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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C86796 it is the complementary color #379869. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C86796. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C86796 shade: #CD6791, #DE79A4, #EF8BB7, #FF9DCA and #FFAFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C86796. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C86796 shade: #C86796, #B75583, #A64370, #95315D and #841F4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C86796 shade: #C86595, #C8657A and #C86565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C86796 shade: #C86595, #C865AF, #C565C8, #AB65C8 and #9065C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C86796 shade matches the following richer shades: #C86595, #D95494, #E94394 and #FA3393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C86796 shade: #C86595, #B77695, #A68796, #959896 and #84A997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C86796 shade: #C465C8, #C865B1, #C86596, #C8657C and #C86965

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C86796 shade: #A13A6C, #BD4780, #C86595, #D384AA and #DDA2BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C86796 shade: #C86796, #C8AA65 and #65BEC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C86796 shade: #C86796, #96C865 and #6596C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C86796 shade: #C86796, #C8AA65, #65C896 and #6583C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C86796 shade: #C86796, #C8C865, #65C896 and #6565C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 25 / 22

HEX #C86796

RGB 200 103 150

HSL 330.93, 0.47%, 0.59%

LAB 56.27, 44.04, -7.98

 

Complementary color

CMYK 64 / 0 / 31 / 40

HEX #379869

RGB 55 152 105

HSL 150.93, 0.47%, 0.41%

LAB 56.38, -39.66, 16.58

 

CMYK 0 / 50 / 29 / 20

HEX #CD6791

RGB 205 103 145

HSL 335.29, 0.5%, 0.6%

LAB 56.81, 45.04, -4.19

 

CMYK 0 / 45 / 26 / 13

HEX #DE79A4

RGB 222 121 164

HSL 334.46, 0.6%, 0.67%

LAB 63.25, 44.21, -5.37

 

CMYK 0 / 42 / 23 / 6

HEX #EF8BB7

RGB 239 139 183

HSL 333.6, 0.76%, 0.74%

LAB 69.64, 43.39, -6.4

 

CMYK 0 / 38 / 21 / 0

HEX #FF9DCA

RGB 255 157 202

HSL 332.45, 1%, 0.81%

LAB 75.85, 42.26, -7.49

 

CMYK 0 / 31 / 13 / 0

HEX #FFAFDD

RGB 255 175 221

HSL 325.5, 1%, 0.84%

LAB 80.26, 35.81, -11.27

 

CMYK 0 / 49 / 25 / 22

HEX #C86796

RGB 200 103 150

HSL 330.93, 0.47%, 0.59%

LAB 56.27, 44.04, -7.98

 

CMYK 0 / 54 / 28 / 28

HEX #B75583

RGB 183 85 131

HSL 331.84, 0.4%, 0.53%

LAB 49.74, 44.8, -6.74

 

CMYK 0 / 60 / 33 / 35

HEX #A64370

RGB 166 67 112

HSL 332.73, 0.42%, 0.46%

LAB 43.2, 45.45, -5.22

 

CMYK 0 / 67 / 38 / 42

HEX #95315D

RGB 149 49 93

HSL 333.6, 0.51%, 0.39%

LAB 36.7, 45.83, -3.27

 

CMYK 0 / 77 / 44 / 48

HEX #841F4A

RGB 132 31 74

HSL 334.46, 0.62%, 0.32%

LAB 30.35, 45.64, -0.65

 

CMYK 0 / 50 / 26 / 22

HEX #C86595

RGB 200 101 149

HSL 330.91, 0.47%, 0.59%

LAB 55.84, 44.91, -8.03

 

CMYK 0 / 50 / 39 / 22

HEX #C8657A

RGB 200 101 122

HSL 347.27, 0.47%, 0.59%

LAB 55.06, 41.47, 6.67

 

CMYK 0 / 50 / 50 / 22

HEX #C86565

RGB 200 101 101

HSL 0, 0.47%, 0.59%

LAB 54.58, 39.29, 18.32

 

CMYK 0 / 50 / 26 / 22

HEX #C86595

RGB 200 101 149

HSL 330.91, 0.47%, 0.59%

LAB 55.84, 44.91, -8.03

 

CMYK 0 / 50 / 13 / 22

HEX #C865AF

RGB 200 101 175

HSL 315.15, 0.47%, 0.59%

LAB 56.76, 48.83, -21.75

 

CMYK 1 / 50 / 0 / 22

HEX #C565C8

RGB 197 101 200

HSL 298.18, 0.47%, 0.59%

LAB 57.41, 52.25, -35.11

 

CMYK 15 / 50 / 0 / 22

HEX #AB65C8

RGB 171 101 200

HSL 282.42, 0.47%, 0.59%

LAB 54.17, 44.92, -40.43

 

CMYK 28 / 50 / 0 / 22

HEX #9065C8

RGB 144 101 200

HSL 266.06, 0.47%, 0.59%

LAB 51.16, 37.49, -45.39

 

CMYK 0 / 50 / 26 / 22

HEX #C86595

RGB 200 101 149

HSL 330.91, 0.47%, 0.59%

LAB 55.84, 44.91, -8.03

 

CMYK 0 / 61 / 32 / 15

HEX #D95494

RGB 217 84 148

HSL 331.13, 0.64%, 0.59%

LAB 55.31, 58.15, -7.98

 

CMYK 0 / 71 / 36 / 9

HEX #E94394

RGB 233 67 148

HSL 330.72, 0.79%, 0.59%

LAB 55.56, 69.21, -7.32

 

CMYK 0 / 80 / 41 / 2

HEX #FA3393

RGB 250 51 147

HSL 331.06, 0.95%, 0.59%

LAB 56.88, 78.08, -4.45

 

CMYK 0 / 50 / 26 / 22

HEX #C86595

RGB 200 101 149

HSL 330.91, 0.47%, 0.59%

LAB 55.84, 44.91, -8.03

 

CMYK 0 / 36 / 19 / 28

HEX #B77695

RGB 183 118 149

HSL 331.38, 0.31%, 0.59%

LAB 57.26, 29.97, -6.15

 

CMYK 0 / 19 / 10 / 35

HEX #A68796

RGB 166 135 150

HSL 330.97, 0.15%, 0.59%

LAB 59.56, 14.35, -3.54

 

CMYK 2 / 0 / 1 / 40

HEX #959896

RGB 149 152 150

HSL 140, 0.01%, 0.59%

LAB 62.55, -1.47, 0.66

 

CMYK 22 / 0 / 11 / 34

HEX #84A997

RGB 132 169 151

HSL 150.81, 0.18%, 0.59%

LAB 66.15, -16.36, 5.17

 

CMYK 2 / 50 / 0 / 22

HEX #C465C8

RGB 196 101 200

HSL 297.58, 0.47%, 0.59%

LAB 57.28, 51.96, -35.32

 

CMYK 0 / 50 / 12 / 22

HEX #C865B1

RGB 200 101 177

HSL 313.94, 0.47%, 0.59%

LAB 56.84, 49.15, -22.78

 

CMYK 0 / 50 / 25 / 22

HEX #C86596

RGB 200 101 150

HSL 330.3, 0.47%, 0.59%

LAB 55.88, 45.05, -8.57

 

CMYK 0 / 50 / 38 / 22

HEX #C8657C

RGB 200 101 124

HSL 346.06, 0.47%, 0.59%

LAB 55.12, 41.71, 5.57

 

CMYK 0 / 48 / 50 / 22

HEX #C86965

RGB 200 105 101

HSL 2.42, 0.47%, 0.59%

LAB 55.4, 37.22, 19.43

 

CMYK 0 / 64 / 33 / 37

HEX #A13A6C

RGB 161 58 108

HSL 330.87, 0.47%, 0.43%

LAB 40.71, 47.48, -6.53

 

CMYK 0 / 62 / 32 / 26

HEX #BD4780

RGB 189 71 128

HSL 331.02, 0.47%, 0.51%

LAB 48.11, 52.88, -7.26

 

CMYK 0 / 50 / 26 / 22

HEX #C86595

RGB 200 101 149

HSL 330.91, 0.47%, 0.59%

LAB 55.84, 44.91, -8.03

 

CMYK 0 / 37 / 19 / 17

HEX #D384AA

RGB 211 132 170

HSL 331.14, 0.47%, 0.67%

LAB 64.37, 35.55, -7.28

 

CMYK 0 / 27 / 14 / 13

HEX #DDA2BF

RGB 221 162 191

HSL 330.51, 0.46%, 0.75%

LAB 72.88, 26.23, -6.26

 

CMYK 0 / 49 / 25 / 22

HEX #C86796

RGB 200 103 150

HSL 330.93, 0.47%, 0.59%

LAB 56.27, 44.04, -7.98

 

CMYK 0 / 15 / 50 / 22

HEX #C8AA65

RGB 200 170 101

HSL 41.82, 0.47%, 0.59%

LAB 70.85, 2.03, 39.42

 

CMYK 50 / 5 / 0 / 22

HEX #65BEC8

RGB 101 190 200

HSL 186.06, 0.47%, 0.59%

LAB 72.07, -23.96, -13.29

 

CMYK 0 / 49 / 25 / 22

HEX #C86796

RGB 200 103 150

HSL 330.93, 0.47%, 0.59%

LAB 56.27, 44.04, -7.98

 

CMYK 25 / 0 / 50 / 22

HEX #96C865

RGB 150 200 101

HSL 90.3, 0.47%, 0.59%

LAB 75.28, -33.11, 44

 

CMYK 50 / 25 / 0 / 22

HEX #6596C8

RGB 101 150 200

HSL 210.3, 0.47%, 0.59%

LAB 60.56, -2.54, -30.85

 

CMYK 0 / 49 / 25 / 22

HEX #C86796

RGB 200 103 150

HSL 330.93, 0.47%, 0.59%

LAB 56.27, 44.04, -7.98

 

CMYK 0 / 15 / 50 / 22

HEX #C8AA65

RGB 200 170 101

HSL 41.82, 0.47%, 0.59%

LAB 70.85, 2.03, 39.42

 

CMYK 50 / 0 / 25 / 22

HEX #65C896

RGB 101 200 150

HSL 149.7, 0.47%, 0.59%

LAB 73.73, -40.64, 16.24

 

CMYK 50 / 35 / 0 / 22

HEX #6583C8

RGB 101 131 200

HSL 221.82, 0.47%, 0.59%

LAB 55.25, 8.53, -39.15

 

CMYK 0 / 49 / 25 / 22

HEX #C86796

RGB 200 103 150

HSL 330.93, 0.47%, 0.59%

LAB 56.27, 44.04, -7.98

 

CMYK 0 / 0 / 50 / 22

HEX #C8C865

RGB 200 200 101

HSL 60, 0.47%, 0.59%

LAB 78.77, -13.59, 49.01

 

CMYK 50 / 0 / 25 / 22

HEX #65C896

RGB 101 200 150

HSL 149.7, 0.47%, 0.59%

LAB 73.73, -40.64, 16.24

 

CMYK 50 / 50 / 0 / 22

HEX #6565C8

RGB 101 101 200

HSL 240, 0.47%, 0.59%

LAB 47.29, 26.77, -51.78

 

Description

Color code: HEX #C86796 | qconv.com Color code: HEX #C86796 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 103 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 103 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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