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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8807E it is the complementary color #377F81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8807E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8807E shade: #CD8079, #DE928C, #EFA49F, #FFB6B2 and #FFC8C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8807E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8807E shade: #C8807E, #B76E6B, #A65C58, #954A45 and #843832

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8807E shade: #C7807E and #C77E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8807E shade: #C7807E, #C7947E, #C7A87E, #C7BB7E and #C0C77E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8807E shade matches the following richer shades: #C7807E, #D6726F, #E56460 and #F45651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8807E shade: #C7807E, #B98E8D, #AA9C9C, #9BAAAB and #8CB8B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8807E shade: #C77EA4, #C77E90, #C77F7E, #C7937E and #C7A67E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8807E shade: #AA4B49, #BB6461, #C7807E, #D49C9B and #E0B9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8807E shade: #C8807E, #B8C77E and #7E9AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8807E shade: #C8807E, #7EC77F and #7F7EC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8807E shade: #C8807E, #B8C77E, #7EC6C7 and #8E7EC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8807E shade: #C8807E, #A1C77E, #7EC6C7 and #A47EC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 37 / 22

HEX #C8807E

RGB 200 128 126

HSL 1.62, 0.4%, 0.64%

LAB 60.98, 27.61, 12.72

 

Complementary color

CMYK 57 / 2 / 0 / 49

HEX #377F81

RGB 55 127 129

HSL 181.62, 0.4%, 0.36%

LAB 48.98, -21.62, -7.89

 

CMYK 0 / 38 / 41 / 20

HEX #CD8079

RGB 205 128 121

HSL 5, 0.46%, 0.64%

LAB 61.48, 28.96, 16.36

 

CMYK 0 / 34 / 37 / 13

HEX #DE928C

RGB 222 146 140

HSL 4.39, 0.55%, 0.71%

LAB 68.01, 28, 15.04

 

CMYK 0 / 31 / 33 / 6

HEX #EFA49F

RGB 239 164 159

HSL 3.75, 0.71%, 0.78%

LAB 74.45, 27.12, 13.85

 

CMYK 0 / 29 / 30 / 0

HEX #FFB6B2

RGB 255 182 178

HSL 3.12, 1%, 0.85%

LAB 80.7, 25.96, 12.61

 

CMYK 0 / 22 / 23 / 0

HEX #FFC8C5

RGB 255 200 197

HSL 3.1, 1%, 0.89%

LAB 85.3, 19.09, 8.99

 

CMYK 0 / 36 / 37 / 22

HEX #C8807E

RGB 200 128 126

HSL 1.62, 0.4%, 0.64%

LAB 60.98, 27.61, 12.72

 

CMYK 0 / 40 / 42 / 28

HEX #B76E6B

RGB 183 110 107

HSL 2.37, 0.35%, 0.57%

LAB 54.32, 28.61, 14.09

 

CMYK 0 / 45 / 47 / 35

HEX #A65C58

RGB 166 92 88

HSL 3.08, 0.31%, 0.5%

LAB 47.58, 29.72, 15.67

 

CMYK 0 / 50 / 54 / 42

HEX #954A45

RGB 149 74 69

HSL 3.75, 0.37%, 0.43%

LAB 40.76, 30.94, 17.54

 

CMYK 0 / 58 / 62 / 48

HEX #843832

RGB 132 56 50

HSL 4.39, 0.45%, 0.36%

LAB 33.91, 32.22, 19.85

 

CMYK 0 / 36 / 37 / 22

HEX #C7807E

RGB 199 128 126

HSL 1.64, 0.39%, 0.64%

LAB 60.86, 27.23, 12.54

 

CMYK 0 / 37 / 37 / 22

HEX #C77E7E

RGB 199 126 126

HSL 0, 0.39%, 0.64%

LAB 60.4, 28.32, 11.89

 

CMYK 0 / 36 / 37 / 22

HEX #C7807E

RGB 199 128 126

HSL 1.64, 0.39%, 0.64%

LAB 60.86, 27.23, 12.54

 

CMYK 0 / 26 / 37 / 22

HEX #C7947E

RGB 199 148 126

HSL 18.08, 0.39%, 0.64%

LAB 65.61, 16.26, 19.13

 

CMYK 0 / 16 / 37 / 22

HEX #C7A87E

RGB 199 168 126

HSL 34.52, 0.39%, 0.64%

LAB 70.63, 5.36, 25.92

 

CMYK 0 / 6 / 37 / 22

HEX #C7BB7E

RGB 199 187 126

HSL 50.14, 0.39%, 0.64%

LAB 75.57, -4.74, 32.45

 

CMYK 4 / 0 / 37 / 22

HEX #C0C77E

RGB 192 199 126

HSL 65.75, 0.39%, 0.64%

LAB 78.2, -13.7, 35.76

 

CMYK 0 / 36 / 37 / 22

HEX #C7807E

RGB 199 128 126

HSL 1.64, 0.39%, 0.64%

LAB 60.86, 27.23, 12.54

 

CMYK 0 / 47 / 48 / 16

HEX #D6726F

RGB 214 114 111

HSL 1.75, 0.56%, 0.64%

LAB 59.41, 38.76, 19.43

 

CMYK 0 / 56 / 58 / 10

HEX #E56460

RGB 229 100 96

HSL 1.8, 0.72%, 0.64%

LAB 58.62, 49.86, 27.35

 

CMYK 0 / 65 / 67 / 4

HEX #F45651

RGB 244 86 81

HSL 1.84, 0.88%, 0.64%

LAB 58.49, 60.12, 36.21

 

CMYK 0 / 36 / 37 / 22

HEX #C7807E

RGB 199 128 126

HSL 1.64, 0.39%, 0.64%

LAB 60.86, 27.23, 12.54

 

CMYK 0 / 23 / 24 / 27

HEX #B98E8D

RGB 185 142 141

HSL 1.36, 0.24%, 0.64%

LAB 63, 16.12, 6.82

 

CMYK 0 / 8 / 8 / 33

HEX #AA9C9C

RGB 170 156 156

HSL 0, 0.08%, 0.64%

LAB 65.53, 5.12, 1.85

 

CMYK 9 / 1 / 0 / 33

HEX #9BAAAB

RGB 155 170 171

HSL 183.75, 0.09%, 0.64%

LAB 68.5, -5.03, -2.32

 

CMYK 24 / 1 / 0 / 27

HEX #8CB8B9

RGB 140 184 185

HSL 181.33, 0.24%, 0.64%

LAB 71.8, -14.31, -5.29

 

CMYK 0 / 37 / 18 / 22

HEX #C77EA4

RGB 199 126 164

HSL 328.77, 0.39%, 0.64%

LAB 61.43, 33.66, -8.38

 

CMYK 0 / 37 / 28 / 22

HEX #C77E90

RGB 199 126 144

HSL 345.21, 0.39%, 0.64%

LAB 60.85, 30.67, 2.22

 

CMYK 0 / 36 / 37 / 22

HEX #C77F7E

RGB 199 127 126

HSL 0.82, 0.39%, 0.64%

LAB 60.63, 27.77, 12.21

 

CMYK 0 / 26 / 37 / 22

HEX #C7937E

RGB 199 147 126

HSL 17.26, 0.39%, 0.64%

LAB 65.37, 16.81, 18.79

 

CMYK 0 / 17 / 37 / 22

HEX #C7A67E

RGB 199 166 126

HSL 32.88, 0.39%, 0.64%

LAB 70.12, 6.44, 25.24

 

CMYK 0 / 56 / 57 / 33

HEX #AA4B49

RGB 170 75 73

HSL 1.24, 0.4%, 0.48%

LAB 44.32, 38.87, 20.41

 

CMYK 0 / 47 / 48 / 27

HEX #BB6461

RGB 187 100 97

HSL 2, 0.4%, 0.56%

LAB 52.44, 34.51, 17.45

 

CMYK 0 / 36 / 37 / 22

HEX #C7807E

RGB 199 128 126

HSL 1.64, 0.39%, 0.64%

LAB 60.86, 27.23, 12.54

 

CMYK 0 / 26 / 27 / 17

HEX #D49C9B

RGB 212 156 155

HSL 1.05, 0.4%, 0.72%

LAB 69.57, 20.74, 8.74

 

CMYK 0 / 17 / 18 / 12

HEX #E0B9B8

RGB 224 185 184

HSL 1.5, 0.39%, 0.8%

LAB 78.47, 13.83, 5.76

 

CMYK 0 / 36 / 37 / 22

HEX #C8807E

RGB 200 128 126

HSL 1.62, 0.4%, 0.64%

LAB 60.98, 27.61, 12.72

 

CMYK 8 / 0 / 37 / 22

HEX #B8C77E

RGB 184 199 126

HSL 72.33, 0.39%, 0.64%

LAB 77.6, -16.81, 34.87

 

CMYK 37 / 23 / 0 / 22

HEX #7E9AC7

RGB 126 154 199

HSL 216.99, 0.39%, 0.64%

LAB 63.07, 1.38, -26.3

 

CMYK 0 / 36 / 37 / 22

HEX #C8807E

RGB 200 128 126

HSL 1.62, 0.4%, 0.64%

LAB 60.98, 27.61, 12.72

 

CMYK 37 / 0 / 36 / 22

HEX #7EC77F

RGB 126 199 127

HSL 120.82, 0.39%, 0.64%

LAB 74.07, -37.32, 29.05

 

CMYK 36 / 37 / 0 / 22

HEX #7F7EC7

RGB 127 126 199

HSL 240.82, 0.39%, 0.64%

LAB 55.64, 17.93, -37.84

 

CMYK 0 / 36 / 37 / 22

HEX #C8807E

RGB 200 128 126

HSL 1.62, 0.4%, 0.64%

LAB 60.98, 27.61, 12.72

 

CMYK 8 / 0 / 37 / 22

HEX #B8C77E

RGB 184 199 126

HSL 72.33, 0.39%, 0.64%

LAB 77.6, -16.81, 34.87

 

CMYK 37 / 1 / 0 / 22

HEX #7EC6C7

RGB 126 198 199

HSL 180.82, 0.39%, 0.64%

LAB 75.42, -22.16, -7.63

 

CMYK 29 / 37 / 0 / 22

HEX #8E7EC7

RGB 142 126 199

HSL 253.15, 0.39%, 0.64%

LAB 56.88, 22.2, -35.82

 

CMYK 0 / 36 / 37 / 22

HEX #C8807E

RGB 200 128 126

HSL 1.62, 0.4%, 0.64%

LAB 60.98, 27.61, 12.72

 

CMYK 19 / 0 / 37 / 22

HEX #A1C77E

RGB 161 199 126

HSL 91.23, 0.39%, 0.64%

LAB 76.03, -25.48, 32.51

 

CMYK 37 / 1 / 0 / 22

HEX #7EC6C7

RGB 126 198 199

HSL 180.82, 0.39%, 0.64%

LAB 75.42, -22.16, -7.63

 

CMYK 18 / 37 / 0 / 22

HEX #A47EC7

RGB 164 126 199

HSL 271.23, 0.39%, 0.64%

LAB 58.92, 28.79, -32.48

 

Description

Color code: HEX #C8807E | qconv.com Color code: HEX #C8807E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 128 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 128 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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