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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C84504 it is the complementary color #37BAFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C84504. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C84504 shade: #CD4500, #DE5712, #EF6925, #FF7B38 and #FF8D4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C84504. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C84504 shade: #C84504, #B73300, #A62100, #950F00 and #840000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C84504 shade: #C84504, #C81004 and #C80404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C84504 shade: #C84504, #C87A04, #C8AF04, #ACC804 and #78C804

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C84504 shade matches the following richer shades: #C84504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C84504 shade: #C84504, #B74B15, #A75025, #965636 and #865B46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C84504 shade: #C8042F, #C80E04, #C84204, #C87604 and #C8AB04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C84504 shade: #772902, #9F3703, #C84504, #F05305 and #FB6B24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C84504 shade: #C84504, #63C804 and #0414C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C84504 shade: #C84504, #04C842 and #4204C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C84504 shade: #C84504, #63C804, #048AC8 and #6904C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C84504 shade: #C84504, #28C804, #048AC8 and #A404C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

Complementary color

CMYK 78 / 26 / 0 / 2

HEX #37BAFB

RGB 55 186 251

HSL 199.9, 0.96%, 0.6%

LAB 71.48, -13.5, -42.02

 

CMYK 0 / 66 / 100 / 20

HEX #CD4500

RGB 205 69 0

HSL 20.2, 1%, 0.4%

LAB 48.56, 51.66, 59.54

 

CMYK 0 / 61 / 92 / 13

HEX #DE5712

RGB 222 87 18

HSL 20.29, 0.85%, 0.47%

LAB 54.44, 50.07, 60.24

 

CMYK 0 / 56 / 85 / 6

HEX #EF6925

RGB 239 105 37

HSL 20.2, 0.86%, 0.54%

LAB 60.42, 48.36, 59.62

 

CMYK 0 / 52 / 78 / 0

HEX #FF7B38

RGB 255 123 56

HSL 20.2, 1%, 0.61%

LAB 66.3, 46.28, 57.95

 

CMYK 0 / 45 / 71 / 0

HEX #FF8D4B

RGB 255 141 75

HSL 22, 1%, 0.65%

LAB 70.05, 38.13, 53.02

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 0 / 72 / 100 / 28

HEX #B73300

RGB 183 51 0

HSL 16.72, 1%, 0.36%

LAB 41.9, 51.32, 54.02

 

CMYK 0 / 80 / 100 / 35

HEX #A62100

RGB 166 33 0

HSL 11.93, 1%, 0.33%

LAB 36.36, 51.95, 49.56

 

CMYK 0 / 90 / 100 / 42

HEX #950F00

RGB 149 15 0

HSL 6.04, 1%, 0.29%

LAB 31.19, 51.32, 44.66

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 0 / 92 / 98 / 22

HEX #C81004

RGB 200 16 4

HSL 3.67, 0.96%, 0.4%

LAB 42.24, 65.09, 54.81

 

CMYK 0 / 98 / 98 / 22

HEX #C80404

RGB 200 4 4

HSL 0, 0.96%, 0.4%

LAB 41.81, 66.36, 54.61

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 0 / 39 / 98 / 22

HEX #C87A04

RGB 200 122 4

HSL 36.12, 0.96%, 0.4%

LAB 58.23, 23.46, 64.1

 

CMYK 0 / 13 / 98 / 22

HEX #C8AF04

RGB 200 175 4

HSL 52.35, 0.96%, 0.4%

LAB 71.52, -5.15, 73.38

 

CMYK 14 / 0 / 98 / 22

HEX #ACC804

RGB 172 200 4

HSL 68.57, 0.96%, 0.4%

LAB 76.12, -29.75, 75.78

 

CMYK 40 / 0 / 98 / 22

HEX #78C804

RGB 120 200 4

HSL 84.49, 0.96%, 0.4%

LAB 73.1, -49.68, 72.13

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 0 / 59 / 89 / 28

HEX #B74B15

RGB 183 75 21

HSL 20, 0.79%, 0.4%

LAB 45.84, 41.26, 50.05

 

CMYK 0 / 52 / 78 / 35

HEX #A75025

RGB 167 80 37

HSL 19.85, 0.64%, 0.4%

LAB 44.36, 32.91, 40.71

 

CMYK 0 / 43 / 64 / 41

HEX #965636

RGB 150 86 54

HSL 20, 0.47%, 0.4%

LAB 43.37, 23.43, 29.78

 

CMYK 0 / 32 / 48 / 47

HEX #865B46

RGB 134 91 70

HSL 19.69, 0.31%, 0.4%

LAB 42.75, 15.01, 19.21

 

CMYK 0 / 98 / 77 / 22

HEX #C8042F

RGB 200 4 47

HSL 346.84, 0.96%, 0.4%

LAB 42.11, 67.2, 34.65

 

CMYK 0 / 93 / 98 / 22

HEX #C80E04

RGB 200 14 4

HSL 3.06, 0.96%, 0.4%

LAB 42.16, 65.34, 54.77

 

CMYK 0 / 67 / 98 / 22

HEX #C84204

RGB 200 66 4

HSL 18.98, 0.96%, 0.4%

LAB 47.22, 51.22, 57.3

 

CMYK 0 / 41 / 98 / 22

HEX #C87604

RGB 200 118 4

HSL 34.9, 0.96%, 0.4%

LAB 57.31, 25.63, 63.49

 

CMYK 0 / 15 / 98 / 22

HEX #C8AB04

RGB 200 171 4

HSL 51.12, 0.96%, 0.4%

LAB 70.46, -3.05, 72.61

 

CMYK 0 / 66 / 98 / 53

HEX #772902

RGB 119 41 2

HSL 20, 0.97%, 0.24%

LAB 28.15, 32.53, 38.83

 

CMYK 0 / 65 / 98 / 38

HEX #9F3703

RGB 159 55 3

HSL 20, 0.96%, 0.32%

LAB 38.04, 41.3, 48.53

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 0 / 65 / 98 / 6

HEX #F05305

RGB 240 83 5

HSL 19.91, 0.96%, 0.48%

LAB 56.8, 57.91, 66.09

 

CMYK 0 / 57 / 86 / 2

HEX #FB6B24

RGB 251 107 36

HSL 19.81, 0.96%, 0.56%

LAB 62.64, 51.79, 62.59

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 51 / 0 / 98 / 22

HEX #63C804

RGB 99 200 4

HSL 90.92, 0.96%, 0.4%

LAB 72.21, -56.38, 71.05

 

CMYK 98 / 90 / 0 / 22

HEX #0414C8

RGB 4 20 200

HSL 235.1, 0.96%, 0.4%

LAB 25.85, 61.23, -87.11

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 98 / 0 / 67 / 22

HEX #04C842

RGB 4 200 66

HSL 138.98, 0.96%, 0.4%

LAB 70.68, -68.1, 53.39

 

CMYK 67 / 98 / 0 / 22

HEX #4204C8

RGB 66 4 200

HSL 258.98, 0.96%, 0.4%

LAB 27.89, 66.56, -83.63

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 51 / 0 / 98 / 22

HEX #63C804

RGB 99 200 4

HSL 90.92, 0.96%, 0.4%

LAB 72.21, -56.38, 71.05

 

CMYK 98 / 31 / 0 / 22

HEX #048AC8

RGB 4 138 200

HSL 198.98, 0.96%, 0.4%

LAB 54.42, -8.32, -40.65

 

CMYK 48 / 98 / 0 / 22

HEX #6904C8

RGB 105 4 200

HSL 270.92, 0.96%, 0.4%

LAB 32.39, 69.17, -76.03

 

CMYK 0 / 66 / 98 / 22

HEX #C84504

RGB 200 69 4

HSL 19.9, 0.96%, 0.4%

LAB 47.68, 49.96, 57.56

 

CMYK 80 / 0 / 98 / 22

HEX #28C804

RGB 40 200 4

HSL 108.98, 0.96%, 0.4%

LAB 70.71, -68.86, 69.22

 

CMYK 98 / 31 / 0 / 22

HEX #048AC8

RGB 4 138 200

HSL 198.98, 0.96%, 0.4%

LAB 54.42, -8.32, -40.65

 

CMYK 18 / 98 / 0 / 22

HEX #A404C8

RGB 164 4 200

HSL 288.98, 0.96%, 0.4%

LAB 41.45, 76.01, -60.83

 

Description

Color code: HEX #C84504 | qconv.com Color code: HEX #C84504 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 69 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 69 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 98 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 98% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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