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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C84F7B it is the complementary color #37B084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C84F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C84F7B shade: #CD4F76, #DE6189, #EF739C, #FF85AF and #FF97C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C84F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C84F7B shade: #C84F7B, #B73D68, #A62B55, #951942 and #84072F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C84F7B shade: #C8517C, #C8515C and #C85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C84F7B shade: #C8517C, #C8519C, #C851BC, #B351C8 and #9351C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C84F7B shade matches the following richer shades: #C8517C, #DA3E77 and #ED2B72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C84F7B shade: #C8517C, #B56381, #A37686, #90888B and #7E9B90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C84F7B shade: #C851BC, #C8519C, #C8517C, #C8515D and #C86451

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C84F7B shade: #963055, #B63967, #C8517C, #D27094 and #DC8FAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C84F7B shade: #C84F7B, #C8B451 and #51ACC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C84F7B shade: #C84F7B, #7CC851 and #517CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C84F7B shade: #C84F7B, #C8B451, #51C89C and #5164C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C84F7B shade: #C84F7B, #B8C851, #51C89C and #6051C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 39 / 22

HEX #C84F7B

RGB 200 79 123

HSL 338.18, 0.52%, 0.55%

LAB 51.04, 52.19, 0.26

 

Complementary color

CMYK 69 / 0 / 25 / 31

HEX #37B084

RGB 55 176 132

HSL 158.18, 0.52%, 0.45%

LAB 64.59, -43.82, 13.01

 

CMYK 0 / 61 / 42 / 20

HEX #CD4F76

RGB 205 79 118

HSL 341.43, 0.56%, 0.56%

LAB 51.7, 53.26, 4.32

 

CMYK 0 / 56 / 38 / 13

HEX #DE6189

RGB 222 97 137

HSL 340.8, 0.65%, 0.63%

LAB 57.93, 52.62, 2.42

 

CMYK 0 / 52 / 35 / 6

HEX #EF739C

RGB 239 115 156

HSL 340.16, 0.79%, 0.69%

LAB 64.17, 51.85, 0.82

 

CMYK 0 / 48 / 31 / 0

HEX #FF85AF

RGB 255 133 175

HSL 339.34, 1%, 0.76%

LAB 70.27, 50.71, -0.76

 

CMYK 0 / 41 / 24 / 0

HEX #FF97C2

RGB 255 151 194

HSL 335.19, 1%, 0.8%

LAB 74.37, 44.19, -5.27

 

CMYK 0 / 61 / 39 / 22

HEX #C84F7B

RGB 200 79 123

HSL 338.18, 0.52%, 0.55%

LAB 51.04, 52.19, 0.26

 

CMYK 0 / 67 / 43 / 28

HEX #B73D68

RGB 183 61 104

HSL 338.85, 0.5%, 0.48%

LAB 44.81, 52.59, 2.41

 

CMYK 0 / 74 / 49 / 35

HEX #A62B55

RGB 166 43 85

HSL 339.51, 0.59%, 0.41%

LAB 38.71, 52.53, 5.13

 

CMYK 0 / 83 / 56 / 42

HEX #951942

RGB 149 25 66

HSL 340.16, 0.71%, 0.34%

LAB 32.87, 51.67, 8.69

 

CMYK 0 / 95 / 64 / 48

HEX #84072F

RGB 132 7 47

HSL 340.8, 0.9%, 0.27%

LAB 27.47, 49.49, 13.41

 

CMYK 0 / 60 / 38 / 22

HEX #C8517C

RGB 200 81 124

HSL 338.32, 0.52%, 0.55%

LAB 51.4, 51.4, 0.2

 

CMYK 0 / 60 / 54 / 22

HEX #C8515C

RGB 200 81 92

HSL 354.45, 0.52%, 0.55%

LAB 50.61, 48.29, 18.25

 

CMYK 0 / 60 / 60 / 22

HEX #C85151

RGB 200 81 81

HSL 0, 0.52%, 0.55%

LAB 50.4, 47.45, 24.5

 

CMYK 0 / 60 / 38 / 22

HEX #C8517C

RGB 200 81 124

HSL 338.32, 0.52%, 0.55%

LAB 51.4, 51.4, 0.2

 

CMYK 0 / 60 / 22 / 22

HEX #C8519C

RGB 200 81 156

HSL 322.18, 0.52%, 0.55%

LAB 52.47, 55.45, -17.23

 

CMYK 0 / 60 / 6 / 22

HEX #C851BC

RGB 200 81 188

HSL 306.05, 0.52%, 0.55%

LAB 53.81, 60.32, -33.83

 

CMYK 11 / 60 / 0 / 22

HEX #B351C8

RGB 179 81 200

HSL 289.41, 0.52%, 0.55%

LAB 51.43, 57.05, -44.7

 

CMYK 27 / 60 / 0 / 22

HEX #9351C8

RGB 147 81 200

HSL 273.28, 0.52%, 0.55%

LAB 47.31, 49.17, -51.5

 

CMYK 0 / 60 / 38 / 22

HEX #C8517C

RGB 200 81 124

HSL 338.32, 0.52%, 0.55%

LAB 51.4, 51.4, 0.2

 

CMYK 0 / 72 / 45 / 15

HEX #DA3E77

RGB 218 62 119

HSL 338.08, 0.68%, 0.55%

LAB 51.48, 63.97, 3.68

 

CMYK 0 / 82 / 52 / 7

HEX #ED2B72

RGB 237 43 114

HSL 338.04, 0.84%, 0.55%

LAB 52.89, 74.05, 9.18

 

CMYK 0 / 60 / 38 / 22

HEX #C8517C

RGB 200 81 124

HSL 338.32, 0.52%, 0.55%

LAB 51.4, 51.4, 0.2

 

CMYK 0 / 45 / 29 / 29

HEX #B56381

RGB 181 99 129

HSL 338.05, 0.36%, 0.55%

LAB 52.21, 36.61, -1.93

 

CMYK 0 / 28 / 18 / 36

HEX #A37686

RGB 163 118 134

HSL 338.67, 0.2%, 0.55%

LAB 54.52, 20.15, -1.74

 

CMYK 0 / 6 / 3 / 44

HEX #90888B

RGB 144 136 139

HSL 337.5, 0.03%, 0.55%

LAB 57.46, 3.56, -0.54

 

CMYK 19 / 0 / 7 / 39

HEX #7E9B90

RGB 126 155 144

HSL 157.24, 0.13%, 0.55%

LAB 61.56, -12.43, 2.41

 

CMYK 0 / 60 / 6 / 22

HEX #C851BC

RGB 200 81 188

HSL 306.05, 0.52%, 0.55%

LAB 53.81, 60.32, -33.83

 

CMYK 0 / 60 / 22 / 22

HEX #C8519C

RGB 200 81 156

HSL 322.18, 0.52%, 0.55%

LAB 52.47, 55.45, -17.23

 

CMYK 0 / 60 / 38 / 22

HEX #C8517C

RGB 200 81 124

HSL 338.32, 0.52%, 0.55%

LAB 51.4, 51.4, 0.2

 

CMYK 0 / 60 / 54 / 22

HEX #C8515D

RGB 200 81 93

HSL 353.95, 0.52%, 0.55%

LAB 50.63, 48.37, 17.68

 

CMYK 0 / 50 / 60 / 22

HEX #C86451

RGB 200 100 81

HSL 9.58, 0.52%, 0.55%

LAB 54.01, 38.12, 29.13

 

CMYK 0 / 68 / 43 / 41

HEX #963055

RGB 150 48 85

HSL 338.24, 0.52%, 0.39%

LAB 36.47, 45.68, 1.52

 

CMYK 0 / 69 / 43 / 29

HEX #B63967

RGB 182 57 103

HSL 337.92, 0.52%, 0.47%

LAB 44.02, 53.79, 1.86

 

CMYK 0 / 60 / 38 / 22

HEX #C8517C

RGB 200 81 124

HSL 338.32, 0.52%, 0.55%

LAB 51.4, 51.4, 0.2

 

CMYK 0 / 47 / 30 / 18

HEX #D27094

RGB 210 112 148

HSL 337.96, 0.52%, 0.63%

LAB 59.37, 42.56, -2.08

 

CMYK 0 / 35 / 22 / 14

HEX #DC8FAB

RGB 220 143 171

HSL 338.18, 0.52%, 0.71%

LAB 67.87, 32.99, -2.54

 

CMYK 0 / 61 / 39 / 22

HEX #C84F7B

RGB 200 79 123

HSL 338.18, 0.52%, 0.55%

LAB 51.04, 52.19, 0.26

 

CMYK 0 / 10 / 60 / 22

HEX #C8B451

RGB 200 180 81

HSL 49.92, 0.52%, 0.55%

LAB 73.23, -4.91, 52

 

CMYK 60 / 14 / 0 / 22

HEX #51ACC8

RGB 81 172 200

HSL 194.12, 0.52%, 0.55%

LAB 66.08, -18.84, -22.43

 

CMYK 0 / 61 / 39 / 22

HEX #C84F7B

RGB 200 79 123

HSL 338.18, 0.52%, 0.55%

LAB 51.04, 52.19, 0.26

 

CMYK 38 / 0 / 60 / 22

HEX #7CC851

RGB 124 200 81

HSL 98.32, 0.52%, 0.55%

LAB 73.67, -44.36, 51.09

 

CMYK 60 / 38 / 0 / 22

HEX #517CC8

RGB 81 124 200

HSL 218.32, 0.52%, 0.55%

LAB 52.21, 8.37, -44.01

 

CMYK 0 / 61 / 39 / 22

HEX #C84F7B

RGB 200 79 123

HSL 338.18, 0.52%, 0.55%

LAB 51.04, 52.19, 0.26

 

CMYK 0 / 10 / 60 / 22

HEX #C8B451

RGB 200 180 81

HSL 49.92, 0.52%, 0.55%

LAB 73.23, -4.91, 52

 

CMYK 60 / 0 / 22 / 22

HEX #51C89C

RGB 81 200 156

HSL 157.82, 0.52%, 0.55%

LAB 73.19, -43.84, 12.18

 

CMYK 60 / 50 / 0 / 22

HEX #5164C8

RGB 81 100 200

HSL 230.42, 0.52%, 0.55%

LAB 45.68, 23.25, -54.44

 

CMYK 0 / 61 / 39 / 22

HEX #C84F7B

RGB 200 79 123

HSL 338.18, 0.52%, 0.55%

LAB 51.04, 52.19, 0.26

 

CMYK 8 / 0 / 60 / 22

HEX #B8C851

RGB 184 200 81

HSL 68.07, 0.52%, 0.55%

LAB 77.34, -21.76, 56.2

 

CMYK 60 / 0 / 22 / 22

HEX #51C89C

RGB 81 200 156

HSL 157.82, 0.52%, 0.55%

LAB 73.19, -43.84, 12.18

 

CMYK 52 / 60 / 0 / 22

HEX #6051C8

RGB 96 81 200

HSL 247.56, 0.52%, 0.55%

LAB 42.06, 37.87, -60.23

 

Description

Color code: HEX #C84F7B | qconv.com Color code: HEX #C84F7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 79 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 79 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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