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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C850C0 it is the complementary color #37AF3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C850C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C850C0 shade: #CD50BB, #DE62CE, #EF74E1, #FF86F4 and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C850C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C850C0 shade: #C850C0, #B73EAD, #A62C9A, #951A87 and #840874

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C850C0 shade: #C851C0, #C851A0, #C85180, #C8515F and #C85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C850C0 shade: #C851C0, #B051C8, #9051C8, #6F51C8 and #5151C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C850C0 shade matches the following richer shades: #C851C0, #DA3ED0 and #ED2BE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C850C0 shade: #C851C0, #B563B0, #A376A0, #908890 and #7E9B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C850C0 shade: #9051C8, #B051C8, #C851C0, #C851A0 and #C85180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C850C0 shade: #963090, #B639AE, #C851C0, #D270CB and #DC8FD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C850C0 shade: #C850C0, #C87051 and #51C8A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C850C0 shade: #C850C0, #C0C851 and #51C0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C850C0 shade: #C850C0, #C87051, #51C859 and #51A8C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C850C0 shade: #C850C0, #C89451, #51C859 and #5184C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 4 / 22

HEX #C850C0

RGB 200 80 192

HSL 304, 0.52%, 0.55%

LAB 53.84, 61.41, -36.09

 

Complementary color

CMYK 69 / 0 / 64 / 31

HEX #37AF3F

RGB 55 175 63

HSL 124, 0.52%, 0.45%

LAB 63.2, -55.31, 46.6

 

CMYK 0 / 61 / 9 / 20

HEX #CD50BB

RGB 205 80 187

HSL 308.64, 0.56%, 0.56%

LAB 54.35, 61.91, -32.36

 

CMYK 0 / 56 / 7 / 13

HEX #DE62CE

RGB 222 98 206

HSL 307.74, 0.65%, 0.63%

LAB 60.53, 61.62, -33.4

 

CMYK 0 / 51 / 6 / 6

HEX #EF74E1

RGB 239 116 225

HSL 306.83, 0.79%, 0.7%

LAB 66.73, 61.14, -34.24

 

CMYK 0 / 47 / 4 / 0

HEX #FF86F4

RGB 255 134 244

HSL 305.45, 1%, 0.76%

LAB 72.79, 60.27, -35.14

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 60 / 4 / 22

HEX #C850C0

RGB 200 80 192

HSL 304, 0.52%, 0.55%

LAB 53.84, 61.41, -36.09

 

CMYK 0 / 66 / 5 / 28

HEX #B73EAD

RGB 183 62 173

HSL 304.96, 0.49%, 0.48%

LAB 47.66, 61.4, -34.91

 

CMYK 0 / 73 / 7 / 35

HEX #A62C9A

RGB 166 44 154

HSL 305.9, 0.58%, 0.41%

LAB 41.6, 60.85, -33.32

 

CMYK 0 / 83 / 9 / 42

HEX #951A87

RGB 149 26 135

HSL 306.83, 0.7%, 0.34%

LAB 35.75, 59.42, -31.14

 

CMYK 0 / 94 / 12 / 48

HEX #840874

RGB 132 8 116

HSL 307.74, 0.89%, 0.27%

LAB 30.25, 56.61, -28.1

 

CMYK 0 / 60 / 4 / 22

HEX #C851C0

RGB 200 81 192

HSL 304.03, 0.52%, 0.55%

LAB 54, 60.98, -35.85

 

CMYK 0 / 60 / 20 / 22

HEX #C851A0

RGB 200 81 160

HSL 320.17, 0.52%, 0.55%

LAB 52.62, 56.02, -19.35

 

CMYK 0 / 60 / 36 / 22

HEX #C85180

RGB 200 81 128

HSL 336.3, 0.52%, 0.55%

LAB 51.52, 51.86, -2.02

 

CMYK 0 / 60 / 53 / 22

HEX #C8515F

RGB 200 81 95

HSL 352.94, 0.52%, 0.55%

LAB 50.68, 48.54, 16.55

 

CMYK 0 / 60 / 60 / 22

HEX #C85151

RGB 200 81 81

HSL 0, 0.52%, 0.55%

LAB 50.4, 47.45, 24.5

 

CMYK 0 / 60 / 4 / 22

HEX #C851C0

RGB 200 81 192

HSL 304.03, 0.52%, 0.55%

LAB 54, 60.98, -35.85

 

CMYK 12 / 60 / 0 / 22

HEX #B051C8

RGB 176 81 200

HSL 287.9, 0.52%, 0.55%

LAB 51.02, 56.3, -45.37

 

CMYK 28 / 60 / 0 / 22

HEX #9051C8

RGB 144 81 200

HSL 271.76, 0.52%, 0.55%

LAB 46.95, 48.45, -52.1

 

CMYK 45 / 60 / 0 / 22

HEX #6F51C8

RGB 111 81 200

HSL 255.13, 0.52%, 0.55%

LAB 43.41, 40.93, -57.99

 

CMYK 60 / 60 / 0 / 22

HEX #5151C8

RGB 81 81 200

HSL 240, 0.52%, 0.55%

LAB 40.9, 35.11, -62.17

 

CMYK 0 / 60 / 4 / 22

HEX #C851C0

RGB 200 81 192

HSL 304.03, 0.52%, 0.55%

LAB 54, 60.98, -35.85

 

CMYK 0 / 72 / 5 / 15

HEX #DA3ED0

RGB 218 62 208

HSL 303.85, 0.68%, 0.55%

LAB 54.97, 74.98, -43.3

 

CMYK 0 / 82 / 5 / 7

HEX #ED2BE0

RGB 237 43 224

HSL 304.02, 0.84%, 0.55%

LAB 57.19, 86.12, -48.68

 

CMYK 0 / 60 / 4 / 22

HEX #C851C0

RGB 200 81 192

HSL 304.03, 0.52%, 0.55%

LAB 54, 60.98, -35.85

 

CMYK 0 / 45 / 3 / 29

HEX #B563B0

RGB 181 99 176

HSL 303.66, 0.36%, 0.55%

LAB 53.9, 44.18, -26.95

 

CMYK 0 / 28 / 2 / 36

HEX #A376A0

RGB 163 118 160

HSL 304, 0.2%, 0.55%

LAB 55.36, 24.82, -15.62

 

CMYK 0 / 6 / 0 / 44

HEX #908890

RGB 144 136 144

HSL 300, 0.03%, 0.55%

LAB 57.61, 4.53, -3.2

 

CMYK 19 / 0 / 17 / 39

HEX #7E9B80

RGB 126 155 128

HSL 124.14, 0.13%, 0.55%

LAB 61.17, -15.61, 10.86

 

CMYK 28 / 60 / 0 / 22

HEX #9051C8

RGB 144 81 200

HSL 271.76, 0.52%, 0.55%

LAB 46.95, 48.45, -52.1

 

CMYK 12 / 60 / 0 / 22

HEX #B051C8

RGB 176 81 200

HSL 287.9, 0.52%, 0.55%

LAB 51.02, 56.3, -45.37

 

CMYK 0 / 60 / 4 / 22

HEX #C851C0

RGB 200 81 192

HSL 304.03, 0.52%, 0.55%

LAB 54, 60.98, -35.85

 

CMYK 0 / 60 / 20 / 22

HEX #C851A0

RGB 200 81 160

HSL 320.17, 0.52%, 0.55%

LAB 52.62, 56.02, -19.35

 

CMYK 0 / 60 / 36 / 22

HEX #C85180

RGB 200 81 128

HSL 336.3, 0.52%, 0.55%

LAB 51.52, 51.86, -2.02

 

CMYK 0 / 68 / 4 / 41

HEX #963090

RGB 150 48 144

HSL 303.53, 0.52%, 0.39%

LAB 38.92, 53.93, -31.66

 

CMYK 0 / 69 / 4 / 29

HEX #B639AE

RGB 182 57 174

HSL 303.84, 0.52%, 0.47%

LAB 46.88, 63.22, -36.74

 

CMYK 0 / 60 / 4 / 22

HEX #C851C0

RGB 200 81 192

HSL 304.03, 0.52%, 0.55%

LAB 54, 60.98, -35.85

 

CMYK 0 / 47 / 3 / 18

HEX #D270CB

RGB 210 112 203

HSL 304.29, 0.52%, 0.63%

LAB 61.31, 51.06, -30.62

 

CMYK 0 / 35 / 2 / 14

HEX #DC8FD7

RGB 220 143 215

HSL 303.9, 0.52%, 0.71%

LAB 69.3, 40.21, -24.92

 

CMYK 0 / 60 / 4 / 22

HEX #C850C0

RGB 200 80 192

HSL 304, 0.52%, 0.55%

LAB 53.84, 61.41, -36.09

 

CMYK 0 / 44 / 60 / 22

HEX #C87051

RGB 200 112 81

HSL 15.63, 0.52%, 0.55%

LAB 56.55, 31.84, 32.31

 

CMYK 60 / 0 / 20 / 22

HEX #51C8A0

RGB 81 200 160

HSL 159.83, 0.52%, 0.55%

LAB 73.28, -42.93, 10.15

 

CMYK 0 / 60 / 4 / 22

HEX #C850C0

RGB 200 80 192

HSL 304, 0.52%, 0.55%

LAB 53.84, 61.41, -36.09

 

CMYK 4 / 0 / 60 / 22

HEX #C0C851

RGB 192 200 81

HSL 64.03, 0.52%, 0.55%

LAB 77.94, -18.48, 57.04

 

CMYK 60 / 4 / 0 / 22

HEX #51C0C8

RGB 81 192 200

HSL 184.03, 0.52%, 0.55%

LAB 71.97, -28.95, -13.5

 

CMYK 0 / 60 / 4 / 22

HEX #C850C0

RGB 200 80 192

HSL 304, 0.52%, 0.55%

LAB 53.84, 61.41, -36.09

 

CMYK 0 / 44 / 60 / 22

HEX #C87051

RGB 200 112 81

HSL 15.63, 0.52%, 0.55%

LAB 56.55, 31.84, 32.31

 

CMYK 60 / 0 / 56 / 22

HEX #51C859

RGB 81 200 89

HSL 124.03, 0.52%, 0.55%

LAB 72.08, -55.71, 45.15

 

CMYK 60 / 16 / 0 / 22

HEX #51A8C8

RGB 81 168 200

HSL 196.13, 0.52%, 0.55%

LAB 64.9, -16.74, -24.23

 

CMYK 0 / 60 / 4 / 22

HEX #C850C0

RGB 200 80 192

HSL 304, 0.52%, 0.55%

LAB 53.84, 61.41, -36.09

 

CMYK 0 / 26 / 60 / 22

HEX #C89451

RGB 200 148 81

HSL 33.78, 0.52%, 0.55%

LAB 65, 12.25, 42.55

 

CMYK 60 / 0 / 56 / 22

HEX #51C859

RGB 81 200 89

HSL 124.03, 0.52%, 0.55%

LAB 72.08, -55.71, 45.15

 

CMYK 60 / 34 / 0 / 22

HEX #5184C8

RGB 81 132 200

HSL 214.29, 0.52%, 0.55%

LAB 54.47, 3.56, -40.44

 

Description

Color code: HEX #C850C0 | qconv.com Color code: HEX #C850C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 80 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 80 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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