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Color name
HEX #C875AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C875AC it is the complementary color #378A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C875AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C875AC shade: #CD75A7, #DE87BA, #EF99CD, #FFABE0 and #FFBDF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C875AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C875AC shade: #C875AC, #B76399, #A65186, #953F73 and #842D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C875AC shade: #C874AC, #C87495, #C8747F and #C87474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C875AC shade: #C874AC, #C874C2, #B774C8, #A074C8 and #8A74C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C875AC shade matches the following richer shades: #C874AC, #D765B1, #E755B6 and #F745BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C875AC shade: #C874AC, #B884A7, #A894A1, #99A39C and #89B397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C875AC shade: #B774C8, #C874C2, #C874AC, #C87496 and #C87480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C875AC shade: #A74385, #BC579A, #C874AC, #D492BD and #DFAFCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C875AC shade: #C875AC, #C8A174 and #74C8C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C875AC shade: #C875AC, #ACC874 and #74ACC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C875AC shade: #C875AC, #C8A174, #74C890 and #749BC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C875AC shade: #C875AC, #C8BA74, #74C890 and #7482C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 14 / 22

HEX #C875AC

RGB 200 117 172

HSL 320.24, 0.43%, 0.62%

LAB 59.87, 40.1, -15.29

 

Complementary color

CMYK 60 / 0 / 40 / 46

HEX #378A53

RGB 55 138 83

HSL 140.24, 0.43%, 0.38%

LAB 51.4, -38.11, 22.15

 

CMYK 0 / 43 / 19 / 20

HEX #CD75A7

RGB 205 117 167

HSL 325.91, 0.47%, 0.63%

LAB 60.33, 40.98, -11.67

 

CMYK 0 / 39 / 16 / 13

HEX #DE87BA

RGB 222 135 186

HSL 324.83, 0.57%, 0.7%

LAB 66.83, 40.19, -12.49

 

CMYK 0 / 36 / 14 / 6

HEX #EF99CD

RGB 239 153 205

HSL 323.72, 0.73%, 0.77%

LAB 73.25, 39.43, -13.21

 

CMYK 0 / 33 / 12 / 0

HEX #FFABE0

RGB 255 171 224

HSL 322.14, 1%, 0.84%

LAB 79.48, 38.37, -14.05

 

CMYK 0 / 26 / 5 / 0

HEX #FFBDF3

RGB 255 189 243

HSL 310.91, 1%, 0.87%

LAB 84.03, 32.13, -17.42

 

CMYK 0 / 42 / 14 / 22

HEX #C875AC

RGB 200 117 172

HSL 320.24, 0.43%, 0.62%

LAB 59.87, 40.1, -15.29

 

CMYK 0 / 46 / 16 / 28

HEX #B76399

RGB 183 99 153

HSL 321.43, 0.37%, 0.55%

LAB 53.27, 40.88, -14.48

 

CMYK 0 / 51 / 19 / 35

HEX #A65186

RGB 166 81 134

HSL 322.59, 0.34%, 0.48%

LAB 46.6, 41.64, -13.52

 

CMYK 0 / 58 / 23 / 42

HEX #953F73

RGB 149 63 115

HSL 323.72, 0.41%, 0.42%

LAB 39.89, 42.29, -12.32

 

CMYK 0 / 66 / 27 / 48

HEX #842D60

RGB 132 45 96

HSL 324.83, 0.49%, 0.35%

LAB 33.19, 42.67, -10.74

 

CMYK 0 / 42 / 14 / 22

HEX #C874AC

RGB 200 116 172

HSL 320, 0.43%, 0.62%

LAB 59.66, 40.63, -15.61

 

CMYK 0 / 42 / 26 / 22

HEX #C87495

RGB 200 116 149

HSL 336.43, 0.43%, 0.62%

LAB 58.92, 37.12, -3.47

 

CMYK 0 / 42 / 37 / 22

HEX #C8747F

RGB 200 116 127

HSL 352.14, 0.43%, 0.62%

LAB 58.32, 34.21, 8.4

 

CMYK 0 / 42 / 42 / 22

HEX #C87474

RGB 200 116 116

HSL 0, 0.43%, 0.62%

LAB 58.07, 32.94, 14.4

 

CMYK 0 / 42 / 14 / 22

HEX #C874AC

RGB 200 116 172

HSL 320, 0.43%, 0.62%

LAB 59.66, 40.63, -15.61

 

CMYK 0 / 42 / 3 / 22

HEX #C874C2

RGB 200 116 194

HSL 304.29, 0.43%, 0.62%

LAB 60.48, 44.4, -26.9

 

CMYK 9 / 42 / 0 / 22

HEX #B774C8

RGB 183 116 200

HSL 287.86, 0.43%, 0.62%

LAB 58.72, 40.35, -33.2

 

CMYK 20 / 42 / 0 / 22

HEX #A074C8

RGB 160 116 200

HSL 271.43, 0.43%, 0.62%

LAB 56.22, 33.49, -37.29

 

CMYK 31 / 42 / 0 / 22

HEX #8A74C8

RGB 138 116 200

HSL 255.71, 0.43%, 0.62%

LAB 54.1, 27.17, -40.78

 

CMYK 0 / 42 / 14 / 22

HEX #C874AC

RGB 200 116 172

HSL 320, 0.43%, 0.62%

LAB 59.66, 40.63, -15.61

 

CMYK 0 / 53 / 18 / 16

HEX #D765B1

RGB 215 101 177

HSL 320, 0.59%, 0.62%

LAB 58.91, 53.72, -19.44

 

CMYK 0 / 63 / 21 / 9

HEX #E755B6

RGB 231 85 182

HSL 320.14, 0.75%, 0.62%

LAB 58.85, 66.06, -22.2

 

CMYK 0 / 72 / 24 / 3

HEX #F745BB

RGB 247 69 187

HSL 320.22, 0.92%, 0.62%

LAB 59.54, 76.54, -23.78

 

CMYK 0 / 42 / 14 / 22

HEX #C874AC

RGB 200 116 172

HSL 320, 0.43%, 0.62%

LAB 59.66, 40.63, -15.61

 

CMYK 0 / 28 / 9 / 28

HEX #B884A7

RGB 184 132 167

HSL 319.62, 0.27%, 0.62%

LAB 61.21, 25.58, -10.61

 

CMYK 0 / 12 / 4 / 34

HEX #A894A1

RGB 168 148 161

HSL 321, 0.1%, 0.62%

LAB 63.41, 9.76, -4.1

 

CMYK 6 / 0 / 4 / 36

HEX #99A39C

RGB 153 163 156

HSL 138, 0.05%, 0.62%

LAB 66.03, -4.91, 2.4

 

CMYK 23 / 0 / 16 / 30

HEX #89B397

RGB 137 179 151

HSL 140, 0.22%, 0.62%

LAB 69.32, -19.85, 9.75

 

CMYK 9 / 42 / 0 / 22

HEX #B774C8

RGB 183 116 200

HSL 287.86, 0.43%, 0.62%

LAB 58.72, 40.35, -33.2

 

CMYK 0 / 42 / 3 / 22

HEX #C874C2

RGB 200 116 194

HSL 304.29, 0.43%, 0.62%

LAB 60.48, 44.4, -26.9

 

CMYK 0 / 42 / 14 / 22

HEX #C874AC

RGB 200 116 172

HSL 320, 0.43%, 0.62%

LAB 59.66, 40.63, -15.61

 

CMYK 0 / 42 / 25 / 22

HEX #C87496

RGB 200 116 150

HSL 335.71, 0.43%, 0.62%

LAB 58.95, 37.26, -4.01

 

CMYK 0 / 42 / 36 / 22

HEX #C87480

RGB 200 116 128

HSL 351.43, 0.43%, 0.62%

LAB 58.35, 34.34, 7.85

 

CMYK 0 / 60 / 20 / 35

HEX #A74385

RGB 167 67 133

HSL 320.4, 0.43%, 0.46%

LAB 44.12, 48.67, -16.66

 

CMYK 0 / 54 / 18 / 26

HEX #BC579A

RGB 188 87 154

HSL 320.2, 0.43%, 0.54%

LAB 51.66, 48.73, -17.45

 

CMYK 0 / 42 / 14 / 22

HEX #C874AC

RGB 200 116 172

HSL 320, 0.43%, 0.62%

LAB 59.66, 40.63, -15.61

 

CMYK 0 / 31 / 11 / 17

HEX #D492BD

RGB 212 146 189

HSL 320.91, 0.43%, 0.7%

LAB 68.19, 31.42, -12.24

 

CMYK 0 / 22 / 7 / 13

HEX #DFAFCF

RGB 223 175 207

HSL 320, 0.43%, 0.78%

LAB 76.59, 22.61, -9.49

 

CMYK 0 / 42 / 14 / 22

HEX #C875AC

RGB 200 117 172

HSL 320.24, 0.43%, 0.62%

LAB 59.87, 40.1, -15.29

 

CMYK 0 / 20 / 42 / 22

HEX #C8A174

RGB 200 161 116

HSL 32.14, 0.43%, 0.62%

LAB 68.77, 8.41, 28.87

 

CMYK 42 / 0 / 3 / 22

HEX #74C8C2

RGB 116 200 194

HSL 175.71, 0.43%, 0.62%

LAB 75.4, -26.94, -5

 

CMYK 0 / 42 / 14 / 22

HEX #C875AC

RGB 200 117 172

HSL 320.24, 0.43%, 0.62%

LAB 59.87, 40.1, -15.29

 

CMYK 14 / 0 / 42 / 22

HEX #ACC874

RGB 172 200 116

HSL 80, 0.43%, 0.62%

LAB 76.88, -23.13, 38.86

 

CMYK 42 / 14 / 0 / 22

HEX #74ACC8

RGB 116 172 200

HSL 200, 0.43%, 0.62%

LAB 67.57, -11, -20.03

 

CMYK 0 / 42 / 14 / 22

HEX #C875AC

RGB 200 117 172

HSL 320.24, 0.43%, 0.62%

LAB 59.87, 40.1, -15.29

 

CMYK 0 / 20 / 42 / 22

HEX #C8A174

RGB 200 161 116

HSL 32.14, 0.43%, 0.62%

LAB 68.77, 8.41, 28.87

 

CMYK 42 / 0 / 28 / 22

HEX #74C890

RGB 116 200 144

HSL 140, 0.43%, 0.62%

LAB 74.21, -37.81, 20.21

 

CMYK 42 / 23 / 0 / 22

HEX #749BC8

RGB 116 155 200

HSL 212.14, 0.43%, 0.62%

LAB 62.78, -1.62, -27.35

 

CMYK 0 / 42 / 14 / 22

HEX #C875AC

RGB 200 117 172

HSL 320.24, 0.43%, 0.62%

LAB 59.87, 40.1, -15.29

 

CMYK 0 / 7 / 42 / 22

HEX #C8BA74

RGB 200 186 116

HSL 50, 0.43%, 0.62%

LAB 75.24, -4.93, 37.22

 

CMYK 42 / 0 / 28 / 22

HEX #74C890

RGB 116 200 144

HSL 140, 0.43%, 0.62%

LAB 74.21, -37.81, 20.21

 

CMYK 42 / 35 / 0 / 22

HEX #7482C8

RGB 116 130 200

HSL 230, 0.43%, 0.62%

LAB 55.94, 12.88, -38

 

Description

Color code: HEX #C875AC | qconv.com Color code: HEX #C875AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 117 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 117 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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