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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C87F58 it is the complementary color #3780A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C87F58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C87F58 shade: #CD7F53, #DE9166, #EFA379, #FFB58C and #FFC79F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C87F58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C87F58 shade: #C87F58, #B76D45, #A65B32, #95491F and #84370C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C87F58 shade: #C77E57, #C76057 and #C75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C87F58 shade: #C77E57, #C79C57, #C7BA57, #B5C757 and #97C757

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C87F58 shade matches the following richer shades: #C77E57, #D97845, #EB7332 and #FD6D20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C87F58 shade: #C77E57, #B58369, #A3897B, #908E8D and #7E949F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C87F58 shade: #C7576D, #C75E57, #C77C57, #C79A57 and #C7B857

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C87F58 shade: #985633, #B7683D, #C77E57, #D19676 and #DCAD95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C87F58 shade: #C87F58, #8BC757 and #575EC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C87F58 shade: #C87F58, #57C77C and #7C57C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C87F58 shade: #C87F58, #8BC757, #57A2C7 and #9357C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C87F58 shade: #C87F58, #69C757, #57A2C7 and #B457C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 56 / 22

HEX #C87F58

RGB 200 127 88

HSL 20.89, 0.5%, 0.56%

LAB 60.04, 24.29, 32.82

 

Complementary color

CMYK 67 / 23 / 0 / 35

HEX #3780A7

RGB 55 128 167

HSL 200.89, 0.5%, 0.44%

LAB 50.73, -10.03, -27.43

 

CMYK 0 / 38 / 60 / 20

HEX #CD7F53

RGB 205 127 83

HSL 21.64, 0.55%, 0.56%

LAB 60.59, 25.95, 36.35

 

CMYK 0 / 35 / 54 / 13

HEX #DE9166

RGB 222 145 102

HSL 21.5, 0.65%, 0.64%

LAB 67.08, 24.68, 34.68

 

CMYK 0 / 32 / 49 / 6

HEX #EFA379

RGB 239 163 121

HSL 21.36, 0.79%, 0.71%

LAB 73.5, 23.55, 33.15

 

CMYK 0 / 29 / 45 / 0

HEX #FFB58C

RGB 255 181 140

HSL 21.39, 1%, 0.77%

LAB 79.73, 22.17, 31.57

 

CMYK 0 / 22 / 38 / 0

HEX #FFC79F

RGB 255 199 159

HSL 25, 1%, 0.81%

LAB 84.28, 14.77, 27.67

 

CMYK 0 / 37 / 56 / 22

HEX #C87F58

RGB 200 127 88

HSL 20.89, 0.5%, 0.56%

LAB 60.04, 24.29, 32.82

 

CMYK 0 / 40 / 62 / 28

HEX #B76D45

RGB 183 109 69

HSL 21.05, 0.45%, 0.49%

LAB 53.42, 25.64, 34.57

 

CMYK 0 / 45 / 70 / 35

HEX #A65B32

RGB 166 91 50

HSL 21.21, 0.54%, 0.42%

LAB 46.74, 27.19, 36.48

 

CMYK 0 / 51 / 79 / 42

HEX #95491F

RGB 149 73 31

HSL 21.36, 0.66%, 0.35%

LAB 40, 28.95, 38.41

 

CMYK 0 / 58 / 91 / 48

HEX #84370C

RGB 132 55 12

HSL 21.5, 0.83%, 0.28%

LAB 33.27, 30.89, 39.84

 

CMYK 0 / 37 / 56 / 22

HEX #C77E57

RGB 199 126 87

HSL 20.89, 0.5%, 0.56%

LAB 59.66, 24.34, 32.87

 

CMYK 0 / 52 / 56 / 22

HEX #C76057

RGB 199 96 87

HSL 4.82, 0.5%, 0.56%

LAB 53.16, 40.25, 24.56

 

CMYK 0 / 56 / 56 / 22

HEX #C75757

RGB 199 87 87

HSL 0, 0.5%, 0.56%

LAB 51.44, 44.7, 22.29

 

CMYK 0 / 37 / 56 / 22

HEX #C77E57

RGB 199 126 87

HSL 20.89, 0.5%, 0.56%

LAB 59.66, 24.34, 32.87

 

CMYK 0 / 22 / 56 / 22

HEX #C79C57

RGB 199 156 87

HSL 36.96, 0.5%, 0.56%

LAB 66.98, 7.94, 41.83

 

CMYK 0 / 7 / 56 / 22

HEX #C7BA57

RGB 199 186 87

HSL 53.04, 0.5%, 0.56%

LAB 74.79, -8.01, 50.97

 

CMYK 9 / 0 / 56 / 22

HEX #B5C757

RGB 181 199 87

HSL 69.64, 0.5%, 0.56%

LAB 76.9, -22.01, 52.98

 

CMYK 24 / 0 / 56 / 22

HEX #97C757

RGB 151 199 87

HSL 85.71, 0.5%, 0.56%

LAB 74.9, -33.74, 50.17

 

CMYK 0 / 37 / 56 / 22

HEX #C77E57

RGB 199 126 87

HSL 20.89, 0.5%, 0.56%

LAB 59.66, 24.34, 32.87

 

CMYK 0 / 45 / 68 / 15

HEX #D97845

RGB 217 120 69

HSL 20.68, 0.66%, 0.56%

LAB 60.44, 33.64, 43.92

 

CMYK 0 / 51 / 79 / 8

HEX #EB7332

RGB 235 115 50

HSL 21.08, 0.82%, 0.56%

LAB 61.79, 42.4, 55.24

 

CMYK 0 / 57 / 87 / 1

HEX #FD6D20

RGB 253 109 32

HSL 20.9, 0.98%, 0.56%

LAB 63.28, 51.51, 64.64

 

CMYK 0 / 37 / 56 / 22

HEX #C77E57

RGB 199 126 87

HSL 20.89, 0.5%, 0.56%

LAB 59.66, 24.34, 32.87

 

CMYK 0 / 28 / 42 / 29

HEX #B58369

RGB 181 131 105

HSL 20.53, 0.34%, 0.56%

LAB 59.04, 15.91, 21.64

 

CMYK 0 / 16 / 25 / 36

HEX #A3897B

RGB 163 137 123

HSL 21, 0.18%, 0.56%

LAB 59.07, 7.61, 11.17

 

CMYK 0 / 1 / 2 / 44

HEX #908E8D

RGB 144 142 141

HSL 20, 0.01%, 0.56%

LAB 59.16, 0.55, 0.78

 

CMYK 21 / 7 / 0 / 38

HEX #7E949F

RGB 126 148 159

HSL 200, 0.15%, 0.56%

LAB 60, -5.29, -8.4

 

CMYK 0 / 56 / 45 / 22

HEX #C7576D

RGB 199 87 109

HSL 348.21, 0.5%, 0.56%

LAB 51.91, 46.67, 9.87

 

CMYK 0 / 53 / 56 / 22

HEX #C75E57

RGB 199 94 87

HSL 3.75, 0.5%, 0.56%

LAB 52.77, 41.25, 24.04

 

CMYK 0 / 38 / 56 / 22

HEX #C77C57

RGB 199 124 87

HSL 19.82, 0.5%, 0.56%

LAB 59.2, 25.43, 32.29

 

CMYK 0 / 23 / 56 / 22

HEX #C79A57

RGB 199 154 87

HSL 35.89, 0.5%, 0.56%

LAB 66.48, 9.02, 41.22

 

CMYK 0 / 8 / 56 / 22

HEX #C7B857

RGB 199 184 87

HSL 51.96, 0.5%, 0.56%

LAB 74.26, -6.97, 50.36

 

CMYK 0 / 43 / 66 / 40

HEX #985633

RGB 152 86 51

HSL 20.79, 0.5%, 0.4%

LAB 43.61, 24.08, 31.82

 

CMYK 0 / 43 / 67 / 28

HEX #B7683D

RGB 183 104 61

HSL 21.15, 0.5%, 0.48%

LAB 52.18, 27.84, 37.43

 

CMYK 0 / 37 / 56 / 22

HEX #C77E57

RGB 199 126 87

HSL 20.89, 0.5%, 0.56%

LAB 59.66, 24.34, 32.87

 

CMYK 0 / 28 / 44 / 18

HEX #D19676

RGB 209 150 118

HSL 21.1, 0.5%, 0.64%

LAB 67.03, 18.26, 25.65

 

CMYK 0 / 21 / 32 / 14

HEX #DCAD95

RGB 220 173 149

HSL 20.28, 0.5%, 0.72%

LAB 74.36, 13.81, 18.89

 

CMYK 0 / 37 / 56 / 22

HEX #C87F58

RGB 200 127 88

HSL 20.89, 0.5%, 0.56%

LAB 60.04, 24.29, 32.82

 

CMYK 30 / 0 / 56 / 22

HEX #8BC757

RGB 139 199 87

HSL 92.14, 0.5%, 0.56%

LAB 74.21, -38.14, 49.19

 

CMYK 56 / 53 / 0 / 22

HEX #575EC7

RGB 87 94 199

HSL 236.25, 0.5%, 0.56%

LAB 44.45, 27.83, -55.82

 

CMYK 0 / 37 / 56 / 22

HEX #C87F58

RGB 200 127 88

HSL 20.89, 0.5%, 0.56%

LAB 60.04, 24.29, 32.82

 

CMYK 56 / 0 / 38 / 22

HEX #57C77C

RGB 87 199 124

HSL 139.82, 0.5%, 0.56%

LAB 72.45, -48.58, 28.18

 

CMYK 38 / 56 / 0 / 22

HEX #7C57C7

RGB 124 87 199

HSL 259.82, 0.5%, 0.56%

LAB 45.94, 40.14, -53.27

 

CMYK 0 / 37 / 56 / 22

HEX #C87F58

RGB 200 127 88

HSL 20.89, 0.5%, 0.56%

LAB 60.04, 24.29, 32.82

 

CMYK 30 / 0 / 56 / 22

HEX #8BC757

RGB 139 199 87

HSL 92.14, 0.5%, 0.56%

LAB 74.21, -38.14, 49.19

 

CMYK 56 / 19 / 0 / 22

HEX #57A2C7

RGB 87 162 199

HSL 199.82, 0.5%, 0.56%

LAB 63.33, -12.63, -26.06

 

CMYK 26 / 56 / 0 / 22

HEX #9357C7

RGB 147 87 199

HSL 272.14, 0.5%, 0.56%

LAB 48.44, 45.77, -49.12

 

CMYK 0 / 37 / 56 / 22

HEX #C87F58

RGB 200 127 88

HSL 20.89, 0.5%, 0.56%

LAB 60.04, 24.29, 32.82

 

CMYK 47 / 0 / 56 / 22

HEX #69C757

RGB 105 199 87

HSL 110.36, 0.5%, 0.56%

LAB 72.59, -49.27, 46.89

 

CMYK 56 / 19 / 0 / 22

HEX #57A2C7

RGB 87 162 199

HSL 199.82, 0.5%, 0.56%

LAB 63.33, -12.63, -26.06

 

CMYK 10 / 56 / 0 / 22

HEX #B457C7

RGB 180 87 199

HSL 289.82, 0.5%, 0.56%

LAB 52.56, 54.28, -42.33

 

Description

Color code: HEX #C87F58 | qconv.com Color code: HEX #C87F58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 127 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 127 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 56 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 56% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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