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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C83798 it is the complementary color #37C867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C83798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C83798 shade: #CD3793, #DE49A6, #EF5BB9, #FF6DCC and #FF7FDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C83798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C83798 shade: #C83798, #B72585, #A61372, #95015F and #84004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C83798 shade: #C83798, #C83771, #C8374A and #C83737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C83798 shade: #C83798, #C837BF, #AA37C8, #8337C8 and #5C37C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C83798 shade matches the following richer shades: #C83798, #DD229F and #F10EA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C83798 shade: #C83798, #B44B91, #9F608A, #8A7583 and #76897C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C83798 shade: #A937C8, #C837C1, #C8379A, #C83773 and #C8374D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C83798 shade: #872567, #A82E7F, #C83798, #D157A9 and #DA78B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C83798 shade: #C83798, #C88237 and #37C8BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C83798 shade: #C83798, #9AC837 and #379AC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C83798 shade: #C83798, #C88237, #37C865 and #377DC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C83798 shade: #C83798, #C8AE37, #37C865 and #3751C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

Complementary color

CMYK 73 / 0 / 49 / 22

HEX #37C867

RGB 55 200 103

HSL 139.86, 0.57%, 0.5%

LAB 71.62, -58.71, 37.67

 

CMYK 0 / 73 / 28 / 20

HEX #CD3793

RGB 205 55 147

HSL 323.2, 0.6%, 0.51%

LAB 49.27, 65.79, -16.68

 

CMYK 0 / 67 / 25 / 13

HEX #DE49A6

RGB 222 73 166

HSL 322.55, 0.69%, 0.58%

LAB 55.12, 66.22, -18.74

 

CMYK 0 / 62 / 23 / 6

HEX #EF5BB9

RGB 239 91 185

HSL 321.89, 0.82%, 0.65%

LAB 61.08, 66.21, -20.4

 

CMYK 0 / 57 / 20 / 0

HEX #FF6DCC

RGB 255 109 204

HSL 320.96, 1%, 0.71%

LAB 66.94, 65.63, -22

 

CMYK 0 / 50 / 13 / 0

HEX #FF7FDF

RGB 255 127 223

HSL 315, 1%, 0.75%

LAB 70.71, 60.23, -26.81

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 80 / 27 / 28

HEX #B72585

RGB 183 37 133

HSL 320.55, 0.66%, 0.43%

LAB 42.89, 64.04, -18.31

 

CMYK 0 / 89 / 31 / 35

HEX #A61372

RGB 166 19 114

HSL 321.22, 0.79%, 0.36%

LAB 37.46, 61.91, -15.12

 

CMYK 0 / 99 / 36 / 42

HEX #95015F

RGB 149 1 95

HSL 321.89, 0.99%, 0.29%

LAB 32.34, 58.62, -11.08

 

CMYK 0 / 100 / 42 / 48

HEX #84004C

RGB 132 0 76

HSL 325.45, 1%, 0.26%

LAB 27.92, 53.02, -5.58

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 73 / 44 / 22

HEX #C83771

RGB 200 55 113

HSL 336, 0.57%, 0.5%

LAB 47.24, 60.76, 0.78

 

CMYK 0 / 73 / 63 / 22

HEX #C8374A

RGB 200 55 74

HSL 352.14, 0.57%, 0.5%

LAB 46.32, 57.7, 23.41

 

CMYK 0 / 73 / 73 / 22

HEX #C83737

RGB 200 55 55

HSL 0, 0.57%, 0.5%

LAB 46.03, 56.7, 34.37

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 73 / 5 / 22

HEX #C837BF

RGB 200 55 191

HSL 303.72, 0.57%, 0.5%

LAB 50.42, 70.68, -40.9

 

CMYK 15 / 73 / 0 / 22

HEX #AA37C8

RGB 170 55 200

HSL 287.59, 0.57%, 0.5%

LAB 46.24, 65.86, -53.05

 

CMYK 35 / 73 / 0 / 22

HEX #8337C8

RGB 131 55 200

HSL 271.45, 0.57%, 0.5%

LAB 40.78, 58.25, -62.15

 

CMYK 54 / 73 / 0 / 22

HEX #5C37C8

RGB 92 55 200

HSL 255.31, 0.57%, 0.5%

LAB 36.32, 51.72, -69.61

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 85 / 28 / 13

HEX #DD229F

RGB 221 34 159

HSL 319.89, 0.73%, 0.5%

LAB 50.71, 76.38, -21.38

 

CMYK 0 / 94 / 31 / 5

HEX #F10EA6

RGB 241 14 166

HSL 319.82, 0.89%, 0.5%

LAB 53.78, 84, -20.49

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 58 / 19 / 29

HEX #B44B91

RGB 180 75 145

HSL 320, 0.41%, 0.5%

LAB 47.98, 50.65, -17.82

 

CMYK 0 / 40 / 13 / 38

HEX #9F608A

RGB 159 96 138

HSL 320, 0.25%, 0.5%

LAB 48.97, 31.83, -12.41

 

CMYK 0 / 15 / 5 / 46

HEX #8A7583

RGB 138 117 131

HSL 320, 0.08%, 0.5%

LAB 51.57, 10.73, -4.62

 

CMYK 14 / 0 / 9 / 46

HEX #76897C

RGB 118 137 124

HSL 138.95, 0.07%, 0.5%

LAB 55.28, -9.56, 4.67

 

CMYK 16 / 73 / 0 / 22

HEX #A937C8

RGB 169 55 200

HSL 287.17, 0.57%, 0.5%

LAB 46.09, 65.66, -53.3

 

CMYK 0 / 73 / 4 / 22

HEX #C837C1

RGB 200 55 193

HSL 302.9, 0.57%, 0.5%

LAB 50.53, 70.99, -41.89

 

CMYK 0 / 73 / 23 / 22

HEX #C8379A

RGB 200 55 154

HSL 319.03, 0.57%, 0.5%

LAB 48.69, 65.4, -21.83

 

CMYK 0 / 73 / 43 / 22

HEX #C83773

RGB 200 55 115

HSL 335.17, 0.57%, 0.5%

LAB 47.3, 60.95, -0.35

 

CMYK 0 / 73 / 62 / 22

HEX #C8374D

RGB 200 55 77

HSL 350.9, 0.57%, 0.5%

LAB 46.38, 57.89, 21.65

 

CMYK 0 / 73 / 24 / 47

HEX #872567

RGB 135 37 103

HSL 319.59, 0.57%, 0.34%

LAB 32.82, 47.86, -15.76

 

CMYK 0 / 73 / 24 / 34

HEX #A82E7F

RGB 168 46 127

HSL 320.16, 0.57%, 0.42%

LAB 40.91, 56.74, -17.89

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 58 / 19 / 18

HEX #D157A9

RGB 209 87 169

HSL 319.67, 0.57%, 0.58%

LAB 55.31, 57.24, -20.38

 

CMYK 0 / 45 / 15 / 15

HEX #DA78B9

RGB 218 120 185

HSL 320.2, 0.57%, 0.66%

LAB 63.21, 46.49, -17.43

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 35 / 73 / 22

HEX #C88237

RGB 200 130 55

HSL 31.03, 0.57%, 0.5%

LAB 60.36, 20.49, 50

 

CMYK 73 / 0 / 6 / 22

HEX #37C8BC

RGB 55 200 188

HSL 175.03, 0.57%, 0.5%

LAB 73.38, -39.97, -4.94

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 23 / 0 / 73 / 22

HEX #9AC837

RGB 154 200 55

HSL 79.03, 0.57%, 0.5%

LAB 75.11, -35.46, 63.55

 

CMYK 73 / 23 / 0 / 22

HEX #379AC8

RGB 55 154 200

HSL 199.03, 0.57%, 0.5%

LAB 59.97, -13.4, -31.9

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 35 / 73 / 22

HEX #C88237

RGB 200 130 55

HSL 31.03, 0.57%, 0.5%

LAB 60.36, 20.49, 50

 

CMYK 73 / 0 / 50 / 22

HEX #37C865

RGB 55 200 101

HSL 139.03, 0.57%, 0.5%

LAB 71.6, -59.02, 38.63

 

CMYK 73 / 38 / 0 / 22

HEX #377DC8

RGB 55 125 200

HSL 211.03, 0.57%, 0.5%

LAB 51.44, 3.38, -45.31

 

CMYK 0 / 73 / 24 / 22

HEX #C83798

RGB 200 55 152

HSL 319.86, 0.57%, 0.5%

LAB 48.61, 65.14, -20.76

 

CMYK 0 / 13 / 73 / 22

HEX #C8AE37

RGB 200 174 55

HSL 49.24, 0.57%, 0.5%

LAB 71.44, -3.3, 61.15

 

CMYK 73 / 0 / 50 / 22

HEX #37C865

RGB 55 200 101

HSL 139.03, 0.57%, 0.5%

LAB 71.6, -59.02, 38.63

 

CMYK 73 / 60 / 0 / 22

HEX #3751C8

RGB 55 81 200

HSL 229.24, 0.57%, 0.5%

LAB 39.36, 31.26, -64.76

 

Description

Color code: HEX #C83798 | qconv.com Color code: HEX #C83798 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 55 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 55 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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