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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C877AC it is the complementary color #378853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C877AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C877AC shade: #CD77A7, #DE89BA, #EF9BCD, #FFADE0 and #FFBFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C877AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C877AC shade: #C877AC, #B76599, #A65386, #954173 and #842F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C877AC shade: #C879AD, #C87998, #C87982 and #C87979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C877AC shade: #C879AD, #C879C2, #B979C8, #A479C8 and #8E79C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C877AC shade matches the following richer shades: #C879AD, #D86AB2, #E75AB6 and #F64BBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C877AC shade: #C879AD, #B988A8, #AA98A3, #9AA79F and #8BB69A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C877AC shade: #B879C8, #C879C3, #C879AE, #C87999 and #C87984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C877AC shade: #AA4587, #BC5C9B, #C879AD, #D496BF and #E0B4D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C877AC shade: #C877AC, #C8A379 and #79C8C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C877AC shade: #C877AC, #AEC879 and #79AEC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C877AC shade: #C877AC, #C8A379, #79C893 and #799EC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C877AC shade: #C877AC, #C8BB79, #79C893 and #7986C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 14 / 22

HEX #C877AC

RGB 200 119 172

HSL 320.74, 0.42%, 0.63%

LAB 60.29, 39.04, -14.65

 

Complementary color

CMYK 60 / 0 / 39 / 47

HEX #378853

RGB 55 136 83

HSL 140.74, 0.42%, 0.37%

LAB 50.74, -37.25, 21.28

 

CMYK 0 / 42 / 19 / 20

HEX #CD77A7

RGB 205 119 167

HSL 326.51, 0.46%, 0.64%

LAB 60.75, 39.93, -11.04

 

CMYK 0 / 38 / 16 / 13

HEX #DE89BA

RGB 222 137 186

HSL 325.41, 0.56%, 0.7%

LAB 67.25, 39.14, -11.85

 

CMYK 0 / 35 / 14 / 6

HEX #EF9BCD

RGB 239 155 205

HSL 324.29, 0.72%, 0.77%

LAB 73.68, 38.39, -12.57

 

CMYK 0 / 32 / 12 / 0

HEX #FFADE0

RGB 255 173 224

HSL 322.68, 1%, 0.84%

LAB 79.91, 37.33, -13.4

 

CMYK 0 / 25 / 5 / 0

HEX #FFBFF3

RGB 255 191 243

HSL 311.25, 1%, 0.87%

LAB 84.48, 31.08, -16.74

 

CMYK 0 / 41 / 14 / 22

HEX #C877AC

RGB 200 119 172

HSL 320.74, 0.42%, 0.63%

LAB 60.29, 39.04, -14.65

 

CMYK 0 / 45 / 16 / 28

HEX #B76599

RGB 183 101 153

HSL 321.95, 0.36%, 0.56%

LAB 53.68, 39.83, -13.86

 

CMYK 0 / 50 / 19 / 35

HEX #A65386

RGB 166 83 134

HSL 323.13, 0.33%, 0.49%

LAB 46.99, 40.6, -12.91

 

CMYK 0 / 56 / 23 / 42

HEX #954173

RGB 149 65 115

HSL 324.29, 0.39%, 0.42%

LAB 40.26, 41.3, -11.75

 

CMYK 0 / 64 / 27 / 48

HEX #842F60

RGB 132 47 96

HSL 325.41, 0.47%, 0.35%

LAB 33.53, 41.76, -10.24

 

CMYK 0 / 40 / 14 / 22

HEX #C879AD

RGB 200 121 173

HSL 320.51, 0.42%, 0.63%

LAB 60.76, 38.14, -14.53

 

CMYK 0 / 40 / 24 / 22

HEX #C87998

RGB 200 121 152

HSL 336.46, 0.42%, 0.63%

LAB 60.09, 34.88, -3.48

 

CMYK 0 / 40 / 35 / 22

HEX #C87982

RGB 200 121 130

HSL 353.16, 0.42%, 0.63%

LAB 59.49, 31.9, 8.33

 

CMYK 0 / 40 / 40 / 22

HEX #C87979

RGB 200 121 121

HSL 0, 0.42%, 0.63%

LAB 59.28, 30.82, 13.21

 

CMYK 0 / 40 / 14 / 22

HEX #C879AD

RGB 200 121 173

HSL 320.51, 0.42%, 0.63%

LAB 60.76, 38.14, -14.53

 

CMYK 0 / 40 / 3 / 22

HEX #C879C2

RGB 200 121 194

HSL 304.56, 0.42%, 0.63%

LAB 61.52, 41.77, -25.3

 

CMYK 8 / 40 / 0 / 22

HEX #B979C8

RGB 185 121 200

HSL 288.61, 0.42%, 0.63%

LAB 60.03, 38.24, -31.14

 

CMYK 18 / 40 / 0 / 22

HEX #A479C8

RGB 164 121 200

HSL 272.66, 0.42%, 0.63%

LAB 57.79, 31.85, -34.81

 

CMYK 29 / 40 / 0 / 22

HEX #8E79C8

RGB 142 121 200

HSL 255.95, 0.42%, 0.63%

LAB 55.68, 25.37, -38.26

 

CMYK 0 / 40 / 14 / 22

HEX #C879AD

RGB 200 121 173

HSL 320.51, 0.42%, 0.63%

LAB 60.76, 38.14, -14.53

 

CMYK 0 / 51 / 18 / 15

HEX #D86AB2

RGB 216 106 178

HSL 320.73, 0.59%, 0.63%

LAB 60, 51.77, -18.34

 

CMYK 0 / 61 / 21 / 9

HEX #E75AB6

RGB 231 90 182

HSL 320.85, 0.75%, 0.63%

LAB 59.6, 64.01, -21.05

 

CMYK 0 / 70 / 24 / 4

HEX #F64BBB

RGB 246 75 187

HSL 320.7, 0.9%, 0.63%

LAB 60.08, 74.32, -22.97

 

CMYK 0 / 40 / 14 / 22

HEX #C879AD

RGB 200 121 173

HSL 320.51, 0.42%, 0.63%

LAB 60.76, 38.14, -14.53

 

CMYK 0 / 26 / 9 / 27

HEX #B988A8

RGB 185 136 168

HSL 320.82, 0.26%, 0.63%

LAB 62.3, 23.88, -9.54

 

CMYK 0 / 11 / 4 / 33

HEX #AA98A3

RGB 170 152 163

HSL 323.33, 0.1%, 0.63%

LAB 64.68, 8.62, -3.33

 

CMYK 8 / 0 / 5 / 35

HEX #9AA79F

RGB 154 167 159

HSL 143.08, 0.07%, 0.63%

LAB 67.29, -6.14, 2.56

 

CMYK 24 / 0 / 15 / 29

HEX #8BB69A

RGB 139 182 154

HSL 140.93, 0.23%, 0.63%

LAB 70.37, -20.13, 9.61

 

CMYK 8 / 40 / 0 / 22

HEX #B879C8

RGB 184 121 200

HSL 287.85, 0.42%, 0.63%

LAB 59.92, 37.94, -31.32

 

CMYK 0 / 40 / 3 / 22

HEX #C879C3

RGB 200 121 195

HSL 303.8, 0.42%, 0.63%

LAB 61.56, 41.95, -25.81

 

CMYK 0 / 40 / 13 / 22

HEX #C879AE

RGB 200 121 174

HSL 319.75, 0.42%, 0.63%

LAB 60.79, 38.31, -15.05

 

CMYK 0 / 40 / 24 / 22

HEX #C87999

RGB 200 121 153

HSL 335.7, 0.42%, 0.63%

LAB 60.12, 35.03, -4.01

 

CMYK 0 / 40 / 34 / 22

HEX #C87984

RGB 200 121 132

HSL 351.65, 0.42%, 0.63%

LAB 59.54, 32.15, 7.25

 

CMYK 0 / 59 / 21 / 33

HEX #AA4587

RGB 170 69 135

HSL 320.79, 0.42%, 0.47%

LAB 45.01, 48.94, -16.47

 

CMYK 0 / 51 / 18 / 26

HEX #BC5C9B

RGB 188 92 155

HSL 320.63, 0.42%, 0.55%

LAB 52.63, 46.42, -16.55

 

CMYK 0 / 40 / 14 / 22

HEX #C879AD

RGB 200 121 173

HSL 320.51, 0.42%, 0.63%

LAB 60.76, 38.14, -14.53

 

CMYK 0 / 29 / 10 / 17

HEX #D496BF

RGB 212 150 191

HSL 320.32, 0.42%, 0.71%

LAB 69.16, 29.6, -11.89

 

CMYK 0 / 20 / 7 / 12

HEX #E0B4D1

RGB 224 180 209

HSL 320.45, 0.42%, 0.79%

LAB 77.93, 20.61, -8.57

 

CMYK 0 / 41 / 14 / 22

HEX #C877AC

RGB 200 119 172

HSL 320.74, 0.42%, 0.63%

LAB 60.29, 39.04, -14.65

 

CMYK 0 / 19 / 40 / 22

HEX #C8A379

RGB 200 163 121

HSL 31.9, 0.42%, 0.63%

LAB 69.37, 7.88, 26.95

 

CMYK 40 / 0 / 3 / 22

HEX #79C8C3

RGB 121 200 195

HSL 176.2, 0.42%, 0.63%

LAB 75.65, -25.43, -5.16

 

CMYK 0 / 41 / 14 / 22

HEX #C877AC

RGB 200 119 172

HSL 320.74, 0.42%, 0.63%

LAB 60.29, 39.04, -14.65

 

CMYK 13 / 0 / 40 / 22

HEX #AEC879

RGB 174 200 121

HSL 79.75, 0.42%, 0.63%

LAB 77.09, -21.76, 36.63

 

CMYK 40 / 13 / 0 / 22

HEX #79AEC8

RGB 121 174 200

HSL 199.75, 0.42%, 0.63%

LAB 68.39, -10.76, -18.75

 

CMYK 0 / 41 / 14 / 22

HEX #C877AC

RGB 200 119 172

HSL 320.74, 0.42%, 0.63%

LAB 60.29, 39.04, -14.65

 

CMYK 0 / 19 / 40 / 22

HEX #C8A379

RGB 200 163 121

HSL 31.9, 0.42%, 0.63%

LAB 69.37, 7.88, 26.95

 

CMYK 40 / 0 / 27 / 22

HEX #79C893

RGB 121 200 147

HSL 139.75, 0.42%, 0.63%

LAB 74.5, -35.81, 19.04

 

CMYK 40 / 21 / 0 / 22

HEX #799EC8

RGB 121 158 200

HSL 211.9, 0.42%, 0.63%

LAB 63.91, -1.98, -25.6

 

CMYK 0 / 41 / 14 / 22

HEX #C877AC

RGB 200 119 172

HSL 320.74, 0.42%, 0.63%

LAB 60.29, 39.04, -14.65

 

CMYK 0 / 7 / 40 / 22

HEX #C8BB79

RGB 200 187 121

HSL 50.13, 0.42%, 0.63%

LAB 75.58, -4.91, 35.08

 

CMYK 40 / 0 / 27 / 22

HEX #79C893

RGB 121 200 147

HSL 139.75, 0.42%, 0.63%

LAB 74.5, -35.81, 19.04

 

CMYK 40 / 33 / 0 / 22

HEX #7986C8

RGB 121 134 200

HSL 230.13, 0.42%, 0.63%

LAB 57.35, 11.84, -35.76

 

Description

Color code: HEX #C877AC | qconv.com Color code: HEX #C877AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 119 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 119 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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