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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C857CF it is the complementary color #37A830. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C857CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C857CF shade: #CD57CA, #DE69DD, #EF7BF0, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C857CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C857CF shade: #C857CF, #B745BC, #A633A9, #952196 and #840F83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C857CF shade: #C958D0, #D058B7, #D05896, #D05876 and #D05858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C857CF shade: #C958D0, #A958D0, #8858D0, #6858D0 and #5858D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C857CF shade matches the following richer shades: #C958D0, #D847E1 and #E735F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C857CF shade: #C958D0, #BA69BF, #AA7BAD, #9B8C9C and #8C9D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C857CF shade: #8858D0, #A858D0, #C858D0, #D058B8 and #D05898

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C857CF shade: #9F2FA6, #BE38C7, #C958D0, #D378D9 and #DE98E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C857CF shade: #C857CF, #D06858 and #58D098

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C857CF shade: #C857CF, #D0C858 and #58D0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C857CF shade: #C857CF, #D06858, #60D058 and #58C0D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C857CF shade: #C857CF, #D08C58, #60D058 and #589CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 58 / 0 / 19

HEX #C857CF

RGB 200 87 207

HSL 296.5, 0.56%, 0.58%

LAB 55.69, 60.93, -41.78

 

Complementary color

CMYK 67 / 0 / 71 / 34

HEX #37A830

RGB 55 168 48

HSL 116.5, 0.56%, 0.42%

LAB 60.81, -54.35, 50.26

 

CMYK 0 / 58 / 1 / 20

HEX #CD57CA

RGB 205 87 202

HSL 301.53, 0.54%, 0.57%

LAB 56.15, 61.34, -38.15

 

CMYK 0 / 53 / 0 / 13

HEX #DE69DD

RGB 222 105 221

HSL 300.51, 0.64%, 0.64%

LAB 62.38, 60.94, -38.95

 

CMYK 0 / 49 / 0 / 6

HEX #EF7BF0

RGB 239 123 240

HSL 299.49, 0.8%, 0.71%

LAB 68.61, 60.38, -39.6

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 3 / 58 / 0 / 19

HEX #C857CF

RGB 200 87 207

HSL 296.5, 0.56%, 0.58%

LAB 55.69, 60.93, -41.78

 

CMYK 3 / 63 / 0 / 26

HEX #B745BC

RGB 183 69 188

HSL 297.48, 0.47%, 0.5%

LAB 49.44, 61.11, -40.88

 

CMYK 2 / 70 / 0 / 34

HEX #A633A9

RGB 166 51 169

HSL 298.47, 0.54%, 0.43%

LAB 43.27, 60.87, -39.65

 

CMYK 1 / 78 / 0 / 41

HEX #952196

RGB 149 33 150

HSL 299.49, 0.64%, 0.36%

LAB 37.26, 59.9, -37.95

 

CMYK 0 / 89 / 1 / 48

HEX #840F83

RGB 132 15 131

HSL 300.51, 0.8%, 0.29%

LAB 31.55, 57.75, -35.52

 

CMYK 3 / 58 / 0 / 18

HEX #C958D0

RGB 201 88 208

HSL 296.5, 0.56%, 0.58%

LAB 56.04, 60.91, -41.78

 

CMYK 0 / 58 / 12 / 18

HEX #D058B7

RGB 208 88 183

HSL 312.5, 0.56%, 0.58%

LAB 55.9, 58.61, -27.61

 

CMYK 0 / 58 / 28 / 18

HEX #D05896

RGB 208 88 150

HSL 329, 0.56%, 0.58%

LAB 54.65, 53.89, -10.28

 

CMYK 0 / 58 / 43 / 18

HEX #D05876

RGB 208 88 118

HSL 345, 0.56%, 0.58%

LAB 53.7, 50.16, 7.25

 

CMYK 0 / 58 / 58 / 18

HEX #D05858

RGB 208 88 88

HSL 0, 0.56%, 0.58%

LAB 53.05, 47.51, 24.09

 

CMYK 3 / 58 / 0 / 18

HEX #C958D0

RGB 201 88 208

HSL 296.5, 0.56%, 0.58%

LAB 56.04, 60.91, -41.78

 

CMYK 19 / 58 / 0 / 18

HEX #A958D0

RGB 169 88 208

HSL 280.5, 0.56%, 0.58%

LAB 51.8, 52.8, -48.77

 

CMYK 35 / 58 / 0 / 18

HEX #8858D0

RGB 136 88 208

HSL 264, 0.56%, 0.58%

LAB 47.97, 44.76, -55.12

 

CMYK 50 / 58 / 0 / 18

HEX #6858D0

RGB 104 88 208

HSL 248, 0.56%, 0.58%

LAB 44.91, 37.72, -60.2

 

CMYK 58 / 58 / 0 / 18

HEX #5858D0

RGB 88 88 208

HSL 240, 0.56%, 0.58%

LAB 43.67, 34.66, -62.28

 

CMYK 3 / 58 / 0 / 18

HEX #C958D0

RGB 201 88 208

HSL 296.5, 0.56%, 0.58%

LAB 56.04, 60.91, -41.78

 

CMYK 4 / 68 / 0 / 12

HEX #D847E1

RGB 216 71 225

HSL 296.49, 0.72%, 0.58%

LAB 56.63, 74.22, -50.34

 

CMYK 5 / 78 / 0 / 5

HEX #E735F3

RGB 231 53 243

HSL 296.21, 0.89%, 0.58%

LAB 58.04, 85.57, -58.04

 

CMYK 3 / 58 / 0 / 18

HEX #C958D0

RGB 201 88 208

HSL 296.5, 0.56%, 0.58%

LAB 56.04, 60.91, -41.78

 

CMYK 3 / 45 / 0 / 25

HEX #BA69BF

RGB 186 105 191

HSL 296.51, 0.4%, 0.58%

LAB 56.39, 45.34, -31.67

 

CMYK 2 / 29 / 0 / 32

HEX #AA7BAD

RGB 170 123 173

HSL 296.4, 0.23%, 0.58%

LAB 57.78, 26.91, -19.37

 

CMYK 1 / 10 / 0 / 39

HEX #9B8C9C

RGB 155 140 156

HSL 296.25, 0.07%, 0.58%

LAB 60, 8.61, -6.43

 

CMYK 11 / 0 / 11 / 38

HEX #8C9D8B

RGB 140 157 139

HSL 116.67, 0.08%, 0.58%

LAB 62.97, -9.57, 7.38

 

CMYK 35 / 58 / 0 / 18

HEX #8858D0

RGB 136 88 208

HSL 264, 0.56%, 0.58%

LAB 47.97, 44.76, -55.12

 

CMYK 19 / 58 / 0 / 18

HEX #A858D0

RGB 168 88 208

HSL 280, 0.56%, 0.58%

LAB 51.68, 52.55, -48.97

 

CMYK 4 / 58 / 0 / 18

HEX #C858D0

RGB 200 88 208

HSL 296, 0.56%, 0.58%

LAB 55.9, 60.66, -42.01

 

CMYK 0 / 58 / 12 / 18

HEX #D058B8

RGB 208 88 184

HSL 312, 0.56%, 0.58%

LAB 55.94, 58.76, -28.12

 

CMYK 0 / 58 / 27 / 18

HEX #D05898

RGB 208 88 152

HSL 328, 0.56%, 0.58%

LAB 54.72, 54.15, -11.36

 

CMYK 4 / 72 / 0 / 35

HEX #9F2FA6

RGB 159 47 166

HSL 296.47, 0.56%, 0.42%

LAB 41.46, 60.22, -40.81

 

CMYK 5 / 72 / 0 / 22

HEX #BE38C7

RGB 190 56 199

HSL 296.22, 0.56%, 0.5%

LAB 49.37, 69.49, -47.29

 

CMYK 3 / 58 / 0 / 18

HEX #C958D0

RGB 201 88 208

HSL 296.5, 0.56%, 0.58%

LAB 56.04, 60.91, -41.78

 

CMYK 3 / 45 / 0 / 15

HEX #D378D9

RGB 211 120 217

HSL 296.29, 0.56%, 0.66%

LAB 63.58, 49.83, -34.95

 

CMYK 2 / 33 / 0 / 11

HEX #DE98E2

RGB 222 152 226

HSL 296.76, 0.56%, 0.74%

LAB 71.88, 38.08, -27.01

 

CMYK 3 / 58 / 0 / 19

HEX #C857CF

RGB 200 87 207

HSL 296.5, 0.56%, 0.58%

LAB 55.69, 60.93, -41.78

 

CMYK 0 / 50 / 58 / 18

HEX #D06858

RGB 208 104 88

HSL 8, 0.56%, 0.58%

LAB 56.1, 39.65, 28.05

 

CMYK 58 / 0 / 27 / 18

HEX #58D098

RGB 88 208 152

HSL 152, 0.56%, 0.58%

LAB 75.73, -46.67, 17.9

 

CMYK 3 / 58 / 0 / 19

HEX #C857CF

RGB 200 87 207

HSL 296.5, 0.56%, 0.58%

LAB 55.69, 60.93, -41.78

 

CMYK 0 / 4 / 58 / 18

HEX #D0C858

RGB 208 200 88

HSL 56, 0.56%, 0.58%

LAB 79.28, -11.36, 55.8

 

CMYK 58 / 0 / 4 / 18

HEX #58D0C8

RGB 88 208 200

HSL 176, 0.56%, 0.58%

LAB 76.89, -35.31, -6.15

 

CMYK 3 / 58 / 0 / 19

HEX #C857CF

RGB 200 87 207

HSL 296.5, 0.56%, 0.58%

LAB 55.69, 60.93, -41.78

 

CMYK 0 / 50 / 58 / 18

HEX #D06858

RGB 208 104 88

HSL 8, 0.56%, 0.58%

LAB 56.1, 39.65, 28.05

 

CMYK 54 / 0 / 58 / 18

HEX #60D058

RGB 96 208 88

HSL 116, 0.56%, 0.58%

LAB 75.02, -55.16, 49.19

 

CMYK 58 / 8 / 0 / 18

HEX #58C0D0

RGB 88 192 208

HSL 188, 0.56%, 0.58%

LAB 72.45, -25.4, -17.13

 

CMYK 3 / 58 / 0 / 19

HEX #C857CF

RGB 200 87 207

HSL 296.5, 0.56%, 0.58%

LAB 55.69, 60.93, -41.78

 

CMYK 0 / 33 / 58 / 18

HEX #D08C58

RGB 208 140 88

HSL 26, 0.56%, 0.58%

LAB 64.06, 20.51, 38.01

 

CMYK 54 / 0 / 58 / 18

HEX #60D058

RGB 96 208 88

HSL 116, 0.56%, 0.58%

LAB 75.02, -55.16, 49.19

 

CMYK 58 / 25 / 0 / 18

HEX #589CD0

RGB 88 156 208

HSL 206, 0.56%, 0.58%

LAB 62, -6.33, -33.14

 

Description

Color code: HEX #C857CF | qconv.com Color code: HEX #C857CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 87 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 87 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 58 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 58% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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