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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C85485 it is the complementary color #37AB7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C85485. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C85485 shade: #CD5480, #DE6693, #EF78A6, #FF8AB9 and #FF9CCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C85485. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C85485 shade: #C85485, #B74272, #A6305F, #951E4C and #840C39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C85485 shade: #C85686, #C85667 and #C85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C85485 shade: #C85686, #C856A5, #C856C4, #AE56C8 and #8F56C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C85485 shade matches the following richer shades: #C85686, #DA4383, #EC3180 and #FE1F7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C85485 shade: #C85686, #B66889, #A47A8C, #928C8E and #7F9E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C85485 shade: #C856C4, #C856A6, #C85687, #C85669 and #C86156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C85485 shade: #99325D, #B83C70, #C85686, #D2759C and #DC94B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C85485 shade: #C85485, #C8AD56 and #56B5C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C85485 shade: #C85485, #87C856 and #5687C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C85485 shade: #C85485, #C8AD56, #56C896 and #5670C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C85485 shade: #C85485, #C0C856, #56C896 and #5D56C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 34 / 22

HEX #C85485

RGB 200 84 133

HSL 334.66, 0.51%, 0.56%

LAB 52.19, 51.08, -4.02

 

Complementary color

CMYK 68 / 0 / 29 / 33

HEX #37AB7A

RGB 55 171 122

HSL 154.66, 0.51%, 0.44%

LAB 62.8, -43.98, 16.01

 

CMYK 0 / 59 / 38 / 20

HEX #CD5480

RGB 205 84 128

HSL 338.18, 0.55%, 0.57%

LAB 52.82, 52.09, -0.03

 

CMYK 0 / 54 / 34 / 13

HEX #DE6693

RGB 222 102 147

HSL 337.5, 0.65%, 0.64%

LAB 59.1, 51.42, -1.7

 

CMYK 0 / 50 / 31 / 6

HEX #EF78A6

RGB 239 120 166

HSL 336.81, 0.79%, 0.7%

LAB 65.39, 50.65, -3.1

 

CMYK 0 / 46 / 27 / 0

HEX #FF8AB9

RGB 255 138 185

HSL 335.9, 1%, 0.77%

LAB 71.51, 49.51, -4.51

 

CMYK 0 / 39 / 20 / 0

HEX #FF9CCC

RGB 255 156 204

HSL 330.91, 1%, 0.81%

LAB 75.7, 43.06, -8.81

 

CMYK 0 / 58 / 34 / 22

HEX #C85485

RGB 200 84 133

HSL 334.66, 0.51%, 0.56%

LAB 52.19, 51.08, -4.02

 

CMYK 0 / 64 / 38 / 28

HEX #B74272

RGB 183 66 114

HSL 335.38, 0.47%, 0.49%

LAB 45.88, 51.55, -2.17

 

CMYK 0 / 71 / 43 / 35

HEX #A6305F

RGB 166 48 95

HSL 336.1, 0.55%, 0.42%

LAB 39.66, 51.66, 0.17

 

CMYK 0 / 80 / 49 / 42

HEX #951E4C

RGB 149 30 76

HSL 336.81, 0.66%, 0.35%

LAB 33.65, 51.08, 3.24

 

CMYK 0 / 91 / 57 / 48

HEX #840C39

RGB 132 12 57

HSL 337.5, 0.83%, 0.28%

LAB 28.02, 49.31, 7.37

 

CMYK 0 / 57 / 33 / 22

HEX #C85686

RGB 200 86 134

HSL 334.74, 0.51%, 0.56%

LAB 52.57, 50.27, -4.05

 

CMYK 0 / 57 / 49 / 22

HEX #C85667

RGB 200 86 103

HSL 351.05, 0.51%, 0.56%

LAB 51.74, 46.91, 13.23

 

CMYK 0 / 57 / 57 / 22

HEX #C85656

RGB 200 86 86

HSL 0, 0.51%, 0.56%

LAB 51.39, 45.46, 22.85

 

CMYK 0 / 57 / 33 / 22

HEX #C85686

RGB 200 86 134

HSL 334.74, 0.51%, 0.56%

LAB 52.57, 50.27, -4.05

 

CMYK 0 / 57 / 18 / 22

HEX #C856A5

RGB 200 86 165

HSL 318.42, 0.51%, 0.56%

LAB 53.66, 54.48, -20.7

 

CMYK 0 / 57 / 2 / 22

HEX #C856C4

RGB 200 86 196

HSL 302.11, 0.51%, 0.56%

LAB 54.99, 59.45, -36.59

 

CMYK 13 / 57 / 0 / 22

HEX #AE56C8

RGB 174 86 200

HSL 286.32, 0.51%, 0.56%

LAB 51.64, 53.4, -44.41

 

CMYK 29 / 57 / 0 / 22

HEX #8F56C8

RGB 143 86 200

HSL 270, 0.51%, 0.56%

LAB 47.84, 45.55, -50.69

 

CMYK 0 / 57 / 33 / 22

HEX #C85686

RGB 200 86 134

HSL 334.74, 0.51%, 0.56%

LAB 52.57, 50.27, -4.05

 

CMYK 0 / 69 / 40 / 15

HEX #DA4383

RGB 218 67 131

HSL 334.57, 0.67%, 0.56%

LAB 52.46, 63.34, -2.09

 

CMYK 0 / 79 / 46 / 7

HEX #EC3180

RGB 236 49 128

HSL 334.65, 0.83%, 0.56%

LAB 53.59, 73.45, 1.73

 

CMYK 0 / 88 / 51 / 0

HEX #FE1F7D

RGB 254 31 125

HSL 334.71, 0.99%, 0.56%

LAB 55.62, 81.2, 6.89

 

CMYK 0 / 57 / 33 / 22

HEX #C85686

RGB 200 86 134

HSL 334.74, 0.51%, 0.56%

LAB 52.57, 50.27, -4.05

 

CMYK 0 / 43 / 25 / 29

HEX #B66889

RGB 182 104 137

HSL 334.62, 0.35%, 0.56%

LAB 53.66, 35.42, -4.51

 

CMYK 0 / 26 / 15 / 36

HEX #A47A8C

RGB 164 122 140

HSL 334.29, 0.19%, 0.56%

LAB 55.79, 19.25, -3.35

 

CMYK 0 / 4 / 3 / 43

HEX #928C8E

RGB 146 140 142

HSL 340, 0.03%, 0.56%

LAB 58.81, 2.61, -0.28

 

CMYK 20 / 0 / 8 / 38

HEX #7F9E91

RGB 127 158 145

HSL 154.84, 0.14%, 0.56%

LAB 62.52, -13.48, 3.24

 

CMYK 0 / 57 / 2 / 22

HEX #C856C4

RGB 200 86 196

HSL 302.11, 0.51%, 0.56%

LAB 54.99, 59.45, -36.59

 

CMYK 0 / 57 / 17 / 22

HEX #C856A6

RGB 200 86 166

HSL 317.89, 0.51%, 0.56%

LAB 53.69, 54.63, -21.23

 

CMYK 0 / 57 / 33 / 22

HEX #C85687

RGB 200 86 135

HSL 334.21, 0.51%, 0.56%

LAB 52.6, 50.39, -4.6

 

CMYK 0 / 57 / 48 / 22

HEX #C85669

RGB 200 86 105

HSL 350, 0.51%, 0.56%

LAB 51.79, 47.1, 12.11

 

CMYK 0 / 52 / 57 / 22

HEX #C86156

RGB 200 97 86

HSL 5.79, 0.51%, 0.56%

LAB 53.49, 40.04, 25.59

 

CMYK 0 / 67 / 39 / 40

HEX #99325D

RGB 153 50 93

HSL 334.95, 0.51%, 0.4%

LAB 37.56, 46.66, -1.92

 

CMYK 0 / 67 / 39 / 28

HEX #B83C70

RGB 184 60 112

HSL 334.84, 0.51%, 0.48%

LAB 45.07, 54.14, -2.11

 

CMYK 0 / 57 / 33 / 22

HEX #C85686

RGB 200 86 134

HSL 334.74, 0.51%, 0.56%

LAB 52.57, 50.27, -4.05

 

CMYK 0 / 44 / 26 / 18

HEX #D2759C

RGB 210 117 156

HSL 334.84, 0.51%, 0.64%

LAB 60.63, 41.07, -4.84

 

CMYK 0 / 33 / 19 / 14

HEX #DC94B2

RGB 220 148 178

HSL 335, 0.51%, 0.72%

LAB 69.19, 31.36, -4.51

 

CMYK 0 / 58 / 34 / 22

HEX #C85485

RGB 200 84 133

HSL 334.66, 0.51%, 0.56%

LAB 52.19, 51.08, -4.02

 

CMYK 0 / 14 / 57 / 22

HEX #C8AD56

RGB 200 173 86

HSL 45.79, 0.51%, 0.56%

LAB 71.45, -0.85, 47.61

 

CMYK 57 / 10 / 0 / 22

HEX #56B5C8

RGB 86 181 200

HSL 190, 0.51%, 0.56%

LAB 68.89, -22.54, -18.13

 

CMYK 0 / 58 / 34 / 22

HEX #C85485

RGB 200 84 133

HSL 334.66, 0.51%, 0.56%

LAB 52.19, 51.08, -4.02

 

CMYK 33 / 0 / 57 / 22

HEX #87C856

RGB 135 200 86

HSL 94.21, 0.51%, 0.56%

LAB 74.27, -40.1, 49.67

 

CMYK 57 / 33 / 0 / 22

HEX #5687C8

RGB 86 135 200

HSL 214.21, 0.51%, 0.56%

LAB 55.56, 2.8, -38.72

 

CMYK 0 / 58 / 34 / 22

HEX #C85485

RGB 200 84 133

HSL 334.66, 0.51%, 0.56%

LAB 52.19, 51.08, -4.02

 

CMYK 0 / 14 / 57 / 22

HEX #C8AD56

RGB 200 173 86

HSL 45.79, 0.51%, 0.56%

LAB 71.45, -0.85, 47.61

 

CMYK 57 / 0 / 25 / 22

HEX #56C896

RGB 86 200 150

HSL 153.68, 0.51%, 0.56%

LAB 73.21, -44.12, 15.45

 

CMYK 57 / 44 / 0 / 22

HEX #5670C8

RGB 86 112 200

HSL 226.32, 0.51%, 0.56%

LAB 49.18, 16.75, -48.83

 

CMYK 0 / 58 / 34 / 22

HEX #C85485

RGB 200 84 133

HSL 334.66, 0.51%, 0.56%

LAB 52.19, 51.08, -4.02

 

CMYK 4 / 0 / 57 / 22

HEX #C0C856

RGB 192 200 86

HSL 64.21, 0.51%, 0.56%

LAB 77.99, -18.11, 54.89

 

CMYK 57 / 0 / 25 / 22

HEX #56C896

RGB 86 200 150

HSL 153.68, 0.51%, 0.56%

LAB 73.21, -44.12, 15.45

 

CMYK 54 / 57 / 0 / 22

HEX #5D56C8

RGB 93 86 200

HSL 243.68, 0.51%, 0.56%

LAB 42.99, 34.27, -58.74

 

Description

Color code: HEX #C85485 | qconv.com Color code: HEX #C85485 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 84 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 84 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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