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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C83CF2 it is the complementary color #37C30D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C83CF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C83CF2 shade: #CD3CED, #DE4EFF, #EF60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C83CF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C83CF2 shade: #C83CF2, #B72ADF, #A618CC, #9506B9 and #8400A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C83CF2 shade: #C83AF2, #F23AEB, #F23ABA, #F23A88 and #F23A56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C83CF2 shade: #C83AF2, #963AF2, #653AF2 and #3A3AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C83CF2 shade matches the following richer shades: #C83AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C83CF2 shade: #C83AF2, #BF4BE2, #B65CD1, #AD6DC0 and #A47EAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C83CF2 shade: #653AF2, #963AF2, #C83AF2, #F23AEC and #F23ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C83CF2 shade: #A10DCD, #BD14F0, #C83AF2, #D361F5 and #DE88F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C83CF2 shade: #C83CF2, #F23A41 and #3AF27E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C83CF2 shade: #C83CF2, #F2C83A and #3AF2C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C83CF2 shade: #C83CF2, #F23A41, #65F23A and #3AF2EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C83CF2 shade: #C83CF2, #F26C3A, #65F23A and #3AC1F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 75 / 0 / 5

HEX #C83CF2

RGB 200 60 242

HSL 286.15, 0.88%, 0.59%

LAB 53.94, 77.72, -64.32

 

Complementary color

CMYK 72 / 0 / 93 / 24

HEX #37C30D

RGB 55 195 13

HSL 106.15, 0.88%, 0.41%

LAB 69.38, -64.96, 67.23

 

CMYK 14 / 75 / 0 / 7

HEX #CD3CED

RGB 205 60 237

HSL 289.15, 0.83%, 0.58%

LAB 54.37, 77.76, -60.79

 

CMYK 13 / 69 / 0 / 0

HEX #DE4EFF

RGB 222 78 255

HSL 288.81, 1%, 0.65%

LAB 60.07, 78.15, -61.53

 

CMYK 6 / 62 / 0 / 0

HEX #EF60FF

RGB 239 96 255

HSL 293.96, 1%, 0.69%

LAB 64.91, 74.92, -53.67

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 17 / 75 / 0 / 5

HEX #C83CF2

RGB 200 60 242

HSL 286.15, 0.88%, 0.59%

LAB 53.94, 77.72, -64.32

 

CMYK 18 / 81 / 0 / 13

HEX #B72ADF

RGB 183 42 223

HSL 286.74, 0.74%, 0.52%

LAB 48.32, 76.54, -62.8

 

CMYK 19 / 88 / 0 / 20

HEX #A618CC

RGB 166 24 204

HSL 287.33, 0.79%, 0.45%

LAB 42.94, 74.42, -60.72

 

CMYK 19 / 97 / 0 / 27

HEX #9506B9

RGB 149 6 185

HSL 287.93, 0.94%, 0.37%

LAB 37.88, 71.05, -57.94

 

CMYK 20 / 100 / 0 / 35

HEX #8400A6

RGB 132 0 166

HSL 287.71, 1%, 0.33%

LAB 33.26, 66.02, -54.24

 

CMYK 17 / 76 / 0 / 5

HEX #C83AF2

RGB 200 58 242

HSL 286.3, 0.88%, 0.59%

LAB 53.72, 78.35, -64.67

 

CMYK 0 / 76 / 3 / 5

HEX #F23AEB

RGB 242 58 235

HSL 302.28, 0.88%, 0.59%

LAB 59.8, 85.15, -50.67

 

CMYK 0 / 76 / 23 / 5

HEX #F23ABA

RGB 242 58 186

HSL 318.26, 0.88%, 0.59%

LAB 57.51, 78.52, -26.41

 

CMYK 0 / 76 / 44 / 5

HEX #F23A88

RGB 242 58 136

HSL 334.57, 0.88%, 0.59%

LAB 55.77, 73.23, 0.26

 

CMYK 0 / 76 / 64 / 5

HEX #F23A56

RGB 242 58 86

HSL 350.87, 0.88%, 0.59%

LAB 54.63, 69.65, 28.45

 

CMYK 17 / 76 / 0 / 5

HEX #C83AF2

RGB 200 58 242

HSL 286.3, 0.88%, 0.59%

LAB 53.72, 78.35, -64.67

 

CMYK 38 / 76 / 0 / 5

HEX #963AF2

RGB 150 58 242

HSL 270, 0.88%, 0.59%

LAB 46.87, 69.88, -76.11

 

CMYK 58 / 76 / 0 / 5

HEX #653AF2

RGB 101 58 242

HSL 254.02, 0.88%, 0.59%

LAB 41.54, 63.15, -85.06

 

CMYK 76 / 76 / 0 / 5

HEX #3A3AF2

RGB 58 58 242

HSL 240, 0.88%, 0.59%

LAB 38.44, 59.15, -90.28

 

CMYK 17 / 76 / 0 / 5

HEX #C83AF2

RGB 200 58 242

HSL 286.3, 0.88%, 0.59%

LAB 53.72, 78.35, -64.67

 

CMYK 17 / 76 / 0 / 5

HEX #C83AF2

RGB 200 58 242

HSL 286.3, 0.88%, 0.59%

LAB 53.72, 78.35, -64.67

 

CMYK 15 / 67 / 0 / 11

HEX #BF4BE2

RGB 191 75 226

HSL 286.09, 0.72%, 0.59%

LAB 53.6, 67.47, -55.95

 

CMYK 13 / 56 / 0 / 18

HEX #B65CD1

RGB 182 92 209

HSL 286.15, 0.56%, 0.59%

LAB 54.24, 54.34, -45.36

 

CMYK 10 / 43 / 0 / 25

HEX #AD6DC0

RGB 173 109 192

HSL 286.27, 0.4%, 0.59%

LAB 55.71, 39.51, -33.42

 

CMYK 6 / 28 / 0 / 31

HEX #A47EAF

RGB 164 126 175

HSL 286.53, 0.23%, 0.59%

LAB 57.95, 23.59, -20.31

 

CMYK 58 / 76 / 0 / 5

HEX #653AF2

RGB 101 58 242

HSL 254.02, 0.88%, 0.59%

LAB 41.54, 63.15, -85.06

 

CMYK 38 / 76 / 0 / 5

HEX #963AF2

RGB 150 58 242

HSL 270, 0.88%, 0.59%

LAB 46.87, 69.88, -76.11

 

CMYK 17 / 76 / 0 / 5

HEX #C83AF2

RGB 200 58 242

HSL 286.3, 0.88%, 0.59%

LAB 53.72, 78.35, -64.67

 

CMYK 0 / 76 / 2 / 5

HEX #F23AEC

RGB 242 58 236

HSL 301.96, 0.88%, 0.59%

LAB 59.85, 85.3, -51.14

 

CMYK 0 / 76 / 23 / 5

HEX #F23ABB

RGB 242 58 187

HSL 317.93, 0.88%, 0.59%

LAB 57.55, 78.64, -26.92

 

CMYK 21 / 94 / 0 / 20

HEX #A10DCD

RGB 161 13 205

HSL 286.25, 0.88%, 0.43%

LAB 41.65, 75.52, -63.44

 

CMYK 21 / 92 / 0 / 6

HEX #BD14F0

RGB 189 20 240

HSL 286.09, 0.88%, 0.51%

LAB 49.02, 84.71, -71.25

 

CMYK 17 / 76 / 0 / 5

HEX #C83AF2

RGB 200 58 242

HSL 286.3, 0.88%, 0.59%

LAB 53.72, 78.35, -64.67

 

CMYK 14 / 60 / 0 / 4

HEX #D361F5

RGB 211 97 245

HSL 286.22, 0.88%, 0.67%

LAB 60.77, 66.2, -54.96

 

CMYK 10 / 45 / 0 / 3

HEX #DE88F7

RGB 222 136 247

HSL 286.49, 0.87%, 0.75%

LAB 69.36, 50.51, -42.41

 

CMYK 17 / 75 / 0 / 5

HEX #C83CF2

RGB 200 60 242

HSL 286.15, 0.88%, 0.59%

LAB 53.94, 77.72, -64.32

 

CMYK 0 / 76 / 73 / 5

HEX #F23A41

RGB 242 58 65

HSL 357.72, 0.88%, 0.59%

LAB 54.33, 68.68, 40.22

 

CMYK 76 / 0 / 48 / 5

HEX #3AF27E

RGB 58 242 126

HSL 142.17, 0.88%, 0.59%

LAB 84.95, -69.19, 43.2

 

CMYK 17 / 75 / 0 / 5

HEX #C83CF2

RGB 200 60 242

HSL 286.15, 0.88%, 0.59%

LAB 53.94, 77.72, -64.32

 

CMYK 0 / 17 / 76 / 5

HEX #F2C83A

RGB 242 200 58

HSL 46.3, 0.88%, 0.59%

LAB 82.1, 1.32, 71.63

 

CMYK 76 / 0 / 17 / 5

HEX #3AF2C8

RGB 58 242 200

HSL 166.3, 0.88%, 0.59%

LAB 86.29, -54.35, 7.48

 

CMYK 17 / 75 / 0 / 5

HEX #C83CF2

RGB 200 60 242

HSL 286.15, 0.88%, 0.59%

LAB 53.94, 77.72, -64.32

 

CMYK 0 / 76 / 73 / 5

HEX #F23A41

RGB 242 58 65

HSL 357.72, 0.88%, 0.59%

LAB 54.33, 68.68, 40.22

 

CMYK 58 / 0 / 76 / 5

HEX #65F23A

RGB 101 242 58

HSL 105.98, 0.88%, 0.59%

LAB 85.29, -68.63, 71.67

 

CMYK 76 / 0 / 2 / 5

HEX #3AF2EC

RGB 58 242 236

HSL 178.04, 0.88%, 0.59%

LAB 87.22, -45, -10

 

CMYK 17 / 75 / 0 / 5

HEX #C83CF2

RGB 200 60 242

HSL 286.15, 0.88%, 0.59%

LAB 53.94, 77.72, -64.32

 

CMYK 0 / 55 / 76 / 5

HEX #F26C3A

RGB 242 108 58

HSL 16.3, 0.88%, 0.59%

LAB 61.57, 48.7, 51.68

 

CMYK 58 / 0 / 76 / 5

HEX #65F23A

RGB 101 242 58

HSL 105.98, 0.88%, 0.59%

LAB 85.29, -68.63, 71.67

 

CMYK 76 / 20 / 0 / 5

HEX #3AC1F2

RGB 58 193 242

HSL 195.98, 0.88%, 0.59%

LAB 73.19, -19.87, -34.5

 

Description

Color code: HEX #C83CF2 | qconv.com Color code: HEX #C83CF2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 60 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 60 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 75 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 75% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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