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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C84A8C it is the complementary color #37B573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C84A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C84A8C shade: #CD4A87, #DE5C9A, #EF6EAD, #FF80C0 and #FF92D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C84A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C84A8C shade: #C84A8C, #B73879, #A62666, #951453 and #840240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C84A8C shade: #C74B8C, #C74B6B and #C74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C84A8C shade: #C74B8C, #C74BAE, #C04BC7, #9E4BC7 and #7C4BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C84A8C shade matches the following richer shades: #C74B8C, #DA388D and #ED258E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C84A8C shade: #C74B8C, #B45E8B, #A1718A, #8E8489 and #7B9789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C84A8C shade: #BF4BC7, #C74BAF, #C74B8D, #C74B6C and #C74B4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C84A8C shade: #932D62, #B33778, #C74B8C, #D16BA0 and #DB8AB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C84A8C shade: #C84A8C, #C79E4B and #4BBFC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C84A8C shade: #C84A8C, #8DC74B and #4B8DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C84A8C shade: #C84A8C, #C79E4B, #4BC785 and #4B74C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C84A8C shade: #C84A8C, #C7C34B, #4BC785 and #4B4FC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 30 / 22

HEX #C84A8C

RGB 200 74 140

HSL 328.57, 0.53%, 0.54%

LAB 50.77, 56.38, -10.31

 

Complementary color

CMYK 70 / 0 / 36 / 29

HEX #37B573

RGB 55 181 115

HSL 148.57, 0.53%, 0.46%

LAB 65.82, -49.49, 23.94

 

CMYK 0 / 64 / 34 / 20

HEX #CD4A87

RGB 205 74 135

HSL 332.06, 0.57%, 0.55%

LAB 51.41, 57.26, -6.28

 

CMYK 0 / 59 / 31 / 13

HEX #DE5C9A

RGB 222 92 154

HSL 331.38, 0.66%, 0.62%

LAB 57.58, 56.88, -8.03

 

CMYK 0 / 54 / 28 / 6

HEX #EF6EAD

RGB 239 110 173

HSL 330.7, 0.8%, 0.68%

LAB 63.77, 56.3, -9.48

 

CMYK 0 / 50 / 25 / 0

HEX #FF80C0

RGB 255 128 192

HSL 329.76, 1%, 0.75%

LAB 69.83, 55.31, -10.92

 

CMYK 0 / 43 / 17 / 0

HEX #FF92D3

RGB 255 146 211

HSL 324.22, 1%, 0.79%

LAB 73.88, 49.16, -15.37

 

CMYK 0 / 63 / 30 / 22

HEX #C84A8C

RGB 200 74 140

HSL 328.57, 0.53%, 0.54%

LAB 50.77, 56.38, -10.31

 

CMYK 0 / 69 / 34 / 28

HEX #B73879

RGB 183 56 121

HSL 329.29, 0.53%, 0.47%

LAB 44.63, 56.43, -8.32

 

CMYK 0 / 77 / 39 / 35

HEX #A62666

RGB 166 38 102

HSL 330, 0.63%, 0.4%

LAB 38.64, 55.88, -5.75

 

CMYK 0 / 87 / 44 / 42

HEX #951453

RGB 149 20 83

HSL 330.7, 0.76%, 0.33%

LAB 32.95, 54.35, -2.35

 

CMYK 0 / 98 / 52 / 48

HEX #840240

RGB 132 2 64

HSL 331.38, 0.97%, 0.26%

LAB 27.63, 51.59, 2.07

 

CMYK 0 / 62 / 30 / 22

HEX #C74B8C

RGB 199 75 140

HSL 328.55, 0.53%, 0.54%

LAB 50.77, 55.66, -10.33

 

CMYK 0 / 62 / 46 / 22

HEX #C74B6B

RGB 199 75 107

HSL 344.52, 0.53%, 0.54%

LAB 49.78, 51.99, 8.06

 

CMYK 0 / 62 / 62 / 22

HEX #C74B4B

RGB 199 75 75

HSL 0, 0.53%, 0.54%

LAB 49.11, 49.42, 26.35

 

CMYK 0 / 62 / 30 / 22

HEX #C74B8C

RGB 199 75 140

HSL 328.55, 0.53%, 0.54%

LAB 50.77, 55.66, -10.33

 

CMYK 0 / 62 / 13 / 22

HEX #C74BAE

RGB 199 75 174

HSL 312.1, 0.53%, 0.54%

LAB 52.1, 60.4, -28.38

 

CMYK 4 / 62 / 0 / 22

HEX #C04BC7

RGB 192 75 199

HSL 296.61, 0.53%, 0.54%

LAB 52.24, 62.73, -42.71

 

CMYK 21 / 62 / 0 / 22

HEX #9E4BC7

RGB 158 75 199

HSL 280.16, 0.53%, 0.54%

LAB 47.53, 54.56, -50.51

 

CMYK 38 / 62 / 0 / 22

HEX #7C4BC7

RGB 124 75 199

HSL 263.71, 0.53%, 0.54%

LAB 43.42, 46.81, -57.33

 

CMYK 0 / 62 / 30 / 22

HEX #C74B8C

RGB 199 75 140

HSL 328.55, 0.53%, 0.54%

LAB 50.77, 55.66, -10.33

 

CMYK 0 / 74 / 35 / 15

HEX #DA388D

RGB 218 56 141

HSL 328.52, 0.69%, 0.54%

LAB 51.45, 68.12, -9.58

 

CMYK 0 / 84 / 40 / 7

HEX #ED258E

RGB 237 37 142

HSL 328.5, 0.85%, 0.54%

LAB 53.26, 77.64, -7.12

 

CMYK 0 / 62 / 30 / 22

HEX #C74B8C

RGB 199 75 140

HSL 328.55, 0.53%, 0.54%

LAB 50.77, 55.66, -10.33

 

CMYK 0 / 48 / 23 / 29

HEX #B45E8B

RGB 180 94 139

HSL 328.6, 0.36%, 0.54%

LAB 51.35, 40.34, -9.15

 

CMYK 0 / 30 / 14 / 37

HEX #A1718A

RGB 161 113 138

HSL 328.75, 0.2%, 0.54%

LAB 53.19, 22.93, -6.06

 

CMYK 0 / 7 / 4 / 44

HEX #8E8489

RGB 142 132 137

HSL 330, 0.04%, 0.54%

LAB 56.15, 4.71, -1.34

 

CMYK 19 / 0 / 9 / 41

HEX #7B9789

RGB 123 151 137

HSL 150, 0.12%, 0.54%

LAB 60.02, -12.76, 4.12

 

CMYK 4 / 62 / 0 / 22

HEX #BF4BC7

RGB 191 75 199

HSL 296.13, 0.53%, 0.54%

LAB 52.1, 62.49, -42.95

 

CMYK 0 / 62 / 12 / 22

HEX #C74BAF

RGB 199 75 175

HSL 311.61, 0.53%, 0.54%

LAB 52.14, 60.55, -28.9

 

CMYK 0 / 62 / 29 / 22

HEX #C74B8D

RGB 199 75 141

HSL 328.06, 0.53%, 0.54%

LAB 50.8, 55.78, -10.88

 

CMYK 0 / 62 / 46 / 22

HEX #C74B6C

RGB 199 75 108

HSL 344.03, 0.53%, 0.54%

LAB 49.81, 52.09, 7.49

 

CMYK 0 / 62 / 62 / 22

HEX #C74B4B

RGB 199 75 75

HSL 0, 0.53%, 0.54%

LAB 49.11, 49.42, 26.35

 

CMYK 0 / 69 / 33 / 42

HEX #932D62

RGB 147 45 98

HSL 328.82, 0.53%, 0.38%

LAB 35.91, 47.5, -7.66

 

CMYK 0 / 69 / 33 / 30

HEX #B33778

RGB 179 55 120

HSL 328.55, 0.53%, 0.46%

LAB 43.76, 55.55, -9.08

 

CMYK 0 / 62 / 30 / 22

HEX #C74B8C

RGB 199 75 140

HSL 328.55, 0.53%, 0.54%

LAB 50.77, 55.66, -10.33

 

CMYK 0 / 49 / 23 / 18

HEX #D16BA0

RGB 209 107 160

HSL 328.82, 0.53%, 0.62%

LAB 58.61, 46.41, -10.16

 

CMYK 0 / 37 / 18 / 14

HEX #DB8AB4

RGB 219 138 180

HSL 328.89, 0.53%, 0.7%

LAB 66.92, 36.66, -9.01

 

CMYK 0 / 63 / 30 / 22

HEX #C84A8C

RGB 200 74 140

HSL 328.57, 0.53%, 0.54%

LAB 50.77, 56.38, -10.31

 

CMYK 0 / 21 / 62 / 22

HEX #C79E4B

RGB 199 158 75

HSL 40.16, 0.53%, 0.54%

LAB 67.35, 5.96, 48.19

 

CMYK 62 / 4 / 0 / 22

HEX #4BBFC7

RGB 75 191 199

HSL 183.87, 0.53%, 0.54%

LAB 71.47, -29.78, -13.72

 

CMYK 0 / 63 / 30 / 22

HEX #C84A8C

RGB 200 74 140

HSL 328.57, 0.53%, 0.54%

LAB 50.77, 56.38, -10.31

 

CMYK 29 / 0 / 62 / 22

HEX #8DC74B

RGB 141 199 75

HSL 88.06, 0.53%, 0.54%

LAB 74.2, -38.52, 54.55

 

CMYK 62 / 29 / 0 / 22

HEX #4B8DC7

RGB 75 141 199

HSL 208.06, 0.53%, 0.54%

LAB 56.75, -3.21, -36.32

 

CMYK 0 / 63 / 30 / 22

HEX #C84A8C

RGB 200 74 140

HSL 328.57, 0.53%, 0.54%

LAB 50.77, 56.38, -10.31

 

CMYK 0 / 21 / 62 / 22

HEX #C79E4B

RGB 199 158 75

HSL 40.16, 0.53%, 0.54%

LAB 67.35, 5.96, 48.19

 

CMYK 62 / 0 / 33 / 22

HEX #4BC785

RGB 75 199 133

HSL 148.06, 0.53%, 0.54%

LAB 72.25, -49.46, 23.13

 

CMYK 62 / 42 / 0 / 22

HEX #4B74C7

RGB 75 116 199

HSL 220.16, 0.53%, 0.54%

LAB 49.63, 11.79, -47.56

 

CMYK 0 / 63 / 30 / 22

HEX #C84A8C

RGB 200 74 140

HSL 328.57, 0.53%, 0.54%

LAB 50.77, 56.38, -10.31

 

CMYK 0 / 2 / 62 / 22

HEX #C7C34B

RGB 199 195 75

HSL 58.06, 0.53%, 0.54%

LAB 77.09, -13.47, 58.85

 

CMYK 62 / 0 / 33 / 22

HEX #4BC785

RGB 75 199 133

HSL 148.06, 0.53%, 0.54%

LAB 72.25, -49.46, 23.13

 

CMYK 62 / 60 / 0 / 22

HEX #4B4FC7

RGB 75 79 199

HSL 238.06, 0.53%, 0.54%

LAB 39.93, 35.02, -63.18

 

Description

Color code: HEX #C84A8C | qconv.com Color code: HEX #C84A8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 74 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 74 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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