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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8866C it is the complementary color #377993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8866C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8866C shade: #CD8667, #DE987A, #EFAA8D, #FFBCA0 and #FFCEB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8866C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8866C shade: #C8866C, #B77459, #A66246, #955033 and #843E20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8866C shade: #C8856A, #C86B6A and #C86A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8866C shade: #C8856A, #C89E6A, #C8B76A, #BFC86A and #A6C86A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8866C shade matches the following richer shades: #C8856A, #D87D5A, #E97649 and #F96F39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8866C shade: #C8856A, #B78C7B, #A7938B, #969A9C and #86A1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8866C shade: #C86A83, #C86A6A, #C8836A, #C89C6A and #C8B56A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8866C shade: #A3593C, #BD6C4C, #C8856A, #D39D88 and #DEB6A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8866C shade: #C8866C, #9CC86A and #6A77C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8866C shade: #C8866C, #6AC883 and #836AC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8866C shade: #C8866C, #9CC86A, #6AAFC8 and #966AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8866C shade: #C8866C, #80C86A, #6AAFC8 and #B26AC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 46 / 22

HEX #C8866C

RGB 200 134 108

HSL 16.96, 0.46%, 0.6%

LAB 62.01, 22.31, 24.31

 

Complementary color

CMYK 63 / 18 / 0 / 42

HEX #377993

RGB 55 121 147

HSL 196.96, 0.46%, 0.4%

LAB 47.74, -12.73, -20.36

 

CMYK 0 / 35 / 50 / 20

HEX #CD8667

RGB 205 134 103

HSL 18.24, 0.5%, 0.6%

LAB 62.51, 23.84, 27.86

 

CMYK 0 / 32 / 45 / 13

HEX #DE987A

RGB 222 152 122

HSL 18, 0.6%, 0.67%

LAB 69.03, 22.78, 26.39

 

CMYK 0 / 29 / 41 / 6

HEX #EFAA8D

RGB 239 170 141

HSL 17.76, 0.75%, 0.75%

LAB 75.47, 21.85, 25.04

 

CMYK 0 / 26 / 37 / 0

HEX #FFBCA0

RGB 255 188 160

HSL 17.68, 1%, 0.81%

LAB 81.71, 20.63, 23.65

 

CMYK 0 / 19 / 30 / 0

HEX #FFCEB3

RGB 255 206 179

HSL 21.32, 1%, 0.85%

LAB 86.33, 13.53, 19.97

 

CMYK 0 / 33 / 46 / 22

HEX #C8866C

RGB 200 134 108

HSL 16.96, 0.46%, 0.6%

LAB 62.01, 22.31, 24.31

 

CMYK 0 / 37 / 51 / 28

HEX #B77459

RGB 183 116 89

HSL 17.23, 0.39%, 0.53%

LAB 55.36, 23.43, 25.85

 

CMYK 0 / 41 / 58 / 35

HEX #A66246

RGB 166 98 70

HSL 17.5, 0.41%, 0.46%

LAB 48.62, 24.7, 27.59

 

CMYK 0 / 46 / 66 / 42

HEX #955033

RGB 149 80 51

HSL 17.76, 0.49%, 0.39%

LAB 41.79, 26.17, 29.57

 

CMYK 0 / 53 / 76 / 48

HEX #843E20

RGB 132 62 32

HSL 18, 0.61%, 0.32%

LAB 34.91, 27.84, 31.76

 

CMYK 0 / 34 / 47 / 22

HEX #C8856A

RGB 200 133 106

HSL 17.23, 0.46%, 0.6%

LAB 61.74, 22.66, 25.06

 

CMYK 0 / 47 / 47 / 22

HEX #C86B6A

RGB 200 107 106

HSL 0.64, 0.46%, 0.6%

LAB 55.92, 36.66, 17.23

 

CMYK 0 / 47 / 47 / 22

HEX #C86A6A

RGB 200 106 106

HSL 0, 0.46%, 0.6%

LAB 55.71, 37.18, 16.95

 

CMYK 0 / 34 / 47 / 22

HEX #C8856A

RGB 200 133 106

HSL 17.23, 0.46%, 0.6%

LAB 61.74, 22.66, 25.06

 

CMYK 0 / 21 / 47 / 22

HEX #C89E6A

RGB 200 158 106

HSL 33.19, 0.46%, 0.6%

LAB 67.85, 8.99, 33.03

 

CMYK 0 / 9 / 47 / 22

HEX #C8B76A

RGB 200 183 106

HSL 49.15, 0.46%, 0.6%

LAB 74.31, -4.38, 41.15

 

CMYK 5 / 0 / 47 / 22

HEX #BFC86A

RGB 191 200 106

HSL 65.74, 0.46%, 0.6%

LAB 78.13, -16.76, 45.66

 

CMYK 17 / 0 / 47 / 22

HEX #A6C86A

RGB 166 200 106

HSL 81.7, 0.46%, 0.6%

LAB 76.35, -26.57, 43.08

 

CMYK 0 / 34 / 47 / 22

HEX #C8856A

RGB 200 133 106

HSL 17.23, 0.46%, 0.6%

LAB 61.74, 22.66, 25.06

 

CMYK 0 / 42 / 58 / 15

HEX #D87D5A

RGB 216 125 90

HSL 16.67, 0.62%, 0.6%

LAB 61.66, 31.98, 34.19

 

CMYK 0 / 49 / 69 / 9

HEX #E97649

RGB 233 118 73

HSL 16.88, 0.78%, 0.6%

LAB 62.31, 41.14, 44.58

 

CMYK 0 / 55 / 77 / 2

HEX #F96F39

RGB 249 111 57

HSL 16.88, 0.94%, 0.6%

LAB 63.18, 49.81, 54.13

 

CMYK 0 / 34 / 47 / 22

HEX #C8856A

RGB 200 133 106

HSL 17.23, 0.46%, 0.6%

LAB 61.74, 22.66, 25.06

 

CMYK 0 / 23 / 33 / 28

HEX #B78C7B

RGB 183 140 123

HSL 17, 0.29%, 0.6%

LAB 61.87, 13.92, 15.38

 

CMYK 0 / 12 / 17 / 35

HEX #A7938B

RGB 167 147 139

HSL 17.14, 0.14%, 0.6%

LAB 62.46, 6.08, 6.95

 

CMYK 4 / 1 / 0 / 39

HEX #969A9C

RGB 150 154 156

HSL 200, 0.03%, 0.6%

LAB 63.34, -1.04, -1.56

 

CMYK 22 / 6 / 0 / 33

HEX #86A1AC

RGB 134 161 172

HSL 197.37, 0.19%, 0.6%

LAB 64.59, -6.87, -8.82

 

CMYK 0 / 47 / 35 / 22

HEX #C86A83

RGB 200 106 131

HSL 344.04, 0.46%, 0.6%

LAB 56.31, 39.97, 3.19

 

CMYK 0 / 47 / 47 / 22

HEX #C86A6A

RGB 200 106 106

HSL 0, 0.46%, 0.6%

LAB 55.71, 37.18, 16.95

 

CMYK 0 / 35 / 47 / 22

HEX #C8836A

RGB 200 131 106

HSL 15.96, 0.46%, 0.6%

LAB 61.27, 23.75, 24.44

 

CMYK 0 / 22 / 47 / 22

HEX #C89C6A

RGB 200 156 106

HSL 31.91, 0.46%, 0.6%

LAB 67.35, 10.07, 32.38

 

CMYK 0 / 10 / 47 / 22

HEX #C8B56A

RGB 200 181 106

HSL 47.87, 0.46%, 0.6%

LAB 73.78, -3.33, 40.5

 

CMYK 0 / 45 / 63 / 36

HEX #A3593C

RGB 163 89 60

HSL 16.89, 0.46%, 0.44%

LAB 45.98, 27.68, 29.96

 

CMYK 0 / 43 / 60 / 26

HEX #BD6C4C

RGB 189 108 76

HSL 16.99, 0.46%, 0.52%

LAB 54.1, 29.17, 31.72

 

CMYK 0 / 34 / 47 / 22

HEX #C8856A

RGB 200 133 106

HSL 17.23, 0.46%, 0.6%

LAB 61.74, 22.66, 25.06

 

CMYK 0 / 26 / 36 / 17

HEX #D39D88

RGB 211 157 136

HSL 16.8, 0.46%, 0.68%

LAB 69.28, 17.32, 18.84

 

CMYK 0 / 18 / 25 / 13

HEX #DEB6A6

RGB 222 182 166

HSL 17.14, 0.46%, 0.76%

LAB 77.12, 12.04, 13.56

 

CMYK 0 / 33 / 46 / 22

HEX #C8866C

RGB 200 134 108

HSL 16.96, 0.46%, 0.6%

LAB 62.01, 22.31, 24.31

 

CMYK 22 / 0 / 47 / 22

HEX #9CC86A

RGB 156 200 106

HSL 88.09, 0.46%, 0.6%

LAB 75.71, -30.33, 42.15

 

CMYK 47 / 41 / 0 / 22

HEX #6A77C8

RGB 106 119 200

HSL 231.7, 0.46%, 0.6%

LAB 52.32, 16.95, -43.75

 

CMYK 0 / 33 / 46 / 22

HEX #C8866C

RGB 200 134 108

HSL 16.96, 0.46%, 0.6%

LAB 62.01, 22.31, 24.31

 

CMYK 47 / 0 / 35 / 22

HEX #6AC883

RGB 106 200 131

HSL 135.96, 0.46%, 0.6%

LAB 73.55, -42.96, 26.11

 

CMYK 35 / 47 / 0 / 22

HEX #836AC8

RGB 131 106 200

HSL 255.96, 0.46%, 0.6%

LAB 51.04, 31.13, -45.65

 

CMYK 0 / 33 / 46 / 22

HEX #C8866C

RGB 200 134 108

HSL 16.96, 0.46%, 0.6%

LAB 62.01, 22.31, 24.31

 

CMYK 22 / 0 / 47 / 22

HEX #9CC86A

RGB 156 200 106

HSL 88.09, 0.46%, 0.6%

LAB 75.71, -30.33, 42.15

 

CMYK 47 / 13 / 0 / 22

HEX #6AAFC8

RGB 106 175 200

HSL 195.96, 0.46%, 0.6%

LAB 67.94, -15.08, -19.5

 

CMYK 25 / 47 / 0 / 22

HEX #966AC8

RGB 150 106 200

HSL 268.09, 0.46%, 0.6%

LAB 52.91, 36.3, -42.58

 

CMYK 0 / 33 / 46 / 22

HEX #C8866C

RGB 200 134 108

HSL 16.96, 0.46%, 0.6%

LAB 62.01, 22.31, 24.31

 

CMYK 36 / 0 / 47 / 22

HEX #80C86A

RGB 128 200 106

HSL 105.96, 0.46%, 0.6%

LAB 74.15, -40.17, 39.88

 

CMYK 47 / 13 / 0 / 22

HEX #6AAFC8

RGB 106 175 200

HSL 195.96, 0.46%, 0.6%

LAB 67.94, -15.08, -19.5

 

CMYK 11 / 47 / 0 / 22

HEX #B26AC8

RGB 178 106 200

HSL 285.96, 0.46%, 0.6%

LAB 56.03, 44.25, -37.45

 

Description

Color code: HEX #C8866C | qconv.com Color code: HEX #C8866C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 134 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 134 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 46 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 46% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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