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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8331E it is the complementary color #37CCE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8331E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8331E shade: #CD3319, #DE452C, #EF573F, #FF6952 and #FF7B65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8331E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8331E shade: #C8331E, #B7210B, #A60F00, #950000 and #840000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8331E shade: #C8331E and #C81E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8331E shade: #C8331E, #C8611E, #C88E1E, #C8BC1E and #A5C81E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8331E shade matches the following richer shades: #C8331E and #DA250B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8331E shade: #C8331E, #B54130, #A34F43, #905D56 and #7D6B68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8331E shade: #C81E65, #C81E37, #C8321E, #C85F1E and #C88C1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8331E shade: #802113, #A42A18, #C8331E, #E0452F and #E56553

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8331E shade: #C8331E, #92C81E and #1E4EC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8331E shade: #C8331E, #1EC832 and #321EC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8331E shade: #C8331E, #92C81E, #1EB4C8 and #541EC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8331E shade: #C8331E, #5FC81E, #1EB4C8 and #871EC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

Complementary color

CMYK 76 / 9 / 0 / 12

HEX #37CCE1

RGB 55 204 225

HSL 187.41, 0.74%, 0.55%

LAB 75.72, -31.06, -21.45

 

CMYK 0 / 75 / 88 / 20

HEX #CD3319

RGB 205 51 25

HSL 8.67, 0.78%, 0.45%

LAB 46.2, 58.69, 50.42

 

CMYK 0 / 69 / 80 / 13

HEX #DE452C

RGB 222 69 44

HSL 8.43, 0.73%, 0.52%

LAB 51.8, 58.13, 47.68

 

CMYK 0 / 64 / 74 / 6

HEX #EF573F

RGB 239 87 63

HSL 8.18, 0.85%, 0.59%

LAB 57.58, 57.21, 44.79

 

CMYK 0 / 59 / 68 / 0

HEX #FF6952

RGB 255 105 82

HSL 7.98, 1%, 0.66%

LAB 63.32, 55.76, 41.85

 

CMYK 0 / 52 / 60 / 0

HEX #FF7B65

RGB 255 123 101

HSL 8.57, 1%, 0.7%

LAB 66.8, 48.54, 35.78

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 0 / 82 / 94 / 28

HEX #B7210B

RGB 183 33 11

HSL 7.67, 0.89%, 0.38%

LAB 39.88, 57.19, 49.34

 

CMYK 0 / 91 / 100 / 35

HEX #A60F00

RGB 166 15 0

HSL 5.42, 1%, 0.33%

LAB 34.9, 56.08, 48.83

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 0 / 85 / 85 / 22

HEX #C81E1E

RGB 200 30 30

HSL 0, 0.74%, 0.45%

LAB 43.21, 63.05, 45.22

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 0 / 52 / 85 / 22

HEX #C8611E

RGB 200 97 30

HSL 23.65, 0.74%, 0.45%

LAB 52.86, 37.16, 53.52

 

CMYK 0 / 29 / 85 / 22

HEX #C88E1E

RGB 200 142 30

HSL 39.53, 0.74%, 0.45%

LAB 63.11, 12.99, 62.14

 

CMYK 0 / 6 / 85 / 22

HEX #C8BC1E

RGB 200 188 30

HSL 55.76, 0.74%, 0.45%

LAB 75.04, -11.46, 72.01

 

CMYK 18 / 0 / 85 / 22

HEX #A5C81E

RGB 165 200 30

HSL 72.35, 0.74%, 0.45%

LAB 75.7, -32.14, 71.49

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 0 / 83 / 95 / 15

HEX #DA250B

RGB 218 37 11

HSL 7.54, 0.9%, 0.45%

LAB 47.3, 66.18, 57.35

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 0 / 64 / 73 / 29

HEX #B54130

RGB 181 65 48

HSL 7.67, 0.58%, 0.45%

LAB 43.97, 46.06, 35.12

 

CMYK 0 / 52 / 59 / 36

HEX #A34F43

RGB 163 79 67

HSL 7.5, 0.42%, 0.45%

LAB 43.92, 33.63, 23.29

 

CMYK 0 / 35 / 40 / 44

HEX #905D56

RGB 144 93 86

HSL 7.24, 0.25%, 0.45%

LAB 44.84, 19.99, 12.64

 

CMYK 0 / 14 / 17 / 51

HEX #7D6B68

RGB 125 107 104

HSL 8.57, 0.09%, 0.45%

LAB 46.81, 6.57, 4.3

 

CMYK 0 / 85 / 50 / 22

HEX #C81E65

RGB 200 30 101

HSL 334.94, 0.74%, 0.45%

LAB 44.44, 66.65, 4.14

 

CMYK 0 / 85 / 73 / 22

HEX #C81E37

RGB 200 30 55

HSL 351.18, 0.74%, 0.45%

LAB 43.48, 63.85, 31.41

 

CMYK 0 / 75 / 85 / 22

HEX #C8321E

RGB 200 50 30

HSL 7.06, 0.74%, 0.45%

LAB 45.16, 57.58, 46.91

 

CMYK 0 / 53 / 85 / 22

HEX #C85F1E

RGB 200 95 30

HSL 22.94, 0.74%, 0.45%

LAB 52.46, 38.18, 53.18

 

CMYK 0 / 30 / 85 / 22

HEX #C88C1E

RGB 200 140 30

HSL 38.82, 0.74%, 0.45%

LAB 62.62, 14.08, 61.73

 

CMYK 0 / 74 / 85 / 50

HEX #802113

RGB 128 33 19

HSL 7.71, 0.74%, 0.29%

LAB 28.7, 39.86, 32.36

 

CMYK 0 / 74 / 85 / 36

HEX #A42A18

RGB 164 42 24

HSL 7.71, 0.74%, 0.37%

LAB 37.14, 48.75, 40.11

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 0 / 69 / 79 / 12

HEX #E0452F

RGB 224 69 47

HSL 7.46, 0.74%, 0.53%

LAB 52.18, 58.87, 46.66

 

CMYK 0 / 56 / 64 / 10

HEX #E56553

RGB 229 101 83

HSL 7.4, 0.74%, 0.61%

LAB 58.59, 48.52, 34.66

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 27 / 0 / 85 / 22

HEX #92C81E

RGB 146 200 30

HSL 79.06, 0.74%, 0.45%

LAB 74.52, -39.65, 70.01

 

CMYK 85 / 61 / 0 / 22

HEX #1E4EC8

RGB 30 78 200

HSL 223.06, 0.74%, 0.45%

LAB 37.65, 30.8, -67.57

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 85 / 0 / 75 / 22

HEX #1EC832

RGB 30 200 50

HSL 127.06, 0.74%, 0.45%

LAB 70.74, -67.99, 59.5

 

CMYK 75 / 85 / 0 / 22

HEX #321EC8

RGB 50 30 200

HSL 247.06, 0.74%, 0.45%

LAB 28.84, 58.97, -82.08

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 27 / 0 / 85 / 22

HEX #92C81E

RGB 146 200 30

HSL 79.06, 0.74%, 0.45%

LAB 74.52, -39.65, 70.01

 

CMYK 85 / 10 / 0 / 22

HEX #1EB4C8

RGB 30 180 200

HSL 187.06, 0.74%, 0.45%

LAB 67.34, -29.41, -20.6

 

CMYK 58 / 85 / 0 / 22

HEX #541EC8

RGB 84 30 200

HSL 259.06, 0.74%, 0.45%

LAB 31.77, 61.54, -77.14

 

CMYK 0 / 75 / 85 / 22

HEX #C8331E

RGB 200 51 30

HSL 7.41, 0.74%, 0.45%

LAB 45.28, 57.25, 47.02

 

CMYK 53 / 0 / 85 / 22

HEX #5FC81E

RGB 95 200 30

HSL 97.06, 0.74%, 0.45%

LAB 72.12, -56.88, 66.99

 

CMYK 85 / 10 / 0 / 22

HEX #1EB4C8

RGB 30 180 200

HSL 187.06, 0.74%, 0.45%

LAB 67.34, -29.41, -20.6

 

CMYK 33 / 85 / 0 / 22

HEX #871EC8

RGB 135 30 200

HSL 277.06, 0.74%, 0.45%

LAB 38.29, 67.71, -66.19

 

Description

Color code: HEX #C8331E | qconv.com Color code: HEX #C8331E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 51 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 51 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 85 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 85% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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