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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C833C1 it is the complementary color #37CC3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C833C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C833C1 shade: #CD33BC, #DE45CF, #EF57E2, #FF69F5 and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C833C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C833C1 shade: #C833C1, #B721AE, #A60F9B, #950088 and #840075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C833C1 shade: #C733C0, #C73398, #C73370, #C73348 and #C73333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C833C1 shade: #C733C0, #A633C7, #7E33C7, #5633C7 and #3333C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C833C1 shade matches the following richer shades: #C733C0, #DB1FD2 and #EF0BE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C833C1 shade: #C733C0, #B247AD, #9E5C9B, #8A7089 and #768476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C833C1 shade: #7D33C7, #A433C7, #C733C2, #C7339A and #C73373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C833C1 shade: #852280, #A62BA0, #C733C0, #D251CC and #DB72D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C833C1 shade: #C833C1, #C75633 and #33C791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C833C1 shade: #C833C1, #C2C733 and #33C2C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C833C1 shade: #C833C1, #C75633, #33C738 and #33A4C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C833C1 shade: #C833C1, #C78233, #33C738 and #3378C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 4 / 22

HEX #C833C1

RGB 200 51 193

HSL 302.82, 0.59%, 0.49%

LAB 50.09, 72.22, -42.57

 

Complementary color

CMYK 73 / 0 / 70 / 20

HEX #37CC3E

RGB 55 204 62

HSL 122.82, 0.59%, 0.51%

LAB 72.46, -65.09, 57.03

 

CMYK 0 / 75 / 8 / 20

HEX #CD33BC

RGB 205 51 188

HSL 306.62, 0.61%, 0.5%

LAB 50.66, 72.54, -38.72

 

CMYK 0 / 69 / 7 / 13

HEX #DE45CF

RGB 222 69 207

HSL 305.88, 0.7%, 0.57%

LAB 56.38, 73.39, -40.47

 

CMYK 0 / 64 / 5 / 6

HEX #EF57E2

RGB 239 87 226

HSL 305.13, 0.83%, 0.64%

LAB 62.22, 73.7, -41.84

 

CMYK 0 / 59 / 4 / 0

HEX #FF69F5

RGB 255 105 245

HSL 304, 1%, 0.71%

LAB 67.99, 73.41, -43.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 75 / 4 / 22

HEX #C833C1

RGB 200 51 193

HSL 302.82, 0.59%, 0.49%

LAB 50.09, 72.22, -42.57

 

CMYK 0 / 82 / 5 / 28

HEX #B721AE

RGB 183 33 174

HSL 303.6, 0.69%, 0.42%

LAB 44.53, 70.63, -40.44

 

CMYK 0 / 91 / 7 / 35

HEX #A60F9B

RGB 166 15 155

HSL 304.37, 0.83%, 0.35%

LAB 39.27, 67.9, -37.61

 

CMYK 0 / 100 / 9 / 42

HEX #950088

RGB 149 0 136

HSL 305.23, 1%, 0.29%

LAB 34.33, 63.88, -34.01

 

CMYK 0 / 100 / 11 / 48

HEX #840075

RGB 132 0 117

HSL 306.82, 1%, 0.26%

LAB 29.89, 58.01, -29.32

 

CMYK 0 / 74 / 4 / 22

HEX #C733C0

RGB 199 51 192

HSL 302.84, 0.59%, 0.49%

LAB 49.88, 71.86, -42.35

 

CMYK 0 / 74 / 24 / 22

HEX #C73398

RGB 199 51 152

HSL 319.05, 0.59%, 0.49%

LAB 47.98, 66.19, -21.75

 

CMYK 0 / 74 / 44 / 22

HEX #C73370

RGB 199 51 112

HSL 335.27, 0.59%, 0.49%

LAB 46.55, 61.73, 0.37

 

CMYK 0 / 74 / 64 / 22

HEX #C73348

RGB 199 51 72

HSL 351.49, 0.59%, 0.49%

LAB 45.6, 58.65, 23.66

 

CMYK 0 / 74 / 74 / 22

HEX #C73333

RGB 199 51 51

HSL 0, 0.59%, 0.49%

LAB 45.29, 57.61, 35.79

 

CMYK 0 / 74 / 4 / 22

HEX #C733C0

RGB 199 51 192

HSL 302.84, 0.59%, 0.49%

LAB 49.88, 71.86, -42.35

 

CMYK 17 / 74 / 0 / 22

HEX #A633C7

RGB 166 51 199

HSL 286.62, 0.59%, 0.49%

LAB 45.08, 66.3, -54.37

 

CMYK 37 / 74 / 0 / 22

HEX #7E33C7

RGB 126 51 199

HSL 270.41, 0.59%, 0.49%

LAB 39.46, 58.84, -63.75

 

CMYK 57 / 74 / 0 / 22

HEX #5633C7

RGB 86 51 199

HSL 254.19, 0.59%, 0.49%

LAB 34.94, 52.59, -71.31

 

CMYK 74 / 74 / 0 / 22

HEX #3333C7

RGB 51 51 199

HSL 240, 0.59%, 0.49%

LAB 32.25, 48.71, -75.85

 

CMYK 0 / 74 / 4 / 22

HEX #C733C0

RGB 199 51 192

HSL 302.84, 0.59%, 0.49%

LAB 49.88, 71.86, -42.35

 

CMYK 0 / 86 / 4 / 14

HEX #DB1FD2

RGB 219 31 210

HSL 302.87, 0.75%, 0.49%

LAB 52.61, 83.08, -48.17

 

CMYK 0 / 95 / 5 / 6

HEX #EF0BE4

RGB 239 11 228

HSL 302.89, 0.91%, 0.49%

LAB 56.28, 91.32, -52.36

 

CMYK 0 / 74 / 4 / 22

HEX #C733C0

RGB 199 51 192

HSL 302.84, 0.59%, 0.49%

LAB 49.88, 71.86, -42.35

 

CMYK 0 / 60 / 3 / 30

HEX #B247AD

RGB 178 71 173

HSL 302.8, 0.43%, 0.49%

LAB 48.25, 56.39, -34.04

 

CMYK 0 / 42 / 2 / 38

HEX #9E5C9B

RGB 158 92 155

HSL 302.73, 0.26%, 0.49%

LAB 48.62, 36.79, -23.05

 

CMYK 0 / 19 / 1 / 46

HEX #8A7089

RGB 138 112 137

HSL 302.31, 0.1%, 0.49%

LAB 50.45, 14.84, -9.83

 

CMYK 11 / 0 / 11 / 48

HEX #768476

RGB 118 132 118

HSL 120, 0.06%, 0.49%

LAB 53.67, -7.97, 5.82

 

CMYK 37 / 74 / 0 / 22

HEX #7D33C7

RGB 125 51 199

HSL 270, 0.59%, 0.49%

LAB 39.33, 58.66, -63.96

 

CMYK 18 / 74 / 0 / 22

HEX #A433C7

RGB 164 51 199

HSL 285.81, 0.59%, 0.49%

LAB 44.78, 65.91, -54.87

 

CMYK 0 / 74 / 3 / 22

HEX #C733C2

RGB 199 51 194

HSL 302.03, 0.59%, 0.49%

LAB 49.98, 72.17, -43.34

 

CMYK 0 / 74 / 23 / 22

HEX #C7339A

RGB 199 51 154

HSL 318.24, 0.59%, 0.49%

LAB 48.06, 66.45, -22.81

 

CMYK 0 / 74 / 42 / 22

HEX #C73373

RGB 199 51 115

HSL 334.05, 0.59%, 0.49%

LAB 46.64, 62.02, -1.34

 

CMYK 0 / 74 / 4 / 48

HEX #852280

RGB 133 34 128

HSL 303.03, 0.59%, 0.33%

LAB 33.33, 52.33, -30.8

 

CMYK 0 / 74 / 4 / 35

HEX #A62BA0

RGB 166 43 160

HSL 302.93, 0.59%, 0.41%

LAB 41.8, 62.13, -36.61

 

CMYK 0 / 74 / 4 / 22

HEX #C733C0

RGB 199 51 192

HSL 302.84, 0.59%, 0.49%

LAB 49.88, 71.86, -42.35

 

CMYK 0 / 61 / 3 / 18

HEX #D251CC

RGB 210 81 204

HSL 302.79, 0.59%, 0.57%

LAB 56.03, 65.51, -39.42

 

CMYK 0 / 48 / 2 / 14

HEX #DB72D6

RGB 219 114 214

HSL 302.86, 0.59%, 0.65%

LAB 63.3, 54.6, -33.63

 

CMYK 0 / 75 / 4 / 22

HEX #C833C1

RGB 200 51 193

HSL 302.82, 0.59%, 0.49%

LAB 50.09, 72.22, -42.57

 

CMYK 0 / 57 / 74 / 22

HEX #C75633

RGB 199 86 51

HSL 14.19, 0.59%, 0.49%

LAB 50.73, 42.98, 41.76

 

CMYK 74 / 0 / 27 / 22

HEX #33C791

RGB 51 199 145

HSL 158.11, 0.59%, 0.49%

LAB 71.96, -50.85, 16.25

 

CMYK 0 / 75 / 4 / 22

HEX #C833C1

RGB 200 51 193

HSL 302.82, 0.59%, 0.49%

LAB 50.09, 72.22, -42.57

 

CMYK 3 / 0 / 74 / 22

HEX #C2C733

RGB 194 199 51

HSL 62.03, 0.59%, 0.49%

LAB 77.61, -18.86, 68.26

 

CMYK 74 / 3 / 0 / 22

HEX #33C2C7

RGB 51 194 199

HSL 182.03, 0.59%, 0.49%

LAB 71.83, -34.54, -13.24

 

CMYK 0 / 75 / 4 / 22

HEX #C833C1

RGB 200 51 193

HSL 302.82, 0.59%, 0.49%

LAB 50.09, 72.22, -42.57

 

CMYK 0 / 57 / 74 / 22

HEX #C75633

RGB 199 86 51

HSL 14.19, 0.59%, 0.49%

LAB 50.73, 42.98, 41.76

 

CMYK 74 / 0 / 72 / 22

HEX #33C738

RGB 51 199 56

HSL 122.03, 0.59%, 0.49%

LAB 70.76, -64.64, 57.49

 

CMYK 74 / 18 / 0 / 22

HEX #33A4C7

RGB 51 164 199

HSL 194.19, 0.59%, 0.49%

LAB 62.83, -19.62, -26.94

 

CMYK 0 / 75 / 4 / 22

HEX #C833C1

RGB 200 51 193

HSL 302.82, 0.59%, 0.49%

LAB 50.09, 72.22, -42.57

 

CMYK 0 / 35 / 74 / 22

HEX #C78233

RGB 199 130 51

HSL 32.03, 0.59%, 0.49%

LAB 60.2, 19.87, 51.61

 

CMYK 74 / 0 / 72 / 22

HEX #33C738

RGB 51 199 56

HSL 122.03, 0.59%, 0.49%

LAB 70.76, -64.64, 57.49

 

CMYK 74 / 40 / 0 / 22

HEX #3378C7

RGB 51 120 199

HSL 212.03, 0.59%, 0.49%

LAB 49.81, 5.53, -47.33

 

Description

Color code: HEX #C833C1 | qconv.com Color code: HEX #C833C1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 51 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 51 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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