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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C836C4 it is the complementary color #37C93B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C836C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C836C4 shade: #CD36BF, #DE48D2, #EF5AE5, #FF6CF8 and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C836C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C836C4 shade: #C836C4, #B724B1, #A6129E, #95008B and #840078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C836C4 shade: #C837C4, #C8379D, #C83776, #C8374F and #C83737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C836C4 shade: #C837C4, #A537C8, #7E37C8, #5737C8 and #3737C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C836C4 shade matches the following richer shades: #C837C4, #DD22D8 and #F10EEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C836C4 shade: #C837C4, #B44BB1, #9F609D, #8A758A and #768976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C836C4 shade: #7D37C8, #A437C8, #C837C6, #C8379F and #C83778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C836C4 shade: #872585, #A82EA4, #C837C4, #D157CE and #DA78D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C836C4 shade: #C836C4, #C85637 and #37C890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C836C4 shade: #C836C4, #C6C837 and #37C6C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C836C4 shade: #C836C4, #C85637, #37C839 and #37A9C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C836C4 shade: #C836C4, #C88237, #37C839 and #377DC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

Complementary color

CMYK 73 / 0 / 71 / 21

HEX #37C93B

RGB 55 201 59

HSL 121.64, 0.57%, 0.5%

LAB 71.49, -64.39, 57.15

 

CMYK 0 / 74 / 7 / 20

HEX #CD36BF

RGB 205 54 191

HSL 305.56, 0.6%, 0.51%

LAB 51.13, 72.08, -39.73

 

CMYK 0 / 68 / 5 / 13

HEX #DE48D2

RGB 222 72 210

HSL 304.8, 0.69%, 0.58%

LAB 56.9, 72.8, -41.36

 

CMYK 0 / 62 / 4 / 6

HEX #EF5AE5

RGB 239 90 229

HSL 304.03, 0.82%, 0.65%

LAB 62.78, 73.01, -42.64

 

CMYK 0 / 58 / 3 / 0

HEX #FF6CF8

RGB 255 108 248

HSL 302.86, 1%, 0.71%

LAB 68.58, 72.64, -43.89

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 0 / 80 / 3 / 28

HEX #B724B1

RGB 183 36 177

HSL 302.45, 0.67%, 0.43%

LAB 44.95, 70.37, -41.56

 

CMYK 0 / 89 / 5 / 35

HEX #A6129E

RGB 166 18 158

HSL 303.24, 0.8%, 0.36%

LAB 39.59, 67.89, -38.91

 

CMYK 0 / 100 / 7 / 42

HEX #95008B

RGB 149 0 139

HSL 304.03, 1%, 0.29%

LAB 34.51, 64.32, -35.59

 

CMYK 0 / 100 / 9 / 48

HEX #840078

RGB 132 0 120

HSL 305.45, 1%, 0.26%

LAB 30.06, 58.44, -30.95

 

CMYK 0 / 73 / 2 / 22

HEX #C837C4

RGB 200 55 196

HSL 301.66, 0.57%, 0.5%

LAB 50.68, 71.46, -43.38

 

CMYK 0 / 73 / 22 / 22

HEX #C8379D

RGB 200 55 157

HSL 317.79, 0.57%, 0.5%

LAB 48.82, 65.79, -23.42

 

CMYK 0 / 73 / 41 / 22

HEX #C83776

RGB 200 55 118

HSL 333.93, 0.57%, 0.5%

LAB 47.39, 61.25, -2.05

 

CMYK 0 / 73 / 61 / 22

HEX #C8374F

RGB 200 55 79

HSL 350.07, 0.57%, 0.5%

LAB 46.41, 58.02, 20.48

 

CMYK 0 / 73 / 73 / 22

HEX #C83737

RGB 200 55 55

HSL 0, 0.57%, 0.5%

LAB 46.03, 56.7, 34.37

 

CMYK 0 / 73 / 2 / 22

HEX #C837C4

RGB 200 55 196

HSL 301.66, 0.57%, 0.5%

LAB 50.68, 71.46, -43.38

 

CMYK 18 / 73 / 0 / 22

HEX #A537C8

RGB 165 55 200

HSL 285.52, 0.57%, 0.5%

LAB 45.5, 64.85, -54.28

 

CMYK 37 / 73 / 0 / 22

HEX #7E37C8

RGB 126 55 200

HSL 269.38, 0.57%, 0.5%

LAB 40.14, 57.34, -63.21

 

CMYK 57 / 73 / 0 / 22

HEX #5737C8

RGB 87 55 200

HSL 253.24, 0.57%, 0.5%

LAB 35.85, 50.99, -70.41

 

CMYK 73 / 73 / 0 / 22

HEX #3737C8

RGB 55 55 200

HSL 240, 0.57%, 0.5%

LAB 33.38, 47.17, -74.55

 

CMYK 0 / 73 / 2 / 22

HEX #C837C4

RGB 200 55 196

HSL 301.66, 0.57%, 0.5%

LAB 50.68, 71.46, -43.38

 

CMYK 0 / 85 / 2 / 13

HEX #DD22D8

RGB 221 34 216

HSL 301.6, 0.73%, 0.5%

LAB 53.46, 83.78, -50.22

 

CMYK 0 / 94 / 2 / 5

HEX #F10EEB

RGB 241 14 235

HSL 301.59, 0.89%, 0.5%

LAB 57.09, 92.4, -54.99

 

CMYK 0 / 73 / 2 / 22

HEX #C837C4

RGB 200 55 196

HSL 301.66, 0.57%, 0.5%

LAB 50.68, 71.46, -43.38

 

CMYK 0 / 58 / 2 / 29

HEX #B44BB1

RGB 180 75 177

HSL 301.71, 0.41%, 0.5%

LAB 49.39, 55.83, -34.58

 

CMYK 0 / 40 / 1 / 38

HEX #9F609D

RGB 159 96 157

HSL 301.9, 0.25%, 0.5%

LAB 49.7, 35.3, -22.55

 

CMYK 0 / 15 / 0 / 46

HEX #8A758A

RGB 138 117 138

HSL 300, 0.08%, 0.5%

LAB 51.79, 12.11, -8.41

 

CMYK 14 / 0 / 14 / 46

HEX #768976

RGB 118 137 118

HSL 120, 0.07%, 0.5%

LAB 55.12, -10.74, 7.9

 

CMYK 38 / 73 / 0 / 22

HEX #7D37C8

RGB 125 55 200

HSL 268.97, 0.57%, 0.5%

LAB 40.02, 57.16, -63.42

 

CMYK 18 / 73 / 0 / 22

HEX #A437C8

RGB 164 55 200

HSL 285.1, 0.57%, 0.5%

LAB 45.35, 64.65, -54.53

 

CMYK 0 / 73 / 1 / 22

HEX #C837C6

RGB 200 55 198

HSL 300.83, 0.57%, 0.5%

LAB 50.79, 71.78, -44.36

 

CMYK 0 / 73 / 21 / 22

HEX #C8379F

RGB 200 55 159

HSL 316.97, 0.57%, 0.5%

LAB 48.9, 66.06, -24.48

 

CMYK 0 / 73 / 40 / 22

HEX #C83778

RGB 200 55 120

HSL 333.1, 0.57%, 0.5%

LAB 47.45, 61.45, -3.18

 

CMYK 0 / 73 / 1 / 47

HEX #872585

RGB 135 37 133

HSL 301.22, 0.57%, 0.34%

LAB 34.33, 52.58, -32.31

 

CMYK 0 / 73 / 2 / 34

HEX #A82EA4

RGB 168 46 164

HSL 301.97, 0.57%, 0.42%

LAB 42.7, 62.24, -37.56

 

CMYK 0 / 73 / 2 / 22

HEX #C837C4

RGB 200 55 196

HSL 301.66, 0.57%, 0.5%

LAB 50.68, 71.46, -43.38

 

CMYK 0 / 58 / 1 / 18

HEX #D157CE

RGB 209 87 206

HSL 301.48, 0.57%, 0.58%

LAB 56.91, 63.05, -39.2

 

CMYK 0 / 45 / 1 / 15

HEX #DA78D7

RGB 218 120 215

HSL 301.84, 0.57%, 0.66%

LAB 64.36, 51.51, -32.56

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 0 / 57 / 73 / 22

HEX #C85637

RGB 200 86 55

HSL 12.83, 0.57%, 0.5%

LAB 50.93, 43.54, 39.91

 

CMYK 73 / 0 / 28 / 22

HEX #37C890

RGB 55 200 144

HSL 156.83, 0.57%, 0.5%

LAB 72.32, -50.93, 17.3

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 1 / 0 / 73 / 22

HEX #C6C837

RGB 198 200 55

HSL 60.83, 0.57%, 0.5%

LAB 78.22, -17.5, 67.62

 

CMYK 73 / 1 / 0 / 22

HEX #37C6C8

RGB 55 198 200

HSL 180.83, 0.57%, 0.5%

LAB 73.14, -35.66, -11.82

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 0 / 57 / 73 / 22

HEX #C85637

RGB 200 86 55

HSL 12.83, 0.57%, 0.5%

LAB 50.93, 43.54, 39.91

 

CMYK 73 / 0 / 72 / 22

HEX #37C839

RGB 55 200 57

HSL 120.83, 0.57%, 0.5%

LAB 71.16, -64.24, 57.55

 

CMYK 73 / 16 / 0 / 22

HEX #37A9C8

RGB 55 169 200

HSL 192.83, 0.57%, 0.5%

LAB 64.45, -21.41, -24.99

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 0 / 35 / 73 / 22

HEX #C88237

RGB 200 130 55

HSL 31.03, 0.57%, 0.5%

LAB 60.36, 20.49, 50

 

CMYK 73 / 0 / 72 / 22

HEX #37C839

RGB 55 200 57

HSL 120.83, 0.57%, 0.5%

LAB 71.16, -64.24, 57.55

 

CMYK 73 / 38 / 0 / 22

HEX #377DC8

RGB 55 125 200

HSL 211.03, 0.57%, 0.5%

LAB 51.44, 3.38, -45.31

 

Description

Color code: HEX #C836C4 | qconv.com Color code: HEX #C836C4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 54 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 54 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 2 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 2% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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