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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C87C204C it is the complementary color #3783DF4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C87C204C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C87C204C shade: #CD7C1B4C, #DE8E2E4C, #EFA0414C, #FFB2544C and #FFC4674C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C87C204C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C87C204C shade: #C87C204C, #B76A0D4C, #A658004C, #9546004C and #8434004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C87C204C shade: #C57B20, #C54E20, #C52220 and #C52020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C87C204C shade: #C57B20, #C5A720, #B7C520, #8AC520 and #5EC520

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C87C204C shade matches the following richer shades: #C57B20 and #D87C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C87C204C shade: #C57B20, #B37933, #A07745, #8E7558 and #7B746A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C87C204C shade: #C52020, #C54C20, #C57820, #C5A420 and #BAC520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C87C204C shade: #7E4F15, #A2651A, #C57B20, #DE9031 and #E3A355

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C87C204C shade: #C87C20, #4CC520 and #3620C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C87C204C shade: #C87C20, #20C578 and #7820C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C87C204C shade: #C87C20, #4CC520, #206DC5 and #9920C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C87C204C shade: #C87C20, #20C526, #206DC5 and #C520C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 25 / 6

HEX #C87C204C

RGBA 200 124 32 0.3

HSLA 32.86, 0.72%, 0.45%, 0.3

LABA 58.79, 22.87, 57.85, 0.3

 

Complementary color

CMYK 23 / 12 / 0 / 4

HEX #3783DF4C

RGBA 55 131 223 0.3

HSLA 212.86, 0.72%, 0.55%, 0.3

LABA 54.42, 8.09, -53.57, 0.3

 

CMYK 0 / 12 / 26 / 6

HEX #CD7C1B4C

RGBA 205 124 27 0.3

HSLA 32.7, 0.77%, 0.45%, 0.3

LABA 59.41, 24.89, 60.25, 0.3

 

CMYK 0 / 11 / 24 / 4

HEX #DE8E2E4C

RGBA 222 142 46 0.3

HSLA 32.73, 0.73%, 0.53%, 0.3

LABA 65.81, 22.99, 60.05, 0.3

 

CMYK 0 / 10 / 22 / 2

HEX #EFA0414C

RGBA 239 160 65 0.3

HSLA 32.76, 0.84%, 0.6%, 0.3

LABA 72.14, 21.32, 59.16, 0.3

 

CMYK 0 / 9 / 20 / 0

HEX #FFB2544C

RGBA 255 178 84 0.3

HSLA 32.98, 1%, 0.66%, 0.3

LABA 78.31, 19.43, 57.81, 0.3

 

CMYK 0 / 7 / 18 / 0

HEX #FFC4674C

RGBA 255 196 103 0.3

HSLA 36.71, 1%, 0.7%, 0.3

LABA 82.76, 11.23, 54, 0.3

 

CMYK 0 / 11 / 25 / 6

HEX #C87C204C

RGBA 200 124 32 0.3

HSLA 32.86, 0.72%, 0.45%, 0.3

LABA 58.79, 22.87, 57.85, 0.3

 

CMYK 0 / 13 / 28 / 8

HEX #B76A0D4C

RGBA 183 106 13 0.3

HSLA 32.82, 0.87%, 0.38%, 0.3

LABA 52.29, 24.95, 57.24, 0.3

 

CMYK 0 / 14 / 30 / 10

HEX #A658004C

RGBA 166 88 0 0.3

HSLA 31.81, 1%, 0.33%, 0.3

LABA 45.75, 27.28, 54.6, 0.3

 

CMYK 0 / 16 / 30 / 12

HEX #9546004C

RGBA 149 70 0 0.3

HSLA 28.19, 1%, 0.29%, 0.3

LABA 39.19, 29.8, 49.33, 0.3

 

CMYK 0 / 18 / 30 / 14

HEX #8434004C

RGBA 132 52 0 0.3

HSLA 23.64, 1%, 0.26%, 0.3

LABA 32.62, 32.2, 44.01, 0.3

 

CMYK 0 / 38 / 84 / 23

HEX #C57B20

RGB 197 123 32

HSL 33.09, 0.72%, 0.45%

LAB 58.17, 22.13, 57.17

 

CMYK 0 / 60 / 84 / 23

HEX #C54E20

RGB 197 78 32

HSL 16.73, 0.72%, 0.45%

LAB 48.79, 45.36, 48.98

 

CMYK 0 / 83 / 84 / 23

HEX #C52220

RGB 197 34 32

HSL 0.73, 0.72%, 0.45%

LAB 42.94, 61.35, 43.73

 

CMYK 0 / 84 / 84 / 23

HEX #C52020

RGB 197 32 32

HSL 0, 0.72%, 0.45%

LAB 42.77, 61.82, 43.58

 

CMYK 0 / 38 / 84 / 23

HEX #C57B20

RGB 197 123 32

HSL 33.09, 0.72%, 0.45%

LAB 58.17, 22.13, 57.17

 

CMYK 0 / 15 / 84 / 23

HEX #C5A720

RGB 197 167 32

HSL 49.09, 0.72%, 0.45%

LAB 69.19, -1.78, 66.55

 

CMYK 7 / 0 / 84 / 23

HEX #B7C520

RGB 183 197 32

HSL 65.09, 0.72%, 0.45%

LAB 76.13, -23.2, 71.92

 

CMYK 30 / 0 / 84 / 23

HEX #8AC520

RGB 138 197 32

HSL 81.45, 0.72%, 0.45%

LAB 73.18, -41.31, 68.22

 

CMYK 52 / 0 / 84 / 23

HEX #5EC520

RGB 94 197 32

HSL 97.45, 0.72%, 0.45%

LAB 71.16, -55.99, 65.66

 

CMYK 0 / 38 / 84 / 23

HEX #C57B20

RGB 197 123 32

HSL 33.09, 0.72%, 0.45%

LAB 58.17, 22.13, 57.17

 

CMYK 0 / 43 / 94 / 15

HEX #D87C0E

RGB 216 124 14

HSL 32.67, 0.88%, 0.45%

LAB 60.82, 29.31, 65.17

 

CMYK 0 / 38 / 84 / 23

HEX #C57B20

RGB 197 123 32

HSL 33.09, 0.72%, 0.45%

LAB 58.17, 22.13, 57.17

 

CMYK 0 / 32 / 72 / 30

HEX #B37933

RGB 179 121 51

HSL 32.81, 0.56%, 0.45%

LAB 55.58, 16.14, 46.08

 

CMYK 0 / 26 / 57 / 37

HEX #A07745

RGB 160 119 69

HSL 32.97, 0.4%, 0.45%

LAB 53.06, 10.12, 33.47

 

CMYK 0 / 18 / 38 / 44

HEX #8E7558

RGB 142 117 88

HSL 32.22, 0.23%, 0.45%

LAB 50.89, 5.43, 19.66

 

CMYK 0 / 6 / 14 / 52

HEX #7B746A

RGB 123 116 106

HSL 35.29, 0.07%, 0.45%

LAB 49.18, 0.84, 6.48

 

CMYK 0 / 84 / 84 / 23

HEX #C52020

RGB 197 32 32

HSL 0, 0.72%, 0.45%

LAB 42.77, 61.82, 43.58

 

CMYK 0 / 61 / 84 / 23

HEX #C54C20

RGB 197 76 32

HSL 16, 0.72%, 0.45%

LAB 48.44, 46.28, 48.67

 

CMYK 0 / 39 / 84 / 23

HEX #C57820

RGB 197 120 32

HSL 32, 0.72%, 0.45%

LAB 57.47, 23.76, 56.57

 

CMYK 0 / 17 / 84 / 23

HEX #C5A420

RGB 197 164 32

HSL 48, 0.72%, 0.45%

LAB 68.41, -0.18, 65.88

 

CMYK 6 / 0 / 84 / 23

HEX #BAC520

RGB 186 197 32

HSL 64, 0.72%, 0.45%

LAB 76.36, -21.93, 72.2

 

CMYK 0 / 37 / 83 / 51

HEX #7E4F15

RGB 126 79 21

HSL 33.14, 0.71%, 0.29%

LAB 37.99, 14.84, 39.9

 

CMYK 0 / 38 / 84 / 36

HEX #A2651A

RGB 162 101 26

HSL 33.09, 0.72%, 0.37%

LAB 48.34, 18.78, 49.02

 

CMYK 0 / 38 / 84 / 23

HEX #C57B20

RGB 197 123 32

HSL 33.09, 0.72%, 0.45%

LAB 58.17, 22.13, 57.17

 

CMYK 0 / 35 / 78 / 13

HEX #DE9031

RGB 222 144 49

HSL 32.95, 0.72%, 0.53%

LAB 66.29, 22.03, 59.34

 

CMYK 0 / 28 / 63 / 11

HEX #E3A355

RGB 227 163 85

HSL 32.96, 0.72%, 0.61%

LAB 71.68, 15.82, 49.08

 

CMYK 0 / 38 / 84 / 22

HEX #C87C20

RGB 200 124 32

HSL 32.86, 0.72%, 0.45%

LAB 58.79, 22.87, 57.85

 

CMYK 61 / 0 / 84 / 23

HEX #4CC520

RGB 76 197 32

HSL 104, 0.72%, 0.45%

LAB 70.58, -60.66, 64.92

 

CMYK 73 / 84 / 0 / 23

HEX #3620C5

RGB 54 32 197

HSL 248, 0.72%, 0.45%

LAB 29.03, 57.56, -80

 

CMYK 0 / 38 / 84 / 22

HEX #C87C20

RGB 200 124 32

HSL 32.86, 0.72%, 0.45%

LAB 58.79, 22.87, 57.85

 

CMYK 84 / 0 / 39 / 23

HEX #20C578

RGB 32 197 120

HSL 152, 0.72%, 0.45%

LAB 70.59, -57.42, 27.59

 

CMYK 39 / 84 / 0 / 23

HEX #7820C5

RGB 120 32 197

HSL 272, 0.72%, 0.45%

LAB 36.09, 64.39, -68.1

 

CMYK 0 / 38 / 84 / 22

HEX #C87C20

RGB 200 124 32

HSL 32.86, 0.72%, 0.45%

LAB 58.79, 22.87, 57.85

 

CMYK 61 / 0 / 84 / 23

HEX #4CC520

RGB 76 197 32

HSL 104, 0.72%, 0.45%

LAB 70.58, -60.66, 64.92

 

CMYK 84 / 45 / 0 / 23

HEX #206DC5

RGB 32 109 197

HSL 212, 0.72%, 0.45%

LAB 46.01, 9.61, -52.29

 

CMYK 22 / 84 / 0 / 23

HEX #9920C5

RGB 153 32 197

HSL 284, 0.72%, 0.45%

LAB 40.96, 69.35, -59.97

 

CMYK 0 / 38 / 84 / 22

HEX #C87C20

RGB 200 124 32

HSL 32.86, 0.72%, 0.45%

LAB 58.79, 22.87, 57.85

 

CMYK 84 / 0 / 81 / 23

HEX #20C526

RGB 32 197 38

HSL 122.18, 0.72%, 0.45%

LAB 69.74, -67.72, 62.26

 

CMYK 84 / 45 / 0 / 23

HEX #206DC5

RGB 32 109 197

HSL 212, 0.72%, 0.45%

LAB 46.01, 9.61, -52.29

 

CMYK 0 / 84 / 3 / 23

HEX #C520C0

RGB 197 32 192

HSL 301.82, 0.72%, 0.45%

LAB 47.89, 76.23, -45.52

 

Description

Color code: HEX #C87C204C | qconv.com Color code: HEX #C87C204C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 124 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 124 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 25 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 25% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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