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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C877DD it is the complementary color #378822. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C877DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C877DD shade: #CD77D8, #DE89EB, #EF9BFE, #FFADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C877DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C877DD shade: #C877DD, #B765CA, #A653B7, #9541A4 and #842F91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C877DD shade: #C978DD, #DD78D7, #DD78BC, #DD78A0 and #DD7885

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C877DD shade: #C978DD, #AD78DD, #9278DD and #7878DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C877DD shade matches the following richer shades: #C978DD, #D16BEB and #D95DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C877DD shade: #C978DD, #C186D0, #B994C2, #B1A1B4 and #A9AFA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C877DD shade: #9278DD, #AD78DD, #C778DD, #DD78D8 and #DD78BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C877DD shade: #AE36CD, #BB57D5, #C978DD, #D699E6 and #E3BAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C877DD shade: #C877DD, #DD787A and #78DD9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C877DD shade: #C877DD, #DDC778 and #78DDC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C877DD shade: #C877DD, #DD787A, #8EDD78 and #78DDDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C877DD shade: #C877DD, #DD9578, #8EDD78 and #78C1DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 46 / 0 / 13

HEX #C877DD

RGB 200 119 221

HSL 287.65, 0.6%, 0.67%

LAB 62.25, 47.95, -39.36

 

Complementary color

CMYK 60 / 0 / 75 / 47

HEX #378822

RGB 55 136 34

HSL 107.65, 0.6%, 0.33%

LAB 50.14, -43.9, 44.74

 

CMYK 5 / 45 / 0 / 15

HEX #CD77D8

RGB 205 119 216

HSL 293.2, 0.55%, 0.66%

LAB 62.62, 48.41, -35.95

 

CMYK 6 / 42 / 0 / 8

HEX #DE89EB

RGB 222 137 235

HSL 292.04, 0.71%, 0.73%

LAB 69.05, 47.67, -36.32

 

CMYK 6 / 39 / 0 / 0

HEX #EF9BFE

RGB 239 155 254

HSL 290.91, 0.98%, 0.8%

LAB 75.42, 46.93, -36.64

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 10 / 46 / 0 / 13

HEX #C877DD

RGB 200 119 221

HSL 287.65, 0.6%, 0.67%

LAB 62.25, 47.95, -39.36

 

CMYK 9 / 50 / 0 / 21

HEX #B765CA

RGB 183 101 202

HSL 288.71, 0.49%, 0.59%

LAB 55.72, 48.69, -39.02

 

CMYK 9 / 55 / 0 / 28

HEX #A653B7

RGB 166 83 183

HSL 289.8, 0.41%, 0.52%

LAB 49.15, 49.36, -38.59

 

CMYK 9 / 60 / 0 / 36

HEX #9541A4

RGB 149 65 164

HSL 290.91, 0.43%, 0.45%

LAB 42.54, 49.89, -38

 

CMYK 9 / 68 / 0 / 43

HEX #842F91

RGB 132 47 145

HSL 292.04, 0.51%, 0.38%

LAB 35.95, 50.08, -37.15

 

CMYK 9 / 46 / 0 / 13

HEX #C978DD

RGB 201 120 221

HSL 288.12, 0.6%, 0.67%

LAB 62.57, 47.71, -38.86

 

CMYK 0 / 46 / 3 / 13

HEX #DD78D7

RGB 221 120 215

HSL 303.56, 0.6%, 0.67%

LAB 64.73, 52.39, -31.95

 

CMYK 0 / 46 / 15 / 13

HEX #DD78BC

RGB 221 120 188

HSL 319.6, 0.6%, 0.67%

LAB 63.7, 47.92, -18.34

 

CMYK 0 / 46 / 28 / 13

HEX #DD78A0

RGB 221 120 160

HSL 336.24, 0.6%, 0.67%

LAB 62.8, 43.84, -3.77

 

CMYK 0 / 46 / 40 / 13

HEX #DD7885

RGB 221 120 133

HSL 352.28, 0.6%, 0.67%

LAB 62.08, 40.52, 10.66

 

CMYK 9 / 46 / 0 / 13

HEX #C978DD

RGB 201 120 221

HSL 288.12, 0.6%, 0.67%

LAB 62.57, 47.71, -38.86

 

CMYK 22 / 46 / 0 / 13

HEX #AD78DD

RGB 173 120 221

HSL 271.49, 0.6%, 0.67%

LAB 59.47, 39.79, -43.94

 

CMYK 34 / 46 / 0 / 13

HEX #9278DD

RGB 146 120 221

HSL 255.45, 0.6%, 0.67%

LAB 56.85, 32.47, -48.26

 

CMYK 46 / 46 / 0 / 13

HEX #7878DD

RGB 120 120 221

HSL 240, 0.6%, 0.67%

LAB 54.71, 25.99, -51.79

 

CMYK 9 / 46 / 0 / 13

HEX #C978DD

RGB 201 120 221

HSL 288.12, 0.6%, 0.67%

LAB 62.57, 47.71, -38.86

 

CMYK 11 / 54 / 0 / 8

HEX #D16BEB

RGB 209 107 235

HSL 287.81, 0.76%, 0.67%

LAB 61.71, 59.14, -47.93

 

CMYK 13 / 63 / 0 / 2

HEX #D95DF9

RGB 217 93 249

HSL 287.69, 0.93%, 0.67%

LAB 61.15, 70.08, -56.53

 

CMYK 9 / 46 / 0 / 13

HEX #C978DD

RGB 201 120 221

HSL 288.12, 0.6%, 0.67%

LAB 62.57, 47.71, -38.86

 

CMYK 7 / 36 / 0 / 18

HEX #C186D0

RGB 193 134 208

HSL 287.84, 0.44%, 0.67%

LAB 64.11, 35.23, -29.25

 

CMYK 5 / 24 / 0 / 24

HEX #B994C2

RGB 185 148 194

HSL 288.26, 0.27%, 0.67%

LAB 66.05, 22.07, -18.53

 

CMYK 2 / 11 / 0 / 29

HEX #B1A1B4

RGB 177 161 180

HSL 290.53, 0.11%, 0.67%

LAB 68.12, 9.33, -7.69

 

CMYK 3 / 0 / 5 / 31

HEX #A9AFA7

RGB 169 175 167

HSL 105, 0.05%, 0.67%

LAB 70.79, -3.62, 3.36

 

CMYK 34 / 46 / 0 / 13

HEX #9278DD

RGB 146 120 221

HSL 255.45, 0.6%, 0.67%

LAB 56.85, 32.47, -48.26

 

CMYK 22 / 46 / 0 / 13

HEX #AD78DD

RGB 173 120 221

HSL 271.49, 0.6%, 0.67%

LAB 59.47, 39.79, -43.94

 

CMYK 10 / 46 / 0 / 13

HEX #C778DD

RGB 199 120 221

HSL 286.93, 0.6%, 0.67%

LAB 62.33, 47.14, -39.24

 

CMYK 0 / 46 / 2 / 13

HEX #DD78D8

RGB 221 120 216

HSL 302.97, 0.6%, 0.67%

LAB 64.77, 52.56, -32.44

 

CMYK 0 / 46 / 14 / 13

HEX #DD78BD

RGB 221 120 189

HSL 319.01, 0.6%, 0.67%

LAB 63.74, 48.07, -18.86

 

CMYK 15 / 74 / 0 / 20

HEX #AE36CD

RGB 174 54 205

HSL 287.68, 0.6%, 0.51%

LAB 47.03, 67.96, -54.64

 

CMYK 12 / 59 / 0 / 16

HEX #BB57D5

RGB 187 87 213

HSL 287.62, 0.6%, 0.59%

LAB 54.22, 58.78, -47.62

 

CMYK 9 / 46 / 0 / 13

HEX #C978DD

RGB 201 120 221

HSL 288.12, 0.6%, 0.67%

LAB 62.57, 47.71, -38.86

 

CMYK 7 / 33 / 0 / 10

HEX #D699E6

RGB 214 153 230

HSL 287.53, 0.61%, 0.75%

LAB 71.41, 35.81, -29.99

 

CMYK 5 / 22 / 0 / 7

HEX #E3BAEE

RGB 227 186 238

HSL 287.31, 0.6%, 0.83%

LAB 80.53, 23.7, -20.29

 

CMYK 10 / 46 / 0 / 13

HEX #C877DD

RGB 200 119 221

HSL 287.65, 0.6%, 0.67%

LAB 62.25, 47.95, -39.36

 

CMYK 0 / 46 / 45 / 13

HEX #DD787A

RGB 221 120 122

HSL 358.81, 0.6%, 0.67%

LAB 61.84, 39.35, 16.6

 

CMYK 46 / 0 / 28 / 13

HEX #78DD9F

RGB 120 221 159

HSL 143.17, 0.6%, 0.67%

LAB 80.85, -43.22, 21.48

 

CMYK 10 / 46 / 0 / 13

HEX #C877DD

RGB 200 119 221

HSL 287.65, 0.6%, 0.67%

LAB 62.25, 47.95, -39.36

 

CMYK 0 / 10 / 46 / 13

HEX #DDC778

RGB 221 199 120

HSL 46.93, 0.6%, 0.67%

LAB 80.5, -2.78, 42.21

 

CMYK 46 / 0 / 10 / 13

HEX #78DDC7

RGB 120 221 199

HSL 166.93, 0.6%, 0.67%

LAB 81.75, -34.79, 1.63

 

CMYK 10 / 46 / 0 / 13

HEX #C877DD

RGB 200 119 221

HSL 287.65, 0.6%, 0.67%

LAB 62.25, 47.95, -39.36

 

CMYK 0 / 46 / 45 / 13

HEX #DD787A

RGB 221 120 122

HSL 358.81, 0.6%, 0.67%

LAB 61.84, 39.35, 16.6

 

CMYK 36 / 0 / 46 / 13

HEX #8EDD78

RGB 142 221 120

HSL 106.93, 0.6%, 0.67%

LAB 81.19, -42.99, 41.93

 

CMYK 46 / 0 / 0 / 13

HEX #78DDDC

RGB 120 221 220

HSL 179.41, 0.6%, 0.67%

LAB 82.31, -29.71, -8.69

 

CMYK 10 / 46 / 0 / 13

HEX #C877DD

RGB 200 119 221

HSL 287.65, 0.6%, 0.67%

LAB 62.25, 47.95, -39.36

 

CMYK 0 / 33 / 46 / 13

HEX #DD9578

RGB 221 149 120

HSL 17.23, 0.6%, 0.67%

LAB 68.18, 23.8, 26.33

 

CMYK 36 / 0 / 46 / 13

HEX #8EDD78

RGB 142 221 120

HSL 106.93, 0.6%, 0.67%

LAB 81.19, -42.99, 41.93

 

CMYK 46 / 13 / 0 / 13

HEX #78C1DD

RGB 120 193 221

HSL 196.63, 0.6%, 0.67%

LAB 74.42, -15.44, -21.09

 

Description

Color code: HEX #C877DD | qconv.com Color code: HEX #C877DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 119 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 119 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 46 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 46% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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