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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8339A it is the complementary color #37CC65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8339A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8339A shade: #CD3395, #DE45A8, #EF57BB, #FF69CE and #FF7BE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8339A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8339A shade: #C8339A, #B72187, #A60F74, #950061 and #84004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8339A shade: #C73399, #C73371, #C7334A and #C73333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8339A shade: #C73399, #C733C1, #A533C7, #7D33C7 and #5533C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8339A shade matches the following richer shades: #C73399, #DB1FA1 and #EF0BA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8339A shade: #C73399, #B24791, #9E5C8A, #8A7082 and #76847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8339A shade: #A433C7, #C733C2, #C7339A, #C73373 and #C7334C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8339A shade: #852267, #A62B80, #C73399, #D251AA and #DB72BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8339A shade: #C8339A, #C77D33 and #33C7B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8339A shade: #C8339A, #9AC733 and #339AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8339A shade: #C8339A, #C77D33, #33C75F and #337DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8339A shade: #C8339A, #C7A933, #33C75F and #3351C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 23 / 22

HEX #C8339A

RGB 200 51 154

HSL 318.52, 0.59%, 0.49%

LAB 48.23, 66.69, -22.53

 

Complementary color

CMYK 73 / 0 / 50 / 20

HEX #37CC65

RGB 55 204 101

HSL 138.52, 0.59%, 0.51%

LAB 72.85, -60.42, 40.19

 

CMYK 0 / 75 / 27 / 20

HEX #CD3395

RGB 205 51 149

HSL 321.82, 0.61%, 0.5%

LAB 48.9, 67.3, -18.44

 

CMYK 0 / 69 / 24 / 13

HEX #DE45A8

RGB 222 69 168

HSL 321.18, 0.7%, 0.57%

LAB 54.67, 67.94, -20.6

 

CMYK 0 / 64 / 22 / 6

HEX #EF57BB

RGB 239 87 187

HSL 320.53, 0.83%, 0.64%

LAB 60.56, 68.08, -22.33

 

CMYK 0 / 59 / 19 / 0

HEX #FF69CE

RGB 255 105 206

HSL 319.6, 1%, 0.71%

LAB 66.38, 67.62, -23.98

 

CMYK 0 / 52 / 12 / 0

HEX #FF7BE1

RGB 255 123 225

HSL 313.64, 1%, 0.74%

LAB 70.08, 62.4, -28.89

 

CMYK 0 / 75 / 23 / 22

HEX #C8339A

RGB 200 51 154

HSL 318.52, 0.59%, 0.49%

LAB 48.23, 66.69, -22.53

 

CMYK 0 / 82 / 26 / 28

HEX #B72187

RGB 183 33 135

HSL 319.2, 0.69%, 0.42%

LAB 42.62, 65.31, -19.95

 

CMYK 0 / 91 / 30 / 35

HEX #A60F74

RGB 166 15 116

HSL 319.87, 0.83%, 0.35%

LAB 37.32, 62.79, -16.59

 

CMYK 0 / 100 / 35 / 42

HEX #950061

RGB 149 0 97

HSL 320.94, 1%, 0.29%

LAB 32.38, 58.97, -12.33

 

CMYK 0 / 100 / 41 / 48

HEX #84004E

RGB 132 0 78

HSL 324.55, 1%, 0.26%

LAB 28, 53.22, -6.81

 

CMYK 0 / 74 / 23 / 22

HEX #C73399

RGB 199 51 153

HSL 318.65, 0.59%, 0.49%

LAB 48.02, 66.32, -22.28

 

CMYK 0 / 74 / 43 / 22

HEX #C73371

RGB 199 51 113

HSL 334.86, 0.59%, 0.49%

LAB 46.58, 61.82, -0.2

 

CMYK 0 / 74 / 63 / 22

HEX #C7334A

RGB 199 51 74

HSL 350.68, 0.59%, 0.49%

LAB 45.64, 58.77, 22.49

 

CMYK 0 / 74 / 74 / 22

HEX #C73333

RGB 199 51 51

HSL 0, 0.59%, 0.49%

LAB 45.29, 57.61, 35.79

 

CMYK 0 / 74 / 23 / 22

HEX #C73399

RGB 199 51 153

HSL 318.65, 0.59%, 0.49%

LAB 48.02, 66.32, -22.28

 

CMYK 0 / 74 / 3 / 22

HEX #C733C1

RGB 199 51 193

HSL 302.43, 0.59%, 0.49%

LAB 49.93, 72.01, -42.84

 

CMYK 17 / 74 / 0 / 22

HEX #A533C7

RGB 165 51 199

HSL 286.22, 0.59%, 0.49%

LAB 44.93, 66.1, -54.62

 

CMYK 37 / 74 / 0 / 22

HEX #7D33C7

RGB 125 51 199

HSL 270, 0.59%, 0.49%

LAB 39.33, 58.66, -63.96

 

CMYK 57 / 74 / 0 / 22

HEX #5533C7

RGB 85 51 199

HSL 253.78, 0.59%, 0.49%

LAB 34.85, 52.46, -71.47

 

CMYK 0 / 74 / 23 / 22

HEX #C73399

RGB 199 51 153

HSL 318.65, 0.59%, 0.49%

LAB 48.02, 66.32, -22.28

 

CMYK 0 / 86 / 26 / 14

HEX #DB1FA1

RGB 219 31 161

HSL 318.51, 0.75%, 0.49%

LAB 50.23, 76.74, -23.34

 

CMYK 0 / 95 / 29 / 6

HEX #EF0BA9

RGB 239 11 169

HSL 318.42, 0.91%, 0.49%

LAB 53.44, 84.15, -22.81

 

CMYK 0 / 74 / 23 / 22

HEX #C73399

RGB 199 51 153

HSL 318.65, 0.59%, 0.49%

LAB 48.02, 66.32, -22.28

 

CMYK 0 / 60 / 19 / 30

HEX #B24791

RGB 178 71 145

HSL 318.5, 0.43%, 0.49%

LAB 47, 51.89, -19.36

 

CMYK 0 / 42 / 13 / 38

HEX #9E5C8A

RGB 158 92 138

HSL 318.18, 0.26%, 0.49%

LAB 47.95, 33.71, -13.96

 

CMYK 0 / 19 / 6 / 46

HEX #8A7082

RGB 138 112 130

HSL 318.46, 0.1%, 0.49%

LAB 50.22, 13.47, -6.03

 

CMYK 11 / 0 / 8 / 48

HEX #76847A

RGB 118 132 122

HSL 137.14, 0.06%, 0.49%

LAB 53.77, -7.18, 3.65

 

CMYK 18 / 74 / 0 / 22

HEX #A433C7

RGB 164 51 199

HSL 285.81, 0.59%, 0.49%

LAB 44.78, 65.91, -54.87

 

CMYK 0 / 74 / 3 / 22

HEX #C733C2

RGB 199 51 194

HSL 302.03, 0.59%, 0.49%

LAB 49.98, 72.17, -43.34

 

CMYK 0 / 74 / 23 / 22

HEX #C7339A

RGB 199 51 154

HSL 318.24, 0.59%, 0.49%

LAB 48.06, 66.45, -22.81

 

CMYK 0 / 74 / 42 / 22

HEX #C73373

RGB 199 51 115

HSL 334.05, 0.59%, 0.49%

LAB 46.64, 62.02, -1.34

 

CMYK 0 / 74 / 62 / 22

HEX #C7334C

RGB 199 51 76

HSL 349.86, 0.59%, 0.49%

LAB 45.68, 58.9, 21.31

 

CMYK 0 / 74 / 23 / 48

HEX #852267

RGB 133 34 103

HSL 318.18, 0.59%, 0.33%

LAB 32.06, 48.43, -16.96

 

CMYK 0 / 74 / 23 / 35

HEX #A62B80

RGB 166 43 128

HSL 318.54, 0.59%, 0.41%

LAB 40.24, 57.39, -19.58

 

CMYK 0 / 74 / 23 / 22

HEX #C73399

RGB 199 51 153

HSL 318.65, 0.59%, 0.49%

LAB 48.02, 66.32, -22.28

 

CMYK 0 / 61 / 19 / 18

HEX #D251AA

RGB 210 81 170

HSL 318.6, 0.59%, 0.57%

LAB 54.54, 60.29, -22.13

 

CMYK 0 / 48 / 15 / 14

HEX #DB72BA

RGB 219 114 186

HSL 318.86, 0.59%, 0.65%

LAB 62.2, 49.98, -19.51

 

CMYK 0 / 75 / 23 / 22

HEX #C8339A

RGB 200 51 154

HSL 318.52, 0.59%, 0.49%

LAB 48.23, 66.69, -22.53

 

CMYK 0 / 37 / 74 / 22

HEX #C77D33

RGB 199 125 51

HSL 30, 0.59%, 0.49%

LAB 59.02, 22.6, 50.41

 

CMYK 74 / 0 / 8 / 22

HEX #33C7B8

RGB 51 199 184

HSL 173.92, 0.59%, 0.49%

LAB 72.9, -41.1, -3.49

 

CMYK 0 / 75 / 23 / 22

HEX #C8339A

RGB 200 51 154

HSL 318.52, 0.59%, 0.49%

LAB 48.23, 66.69, -22.53

 

CMYK 23 / 0 / 74 / 22

HEX #9AC733

RGB 154 199 51

HSL 78.24, 0.59%, 0.49%

LAB 74.8, -35.23, 64.61

 

CMYK 74 / 23 / 0 / 22

HEX #339AC7

RGB 51 154 199

HSL 198.24, 0.59%, 0.49%

LAB 59.83, -14.26, -31.57

 

CMYK 0 / 75 / 23 / 22

HEX #C8339A

RGB 200 51 154

HSL 318.52, 0.59%, 0.49%

LAB 48.23, 66.69, -22.53

 

CMYK 0 / 37 / 74 / 22

HEX #C77D33

RGB 199 125 51

HSL 30, 0.59%, 0.49%

LAB 59.02, 22.6, 50.41

 

CMYK 74 / 0 / 52 / 22

HEX #33C75F

RGB 51 199 95

HSL 137.84, 0.59%, 0.49%

LAB 71.13, -60.17, 40.97

 

CMYK 74 / 37 / 0 / 22

HEX #337DC7

RGB 51 125 199

HSL 210, 0.59%, 0.49%

LAB 51.26, 2.48, -45.03

 

CMYK 0 / 75 / 23 / 22

HEX #C8339A

RGB 200 51 154

HSL 318.52, 0.59%, 0.49%

LAB 48.23, 66.69, -22.53

 

CMYK 0 / 15 / 74 / 22

HEX #C7A933

RGB 199 169 51

HSL 47.84, 0.59%, 0.49%

LAB 70.01, -1.28, 61.23

 

CMYK 74 / 0 / 52 / 22

HEX #33C75F

RGB 51 199 95

HSL 137.84, 0.59%, 0.49%

LAB 71.13, -60.17, 40.97

 

CMYK 74 / 59 / 0 / 22

HEX #3351C7

RGB 51 81 199

HSL 227.84, 0.59%, 0.49%

LAB 39.09, 30.42, -64.61

 

Description

Color code: HEX #C8339A | qconv.com Color code: HEX #C8339A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 51 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 51 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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