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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C84F7E it is the complementary color #37B081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C84F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C84F7E shade: #CD4F79, #DE618C, #EF739F, #FF85B2 and #FF97C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C84F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C84F7E shade: #C84F7E, #B73D6B, #A62B58, #951945 and #840732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C84F7E shade: #C7507E, #C7505E and #C75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C84F7E shade: #C7507E, #C7509F, #C750BF, #B050C7 and #9050C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C84F7E shade matches the following richer shades: #C7507E, #DA3E7A and #ED2B76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C84F7E shade: #C7507E, #B56383, #A27587, #90888B and #7D9A8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C84F7E shade: #C750BF, #C750A0, #C75080, #C75060 and #C76050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C84F7E shade: #962F57, #B53969, #C7507E, #D16F95 and #DB8FAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C84F7E shade: #C84F7E, #C7B050 and #50B0C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C84F7E shade: #C84F7E, #80C750 and #5080C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C84F7E shade: #C84F7E, #C7B050, #50C798 and #5068C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C84F7E shade: #C84F7E, #BBC750, #50C798 and #5C50C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 37 / 22

HEX #C84F7E

RGB 200 79 126

HSL 336.69, 0.52%, 0.55%

LAB 51.13, 52.53, -1.41

 

Complementary color

CMYK 69 / 0 / 27 / 31

HEX #37B081

RGB 55 176 129

HSL 156.69, 0.52%, 0.45%

LAB 64.52, -44.5, 14.57

 

CMYK 0 / 61 / 41 / 20

HEX #CD4F79

RGB 205 79 121

HSL 340, 0.56%, 0.56%

LAB 51.78, 53.57, 2.64

 

CMYK 0 / 56 / 37 / 13

HEX #DE618C

RGB 222 97 140

HSL 339.36, 0.65%, 0.63%

LAB 58.01, 52.95, 0.78

 

CMYK 0 / 52 / 33 / 6

HEX #EF739F

RGB 239 115 159

HSL 338.71, 0.79%, 0.69%

LAB 64.25, 52.21, -0.77

 

CMYK 0 / 48 / 30 / 0

HEX #FF85B2

RGB 255 133 178

HSL 337.87, 1%, 0.76%

LAB 70.35, 51.08, -2.32

 

CMYK 0 / 41 / 23 / 0

HEX #FF97C5

RGB 255 151 197

HSL 333.46, 1%, 0.8%

LAB 74.46, 44.61, -6.8

 

CMYK 0 / 61 / 37 / 22

HEX #C84F7E

RGB 200 79 126

HSL 336.69, 0.52%, 0.55%

LAB 51.13, 52.53, -1.41

 

CMYK 0 / 67 / 42 / 28

HEX #B73D6B

RGB 183 61 107

HSL 337.38, 0.5%, 0.48%

LAB 44.89, 52.9, 0.68

 

CMYK 0 / 74 / 47 / 35

HEX #A62B58

RGB 166 43 88

HSL 338.05, 0.59%, 0.41%

LAB 38.79, 52.81, 3.34

 

CMYK 0 / 83 / 54 / 42

HEX #951945

RGB 149 25 69

HSL 338.71, 0.71%, 0.34%

LAB 32.95, 51.9, 6.83

 

CMYK 0 / 95 / 62 / 48

HEX #840732

RGB 132 7 50

HSL 339.36, 0.9%, 0.27%

LAB 27.54, 49.68, 11.46

 

CMYK 0 / 60 / 37 / 22

HEX #C7507E

RGB 199 80 126

HSL 336.81, 0.52%, 0.55%

LAB 51.14, 51.76, -1.41

 

CMYK 0 / 60 / 53 / 22

HEX #C7505E

RGB 199 80 94

HSL 352.94, 0.52%, 0.55%

LAB 50.32, 48.57, 16.63

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 60 / 37 / 22

HEX #C7507E

RGB 199 80 126

HSL 336.81, 0.52%, 0.55%

LAB 51.14, 51.76, -1.41

 

CMYK 0 / 60 / 20 / 22

HEX #C7509F

RGB 199 80 159

HSL 320.17, 0.52%, 0.55%

LAB 52.27, 56.03, -19.32

 

CMYK 0 / 60 / 4 / 22

HEX #C750BF

RGB 199 80 191

HSL 304.03, 0.52%, 0.55%

LAB 53.64, 60.99, -35.83

 

CMYK 12 / 60 / 0 / 22

HEX #B050C7

RGB 176 80 199

HSL 288.4, 0.52%, 0.55%

LAB 50.79, 56.57, -45.16

 

CMYK 28 / 60 / 0 / 22

HEX #9050C7

RGB 144 80 199

HSL 272.27, 0.52%, 0.55%

LAB 46.7, 48.73, -51.93

 

CMYK 0 / 60 / 37 / 22

HEX #C7507E

RGB 199 80 126

HSL 336.81, 0.52%, 0.55%

LAB 51.14, 51.76, -1.41

 

CMYK 0 / 72 / 44 / 15

HEX #DA3E7A

RGB 218 62 122

HSL 336.92, 0.68%, 0.55%

LAB 51.56, 64.25, 1.99

 

CMYK 0 / 82 / 50 / 7

HEX #ED2B76

RGB 237 43 118

HSL 336.8, 0.84%, 0.55%

LAB 52.99, 74.35, 6.91

 

CMYK 0 / 60 / 37 / 22

HEX #C7507E

RGB 199 80 126

HSL 336.81, 0.52%, 0.55%

LAB 51.14, 51.76, -1.41

 

CMYK 0 / 45 / 28 / 29

HEX #B56383

RGB 181 99 131

HSL 336.59, 0.36%, 0.55%

LAB 52.27, 36.89, -3.02

 

CMYK 0 / 28 / 17 / 36

HEX #A27587

RGB 162 117 135

HSL 336, 0.19%, 0.55%

LAB 54.19, 20.51, -2.82

 

CMYK 0 / 6 / 3 / 44

HEX #90888B

RGB 144 136 139

HSL 337.5, 0.03%, 0.55%

LAB 57.46, 3.56, -0.54

 

CMYK 19 / 0 / 7 / 40

HEX #7D9A8F

RGB 125 154 143

HSL 157.24, 0.13%, 0.55%

LAB 61.18, -12.44, 2.42

 

CMYK 0 / 60 / 4 / 22

HEX #C750BF

RGB 199 80 191

HSL 304.03, 0.52%, 0.55%

LAB 53.64, 60.99, -35.83

 

CMYK 0 / 60 / 20 / 22

HEX #C750A0

RGB 199 80 160

HSL 319.66, 0.52%, 0.55%

LAB 52.31, 56.17, -19.85

 

CMYK 0 / 60 / 36 / 22

HEX #C75080

RGB 199 80 128

HSL 335.8, 0.52%, 0.55%

LAB 51.2, 51.99, -2.52

 

CMYK 0 / 60 / 52 / 22

HEX #C75060

RGB 199 80 96

HSL 351.93, 0.52%, 0.55%

LAB 50.36, 48.75, 15.49

 

CMYK 0 / 52 / 60 / 22

HEX #C76050

RGB 199 96 80

HSL 8.07, 0.52%, 0.55%

LAB 53.04, 39.71, 28.44

 

CMYK 0 / 69 / 42 / 41

HEX #962F57

RGB 150 47 87

HSL 336.7, 0.52%, 0.39%

LAB 36.38, 46.32, 0.11

 

CMYK 0 / 69 / 42 / 29

HEX #B53969

RGB 181 57 105

HSL 336.77, 0.52%, 0.47%

LAB 43.9, 53.69, 0.43

 

CMYK 0 / 60 / 37 / 22

HEX #C7507E

RGB 199 80 126

HSL 336.81, 0.52%, 0.55%

LAB 51.14, 51.76, -1.41

 

CMYK 0 / 47 / 29 / 18

HEX #D16F95

RGB 209 111 149

HSL 336.73, 0.52%, 0.63%

LAB 59.06, 42.87, -3.13

 

CMYK 0 / 35 / 21 / 14

HEX #DB8FAC

RGB 219 143 172

HSL 337.11, 0.51%, 0.71%

LAB 67.79, 32.78, -3.24

 

CMYK 0 / 61 / 37 / 22

HEX #C84F7E

RGB 200 79 126

HSL 336.69, 0.52%, 0.55%

LAB 51.13, 52.53, -1.41

 

CMYK 0 / 12 / 60 / 22

HEX #C7B050

RGB 199 176 80

HSL 48.4, 0.52%, 0.55%

LAB 72.08, -3.31, 51.15

 

CMYK 60 / 12 / 0 / 22

HEX #50B0C7

RGB 80 176 199

HSL 191.6, 0.52%, 0.55%

LAB 67.19, -21.41, -20.19

 

CMYK 0 / 61 / 37 / 22

HEX #C84F7E

RGB 200 79 126

HSL 336.69, 0.52%, 0.55%

LAB 51.13, 52.53, -1.41

 

CMYK 36 / 0 / 60 / 22

HEX #80C750

RGB 128 199 80

HSL 95.8, 0.52%, 0.55%

LAB 73.56, -42.68, 51.46

 

CMYK 60 / 36 / 0 / 22

HEX #5080C7

RGB 80 128 199

HSL 215.8, 0.52%, 0.55%

LAB 53.24, 5.42, -41.82

 

CMYK 0 / 61 / 37 / 22

HEX #C84F7E

RGB 200 79 126

HSL 336.69, 0.52%, 0.55%

LAB 51.13, 52.53, -1.41

 

CMYK 0 / 12 / 60 / 22

HEX #C7B050

RGB 199 176 80

HSL 48.4, 0.52%, 0.55%

LAB 72.08, -3.31, 51.15

 

CMYK 60 / 0 / 24 / 22

HEX #50C798

RGB 80 199 152

HSL 156.3, 0.52%, 0.55%

LAB 72.77, -44.5, 13.73

 

CMYK 60 / 48 / 0 / 22

HEX #5068C7

RGB 80 104 199

HSL 227.9, 0.52%, 0.55%

LAB 46.62, 20.21, -52.37

 

CMYK 0 / 61 / 37 / 22

HEX #C84F7E

RGB 200 79 126

HSL 336.69, 0.52%, 0.55%

LAB 51.13, 52.53, -1.41

 

CMYK 6 / 0 / 60 / 22

HEX #BBC750

RGB 187 199 80

HSL 66.05, 0.52%, 0.55%

LAB 77.28, -20.11, 56.63

 

CMYK 60 / 0 / 24 / 22

HEX #50C798

RGB 80 199 152

HSL 156.3, 0.52%, 0.55%

LAB 72.77, -44.5, 13.73

 

CMYK 54 / 60 / 0 / 22

HEX #5C50C7

RGB 92 80 199

HSL 246.05, 0.52%, 0.55%

LAB 41.43, 37.39, -60.69

 

Description

Color code: HEX #C84F7E | qconv.com Color code: HEX #C84F7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 79 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 79 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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