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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8854D it is the complementary color #377AB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8854D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8854D shade: #CD8548, #DE975B, #EFA96E, #FFBB81 and #FFCD94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8854D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8854D shade: #C8854D, #B7733A, #A66127, #954F14 and #843D01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8854D shade: #C8844C, #C8634C and #C84C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8854D shade: #C8844C, #C8A64C, #C8C74C, #A7C84C and #85C84C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8854D shade matches the following richer shades: #C8844C, #DB8239 and #EE8126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8854D shade: #C8844C, #B5865F, #A28871, #8F8984 and #7C8B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8854D shade: #C84C56, #C8624C, #C8834C, #C8A54C and #C8C64C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8854D shade: #945C2D, #B37037, #C8844C, #D29A6B and #DBAF8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8854D shade: #C8854D, #77C84C and #524CC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8854D shade: #C8854D, #4CC883 and #834CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8854D shade: #C8854D, #77C84C, #4C90C8 and #9C4CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8854D shade: #C8854D, #52C84C, #4C90C8 and #C24CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 62 / 22

HEX #C8854D

RGB 200 133 77

HSL 27.32, 0.53%, 0.54%

LAB 61.3, 20.17, 40.23

 

Complementary color

CMYK 69 / 31 / 0 / 30

HEX #377AB2

RGB 55 122 178

HSL 207.32, 0.53%, 0.46%

LAB 49.43, -2.7, -35.84

 

CMYK 0 / 35 / 65 / 20

HEX #CD8548

RGB 205 133 72

HSL 27.52, 0.57%, 0.54%

LAB 61.85, 21.93, 43.58

 

CMYK 0 / 32 / 59 / 13

HEX #DE975B

RGB 222 151 91

HSL 27.48, 0.66%, 0.61%

LAB 68.33, 20.59, 42

 

CMYK 0 / 29 / 54 / 6

HEX #EFA96E

RGB 239 169 110

HSL 27.44, 0.8%, 0.68%

LAB 74.73, 19.42, 40.49

 

CMYK 0 / 27 / 49 / 0

HEX #FFBB81

RGB 255 187 129

HSL 27.62, 1%, 0.75%

LAB 80.95, 17.99, 38.9

 

CMYK 0 / 20 / 42 / 0

HEX #FFCD94

RGB 255 205 148

HSL 31.96, 1%, 0.79%

LAB 85.53, 10.45, 35.05

 

CMYK 0 / 34 / 62 / 22

HEX #C8854D

RGB 200 133 77

HSL 27.32, 0.53%, 0.54%

LAB 61.3, 20.17, 40.23

 

CMYK 0 / 37 / 68 / 28

HEX #B7733A

RGB 183 115 58

HSL 27.36, 0.52%, 0.47%

LAB 54.69, 21.61, 41.84

 

CMYK 0 / 42 / 77 / 35

HEX #A66127

RGB 166 97 39

HSL 27.4, 0.62%, 0.4%

LAB 48.01, 23.29, 43.39

 

CMYK 0 / 47 / 87 / 42

HEX #954F14

RGB 149 79 20

HSL 27.44, 0.76%, 0.33%

LAB 41.27, 25.25, 44.45

 

CMYK 0 / 54 / 99 / 48

HEX #843D01

RGB 132 61 1

HSL 27.48, 0.98%, 0.26%

LAB 34.49, 27.43, 44.74

 

CMYK 0 / 34 / 62 / 22

HEX #C8844C

RGB 200 132 76

HSL 27.1, 0.53%, 0.54%

LAB 61.05, 20.64, 40.45

 

CMYK 0 / 51 / 62 / 22

HEX #C8634C

RGB 200 99 76

HSL 11.13, 0.53%, 0.54%

LAB 53.73, 38.28, 31.61

 

CMYK 0 / 62 / 62 / 22

HEX #C84C4C

RGB 200 76 76

HSL 0, 0.53%, 0.54%

LAB 49.46, 49.38, 26.24

 

CMYK 0 / 34 / 62 / 22

HEX #C8844C

RGB 200 132 76

HSL 27.1, 0.53%, 0.54%

LAB 61.05, 20.64, 40.45

 

CMYK 0 / 17 / 62 / 22

HEX #C8A64C

RGB 200 166 76

HSL 43.55, 0.53%, 0.54%

LAB 69.52, 2.15, 50.17

 

CMYK 0 / 0 / 62 / 22

HEX #C8C74C

RGB 200 199 76

HSL 59.52, 0.53%, 0.54%

LAB 78.26, -15, 59.7

 

CMYK 17 / 0 / 62 / 22

HEX #A7C84C

RGB 167 200 76

HSL 75.97, 0.53%, 0.54%

LAB 76.1, -28.97, 56.66

 

CMYK 34 / 0 / 62 / 22

HEX #85C84C

RGB 133 200 76

HSL 92.42, 0.53%, 0.54%

LAB 74.07, -41.75, 53.86

 

CMYK 0 / 34 / 62 / 22

HEX #C8844C

RGB 200 132 76

HSL 27.1, 0.53%, 0.54%

LAB 61.05, 20.64, 40.45

 

CMYK 0 / 41 / 74 / 14

HEX #DB8239

RGB 219 130 57

HSL 27.04, 0.69%, 0.54%

LAB 62.78, 28.57, 52.35

 

CMYK 0 / 46 / 84 / 7

HEX #EE8126

RGB 238 129 38

HSL 27.3, 0.85%, 0.54%

LAB 64.98, 36.16, 63.05

 

CMYK 0 / 34 / 62 / 22

HEX #C8844C

RGB 200 132 76

HSL 27.1, 0.53%, 0.54%

LAB 61.05, 20.64, 40.45

 

CMYK 0 / 26 / 48 / 29

HEX #B5865F

RGB 181 134 95

HSL 27.21, 0.37%, 0.54%

LAB 59.62, 13.16, 27.98

 

CMYK 0 / 16 / 30 / 36

HEX #A28871

RGB 162 136 113

HSL 28.16, 0.21%, 0.54%

LAB 58.49, 6.32, 16.03

 

CMYK 0 / 4 / 8 / 44

HEX #8F8984

RGB 143 137 132

HSL 27.27, 0.05%, 0.54%

LAB 57.46, 1.3, 3.47

 

CMYK 18 / 8 / 0 / 41

HEX #7C8B97

RGB 124 139 151

HSL 206.67, 0.11%, 0.54%

LAB 57.06, -2.75, -8.22

 

CMYK 0 / 62 / 57 / 22

HEX #C84C56

RGB 200 76 86

HSL 355.16, 0.53%, 0.54%

LAB 49.64, 50.09, 20.53

 

CMYK 0 / 51 / 62 / 22

HEX #C8624C

RGB 200 98 76

HSL 10.65, 0.53%, 0.54%

LAB 53.53, 38.79, 31.36

 

CMYK 0 / 35 / 62 / 22

HEX #C8834C

RGB 200 131 76

HSL 26.61, 0.53%, 0.54%

LAB 60.81, 21.19, 40.17

 

CMYK 0 / 18 / 62 / 22

HEX #C8A54C

RGB 200 165 76

HSL 43.06, 0.53%, 0.54%

LAB 69.26, 2.69, 49.88

 

CMYK 0 / 1 / 62 / 22

HEX #C8C64C

RGB 200 198 76

HSL 59.03, 0.53%, 0.54%

LAB 77.99, -14.5, 59.41

 

CMYK 0 / 38 / 70 / 42

HEX #945C2D

RGB 148 92 45

HSL 27.38, 0.53%, 0.38%

LAB 44.43, 18.51, 35.87

 

CMYK 0 / 37 / 69 / 30

HEX #B37037

RGB 179 112 55

HSL 27.58, 0.53%, 0.46%

LAB 53.44, 21.38, 41.82

 

CMYK 0 / 34 / 62 / 22

HEX #C8844C

RGB 200 132 76

HSL 27.1, 0.53%, 0.54%

LAB 61.05, 20.64, 40.45

 

CMYK 0 / 27 / 49 / 18

HEX #D29A6B

RGB 210 154 107

HSL 27.38, 0.53%, 0.62%

LAB 67.93, 15.38, 32.8

 

CMYK 0 / 20 / 37 / 14

HEX #DBAF8B

RGB 219 175 139

HSL 27, 0.53%, 0.7%

LAB 74.56, 11.12, 24.54

 

CMYK 0 / 34 / 62 / 22

HEX #C8854D

RGB 200 133 77

HSL 27.32, 0.53%, 0.54%

LAB 61.3, 20.17, 40.23

 

CMYK 41 / 0 / 62 / 22

HEX #77C84C

RGB 119 200 76

HSL 99.19, 0.53%, 0.54%

LAB 73.38, -46.49, 52.9

 

CMYK 59 / 62 / 0 / 22

HEX #524CC8

RGB 82 76 200

HSL 242.9, 0.53%, 0.54%

LAB 39.8, 38.33, -63.95

 

CMYK 0 / 34 / 62 / 22

HEX #C8854D

RGB 200 133 77

HSL 27.32, 0.53%, 0.54%

LAB 61.3, 20.17, 40.23

 

CMYK 62 / 0 / 35 / 22

HEX #4CC883

RGB 76 200 131

HSL 146.61, 0.53%, 0.54%

LAB 72.55, -50.06, 24.59

 

CMYK 35 / 62 / 0 / 22

HEX #834CC8

RGB 131 76 200

HSL 266.61, 0.53%, 0.54%

LAB 44.47, 48.07, -56.18

 

CMYK 0 / 34 / 62 / 22

HEX #C8854D

RGB 200 133 77

HSL 27.32, 0.53%, 0.54%

LAB 61.3, 20.17, 40.23

 

CMYK 41 / 0 / 62 / 22

HEX #77C84C

RGB 119 200 76

HSL 99.19, 0.53%, 0.54%

LAB 73.38, -46.49, 52.9

 

CMYK 62 / 28 / 0 / 22

HEX #4C90C8

RGB 76 144 200

HSL 207.1, 0.53%, 0.54%

LAB 57.71, -4.42, -35.38

 

CMYK 22 / 62 / 0 / 22

HEX #9C4CC8

RGB 156 76 200

HSL 278.71, 0.53%, 0.54%

LAB 47.5, 53.82, -51.13

 

CMYK 0 / 34 / 62 / 22

HEX #C8854D

RGB 200 133 77

HSL 27.32, 0.53%, 0.54%

LAB 61.3, 20.17, 40.23

 

CMYK 59 / 0 / 62 / 22

HEX #52C84C

RGB 82 200 76

HSL 117.1, 0.53%, 0.54%

LAB 71.98, -56.99, 50.94

 

CMYK 62 / 28 / 0 / 22

HEX #4C90C8

RGB 76 144 200

HSL 207.1, 0.53%, 0.54%

LAB 57.71, -4.42, -35.38

 

CMYK 3 / 62 / 0 / 22

HEX #C24CC8

RGB 194 76 200

HSL 297.1, 0.53%, 0.54%

LAB 52.74, 62.97, -42.49

 

Description

Color code: HEX #C8854D | qconv.com Color code: HEX #C8854D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 133 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 133 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 62% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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