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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C88F57 it is the complementary color #3770A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C88F57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C88F57 shade: #CD8F52, #DEA165, #EFB378, #FFC58B and #FFD79E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C88F57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C88F57 shade: #C88F57, #B77D44, #A66B31, #95591E and #84470B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C88F57 shade: #C88E56, #C86F56 and #C85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C88F57 shade: #C88E56, #C8AD56, #C4C856, #A5C856 and #86C856

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C88F57 shade matches the following richer shades: #C88E56, #DA8E43, #EC8E31 and #FE8E1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C88F57 shade: #C88E56, #B68E68, #A48F7A, #928F8C and #7F8F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C88F57 shade: #C8565B, #C86E56, #C88D56, #C8AB56 and #C6C856

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C88F57 shade: #996532, #B87A3C, #C88E56, #D2A375 and #DCB894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C88F57 shade: #C88F57, #7AC856 and #5F56C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C88F57 shade: #C88F57, #56C88D and #8D56C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C88F57 shade: #C88F57, #7AC856, #5691C8 and #A456C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C88F57 shade: #C88F57, #57C856, #5691C8 and #C656C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 57 / 22

HEX #C88F57

RGB 200 143 87

HSL 29.73, 0.51%, 0.56%

LAB 63.85, 15.45, 38.06

 

Complementary color

CMYK 67 / 33 / 0 / 34

HEX #3770A8

RGB 55 112 168

HSL 209.73, 0.51%, 0.44%

LAB 45.94, -0.22, -35.51

 

CMYK 0 / 30 / 60 / 20

HEX #CD8F52

RGB 205 143 82

HSL 29.76, 0.55%, 0.56%

LAB 64.35, 17.17, 41.4

 

CMYK 0 / 27 / 55 / 13

HEX #DEA165

RGB 222 161 101

HSL 29.75, 0.65%, 0.63%

LAB 70.84, 16, 39.91

 

CMYK 0 / 25 / 50 / 6

HEX #EFB378

RGB 239 179 120

HSL 29.75, 0.79%, 0.7%

LAB 77.25, 14.99, 38.48

 

CMYK 0 / 23 / 45 / 0

HEX #FFC58B

RGB 255 197 139

HSL 30, 1%, 0.77%

LAB 83.47, 13.71, 36.99

 

CMYK 0 / 16 / 38 / 0

HEX #FFD79E

RGB 255 215 158

HSL 35.26, 1%, 0.81%

LAB 88.13, 6.36, 33.33

 

CMYK 0 / 29 / 57 / 22

HEX #C88F57

RGB 200 143 87

HSL 29.73, 0.51%, 0.56%

LAB 63.85, 15.45, 38.06

 

CMYK 0 / 32 / 63 / 28

HEX #B77D44

RGB 183 125 68

HSL 29.74, 0.46%, 0.49%

LAB 57.22, 16.7, 39.6

 

CMYK 0 / 36 / 70 / 35

HEX #A66B31

RGB 166 107 49

HSL 29.74, 0.54%, 0.42%

LAB 50.5, 18.17, 41.15

 

CMYK 0 / 40 / 80 / 42

HEX #95591E

RGB 149 89 30

HSL 29.75, 0.66%, 0.35%

LAB 43.69, 19.92, 42.48

 

CMYK 0 / 46 / 92 / 48

HEX #84470B

RGB 132 71 11

HSL 29.75, 0.85%, 0.28%

LAB 36.81, 22.01, 42.95

 

CMYK 0 / 29 / 57 / 22

HEX #C88E56

RGB 200 142 86

HSL 29.47, 0.51%, 0.56%

LAB 63.59, 15.92, 38.27

 

CMYK 0 / 45 / 57 / 22

HEX #C86F56

RGB 200 111 86

HSL 13.16, 0.51%, 0.56%

LAB 56.41, 32.75, 29.34

 

CMYK 0 / 57 / 57 / 22

HEX #C85656

RGB 200 86 86

HSL 0, 0.51%, 0.56%

LAB 51.39, 45.46, 22.85

 

CMYK 0 / 29 / 57 / 22

HEX #C88E56

RGB 200 142 86

HSL 29.47, 0.51%, 0.56%

LAB 63.59, 15.92, 38.27

 

CMYK 0 / 14 / 57 / 22

HEX #C8AD56

RGB 200 173 86

HSL 45.79, 0.51%, 0.56%

LAB 71.45, -0.85, 47.61

 

CMYK 2 / 0 / 57 / 22

HEX #C4C856

RGB 196 200 86

HSL 62.11, 0.51%, 0.56%

LAB 78.3, -16.46, 55.32

 

CMYK 18 / 0 / 57 / 22

HEX #A5C856

RGB 165 200 86

HSL 78.42, 0.51%, 0.56%

LAB 76.06, -28.94, 52.19

 

CMYK 33 / 0 / 57 / 22

HEX #86C856

RGB 134 200 86

HSL 94.74, 0.51%, 0.56%

LAB 74.22, -40.45, 49.6

 

CMYK 0 / 29 / 57 / 22

HEX #C88E56

RGB 200 142 86

HSL 29.47, 0.51%, 0.56%

LAB 63.59, 15.92, 38.27

 

CMYK 0 / 35 / 69 / 15

HEX #DA8E43

RGB 218 142 67

HSL 29.8, 0.67%, 0.56%

LAB 65.48, 22.23, 50.51

 

CMYK 0 / 40 / 79 / 7

HEX #EC8E31

RGB 236 142 49

HSL 29.84, 0.83%, 0.56%

LAB 67.58, 28.93, 61.17

 

CMYK 0 / 44 / 88 / 0

HEX #FE8E1F

RGB 254 142 31

HSL 29.87, 0.99%, 0.56%

LAB 69.84, 35.77, 70.07

 

CMYK 0 / 29 / 57 / 22

HEX #C88E56

RGB 200 142 86

HSL 29.47, 0.51%, 0.56%

LAB 63.59, 15.92, 38.27

 

CMYK 0 / 22 / 43 / 29

HEX #B68E68

RGB 182 142 104

HSL 29.23, 0.35%, 0.56%

LAB 61.9, 10.09, 26.02

 

CMYK 0 / 13 / 26 / 36

HEX #A48F7A

RGB 164 143 122

HSL 30, 0.19%, 0.56%

LAB 60.73, 4.49, 14.07

HEX #A48F7A

CMYK 0 / 2 / 4 / 43

HEX #928F8C

RGB 146 143 140

HSL 30, 0.03%, 0.56%

LAB 59.57, 0.54, 1.98

HEX #928F8C

CMYK 20 / 9 / 0 / 38

HEX #7F8F9E

RGB 127 143 158

HSL 209.03, 0.14%, 0.56%

LAB 58.63, -2.39, -9.86

HEX #7F8F9E

CMYK 0 / 57 / 55 / 22

HEX #C8565B

RGB 200 86 91

HSL 357.37, 0.51%, 0.56%

LAB 51.49, 45.86, 20.02

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 0 / 30 / 57 / 22

HEX #C88D56

RGB 200 141 86

HSL 28.95, 0.51%, 0.56%

LAB 63.34, 16.47, 37.98

 

CMYK 0 / 15 / 57 / 22

HEX #C8AB56

RGB 200 171 86

HSL 44.74, 0.51%, 0.56%

LAB 70.92, 0.22, 47

 

CMYK 1 / 0 / 57 / 22

HEX #C6C856

RGB 198 200 86

HSL 61.05, 0.51%, 0.56%

LAB 78.45, -15.64, 55.54

 

CMYK 0 / 34 / 67 / 40

HEX #996532

RGB 153 101 50

HSL 29.71, 0.51%, 0.4%

LAB 47.38, 15.88, 36.72

 

CMYK 0 / 34 / 67 / 28

HEX #B87A3C

RGB 184 122 60

HSL 30, 0.51%, 0.48%

LAB 56.52, 18.28, 42.91

 

CMYK 0 / 29 / 57 / 22

HEX #C88E56

RGB 200 142 86

HSL 29.47, 0.51%, 0.56%

LAB 63.59, 15.92, 38.27

 

CMYK 0 / 22 / 44 / 18

HEX #D2A375

RGB 210 163 117

HSL 29.68, 0.51%, 0.64%

LAB 70.3, 11.51, 30.52

 

CMYK 0 / 16 / 33 / 14

HEX #DCB894

RGB 220 184 148

HSL 30, 0.51%, 0.72%

LAB 77.06, 7.81, 23.13

 

CMYK 0 / 29 / 57 / 22

HEX #C88F57

RGB 200 143 87

HSL 29.73, 0.51%, 0.56%

LAB 63.85, 15.45, 38.06

 

CMYK 39 / 0 / 57 / 22

HEX #7AC856

RGB 122 200 86

HSL 101.05, 0.51%, 0.56%

LAB 73.62, -44.51, 48.75

 

CMYK 53 / 57 / 0 / 22

HEX #5F56C8

RGB 95 86 200

HSL 244.74, 0.51%, 0.56%

LAB 43.15, 34.66, -58.48

 

CMYK 0 / 29 / 57 / 22

HEX #C88F57

RGB 200 143 87

HSL 29.73, 0.51%, 0.56%

LAB 63.85, 15.45, 38.06

 

CMYK 57 / 0 / 30 / 22

HEX #56C88D

RGB 86 200 141

HSL 148.95, 0.51%, 0.56%

LAB 73.03, -45.99, 20

 

CMYK 30 / 57 / 0 / 22

HEX #8D56C8

RGB 141 86 200

HSL 268.95, 0.51%, 0.56%

LAB 47.61, 45.06, -51.07

 

CMYK 0 / 29 / 57 / 22

HEX #C88F57

RGB 200 143 87

HSL 29.73, 0.51%, 0.56%

LAB 63.85, 15.45, 38.06

 

CMYK 39 / 0 / 57 / 22

HEX #7AC856

RGB 122 200 86

HSL 101.05, 0.51%, 0.56%

LAB 73.62, -44.51, 48.75

 

CMYK 57 / 28 / 0 / 22

HEX #5691C8

RGB 86 145 200

HSL 208.95, 0.51%, 0.56%

LAB 58.41, -3.03, -34.25

 

CMYK 18 / 57 / 0 / 22

HEX #A456C8

RGB 164 86 200

HSL 281.05, 0.51%, 0.56%

LAB 50.36, 50.83, -46.52

 

CMYK 0 / 29 / 57 / 22

HEX #C88F57

RGB 200 143 87

HSL 29.73, 0.51%, 0.56%

LAB 63.85, 15.45, 38.06

 

CMYK 57 / 0 / 57 / 22

HEX #57C856

RGB 87 200 86

HSL 119.47, 0.51%, 0.56%

LAB 72.23, -54.64, 46.78

 

CMYK 57 / 28 / 0 / 22

HEX #5691C8

RGB 86 145 200

HSL 208.95, 0.51%, 0.56%

LAB 58.41, -3.03, -34.25

 

CMYK 1 / 57 / 0 / 22

HEX #C656C8

RGB 198 86 200

HSL 298.95, 0.51%, 0.56%

LAB 54.9, 59.62, -39.04

 

Description

Color code: HEX #C88F57 | qconv.com Color code: HEX #C88F57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 143 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 143 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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