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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C87829 it is the complementary color #3787D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C87829. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C87829 shade: #CD7824, #DE8A37, #EF9C4A, #FFAE5D and #FFC070

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C87829. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C87829 shade: #C87829, #B76616, #A65403, #954200 and #843000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C87829 shade: #C77729, #C74D29 and #C72929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C87829 shade: #C77729, #C7A229, #C1C729, #97C729 and #6CC729

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C87829 shade matches the following richer shades: #C77729, #DA7715 and #EE7702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C87829 shade: #C77729, #B4773C, #A07850, #8D7863 and #797876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C87829 shade: #C72931, #C74B29, #C77529, #C79F29 and #C4C729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C87829 shade: #824E1B, #A56322, #C77729, #D88C41 and #DFA163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C87829 shade: #C87829, #5BC729 and #3629C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C87829 shade: #C87829, #29C775 and #7529C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C87829 shade: #C87829, #5BC729, #297AC7 and #9529C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C87829 shade: #C87829, #2BC729, #297AC7 and #C429C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 80 / 22

HEX #C87829

RGB 200 120 41

HSL 29.81, 0.66%, 0.47%

LAB 57.92, 25.33, 53.68

 

Complementary color

CMYK 74 / 37 / 0 / 16

HEX #3787D6

RGB 55 135 214

HSL 209.81, 0.66%, 0.53%

LAB 55.07, 2.41, -47.48

 

CMYK 0 / 41 / 82 / 20

HEX #CD7824

RGB 205 120 36

HSL 29.82, 0.7%, 0.47%

LAB 58.55, 27.28, 56.46

 

CMYK 0 / 38 / 75 / 13

HEX #DE8A37

RGB 222 138 55

HSL 29.82, 0.72%, 0.54%

LAB 64.95, 25.47, 55.55

 

CMYK 0 / 35 / 69 / 6

HEX #EF9C4A

RGB 239 156 74

HSL 29.82, 0.84%, 0.61%

LAB 71.3, 23.87, 54.26

 

CMYK 0 / 32 / 64 / 0

HEX #FFAE5D

RGB 255 174 93

HSL 30, 1%, 0.68%

LAB 77.47, 22.05, 52.67

 

CMYK 0 / 25 / 56 / 0

HEX #FFC070

RGB 255 192 112

HSL 33.57, 1%, 0.72%

LAB 81.91, 13.96, 48.65

 

CMYK 0 / 40 / 80 / 22

HEX #C87829

RGB 200 120 41

HSL 29.81, 0.66%, 0.47%

LAB 57.92, 25.33, 53.68

 

CMYK 0 / 44 / 88 / 28

HEX #B76616

RGB 183 102 22

HSL 29.81, 0.79%, 0.4%

LAB 51.41, 27.31, 54.13

 

CMYK 0 / 49 / 98 / 35

HEX #A65403

RGB 166 84 3

HSL 29.82, 0.96%, 0.33%

LAB 44.88, 29.5, 53.27

 

CMYK 0 / 56 / 100 / 42

HEX #954200

RGB 149 66 0

HSL 26.58, 1%, 0.29%

LAB 38.35, 31.92, 48.84

 

CMYK 0 / 64 / 100 / 48

HEX #843000

RGB 132 48 0

HSL 21.82, 1%, 0.26%

LAB 31.85, 34.21, 43.51

 

CMYK 0 / 40 / 79 / 22

HEX #C77729

RGB 199 119 41

HSL 29.62, 0.66%, 0.47%

LAB 57.56, 25.45, 53.3

 

CMYK 0 / 61 / 79 / 22

HEX #C74D29

RGB 199 77 41

HSL 13.67, 0.66%, 0.47%

LAB 49.02, 46.83, 45.1

 

CMYK 0 / 79 / 79 / 22

HEX #C72929

RGB 199 41 41

HSL 0, 0.66%, 0.47%

LAB 44.07, 60.34, 40.14

 

CMYK 0 / 40 / 79 / 22

HEX #C77729

RGB 199 119 41

HSL 29.62, 0.66%, 0.47%

LAB 57.56, 25.45, 53.3

 

CMYK 0 / 19 / 79 / 22

HEX #C7A229

RGB 199 162 41

HSL 45.95, 0.66%, 0.47%

LAB 68.13, 2.06, 63

 

CMYK 3 / 0 / 79 / 22

HEX #C1C729

RGB 193 199 41

HSL 62.28, 0.66%, 0.47%

LAB 77.49, -19.67, 71.11

 

CMYK 24 / 0 / 79 / 22

HEX #97C729

RGB 151 199 41

HSL 78.23, 0.66%, 0.47%

LAB 74.56, -36.87, 67.4

 

CMYK 46 / 0 / 79 / 22

HEX #6CC729

RGB 108 199 41

HSL 94.56, 0.66%, 0.47%

LAB 72.36, -52.14, 64.57

 

CMYK 0 / 40 / 79 / 22

HEX #C77729

RGB 199 119 41

HSL 29.62, 0.66%, 0.47%

LAB 57.56, 25.45, 53.3

 

CMYK 0 / 45 / 90 / 15

HEX #DA7715

RGB 218 119 21

HSL 29.85, 0.82%, 0.47%

LAB 60.03, 32.87, 63.16

 

CMYK 0 / 50 / 99 / 7

HEX #EE7702

RGB 238 119 2

HSL 29.75, 0.98%, 0.47%

LAB 62.82, 40.68, 69.94

 

CMYK 0 / 40 / 79 / 22

HEX #C77729

RGB 199 119 41

HSL 29.62, 0.66%, 0.47%

LAB 57.56, 25.45, 53.3

 

CMYK 0 / 34 / 67 / 29

HEX #B4773C

RGB 180 119 60

HSL 29.5, 0.5%, 0.47%

LAB 55.3, 18.22, 41.41

 

CMYK 0 / 25 / 50 / 37

HEX #A07850

RGB 160 120 80

HSL 30, 0.33%, 0.47%

LAB 53.48, 10.57, 27.95

 

CMYK 0 / 15 / 30 / 45

HEX #8D7863

RGB 141 120 99

HSL 30, 0.18%, 0.47%

LAB 51.83, 4.78, 14.56

 

CMYK 0 / 1 / 2 / 53

HEX #797876

RGB 121 120 118

HSL 40, 0.01%, 0.47%

LAB 50.46, -0.01, 1.22

 

CMYK 0 / 79 / 75 / 22

HEX #C72931

RGB 199 41 49

HSL 356.96, 0.66%, 0.47%

LAB 44.16, 60.62, 35.69

 

CMYK 0 / 62 / 79 / 22

HEX #C74B29

RGB 199 75 41

HSL 12.91, 0.66%, 0.47%

LAB 48.68, 47.73, 44.76

 

CMYK 0 / 41 / 79 / 22

HEX #C77529

RGB 199 117 41

HSL 28.86, 0.66%, 0.47%

LAB 57.1, 26.53, 52.87

 

CMYK 0 / 20 / 79 / 22

HEX #C79F29

RGB 199 159 41

HSL 44.81, 0.66%, 0.47%

LAB 67.35, 3.67, 62.3

 

CMYK 2 / 0 / 79 / 22

HEX #C4C729

RGB 196 199 41

HSL 61.14, 0.66%, 0.47%

LAB 77.72, -18.4, 71.41

 

CMYK 0 / 40 / 79 / 49

HEX #824E1B

RGB 130 78 27

HSL 29.71, 0.66%, 0.31%

LAB 38.33, 17.54, 37.75

 

CMYK 0 / 40 / 79 / 35

HEX #A56322

RGB 165 99 34

HSL 29.77, 0.66%, 0.39%

LAB 48.31, 21.52, 45.9

 

CMYK 0 / 40 / 79 / 22

HEX #C77729

RGB 199 119 41

HSL 29.62, 0.66%, 0.47%

LAB 57.56, 25.45, 53.3

 

CMYK 0 / 35 / 70 / 15

HEX #D88C41

RGB 216 140 65

HSL 29.8, 0.66%, 0.55%

LAB 64.75, 22.36, 50.6

 

CMYK 0 / 28 / 56 / 13

HEX #DFA163

RGB 223 161 99

HSL 30, 0.66%, 0.63%

LAB 70.93, 16.25, 41.06

 

CMYK 0 / 40 / 80 / 22

HEX #C87829

RGB 200 120 41

HSL 29.81, 0.66%, 0.47%

LAB 57.92, 25.33, 53.68

 

CMYK 54 / 0 / 79 / 22

HEX #5BC729

RGB 91 199 41

HSL 101.01, 0.66%, 0.47%

LAB 71.71, -57.12, 63.73

 

CMYK 73 / 79 / 0 / 22

HEX #3629C7

RGB 54 41 199

HSL 244.94, 0.66%, 0.47%

LAB 30.63, 54.13, -78.53

 

CMYK 0 / 40 / 80 / 22

HEX #C87829

RGB 200 120 41

HSL 29.81, 0.66%, 0.47%

LAB 57.92, 25.33, 53.68

 

CMYK 79 / 0 / 41 / 22

HEX #29C775

RGB 41 199 117

HSL 148.86, 0.66%, 0.47%

LAB 71.28, -57.81, 30.08

 

CMYK 41 / 79 / 0 / 22

HEX #7529C7

RGB 117 41 199

HSL 268.86, 0.66%, 0.47%

LAB 36.91, 61.37, -67.95

 

CMYK 0 / 40 / 80 / 22

HEX #C87829

RGB 200 120 41

HSL 29.81, 0.66%, 0.47%

LAB 57.92, 25.33, 53.68

 

CMYK 54 / 0 / 79 / 22

HEX #5BC729

RGB 91 199 41

HSL 101.01, 0.66%, 0.47%

LAB 71.71, -57.12, 63.73

 

CMYK 79 / 39 / 0 / 22

HEX #297AC7

RGB 41 122 199

HSL 209.24, 0.66%, 0.47%

LAB 50.11, 3.13, -46.87

 

CMYK 25 / 79 / 0 / 22

HEX #9529C7

RGB 149 41 199

HSL 281.01, 0.66%, 0.47%

LAB 41.37, 66.51, -60.49

 

CMYK 0 / 40 / 80 / 22

HEX #C87829

RGB 200 120 41

HSL 29.81, 0.66%, 0.47%

LAB 57.92, 25.33, 53.68

 

CMYK 78 / 0 / 79 / 22

HEX #2BC729

RGB 43 199 41

HSL 119.24, 0.66%, 0.47%

LAB 70.54, -66.86, 62.21

 

CMYK 79 / 39 / 0 / 22

HEX #297AC7

RGB 41 122 199

HSL 209.24, 0.66%, 0.47%

LAB 50.11, 3.13, -46.87

 

CMYK 2 / 79 / 0 / 22

HEX #C429C7

RGB 196 41 199

HSL 298.86, 0.66%, 0.47%

LAB 48.82, 75.09, -48.12

 

Description

Color code: HEX #C87829 | qconv.com Color code: HEX #C87829 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 120 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 120 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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