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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C85196 it is the complementary color #37AE69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C85196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C85196 shade: #CD5191, #DE63A4, #EF75B7, #FF87CA and #FF99DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C85196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C85196 shade: #C85196, #B73F83, #A62D70, #951B5D and #84094A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C85196 shade: #C85196, #C85176, #C85155 and #C85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C85196 shade: #C85196, #C851B6, #BA51C8, #9A51C8 and #7951C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C85196 shade matches the following richer shades: #C85196, #DA3E99 and #ED2B9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C85196 shade: #C85196, #B56393, #A37690, #90888D and #7E9B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C85196 shade: #BA51C8, #C851B6, #C85196, #C85176 and #C85157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C85196 shade: #96306B, #B63982, #C85196, #D270A9 and #DC8FBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C85196 shade: #C85196, #C89A51 and #51C6C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C85196 shade: #C85196, #96C851 and #5196C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C85196 shade: #C85196, #C89A51, #51C882 and #517EC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C85196 shade: #C85196, #C8BE51, #51C882 and #515BC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

Complementary color

CMYK 68 / 0 / 40 / 32

HEX #37AE69

RGB 55 174 105

HSL 145.21, 0.52%, 0.45%

LAB 63.43, -48.68, 26.08

 

CMYK 0 / 60 / 29 / 20

HEX #CD5191

RGB 205 81 145

HSL 329.03, 0.55%, 0.56%

LAB 52.85, 55.47, -10.08

 

CMYK 0 / 55 / 26 / 13

HEX #DE63A4

RGB 222 99 164

HSL 328.29, 0.65%, 0.63%

LAB 59.1, 54.97, -11.56

 

CMYK 0 / 51 / 23 / 6

HEX #EF75B7

RGB 239 117 183

HSL 327.54, 0.79%, 0.7%

LAB 65.35, 54.33, -12.79

 

CMYK 0 / 47 / 21 / 0

HEX #FF87CA

RGB 255 135 202

HSL 326.5, 1%, 0.76%

LAB 71.45, 53.3, -14.05

 

CMYK 0 / 40 / 13 / 0

HEX #FF99DD

RGB 255 153 221

HSL 320, 1%, 0.8%

LAB 75.61, 47.16, -18.24

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 66 / 28 / 28

HEX #B73F83

RGB 183 63 131

HSL 326, 0.49%, 0.48%

LAB 45.99, 54.87, -12.37

 

CMYK 0 / 73 / 33 / 35

HEX #A62D70

RGB 166 45 112

HSL 326.78, 0.57%, 0.41%

LAB 39.84, 54.66, -10.25

 

CMYK 0 / 82 / 38 / 42

HEX #951B5D

RGB 149 27 93

HSL 327.54, 0.69%, 0.35%

LAB 33.91, 53.65, -7.42

 

CMYK 0 / 93 / 44 / 48

HEX #84094A

RGB 132 9 74

HSL 328.29, 0.87%, 0.28%

LAB 28.37, 51.31, -3.57

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 60 / 41 / 22

HEX #C85176

RGB 200 81 118

HSL 341.34, 0.52%, 0.55%

LAB 51.24, 50.75, 3.55

 

CMYK 0 / 60 / 58 / 22

HEX #C85155

RGB 200 81 85

HSL 357.98, 0.52%, 0.55%

LAB 50.48, 47.74, 22.23

 

CMYK 0 / 60 / 60 / 22

HEX #C85151

RGB 200 81 81

HSL 0, 0.52%, 0.55%

LAB 50.4, 47.45, 24.5

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 60 / 9 / 22

HEX #C851B6

RGB 200 81 182

HSL 309.08, 0.52%, 0.55%

LAB 53.54, 59.35, -30.78

 

CMYK 7 / 60 / 0 / 22

HEX #BA51C8

RGB 186 81 200

HSL 292.94, 0.52%, 0.55%

LAB 52.39, 58.81, -43.11

 

CMYK 23 / 60 / 0 / 22

HEX #9A51C8

RGB 154 81 200

HSL 276.81, 0.52%, 0.55%

LAB 48.17, 50.86, -50.09

 

CMYK 40 / 60 / 0 / 22

HEX #7951C8

RGB 121 81 200

HSL 260.17, 0.52%, 0.55%

LAB 44.4, 43.12, -56.33

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 72 / 30 / 15

HEX #DA3E99

RGB 218 62 153

HSL 325, 0.68%, 0.55%

LAB 52.56, 67.51, -15.04

 

CMYK 0 / 82 / 34 / 7

HEX #ED2B9C

RGB 237 43 156

HSL 325.05, 0.84%, 0.55%

LAB 54.17, 77.76, -14.07

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 45 / 19 / 29

HEX #B56393

RGB 181 99 147

HSL 324.88, 0.36%, 0.55%

LAB 52.79, 39.26, -11.7

 

CMYK 0 / 28 / 12 / 36

HEX #A37690

RGB 163 118 144

HSL 325.33, 0.2%, 0.55%

LAB 54.82, 21.86, -7.13

 

CMYK 0 / 6 / 2 / 44

HEX #90888D

RGB 144 136 141

HSL 322.5, 0.03%, 0.55%

LAB 57.52, 3.94, -1.61

 

CMYK 19 / 0 / 11 / 39

HEX #7E9B8A

RGB 126 155 138

HSL 144.83, 0.13%, 0.55%

LAB 61.41, -13.66, 5.57

 

CMYK 7 / 60 / 0 / 22

HEX #BA51C8

RGB 186 81 200

HSL 292.94, 0.52%, 0.55%

LAB 52.39, 58.81, -43.11

 

CMYK 0 / 60 / 9 / 22

HEX #C851B6

RGB 200 81 182

HSL 309.08, 0.52%, 0.55%

LAB 53.54, 59.35, -30.78

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 60 / 41 / 22

HEX #C85176

RGB 200 81 118

HSL 341.34, 0.52%, 0.55%

LAB 51.24, 50.75, 3.55

 

CMYK 0 / 60 / 57 / 22

HEX #C85157

RGB 200 81 87

HSL 356.97, 0.52%, 0.55%

LAB 50.51, 47.89, 21.1

 

CMYK 0 / 68 / 29 / 41

HEX #96306B

RGB 150 48 107

HSL 325.29, 0.52%, 0.39%

LAB 37.22, 48.31, -11.33

 

CMYK 0 / 69 / 29 / 29

HEX #B63982

RGB 182 57 130

HSL 324.96, 0.52%, 0.47%

LAB 44.92, 56.86, -13.4

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 47 / 20 / 18

HEX #D270A9

RGB 210 112 169

HSL 325.1, 0.52%, 0.63%

LAB 60.03, 45.53, -13.21

 

CMYK 0 / 35 / 15 / 14

HEX #DC8FBC

RGB 220 143 188

HSL 324.94, 0.52%, 0.71%

LAB 68.38, 35.6, -11.3

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 23 / 60 / 22

HEX #C89A51

RGB 200 154 81

HSL 36.81, 0.52%, 0.55%

LAB 66.51, 8.98, 44.31

 

CMYK 60 / 1 / 0 / 22

HEX #51C6C8

RGB 81 198 200

HSL 181.01, 0.52%, 0.55%

LAB 73.74, -31.85, -10.85

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 25 / 0 / 60 / 22

HEX #96C851

RGB 150 200 81

HSL 85.21, 0.52%, 0.55%

LAB 75.07, -35.12, 53.05

 

CMYK 60 / 25 / 0 / 22

HEX #5196C8

RGB 81 150 200

HSL 205.21, 0.52%, 0.55%

LAB 59.65, -6.88, -32.35

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 23 / 60 / 22

HEX #C89A51

RGB 200 154 81

HSL 36.81, 0.52%, 0.55%

LAB 66.51, 8.98, 44.31

 

CMYK 60 / 0 / 35 / 22

HEX #51C882

RGB 81 200 130

HSL 144.71, 0.52%, 0.55%

LAB 72.67, -49.22, 25.31

 

CMYK 60 / 37 / 0 / 22

HEX #517EC8

RGB 81 126 200

HSL 217.31, 0.52%, 0.55%

LAB 52.78, 7.16, -43.12

 

CMYK 0 / 60 / 25 / 22

HEX #C85196

RGB 200 81 150

HSL 325.21, 0.52%, 0.55%

LAB 52.25, 54.62, -14.02

 

CMYK 0 / 5 / 60 / 22

HEX #C8BE51

RGB 200 190 81

HSL 54.96, 0.52%, 0.55%

LAB 75.88, -10.09, 54.96

 

CMYK 60 / 0 / 35 / 22

HEX #51C882

RGB 81 200 130

HSL 144.71, 0.52%, 0.55%

LAB 72.67, -49.22, 25.31

 

CMYK 60 / 55 / 0 / 22

HEX #515BC8

RGB 81 91 200

HSL 234.96, 0.52%, 0.55%

LAB 43.36, 28.9, -58.18

 

Description

Color code: HEX #C85196 | qconv.com Color code: HEX #C85196 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 81 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 81 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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