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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8474ACE it is the complementary color #37B8B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8474ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8474ACE shade: #CD4745CE, #DE5958CE, #EF6B6BCE, #FF7D7ECE and #FF8F91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8474ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8474ACE shade: #C8474ACE, #B73537CE, #A62324CE, #951111CE and #840000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8474ACE shade: #C84649 and #C84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8474ACE shade: #C84649, #C8466C, #C8468F, #C846B2 and #BB46C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8474ACE shade matches the following richer shades: #C84649, #DB3337 and #EF2024

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8474ACE shade: #C84649, #B45A5C, #A16D6E, #8E8181 and #7A9493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8474ACE shade: #C84690, #C8466D, #C8464B, #C86546 and #C88746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8474ACE shade: #912B2E, #B03538, #C84649, #D16669 and #DB8688

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8474ACE shade: #C8474A, #B2C846 and #467FC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8474ACE shade: #C8474A, #4BC846 and #464BC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8474ACE shade: #C8474A, #B2C846, #46C8C4 and #5C46C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8474ACE shade: #C8474A, #8BC846, #46C8C4 and #8346C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 51 / 17

HEX #C8474ACE

RGBA 200 71 74 0.81

HSLA 358.6, 0.54%, 0.53%, 0.81

LABA 48.61, 51.44, 26.34, 0.81

 

Complementary color

CMYK 57 / 0 / 1 / 23

HEX #37B8B5CE

RGBA 55 184 181 0.81

HSLA 178.6, 0.54%, 0.47%, 0.81

LABA 68.34, -34.6, -8.59, 0.81

 

CMYK 0 / 53 / 54 / 16

HEX #CD4745CE

RGBA 205 71 69 0.81

HSLA 0.88, 0.58%, 0.54%, 0.81

LABA 49.39, 52.81, 30.45, 0.81

 

CMYK 0 / 49 / 49 / 10

HEX #DE5958CE

RGBA 222 89 88 0.81

HSLA 0.45, 0.67%, 0.61%, 0.81

LABA 55.46, 51.92, 27.65, 0.81

 

CMYK 0 / 45 / 45 / 5

HEX #EF6B6BCE

RGBA 239 107 107 0.81

HSLA 0, 0.8%, 0.68%, 0.81

LABA 61.59, 50.9, 25.26, 0.81

 

CMYK 0 / 41 / 41 / 0

HEX #FF7D7ECE

RGBA 255 125 126 0.81

HSLA 359.54, 1%, 0.75%, 0.81

LABA 67.6, 49.48, 22.98, 0.81

 

CMYK 0 / 36 / 35 / 0

HEX #FF8F91CE

RGBA 255 143 145 0.81

HSLA 358.93, 1%, 0.78%, 0.81

LABA 71.52, 42.35, 17.76, 0.81

 

CMYK 0 / 52 / 51 / 17

HEX #C8474ACE

RGBA 200 71 74 0.81

HSLA 358.6, 0.54%, 0.53%, 0.81

LABA 48.61, 51.44, 26.34, 0.81

 

CMYK 0 / 58 / 57 / 23

HEX #B73537CE

RGBA 183 53 55 0.81

HSLA 359.08, 0.55%, 0.46%, 0.81

LABA 42.6, 52.04, 29.55, 0.81

 

CMYK 0 / 64 / 63 / 28

HEX #A62324CE

RGBA 166 35 36 0.81

HSLA 359.54, 0.65%, 0.39%, 0.81

LABA 36.81, 52.11, 33.36, 0.81

 

CMYK 0 / 72 / 72 / 34

HEX #951111CE

RGBA 149 17 17 0.81

HSLA 0, 0.8%, 0.33%, 0.81

LABA 31.42, 51.2, 37.5, 0.81

 

CMYK 0 / 81 / 81 / 39

HEX #840000CE

RGBA 132 0 0 0.81

HSLA 0, 1%, 0.26%, 0.81

LABA 26.46, 49.13, 39.26, 0.81

 

CMYK 0 / 65 / 64 / 22

HEX #C84649

RGB 200 70 73

HSL 358.62, 0.54%, 0.53%

LAB 48.44, 51.8, 26.72

 

CMYK 0 / 65 / 65 / 22

HEX #C84646

RGB 200 70 70

HSL 0, 0.54%, 0.53%

LAB 48.39, 51.62, 28.43

 

CMYK 0 / 65 / 64 / 22

HEX #C84649

RGB 200 70 73

HSL 358.62, 0.54%, 0.53%

LAB 48.44, 51.8, 26.72

 

CMYK 0 / 65 / 46 / 22

HEX #C8466C

RGB 200 70 108

HSL 342.46, 0.54%, 0.53%

LAB 49.18, 54.55, 6.63

 

CMYK 0 / 65 / 29 / 22

HEX #C8468F

RGB 200 70 143

HSL 326.31, 0.54%, 0.53%

LAB 50.27, 58.42, -12.86

 

CMYK 0 / 65 / 11 / 22

HEX #C846B2

RGB 200 70 178

HSL 310.15, 0.54%, 0.53%

LAB 51.69, 63.31, -31.33

 

CMYK 7 / 65 / 0 / 22

HEX #BB46C8

RGB 187 70 200

HSL 294, 0.54%, 0.53%

LAB 50.82, 63.78, -45.59

 

CMYK 0 / 65 / 64 / 22

HEX #C84649

RGB 200 70 73

HSL 358.62, 0.54%, 0.53%

LAB 48.44, 51.8, 26.72

 

CMYK 0 / 77 / 75 / 14

HEX #DB3337

RGB 219 51 55

HSL 358.57, 0.7%, 0.53%

LAB 49.13, 63.74, 38.85

 

CMYK 0 / 87 / 85 / 6

HEX #EF2024

RGB 239 32 36

HSL 358.84, 0.87%, 0.53%

LAB 51.28, 73.2, 52.32

 

CMYK 0 / 65 / 64 / 22

HEX #C84649

RGB 200 70 73

HSL 358.62, 0.54%, 0.53%

LAB 48.44, 51.8, 26.72

 

CMYK 0 / 50 / 49 / 29

HEX #B45A5C

RGB 180 90 92

HSL 358.67, 0.38%, 0.53%

LAB 49.24, 36.62, 15.87

 

CMYK 0 / 32 / 32 / 37

HEX #A16D6E

RGB 161 109 110

HSL 358.85, 0.22%, 0.53%

LAB 51.43, 20.85, 7.87

 

CMYK 0 / 9 / 9 / 44

HEX #8E8181

RGB 142 129 129

HSL 0, 0.05%, 0.53%

LAB 55.11, 4.93, 1.78

 

CMYK 18 / 0 / 1 / 42

HEX #7A9493

RGB 122 148 147

HSL 177.69, 0.11%, 0.53%

LAB 59.36, -9.34, -2.53

 

CMYK 0 / 65 / 28 / 22

HEX #C84690

RGB 200 70 144

HSL 325.85, 0.54%, 0.53%

LAB 50.3, 58.55, -13.4

 

CMYK 0 / 65 / 46 / 22

HEX #C8466D

RGB 200 70 109

HSL 342, 0.54%, 0.53%

LAB 49.21, 54.64, 6.06

 

CMYK 0 / 65 / 63 / 22

HEX #C8464B

RGB 200 70 75

HSL 357.69, 0.54%, 0.53%

LAB 48.47, 51.92, 25.57

 

CMYK 0 / 50 / 65 / 22

HEX #C86546

RGB 200 101 70

HSL 14.31, 0.54%, 0.53%

LAB 54.06, 36.86, 35.35

 

CMYK 0 / 33 / 65 / 22

HEX #C88746

RGB 200 135 70

HSL 30, 0.54%, 0.53%

LAB 61.7, 18.6, 44.26

 

CMYK 0 / 70 / 68 / 43

HEX #912B2E

RGB 145 43 46

HSL 358.24, 0.54%, 0.37%

LAB 33.87, 42.89, 22.81

 

CMYK 0 / 70 / 68 / 31

HEX #B03538

RGB 176 53 56

HSL 358.54, 0.54%, 0.45%

LAB 41.31, 49.81, 27.1

 

CMYK 0 / 65 / 64 / 22

HEX #C84649

RGB 200 70 73

HSL 358.62, 0.54%, 0.53%

LAB 48.44, 51.8, 26.72

 

CMYK 0 / 51 / 50 / 18

HEX #D16669

RGB 209 102 105

HSL 358.32, 0.54%, 0.61%

LAB 56.17, 42.46, 18.36

 

CMYK 0 / 39 / 38 / 14

HEX #DB8688

RGB 219 134 136

HSL 358.59, 0.54%, 0.69%

LAB 64.87, 32.8, 12.85

 

CMYK 0 / 65 / 63 / 22

HEX #C8474A

RGB 200 71 74

HSL 358.6, 0.54%, 0.53%

LAB 48.61, 51.44, 26.34

 

CMYK 11 / 0 / 65 / 22

HEX #B2C846

RGB 178 200 70

HSL 70.15, 0.54%, 0.53%

LAB 76.81, -24.97, 60.13

 

CMYK 65 / 37 / 0 / 22

HEX #467FC8

RGB 70 127 200

HSL 213.69, 0.54%, 0.53%

LAB 52.57, 4.51, -43.49

 

CMYK 0 / 65 / 63 / 22

HEX #C8474A

RGB 200 71 74

HSL 358.6, 0.54%, 0.53%

LAB 48.61, 51.44, 26.34

 

CMYK 63 / 0 / 65 / 22

HEX #4BC846

RGB 75 200 70

HSL 117.69, 0.54%, 0.53%

LAB 71.72, -59.21, 53.16

 

CMYK 65 / 63 / 0 / 22

HEX #464BC8

RGB 70 75 200

HSL 237.69, 0.54%, 0.53%

LAB 38.73, 37.06, -65.74

 

CMYK 0 / 65 / 63 / 22

HEX #C8474A

RGB 200 71 74

HSL 358.6, 0.54%, 0.53%

LAB 48.61, 51.44, 26.34

 

CMYK 11 / 0 / 65 / 22

HEX #B2C846

RGB 178 200 70

HSL 70.15, 0.54%, 0.53%

LAB 76.81, -24.97, 60.13

 

CMYK 65 / 0 / 2 / 22

HEX #46C8C4

RGB 70 200 196

HSL 178.15, 0.54%, 0.53%

LAB 73.93, -35.7, -8.43

 

CMYK 54 / 65 / 0 / 22

HEX #5C46C8

RGB 92 70 200

HSL 250.15, 0.54%, 0.53%

LAB 39.29, 43.57, -64.76

 

CMYK 0 / 65 / 63 / 22

HEX #C8474A

RGB 200 71 74

HSL 358.6, 0.54%, 0.53%

LAB 48.61, 51.44, 26.34

 

CMYK 31 / 0 / 65 / 22

HEX #8BC846

RGB 139 200 70

HSL 88.15, 0.54%, 0.53%

LAB 74.34, -40.1, 56.77

 

CMYK 65 / 0 / 2 / 22

HEX #46C8C4

RGB 70 200 196

HSL 178.15, 0.54%, 0.53%

LAB 73.93, -35.7, -8.43

 

CMYK 35 / 65 / 0 / 22

HEX #8346C8

RGB 131 70 200

HSL 268.15, 0.54%, 0.53%

LAB 43.32, 51.17, -58.02

 

Description

Color code: HEX #C8474ACE | qconv.com Color code: HEX #C8474ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 71 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 71 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 51 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 51% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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