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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8897A it is the complementary color #377685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8897A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8897A shade: #CD8975, #DE9B88, #EFAD9B, #FFBFAE and #FFD1C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8897A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8897A shade: #C8897A, #B77767, #A66554, #955341 and #84412E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8897A shade: #C7897A and #C77A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8897A shade: #C7897A, #C79E7A, #C7B37A, #C7C77A and #B2C77A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8897A shade matches the following richer shades: #C7897A, #D77F6B, #E6765B and #F56D4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8897A shade: #C7897A, #B89289, #A99C98, #9AA5A8 and #8AAEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8897A shade: #C77A95, #C77A80, #C7887A, #C79D7A and #C7B17A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8897A shade: #A85946, #BB6F5D, #C7897A, #D4A397 and #E0BDB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8897A shade: #C8897A, #AAC77A and #7A8BC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8897A shade: #C8897A, #7AC788 and #887AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8897A shade: #C8897A, #AAC77A, #7AB9C7 and #987AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8897A shade: #C8897A, #92C77A, #7AB9C7 and #AF7AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 39 / 22

HEX #C8897A

RGB 200 137 122

HSL 11.54, 0.41%, 0.63%

LAB 62.99, 22.21, 17.78

 

Complementary color

CMYK 59 / 11 / 0 / 48

HEX #377685

RGB 55 118 133

HSL 191.54, 0.41%, 0.37%

LAB 46.26, -15.55, -14.34

 

CMYK 0 / 33 / 43 / 20

HEX #CD8975

RGB 205 137 117

HSL 13.64, 0.47%, 0.63%

LAB 63.47, 23.63, 21.34

 

CMYK 0 / 30 / 39 / 13

HEX #DE9B88

RGB 222 155 136

HSL 13.26, 0.57%, 0.7%

LAB 70, 22.69, 20.01

 

CMYK 0 / 28 / 35 / 6

HEX #EFAD9B

RGB 239 173 155

HSL 12.86, 0.72%, 0.77%

LAB 76.44, 21.86, 18.81

 

CMYK 0 / 25 / 32 / 0

HEX #FFBFAE

RGB 255 191 174

HSL 12.59, 1%, 0.84%

LAB 82.69, 20.74, 17.55

 

CMYK 0 / 18 / 24 / 0

HEX #FFD1C1

RGB 255 209 193

HSL 15.48, 1%, 0.88%

LAB 87.34, 13.83, 14.01

 

CMYK 0 / 32 / 39 / 22

HEX #C8897A

RGB 200 137 122

HSL 11.54, 0.41%, 0.63%

LAB 62.99, 22.21, 17.78

 

CMYK 0 / 35 / 44 / 28

HEX #B77767

RGB 183 119 103

HSL 12, 0.36%, 0.56%

LAB 56.33, 23.19, 19.15

 

CMYK 0 / 39 / 49 / 35

HEX #A66554

RGB 166 101 84

HSL 12.44, 0.33%, 0.49%

LAB 49.56, 24.31, 20.7

 

CMYK 0 / 44 / 56 / 42

HEX #955341

RGB 149 83 65

HSL 12.86, 0.39%, 0.42%

LAB 42.7, 25.58, 22.5

 

CMYK 0 / 51 / 65 / 48

HEX #84412E

RGB 132 65 46

HSL 13.26, 0.48%, 0.35%

LAB 35.76, 27.03, 24.62

 

CMYK 0 / 31 / 39 / 22

HEX #C7897A

RGB 199 137 122

HSL 11.69, 0.41%, 0.63%

LAB 62.88, 21.82, 17.61

 

CMYK 0 / 39 / 39 / 22

HEX #C77A7A

RGB 199 122 122

HSL 0, 0.41%, 0.63%

LAB 59.4, 30.01, 12.79

 

CMYK 0 / 31 / 39 / 22

HEX #C7897A

RGB 199 137 122

HSL 11.69, 0.41%, 0.63%

LAB 62.88, 21.82, 17.61

 

CMYK 0 / 21 / 39 / 22

HEX #C79E7A

RGB 199 158 122

HSL 28.05, 0.41%, 0.63%

LAB 68.02, 10.31, 24.6

 

CMYK 0 / 10 / 39 / 22

HEX #C7B37A

RGB 199 179 122

HSL 44.42, 0.41%, 0.63%

LAB 73.41, -0.99, 31.72

 

CMYK 0 / 0 / 39 / 22

HEX #C7C77A

RGB 199 199 122

HSL 60, 0.41%, 0.63%

LAB 78.69, -11.4, 38.53

 

CMYK 11 / 0 / 39 / 22

HEX #B2C77A

RGB 178 199 122

HSL 76.36, 0.41%, 0.63%

LAB 77.11, -19.61, 36.19

 

CMYK 0 / 31 / 39 / 22

HEX #C7897A

RGB 199 137 122

HSL 11.69, 0.41%, 0.63%

LAB 62.88, 21.82, 17.61

 

CMYK 0 / 41 / 50 / 16

HEX #D77F6B

RGB 215 127 107

HSL 11.11, 0.57%, 0.63%

LAB 62.24, 31.95, 25.51

 

CMYK 0 / 49 / 60 / 10

HEX #E6765B

RGB 230 118 91

HSL 11.65, 0.74%, 0.63%

LAB 62.11, 41.1, 34.63

 

CMYK 0 / 56 / 69 / 4

HEX #F56D4C

RGB 245 109 76

HSL 11.72, 0.89%, 0.63%

LAB 62.4, 50.12, 43.59

 

CMYK 0 / 31 / 39 / 22

HEX #C7897A

RGB 199 137 122

HSL 11.69, 0.41%, 0.63%

LAB 62.88, 21.82, 17.61

 

CMYK 0 / 21 / 26 / 28

HEX #B89289

RGB 184 146 137

HSL 11.49, 0.25%, 0.63%

LAB 63.8, 12.92, 10.21

 

CMYK 0 / 8 / 10 / 34

HEX #A99C98

RGB 169 156 152

HSL 14.12, 0.09%, 0.63%

LAB 65.34, 4.04, 3.8

 

CMYK 8 / 2 / 0 / 34

HEX #9AA5A8

RGB 154 165 168

HSL 192.86, 0.07%, 0.63%

LAB 66.98, -3.27, -2.89

 

CMYK 25 / 5 / 0 / 28

HEX #8AAEB7

RGB 138 174 183

HSL 192, 0.24%, 0.63%

LAB 68.82, -10.09, -8.62

 

CMYK 0 / 39 / 25 / 22

HEX #C77A95

RGB 199 122 149

HSL 338.96, 0.41%, 0.63%

LAB 60.1, 33.55, -1.75

 

CMYK 0 / 39 / 36 / 22

HEX #C77A80

RGB 199 122 128

HSL 355.32, 0.41%, 0.63%

LAB 59.54, 30.73, 9.54

 

CMYK 0 / 32 / 39 / 22

HEX #C7887A

RGB 199 136 122

HSL 10.91, 0.41%, 0.63%

LAB 62.64, 22.37, 17.28

 

CMYK 0 / 21 / 39 / 22

HEX #C79D7A

RGB 199 157 122

HSL 27.27, 0.41%, 0.63%

LAB 67.77, 10.86, 24.26

 

CMYK 0 / 11 / 39 / 22

HEX #C7B17A

RGB 199 177 122

HSL 42.86, 0.41%, 0.63%

LAB 72.89, 0.07, 31.04

 

CMYK 0 / 47 / 58 / 34

HEX #A85946

RGB 168 89 70

HSL 11.63, 0.41%, 0.47%

LAB 46.86, 30.49, 25.43

 

CMYK 0 / 41 / 50 / 27

HEX #BB6F5D

RGB 187 111 93

HSL 11.49, 0.41%, 0.55%

LAB 54.79, 28.18, 22.92

 

CMYK 0 / 31 / 39 / 22

HEX #C7897A

RGB 199 137 122

HSL 11.69, 0.41%, 0.63%

LAB 62.88, 21.82, 17.61

 

CMYK 0 / 23 / 29 / 17

HEX #D4A397

RGB 212 163 151

HSL 11.8, 0.41%, 0.71%

LAB 71.16, 16.39, 13.21

 

CMYK 0 / 16 / 20 / 12

HEX #E0BDB4

RGB 224 189 180

HSL 12.27, 0.42%, 0.79%

LAB 79.35, 11.09, 9.19

 

CMYK 0 / 32 / 39 / 22

HEX #C8897A

RGB 200 137 122

HSL 11.54, 0.41%, 0.63%

LAB 62.99, 22.21, 17.78

 

CMYK 15 / 0 / 39 / 22

HEX #AAC77A

RGB 170 199 122

HSL 82.6, 0.41%, 0.63%

LAB 76.56, -22.66, 35.37

 

CMYK 39 / 30 / 0 / 22

HEX #7A8BC7

RGB 122 139 199

HSL 226.75, 0.41%, 0.63%

LAB 58.72, 8.9, -33.05

 

CMYK 0 / 32 / 39 / 22

HEX #C8897A

RGB 200 137 122

HSL 11.54, 0.41%, 0.63%

LAB 62.99, 22.21, 17.78

 

CMYK 39 / 0 / 32 / 22

HEX #7AC788

RGB 122 199 136

HSL 130.91, 0.41%, 0.63%

LAB 74.04, -37.05, 24.25

 

CMYK 32 / 39 / 0 / 22

HEX #887AC7

RGB 136 122 199

HSL 250.91, 0.41%, 0.63%

LAB 55.36, 22.82, -38.24

 

CMYK 0 / 32 / 39 / 22

HEX #C8897A

RGB 200 137 122

HSL 11.54, 0.41%, 0.63%

LAB 62.99, 22.21, 17.78

 

CMYK 15 / 0 / 39 / 22

HEX #AAC77A

RGB 170 199 122

HSL 82.6, 0.41%, 0.63%

LAB 76.56, -22.66, 35.37

 

CMYK 39 / 7 / 0 / 22

HEX #7AB9C7

RGB 122 185 199

HSL 190.91, 0.41%, 0.63%

LAB 71.53, -16.57, -13.46

 

CMYK 24 / 39 / 0 / 22

HEX #987AC7

RGB 152 122 199

HSL 263.38, 0.41%, 0.63%

LAB 56.8, 27.46, -35.87

 

CMYK 0 / 32 / 39 / 22

HEX #C8897A

RGB 200 137 122

HSL 11.54, 0.41%, 0.63%

LAB 62.99, 22.21, 17.78

 

CMYK 27 / 0 / 39 / 22

HEX #92C77A

RGB 146 199 122

HSL 101.3, 0.41%, 0.63%

LAB 75.05, -31.41, 33.13

 

CMYK 39 / 7 / 0 / 22

HEX #7AB9C7

RGB 122 185 199

HSL 190.91, 0.41%, 0.63%

LAB 71.53, -16.57, -13.46

 

CMYK 12 / 39 / 0 / 22

HEX #AF7AC7

RGB 175 122 199

HSL 281.3, 0.41%, 0.63%

LAB 59.12, 34.41, -32.08

 

Description

Color code: HEX #C8897A | qconv.com Color code: HEX #C8897A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 137 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 137 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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