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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8588A it is the complementary color #37A775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8588A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8588A shade: #CD5885, #DE6A98, #EF7CAB, #FF8EBE and #FFA0D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8588A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8588A shade: #C8588A, #B74677, #A63464, #952251 and #84103E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8588A shade: #C75789, #C7576B and #C75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8588A shade: #C75789, #C757A7, #C757C5, #AA57C7 and #8C57C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8588A shade matches the following richer shades: #C75789, #D94587, #EB3285 and #FD2083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8588A shade: #C75789, #B5698B, #A37B8D, #908D8F and #7E9F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8588A shade: #C757C5, #C757A7, #C75789, #C7576B and #C76057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8588A shade: #983360, #B73D74, #C75789, #D1769F and #DC95B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8588A shade: #C8588A, #C7AB57 and #57B6C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8588A shade: #C8588A, #89C757 and #5789C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8588A shade: #C8588A, #C7AB57, #57C794 and #5773C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8588A shade: #C8588A, #C1C757, #57C794 and #5C57C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 31 / 22

HEX #C8588A

RGB 200 88 138

HSL 333.21, 0.5%, 0.56%

LAB 53.05, 49.82, -5.71

 

Complementary color

CMYK 67 / 0 / 30 / 35

HEX #37A775

RGB 55 167 117

HSL 153.21, 0.5%, 0.44%

LAB 61.42, -43.41, 16.87

 

CMYK 0 / 57 / 35 / 20

HEX #CD5885

RGB 205 88 133

HSL 336.92, 0.54%, 0.57%

LAB 53.66, 50.83, -1.77

 

CMYK 0 / 52 / 32 / 13

HEX #DE6A98

RGB 222 106 152

HSL 336.21, 0.64%, 0.64%

LAB 59.98, 50.11, -3.3

 

CMYK 0 / 48 / 28 / 6

HEX #EF7CAB

RGB 239 124 171

HSL 335.48, 0.78%, 0.71%

LAB 66.29, 49.32, -4.59

 

CMYK 0 / 44 / 25 / 0

HEX #FF8EBE

RGB 255 142 190

HSL 334.51, 1%, 0.78%

LAB 72.44, 48.19, -5.91

 

CMYK 0 / 37 / 18 / 0

HEX #FFA0D1

RGB 255 160 209

HSL 329.05, 1%, 0.81%

LAB 76.68, 41.74, -10.08

 

CMYK 0 / 56 / 31 / 22

HEX #C8588A

RGB 200 88 138

HSL 333.21, 0.5%, 0.56%

LAB 53.05, 49.82, -5.71

 

CMYK 0 / 62 / 35 / 28

HEX #B74677

RGB 183 70 119

HSL 333.98, 0.45%, 0.5%

LAB 46.68, 50.38, -4.03

 

CMYK 0 / 69 / 40 / 35

HEX #A63464

RGB 166 52 100

HSL 334.74, 0.52%, 0.43%

LAB 40.38, 50.62, -1.92

 

CMYK 0 / 77 / 46 / 42

HEX #952251

RGB 149 34 81

HSL 335.48, 0.63%, 0.36%

LAB 34.25, 50.28, 0.85

 

CMYK 0 / 88 / 53 / 48

HEX #84103E

RGB 132 16 62

HSL 336.21, 0.78%, 0.29%

LAB 28.44, 48.88, 4.6

 

CMYK 0 / 56 / 31 / 22

HEX #C75789

RGB 199 87 137

HSL 333.21, 0.5%, 0.56%

LAB 52.69, 49.85, -5.67

 

CMYK 0 / 56 / 46 / 22

HEX #C7576B

RGB 199 87 107

HSL 349.29, 0.5%, 0.56%

LAB 51.86, 46.47, 10.99

 

CMYK 0 / 56 / 56 / 22

HEX #C75757

RGB 199 87 87

HSL 0, 0.5%, 0.56%

LAB 51.44, 44.7, 22.29

 

CMYK 0 / 56 / 31 / 22

HEX #C75789

RGB 199 87 137

HSL 333.21, 0.5%, 0.56%

LAB 52.69, 49.85, -5.67

 

CMYK 0 / 56 / 16 / 22

HEX #C757A7

RGB 199 87 167

HSL 317.14, 0.5%, 0.56%

LAB 53.76, 54.03, -21.72

 

CMYK 0 / 56 / 1 / 22

HEX #C757C5

RGB 199 87 197

HSL 301.07, 0.5%, 0.56%

LAB 55.06, 58.91, -37.06

 

CMYK 15 / 56 / 0 / 22

HEX #AA57C7

RGB 170 87 199

HSL 284.46, 0.5%, 0.56%

LAB 51.25, 51.67, -44.48

 

CMYK 30 / 56 / 0 / 22

HEX #8C57C7

RGB 140 87 199

HSL 268.39, 0.5%, 0.56%

LAB 47.64, 44.02, -50.44

 

CMYK 0 / 56 / 31 / 22

HEX #C75789

RGB 199 87 137

HSL 333.21, 0.5%, 0.56%

LAB 52.69, 49.85, -5.67

 

CMYK 0 / 68 / 38 / 15

HEX #D94587

RGB 217 69 135

HSL 333.24, 0.66%, 0.56%

LAB 52.68, 62.73, -4.18

 

CMYK 0 / 79 / 43 / 8

HEX #EB3285

RGB 235 50 133

HSL 333.08, 0.82%, 0.56%

LAB 53.64, 73.38, -1.21

 

CMYK 0 / 87 / 48 / 1

HEX #FD2083

RGB 253 32 131

HSL 333.12, 0.98%, 0.56%

LAB 55.64, 81.26, 3.31

 

CMYK 0 / 56 / 31 / 22

HEX #C75789

RGB 199 87 137

HSL 333.21, 0.5%, 0.56%

LAB 52.69, 49.85, -5.67

 

CMYK 0 / 42 / 23 / 29

HEX #B5698B

RGB 181 105 139

HSL 333.16, 0.34%, 0.56%

LAB 53.8, 34.82, -5.48

 

CMYK 0 / 25 / 13 / 36

HEX #A37B8D

RGB 163 123 141

HSL 333, 0.18%, 0.56%

LAB 55.96, 18.48, -3.69

 

CMYK 0 / 2 / 1 / 44

HEX #908D8F

RGB 144 141 143

HSL 320, 0.01%, 0.56%

LAB 58.94, 1.5, -0.68

 

CMYK 21 / 0 / 9 / 38

HEX #7E9F91

RGB 126 159 145

HSL 154.55, 0.15%, 0.56%

LAB 62.74, -14.35, 3.56

 

CMYK 0 / 56 / 1 / 22

HEX #C757C5

RGB 199 87 197

HSL 301.07, 0.5%, 0.56%

LAB 55.06, 58.91, -37.06

 

CMYK 0 / 56 / 16 / 22

HEX #C757A7

RGB 199 87 167

HSL 317.14, 0.5%, 0.56%

LAB 53.76, 54.03, -21.72

 

CMYK 0 / 56 / 31 / 22

HEX #C75789

RGB 199 87 137

HSL 333.21, 0.5%, 0.56%

LAB 52.69, 49.85, -5.67

 

CMYK 0 / 56 / 46 / 22

HEX #C7576B

RGB 199 87 107

HSL 349.29, 0.5%, 0.56%

LAB 51.86, 46.47, 10.99

 

CMYK 0 / 52 / 56 / 22

HEX #C76057

RGB 199 96 87

HSL 4.82, 0.5%, 0.56%

LAB 53.16, 40.25, 24.56

 

CMYK 0 / 66 / 37 / 40

HEX #983360

RGB 152 51 96

HSL 333.27, 0.5%, 0.4%

LAB 37.64, 46.27, -3.72

 

CMYK 0 / 67 / 37 / 28

HEX #B73D74

RGB 183 61 116

HSL 332.95, 0.5%, 0.48%

LAB 45.17, 53.88, -4.44

 

CMYK 0 / 56 / 31 / 22

HEX #C75789

RGB 199 87 137

HSL 333.21, 0.5%, 0.56%

LAB 52.69, 49.85, -5.67

 

CMYK 0 / 44 / 24 / 18

HEX #D1769F

RGB 209 118 159

HSL 332.97, 0.5%, 0.64%

LAB 60.8, 40.63, -6.33

 

CMYK 0 / 32 / 18 / 14

HEX #DC95B4

RGB 220 149 180

HSL 333.8, 0.5%, 0.72%

LAB 69.47, 31.13, -5.21

 

CMYK 0 / 56 / 31 / 22

HEX #C8588A

RGB 200 88 138

HSL 333.21, 0.5%, 0.56%

LAB 53.05, 49.82, -5.71

 

CMYK 0 / 14 / 56 / 22

HEX #C7AB57

RGB 199 171 87

HSL 45, 0.5%, 0.56%

LAB 70.84, -0.13, 46.4

 

CMYK 56 / 9 / 0 / 22

HEX #57B6C7

RGB 87 182 199

HSL 189.11, 0.5%, 0.56%

LAB 69.19, -23.14, -17.13

 

CMYK 0 / 56 / 31 / 22

HEX #C8588A

RGB 200 88 138

HSL 333.21, 0.5%, 0.56%

LAB 53.05, 49.82, -5.71

 

CMYK 31 / 0 / 56 / 22

HEX #89C757

RGB 137 199 87

HSL 93.21, 0.5%, 0.56%

LAB 74.1, -38.85, 49.03

 

CMYK 56 / 31 / 0 / 22

HEX #5789C7

RGB 87 137 199

HSL 213.21, 0.5%, 0.56%

LAB 56.13, 1.51, -37.25

 

CMYK 0 / 56 / 31 / 22

HEX #C8588A

RGB 200 88 138

HSL 333.21, 0.5%, 0.56%

LAB 53.05, 49.82, -5.71

 

CMYK 0 / 14 / 56 / 22

HEX #C7AB57

RGB 199 171 87

HSL 45, 0.5%, 0.56%

LAB 70.84, -0.13, 46.4

 

CMYK 56 / 0 / 26 / 22

HEX #57C794

RGB 87 199 148

HSL 152.68, 0.5%, 0.56%

LAB 72.9, -43.9, 16.09

 

CMYK 56 / 42 / 0 / 22

HEX #5773C7

RGB 87 115 199

HSL 225, 0.5%, 0.56%

LAB 49.99, 14.77, -46.95

 

CMYK 0 / 56 / 31 / 22

HEX #C8588A

RGB 200 88 138

HSL 333.21, 0.5%, 0.56%

LAB 53.05, 49.82, -5.71

 

CMYK 3 / 0 / 56 / 22

HEX #C1C757

RGB 193 199 87

HSL 63.21, 0.5%, 0.56%

LAB 77.8, -17.12, 54.25

 

CMYK 56 / 0 / 26 / 22

HEX #57C794

RGB 87 199 148

HSL 152.68, 0.5%, 0.56%

LAB 72.9, -43.9, 16.09

 

CMYK 54 / 56 / 0 / 22

HEX #5C57C7

RGB 92 87 199

HSL 242.68, 0.5%, 0.56%

LAB 43.09, 33.14, -58.01

 

Description

Color code: HEX #C8588A | qconv.com Color code: HEX #C8588A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 88 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 88 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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