HSL 342.35, 0.91%, 0.78%

LAB 72.71, 41.87, 1.05

 

CMYK 41 / 0 / 37 / 2

HEX #94FA9E

RGB 148 250 158

HSL 125.88, 0.91%, 0.78%

LAB 90.38, -48.12, 35.04

 

CMYK 20 / 41 / 0 / 2

HEX #C893FA

RGB 200 147 250

HSL 270.87, 0.91%, 0.78%

LAB 69.5, 39.09, -44

 

CMYK 0 / 20 / 41 / 2

HEX #FAC794

RGB 250 199 148

HSL 30, 0.91%, 0.78%

LAB 83.6, 11.62, 32.42

 

CMYK 41 / 0 / 20 / 2

HEX #94FAC7

RGB 148 250 199

HSL 150, 0.91%, 0.78%

LAB 91.14, -40.88, 15.25

 

CMYK 20 / 41 / 0 / 2

HEX #C893FA

RGB 200 147 250

HSL 270.87, 0.91%, 0.78%

LAB 69.5, 39.09, -44

 

CMYK 0 / 41 / 29 / 2

HEX #FA94B2

RGB 250 148 178

HSL 342.35, 0.91%, 0.78%

LAB 72.71, 41.87, 1.05

 

CMYK 20 / 0 / 41 / 2

HEX #C7FA94

RGB 199 250 148

HSL 90, 0.91%, 0.78%

LAB 92.86, -33.09, 43.69

 

CMYK 41 / 0 / 12 / 2

HEX #94FADB

RGB 148 250 219

HSL 161.76, 0.91%, 0.78%

LAB 91.59, -36.77, 5.55

 

CMYK 20 / 41 / 0 / 2

HEX #C893FA

RGB 200 147 250

HSL 270.87, 0.91%, 0.78%

LAB 69.5, 39.09, -44

 

CMYK 0 / 41 / 41 / 2

HEX #FA9494

RGB 250 148 148

HSL 0, 0.91%, 0.78%

LAB 71.99, 38.3, 16.66

 

CMYK 20 / 0 / 41 / 2

HEX #C7FA94

RGB 199 250 148

HSL 90, 0.91%, 0.78%

LAB 92.86, -33.09, 43.69

 

CMYK 41 / 0 / 0 / 2

HEX #94FAFA

RGB 148 250 250

HSL 180, 0.91%, 0.78%

LAB 92.38, -29.72, -9.35

 

Description

Color code: HEX #C893FACE | qconv.com Color code: HEX #C893FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 147 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 147 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 33 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 33% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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