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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C86F57 it is the complementary color #3790A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C86F57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C86F57 shade: #CD6F52, #DE8165, #EF9378, #FFA58B and #FFB79E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C86F57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C86F57 shade: #C86F57, #B75D44, #A64B31, #95391E and #84270B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C86F57 shade: #C86E56 and #C85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C86F57 shade: #C86E56, #C88D56, #C8AC56, #C6C856 and #A7C856

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C86F57 shade matches the following richer shades: #C86E56, #DA6343, #EC5931 and #FE4F1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C86F57 shade: #C86E56, #B67868, #A4837A, #928D8C and #7F989E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C86F57 shade: #C8567C, #C8565D, #C86C56, #C88B56 and #C8AA56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C86F57 shade: #994832, #B8563C, #C86E56, #D28975 and #DCA394

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C86F57 shade: #C86F57, #9AC856 and #566CC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C86F57 shade: #C86F57, #56C86C and #6C56C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C86F57 shade: #C86F57, #9AC856, #56B1C8 and #8356C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C86F57 shade: #C86F57, #78C856, #56B1C8 and #A656C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 57 / 22

HEX #C86F57

RGB 200 111 87

HSL 12.74, 0.51%, 0.56%

LAB 56.42, 32.83, 28.8

 

Complementary color

CMYK 67 / 14 / 0 / 34

HEX #3790A8

RGB 55 144 168

HSL 192.74, 0.51%, 0.44%

LAB 55.67, -18.55, -20.4

 

CMYK 0 / 46 / 60 / 20

HEX #CD6F52

RGB 205 111 82

HSL 14.15, 0.55%, 0.56%

LAB 57.03, 34.42, 32.51

 

CMYK 0 / 42 / 55 / 13

HEX #DE8165

RGB 222 129 101

HSL 13.88, 0.65%, 0.63%

LAB 63.48, 33.1, 30.64

 

CMYK 0 / 38 / 50 / 6

HEX #EF9378

RGB 239 147 120

HSL 13.61, 0.79%, 0.7%

LAB 69.88, 31.9, 28.96

 

CMYK 0 / 35 / 45 / 0

HEX #FFA58B

RGB 255 165 139

HSL 13.45, 1%, 0.77%

LAB 76.09, 30.44, 27.27

 

CMYK 0 / 28 / 38 / 0

HEX #FFB79E

RGB 255 183 158

HSL 15.46, 1%, 0.81%

LAB 80.51, 23.03, 23.08

 

CMYK 0 / 45 / 57 / 22

HEX #C86F57

RGB 200 111 87

HSL 12.74, 0.51%, 0.56%

LAB 56.42, 32.83, 28.8

 

CMYK 0 / 49 / 63 / 28

HEX #B75D44

RGB 183 93 68

HSL 13.04, 0.46%, 0.49%

LAB 49.87, 34.21, 30.82

 

CMYK 0 / 55 / 70 / 35

HEX #A64B31

RGB 166 75 49

HSL 13.33, 0.54%, 0.42%

LAB 43.3, 35.69, 33.13

 

CMYK 0 / 62 / 80 / 42

HEX #95391E

RGB 149 57 30

HSL 13.61, 0.66%, 0.35%

LAB 36.76, 37.22, 35.67

 

CMYK 0 / 70 / 92 / 48

HEX #84270B

RGB 132 39 11

HSL 13.88, 0.85%, 0.28%

LAB 30.35, 38.59, 37.96

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 0 / 57 / 57 / 22

HEX #C85656

RGB 200 86 86

HSL 0, 0.51%, 0.56%

LAB 51.39, 45.46, 22.85

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 0 / 30 / 57 / 22

HEX #C88D56

RGB 200 141 86

HSL 28.95, 0.51%, 0.56%

LAB 63.34, 16.47, 37.98

 

CMYK 0 / 14 / 57 / 22

HEX #C8AC56

RGB 200 172 86

HSL 45.26, 0.51%, 0.56%

LAB 71.18, -0.32, 47.31

 

CMYK 1 / 0 / 57 / 22

HEX #C6C856

RGB 198 200 86

HSL 61.05, 0.51%, 0.56%

LAB 78.45, -15.64, 55.54

 

CMYK 17 / 0 / 57 / 22

HEX #A7C856

RGB 167 200 86

HSL 77.37, 0.51%, 0.56%

LAB 76.19, -28.15, 52.37

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 0 / 55 / 69 / 15

HEX #DA6343

RGB 218 99 67

HSL 12.72, 0.67%, 0.56%

LAB 56.32, 44.55, 40.32

 

CMYK 0 / 62 / 79 / 7

HEX #EC5931

RGB 236 89 49

HSL 12.83, 0.83%, 0.56%

LAB 57.27, 54.84, 51.38

 

CMYK 0 / 69 / 88 / 0

HEX #FE4F1F

RGB 254 79 31

HSL 12.91, 0.99%, 0.56%

LAB 58.75, 64.33, 61.59

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 0 / 34 / 43 / 29

HEX #B67868

RGB 182 120 104

HSL 12.31, 0.35%, 0.56%

LAB 56.46, 22.34, 18.74

 

CMYK 0 / 20 / 26 / 36

HEX #A4837A

RGB 164 131 122

HSL 12.86, 0.19%, 0.56%

LAB 57.59, 11.24, 9.66

 

CMYK 0 / 3 / 4 / 43

HEX #928D8C

RGB 146 141 140

HSL 10, 0.03%, 0.56%

LAB 59.02, 1.66, 1.18

 

CMYK 20 / 4 / 0 / 38

HEX #7F989E

RGB 127 152 158

HSL 191.61, 0.14%, 0.56%

LAB 61.17, -7.4, -6.08

 

CMYK 0 / 57 / 38 / 22

HEX #C8567C

RGB 200 86 124

HSL 340, 0.51%, 0.56%

LAB 52.28, 49.09, 1.47

 

CMYK 0 / 57 / 54 / 22

HEX #C8565D

RGB 200 86 93

HSL 356.32, 0.51%, 0.56%

LAB 51.53, 46.03, 18.89

 

CMYK 0 / 46 / 57 / 22

HEX #C86C56

RGB 200 108 86

HSL 11.58, 0.51%, 0.56%

LAB 55.76, 34.34, 28.52

 

CMYK 0 / 31 / 57 / 22

HEX #C88B56

RGB 200 139 86

HSL 27.89, 0.51%, 0.56%

LAB 62.86, 17.56, 37.38

 

CMYK 0 / 15 / 57 / 22

HEX #C8AA56

RGB 200 170 86

HSL 44.21, 0.51%, 0.56%

LAB 70.66, 0.75, 46.7

 

CMYK 0 / 53 / 67 / 40

HEX #994832

RGB 153 72 50

HSL 12.82, 0.51%, 0.4%

LAB 40.63, 32.14, 28.91

 

CMYK 0 / 53 / 67 / 28

HEX #B8563C

RGB 184 86 60

HSL 12.58, 0.51%, 0.48%

LAB 48.48, 37.72, 33.69

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 0 / 35 / 44 / 18

HEX #D28975

RGB 210 137 117

HSL 12.9, 0.51%, 0.64%

LAB 64.06, 25.61, 22.24

 

CMYK 0 / 26 / 33 / 14

HEX #DCA394

RGB 220 163 148

HSL 12.5, 0.51%, 0.72%

LAB 71.93, 19.07, 16.05

 

CMYK 0 / 45 / 57 / 22

HEX #C86F57

RGB 200 111 87

HSL 12.74, 0.51%, 0.56%

LAB 56.42, 32.83, 28.8

 

CMYK 23 / 0 / 57 / 22

HEX #9AC856

RGB 154 200 86

HSL 84.21, 0.51%, 0.56%

LAB 75.36, -33.16, 51.2

 

CMYK 57 / 46 / 0 / 22

HEX #566CC8

RGB 86 108 200

HSL 228.42, 0.51%, 0.56%

LAB 48.1, 19.23, -50.54

 

CMYK 0 / 45 / 57 / 22

HEX #C86F57

RGB 200 111 87

HSL 12.74, 0.51%, 0.56%

LAB 56.42, 32.83, 28.8

 

CMYK 57 / 0 / 46 / 22

HEX #56C86C

RGB 86 200 108

HSL 131.58, 0.51%, 0.56%

LAB 72.47, -51.87, 36.41

 

CMYK 46 / 57 / 0 / 22

HEX #6C56C8

RGB 108 86 200

HSL 251.58, 0.51%, 0.56%

LAB 44.25, 37.37, -56.64

 

CMYK 0 / 45 / 57 / 22

HEX #C86F57

RGB 200 111 87

HSL 12.74, 0.51%, 0.56%

LAB 56.42, 32.83, 28.8

 

CMYK 23 / 0 / 57 / 22

HEX #9AC856

RGB 154 200 86

HSL 84.21, 0.51%, 0.56%

LAB 75.36, -33.16, 51.2

 

CMYK 57 / 12 / 0 / 22

HEX #56B1C8

RGB 86 177 200

HSL 192.11, 0.51%, 0.56%

LAB 67.72, -20.48, -19.91

 

CMYK 35 / 57 / 0 / 22

HEX #8356C8

RGB 131 86 200

HSL 263.68, 0.51%, 0.56%

LAB 46.51, 42.63, -52.88

 

CMYK 0 / 45 / 57 / 22

HEX #C86F57

RGB 200 111 87

HSL 12.74, 0.51%, 0.56%

LAB 56.42, 32.83, 28.8

 

CMYK 40 / 0 / 57 / 22

HEX #78C856

RGB 120 200 86

HSL 102.11, 0.51%, 0.56%

LAB 73.53, -45.16, 48.62

 

CMYK 57 / 12 / 0 / 22

HEX #56B1C8

RGB 86 177 200

HSL 192.11, 0.51%, 0.56%

LAB 67.72, -20.48, -19.91

 

CMYK 17 / 57 / 0 / 22

HEX #A656C8

RGB 166 86 200

HSL 282.11, 0.51%, 0.56%

LAB 50.61, 51.35, -46.11

 

Description

Color code: HEX #C86F57 | qconv.com Color code: HEX #C86F57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 111 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 111 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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