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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C879F9 it is the complementary color #378606. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C879F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C879F9 shade: #CD79F4, #DE8BFF, #EF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C879F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C879F9 shade: #C879F9, #B767E6, #A655D3, #9543C0 and #8431AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C879F9 shade: #C97BF9, #EB7BF9, #F97BE5, #F97BC3 and #F97BA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C879F9 shade: #C97BF9, #A77BF9, #857BF9 and #7B7BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C879F9 shade matches the following richer shades: #C97BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C879F9 shade: #C97BF9, #C687EE, #C492E3, #C19DD7 and #BEA8CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C879F9 shade: #867BF9, #A77BF9, #C97BF9, #EA7BF9 and #F97BE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C879F9 shade: #A82DF5, #B954F7, #C97BF9, #D9A3FB and #E9CAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C879F9 shade: #C879F9, #F97B92 and #7BF997

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C879F9 shade: #C879F9, #F9C97B and #7BF9C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C879F9 shade: #C879F9, #F97B92, #ACF97B and #7BF9E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C879F9 shade: #C879F9, #F98A7B, #ACF97B and #7BEAF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 51 / 0 / 2

HEX #C879F9

RGB 200 121 249

HSL 277.03, 0.91%, 0.73%

LAB 63.99, 52.7, -52.14

 

Complementary color

CMYK 59 / 0 / 96 / 47

HEX #378606

RGB 55 134 6

HSL 97.03, 0.91%, 0.27%

LAB 49.34, -44.57, 51.67

 

CMYK 16 / 50 / 0 / 4

HEX #CD79F4

RGB 205 121 244

HSL 280.98, 0.85%, 0.72%

LAB 64.31, 52.95, -48.84

 

CMYK 13 / 45 / 0 / 0

HEX #DE8BFF

RGB 222 139 255

HSL 282.93, 1%, 0.77%

LAB 70.33, 50.55, -45.27

 

CMYK 6 / 38 / 0 / 0

HEX #EF9DFF

RGB 239 157 255

HSL 290.2, 1%, 0.81%

LAB 75.88, 46.09, -36.48

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 20 / 51 / 0 / 2

HEX #C879F9

RGB 200 121 249

HSL 277.03, 0.91%, 0.73%

LAB 63.99, 52.7, -52.14

 

CMYK 20 / 55 / 0 / 10

HEX #B767E6

RGB 183 103 230

HSL 277.8, 0.72%, 0.65%

LAB 57.54, 53.48, -51.96

 

CMYK 21 / 60 / 0 / 17

HEX #A655D3

RGB 166 85 211

HSL 278.57, 0.59%, 0.58%

LAB 51.04, 54.19, -51.71

 

CMYK 22 / 65 / 0 / 25

HEX #9543C0

RGB 149 67 192

HSL 279.36, 0.5%, 0.51%

LAB 44.53, 54.75, -51.31

 

CMYK 24 / 72 / 0 / 32

HEX #8431AD

RGB 132 49 173

HSL 280.16, 0.56%, 0.44%

LAB 38.06, 54.96, -50.67

 

CMYK 19 / 51 / 0 / 2

HEX #C97BF9

RGB 201 123 249

HSL 277.14, 0.91%, 0.73%

LAB 64.5, 51.92, -51.32

 

CMYK 6 / 51 / 0 / 2

HEX #EB7BF9

RGB 235 123 249

HSL 293.33, 0.91%, 0.73%

LAB 68.51, 60.91, -44.73

 

CMYK 0 / 51 / 8 / 2

HEX #F97BE5

RGB 249 123 229

HSL 309.52, 0.91%, 0.73%

LAB 69.44, 61.33, -32.15

 

CMYK 0 / 51 / 22 / 2

HEX #F97BC3

RGB 249 123 195

HSL 325.71, 0.91%, 0.73%

LAB 68.2, 56.23, -15.12

 

CMYK 0 / 51 / 35 / 2

HEX #F97BA2

RGB 249 123 162

HSL 341.43, 0.91%, 0.73%

LAB 67.21, 52.02, 2.01

 

CMYK 19 / 51 / 0 / 2

HEX #C97BF9

RGB 201 123 249

HSL 277.14, 0.91%, 0.73%

LAB 64.5, 51.92, -51.32

 

CMYK 33 / 51 / 0 / 2

HEX #A77BF9

RGB 167 123 249

HSL 260.95, 0.91%, 0.73%

LAB 60.98, 43.27, -57.14

 

CMYK 47 / 51 / 0 / 2

HEX #857BF9

RGB 133 123 249

HSL 244.76, 0.91%, 0.73%

LAB 58.03, 35.34, -62.02

 

CMYK 51 / 51 / 0 / 2

HEX #7B7BF9

RGB 123 123 249

HSL 240, 0.91%, 0.73%

LAB 57.29, 33.21, -63.26

 

CMYK 19 / 51 / 0 / 2

HEX #C97BF9

RGB 201 123 249

HSL 277.14, 0.91%, 0.73%

LAB 64.5, 51.92, -51.32

 

CMYK 19 / 51 / 0 / 2

HEX #C97BF9

RGB 201 123 249

HSL 277.14, 0.91%, 0.73%

LAB 64.5, 51.92, -51.32

 

CMYK 17 / 43 / 0 / 7

HEX #C687EE

RGB 198 135 238

HSL 276.7, 0.75%, 0.73%

LAB 66.14, 42.41, -42.71

 

CMYK 14 / 36 / 0 / 11

HEX #C492E3

RGB 196 146 227

HSL 277.04, 0.59%, 0.73%

LAB 67.9, 33.48, -33.92

 

CMYK 10 / 27 / 0 / 16

HEX #C19DD7

RGB 193 157 215

HSL 277.24, 0.42%, 0.73%

LAB 69.72, 23.96, -24.52

 

CMYK 7 / 18 / 0 / 20

HEX #BEA8CC

RGB 190 168 204

HSL 276.67, 0.26%, 0.73%

LAB 71.77, 14.65, -15.38

 

CMYK 46 / 51 / 0 / 2

HEX #867BF9

RGB 134 123 249

HSL 245.24, 0.91%, 0.73%

LAB 58.11, 35.56, -61.9

 

CMYK 33 / 51 / 0 / 2

HEX #A77BF9

RGB 167 123 249

HSL 260.95, 0.91%, 0.73%

LAB 60.98, 43.27, -57.14

 

CMYK 19 / 51 / 0 / 2

HEX #C97BF9

RGB 201 123 249

HSL 277.14, 0.91%, 0.73%

LAB 64.5, 51.92, -51.32

 

CMYK 6 / 51 / 0 / 2

HEX #EA7BF9

RGB 234 123 249

HSL 292.86, 0.91%, 0.73%

LAB 68.39, 60.64, -44.94

 

CMYK 0 / 51 / 8 / 2

HEX #F97BE6

RGB 249 123 230

HSL 309.05, 0.91%, 0.73%

LAB 69.48, 61.49, -32.64

 

CMYK 31 / 82 / 0 / 4

HEX #A82DF5

RGB 168 45 245

HSL 276.9, 0.91%, 0.57%

LAB 48, 77.57, -75.85

 

CMYK 25 / 66 / 0 / 3

HEX #B954F7

RGB 185 84 247

HSL 277.18, 0.91%, 0.65%

LAB 55.45, 66.61, -64.78

 

CMYK 19 / 51 / 0 / 2

HEX #C97BF9

RGB 201 123 249

HSL 277.14, 0.91%, 0.73%

LAB 64.5, 51.92, -51.32

 

CMYK 14 / 35 / 0 / 2

HEX #D9A3FB

RGB 217 163 251

HSL 276.82, 0.92%, 0.81%

LAB 74.77, 35.58, -36.21

 

CMYK 8 / 20 / 0 / 1

HEX #E9CAFD

RGB 233 202 253

HSL 276.47, 0.93%, 0.89%

LAB 85.33, 19.98, -20.97

 

CMYK 20 / 51 / 0 / 2

HEX #C879F9

RGB 200 121 249

HSL 277.03, 0.91%, 0.73%

LAB 63.99, 52.7, -52.14

 

CMYK 0 / 51 / 41 / 2

HEX #F97B92

RGB 249 123 146

HSL 349.05, 0.91%, 0.73%

LAB 66.81, 50.26, 10.49

 

CMYK 51 / 0 / 39 / 2

HEX #7BF997

RGB 123 249 151

HSL 133.33, 0.91%, 0.73%

LAB 89.02, -55.51, 36.53

 

CMYK 20 / 51 / 0 / 2

HEX #C879F9

RGB 200 121 249

HSL 277.03, 0.91%, 0.73%

LAB 63.99, 52.7, -52.14

 

CMYK 0 / 19 / 51 / 2

HEX #F9C97B

RGB 249 201 123

HSL 37.14, 0.91%, 0.73%

LAB 83.62, 7.76, 45.16

 

CMYK 51 / 0 / 19 / 2

HEX #7BF9C9

RGB 123 249 201

HSL 157.14, 0.91%, 0.73%

LAB 89.94, -46.18, 12.39

 

CMYK 20 / 51 / 0 / 2

HEX #C879F9

RGB 200 121 249

HSL 277.03, 0.91%, 0.73%

LAB 63.99, 52.7, -52.14

 

CMYK 0 / 51 / 41 / 2

HEX #F97B92

RGB 249 123 146

HSL 349.05, 0.91%, 0.73%

LAB 66.81, 50.26, 10.49

 

CMYK 31 / 0 / 51 / 2

HEX #ACF97B

RGB 172 249 123

HSL 96.67, 0.91%, 0.73%

LAB 90.76, -44.87, 52.61

 

CMYK 51 / 0 / 9 / 2

HEX #7BF9E2

RGB 123 249 226

HSL 169.05, 0.91%, 0.73%

LAB 90.53, -40.58, 0.27

 

CMYK 20 / 51 / 0 / 2

HEX #C879F9

RGB 200 121 249

HSL 277.03, 0.91%, 0.73%

LAB 63.99, 52.7, -52.14

 

CMYK 0 / 45 / 51 / 2

HEX #F98A7B

RGB 249 138 123

HSL 7.14, 0.91%, 0.73%

LAB 69.29, 40.61, 26.77

 

CMYK 31 / 0 / 51 / 2

HEX #ACF97B

RGB 172 249 123

HSL 96.67, 0.91%, 0.73%

LAB 90.76, -44.87, 52.61

 

CMYK 51 / 6 / 0 / 2

HEX #7BEAF9

RGB 123 234 249

HSL 187.14, 0.91%, 0.73%

LAB 86.95, -27.86, -17.06

 

Description

Color code: HEX #C879F9 | qconv.com Color code: HEX #C879F9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 121 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 121 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 51 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 51% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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