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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C863233F it is the complementary color #379CDC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C863233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C863233F shade: #CD631E3F, #DE75313F, #EF87443F, #FF99573F and #FFAB6A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C863233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C863233F shade: #C863233F, #B751103F, #A63F003F, #952D003F and #841B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C863233F shade: #C76323, #C73723 and #C72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C863233F shade: #C76323, #C78F23, #C7BB23, #A7C723 and #7BC723

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C863233F shade matches the following richer shades: #C76323 and #DA5F10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C863233F shade: #C76323, #B46736, #A16B49, #8E705C and #7B746F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C863233F shade: #C7233C, #C73623, #C76223, #C78E23 and #C7BA23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C863233F shade: #814017, #A4511D, #C76323, #DC7838 and #E28F5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C863233F shade: #C86323, #68C723 and #2326C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C863233F shade: #C86323, #23C762 and #6223C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C863233F shade: #C86323, #68C723, #2388C7 and #8323C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C863233F shade: #C86323, #36C723, #2388C7 and #B423C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 21 / 5

HEX #C863233F

RGBA 200 99 35 0.25

HSLA 23.27, 0.7%, 0.46%, 0.25

LABA 53.3, 36.27, 51.91, 0.25

 

Complementary color

CMYK 19 / 7 / 0 / 3

HEX #379CDC3F

RGBA 55 156 220 0.25

HSLA 203.27, 0.7%, 0.54%, 0.25

LABA 61.44, -7.65, -40.77, 0.25

 

CMYK 0 / 13 / 21 / 5

HEX #CD631E3F

RGBA 205 99 30 0.25

HSLA 23.66, 0.74%, 0.46%, 0.25

LABA 54.02, 38.13, 54.81, 0.25

 

CMYK 0 / 12 / 19 / 3

HEX #DE75313F

RGBA 222 117 49 0.25

HSLA 23.58, 0.72%, 0.53%, 0.25

LABA 60.31, 36.27, 53.61, 0.25

 

CMYK 0 / 11 / 18 / 2

HEX #EF87443F

RGBA 239 135 68 0.25

HSLA 23.51, 0.84%, 0.6%, 0.25

LABA 66.59, 34.57, 52.02, 0.25

 

CMYK 0 / 10 / 16 / 0

HEX #FF99573F

RGBA 255 153 87 0.25

HSLA 23.57, 1%, 0.67%, 0.25

LABA 72.71, 32.62, 50.16, 0.25

 

CMYK 0 / 8 / 15 / 0

HEX #FFAB6A3F

RGBA 255 171 106 0.25

HSLA 26.17, 1%, 0.71%, 0.25

LABA 76.94, 24.49, 45.64, 0.25

 

CMYK 0 / 13 / 21 / 5

HEX #C863233F

RGBA 200 99 35 0.25

HSLA 23.27, 0.7%, 0.46%, 0.25

LABA 53.3, 36.27, 51.91, 0.25

 

CMYK 0 / 14 / 23 / 7

HEX #B751103F

RGBA 183 81 16 0.25

HSLA 23.35, 0.84%, 0.39%, 0.25

LABA 46.96, 38.22, 52.58, 0.25

 

CMYK 0 / 16 / 25 / 9

HEX #A63F003F

RGBA 166 63 0 0.25

HSLA 22.77, 1%, 0.33%, 0.25

LABA 40.67, 40.18, 51.67, 0.25

 

CMYK 0 / 17 / 25 / 10

HEX #952D003F

RGBA 149 45 0 0.25

HSLA 18.12, 1%, 0.29%, 0.25

LABA 34.53, 41.99, 46.77, 0.25

 

CMYK 0 / 20 / 25 / 12

HEX #841B003F

RGBA 132 27 0 0.25

HSLA 12.27, 1%, 0.26%, 0.25

LABA 28.61, 43.01, 41.1, 0.25

 

CMYK 0 / 50 / 82 / 22

HEX #C76323

RGB 199 99 35

HSL 23.41, 0.7%, 0.46%

LAB 53.15, 35.87, 51.72

 

CMYK 0 / 72 / 82 / 22

HEX #C73723

RGB 199 55 35

HSL 7.32, 0.7%, 0.46%

LAB 45.63, 55.67, 44.83

 

CMYK 0 / 82 / 82 / 22

HEX #C72323

RGB 199 35 35

HSL 0, 0.7%, 0.46%

LAB 43.46, 61.75, 42.78

 

CMYK 0 / 50 / 82 / 22

HEX #C76323

RGB 199 99 35

HSL 23.41, 0.7%, 0.46%

LAB 53.15, 35.87, 51.72

 

CMYK 0 / 28 / 82 / 22

HEX #C78F23

RGB 199 143 35

HSL 39.51, 0.7%, 0.46%

LAB 63.27, 12.15, 60.67

 

CMYK 0 / 6 / 82 / 22

HEX #C7BB23

RGB 199 187 35

HSL 55.61, 0.7%, 0.46%

LAB 74.7, -11.25, 70.49

 

CMYK 16 / 0 / 82 / 22

HEX #A7C723

RGB 167 199 35

HSL 71.71, 0.7%, 0.46%

LAB 75.57, -30.71, 70.27

 

CMYK 38 / 0 / 82 / 22

HEX #7BC723

RGB 123 199 35

HSL 87.8, 0.7%, 0.46%

LAB 73.01, -47.46, 67.03

 

CMYK 0 / 50 / 82 / 22

HEX #C76323

RGB 199 99 35

HSL 23.41, 0.7%, 0.46%

LAB 53.15, 35.87, 51.72

 

CMYK 0 / 56 / 93 / 15

HEX #DA5F10

RGB 218 95 16

HSL 23.47, 0.86%, 0.46%

LAB 55.2, 44.86, 60.98

 

CMYK 0 / 50 / 82 / 22

HEX #C76323

RGB 199 99 35

HSL 23.41, 0.7%, 0.46%

LAB 53.15, 35.87, 51.72

 

CMYK 0 / 43 / 70 / 29

HEX #B46736

RGB 180 103 54

HSL 23.33, 0.54%, 0.46%

LAB 51.46, 26.72, 40.19

 

CMYK 0 / 34 / 55 / 37

HEX #A16B49

RGB 161 107 73

HSL 23.18, 0.38%, 0.46%

LAB 50.18, 17.75, 27.73

 

CMYK 0 / 21 / 35 / 44

HEX #8E705C

RGB 142 112 92

HSL 24, 0.21%, 0.46%

LAB 49.63, 8.85, 15.63

 

CMYK 0 / 6 / 10 / 52

HEX #7B746F

RGB 123 116 111

HSL 25, 0.05%, 0.46%

LAB 49.31, 1.75, 3.72

 

CMYK 0 / 82 / 70 / 22

HEX #C7233C

RGB 199 35 60

HSL 350.85, 0.7%, 0.46%

LAB 43.76, 62.66, 28.66

 

CMYK 0 / 73 / 82 / 22

HEX #C73623

RGB 199 54 35

HSL 6.95, 0.7%, 0.46%

LAB 45.5, 56.02, 44.7

 

CMYK 0 / 51 / 82 / 22

HEX #C76223

RGB 199 98 35

HSL 23.05, 0.7%, 0.46%

LAB 52.95, 36.39, 51.54

 

CMYK 0 / 29 / 82 / 22

HEX #C78E23

RGB 199 142 35

HSL 39.15, 0.7%, 0.46%

LAB 63.02, 12.69, 60.45

 

CMYK 0 / 7 / 82 / 22

HEX #C7BA23

RGB 199 186 35

HSL 55.24, 0.7%, 0.46%

LAB 74.43, -10.73, 70.27

 

CMYK 0 / 50 / 82 / 49

HEX #814017

RGB 129 64 23

HSL 23.21, 0.7%, 0.3%

LAB 34.79, 25.03, 36.17

 

CMYK 0 / 51 / 82 / 36

HEX #A4511D

RGB 164 81 29

HSL 23.11, 0.7%, 0.38%

LAB 44.04, 30.84, 44.03

 

CMYK 0 / 50 / 82 / 22

HEX #C76323

RGB 199 99 35

HSL 23.41, 0.7%, 0.46%

LAB 53.15, 35.87, 51.72

 

CMYK 0 / 45 / 75 / 14

HEX #DC7838

RGB 220 120 56

HSL 23.41, 0.7%, 0.54%

LAB 60.72, 34.2, 50.74

 

CMYK 0 / 37 / 60 / 11

HEX #E28F5B

RGB 226 143 91

HSL 23.11, 0.7%, 0.62%

LAB 66.95, 26.51, 40.45

 

CMYK 0 / 51 / 83 / 22

HEX #C86323

RGB 200 99 35

HSL 23.27, 0.7%, 0.46%

LAB 53.3, 36.27, 51.91

 

CMYK 48 / 0 / 82 / 22

HEX #68C723

RGB 104 199 35

HSL 94.76, 0.7%, 0.46%

LAB 72.17, -53.66, 65.96

 

CMYK 82 / 81 / 0 / 22

HEX #2326C7

RGB 35 38 199

HSL 238.9, 0.7%, 0.46%

LAB 29.07, 54.4, -81.13

 

CMYK 0 / 51 / 83 / 22

HEX #C86323

RGB 200 99 35

HSL 23.27, 0.7%, 0.46%

LAB 53.3, 36.27, 51.91

 

CMYK 82 / 0 / 51 / 22

HEX #23C762

RGB 35 199 98

HSL 143.05, 0.7%, 0.46%

LAB 70.93, -61.68, 39.21

 

CMYK 51 / 82 / 0 / 22

HEX #6223C7

RGB 98 35 199

HSL 263.05, 0.7%, 0.46%

LAB 33.82, 61.03, -73.11

 

CMYK 0 / 51 / 83 / 22

HEX #C86323

RGB 200 99 35

HSL 23.27, 0.7%, 0.46%

LAB 53.3, 36.27, 51.91

 

CMYK 48 / 0 / 82 / 22

HEX #68C723

RGB 104 199 35

HSL 94.76, 0.7%, 0.46%

LAB 72.17, -53.66, 65.96

 

CMYK 82 / 32 / 0 / 22

HEX #2388C7

RGB 35 136 199

HSL 203.05, 0.7%, 0.46%

LAB 54.12, -5.82, -40.53

 

CMYK 34 / 82 / 0 / 22

HEX #8323C7

RGB 131 35 199

HSL 275.12, 0.7%, 0.46%

LAB 38.11, 65.49, -65.91

 

CMYK 0 / 51 / 83 / 22

HEX #C86323

RGB 200 99 35

HSL 23.27, 0.7%, 0.46%

LAB 53.3, 36.27, 51.91

 

CMYK 73 / 0 / 82 / 22

HEX #36C723

RGB 54 199 35

HSL 113.05, 0.7%, 0.46%

LAB 70.7, -65.56, 64.08

 

CMYK 82 / 32 / 0 / 22

HEX #2388C7

RGB 35 136 199

HSL 203.05, 0.7%, 0.46%

LAB 54.12, -5.82, -40.53

 

CMYK 10 / 82 / 0 / 22

HEX #B423C7

RGB 180 35 199

HSL 293.05, 0.7%, 0.46%

LAB 45.67, 73.58, -53.3

 

Description

Color code: HEX #C863233F | qconv.com Color code: HEX #C863233F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 99 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 99 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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